Idol Mentor

I read the full text and ordered it, and then read the discussion posts. What can I say about this book? Many people said that the content is always unpleasant. I think so. You can just read it casually, right? It is said that there are many old tricks and old routines in this book, but this is not the point. It is difficult to think of new routines in urban entertainment literature. If you try to play the old routines in different ways, the effect will not be too bad. I personally think this book is not enjoyable, mainly because of the character design. The character of the protagonist lacks the necessary leadership. The goal at the beginning is very clear, which is to become a top star. The protagonist also has all the conditions to become a big star. He is a reborn person, backed by a world of entertainment works, and his own conditions are very good. But up to now, the protagonist has never done anything proactive about how to become a big star in this life. Except for the inappropriate argument scene with the agent that I discussed originally, the protagonist treats everything passively. As a person who aspires to be a top star, others ask if he knows this person and does he know that person? The protagonist doesn't know anything about it. How weird is this argument? You are a person in the entertainment industry. You have been born again and have no understanding of the entire entertainment industry or planning. You just don't care where you go. Can you really become a top star? Then this kind of star is too childish. The so-called knowing yourself and your enemy means you will be victorious in any battle. At least as a person who wants to take this path, you should have a relatively comprehensive understanding of the circle you are in and related people and things, and you should have some knowledge of the current entertainment system, right? If you don't do anything, what ambitions do you have? Therefore, due to the inaction in the character of the protagonist, the protagonist has been muddling along like a salted fish in the whole book so far, and it is naturally not enough to have fun, which makes the readers lack the enthusiasm for reading. The author also wants to express the protagonist's talents in his book, so what should he do? Therefore, the protagonist can only appear passively, and when requested, he writes such and such works, and takes an incredible amount of time to produce masterpieces, and accomplishes such and such because of certain things. The meaning of these plots immediately became the traditional urban pretentious jokes, so readers will say the same old routine. What if what happened above was the protagonist actively seeking change? The protagonist's identity is embarrassing, he is at the center of competition for the interests of the company's top executives, and he needs to improve his own value. At this time, being the producer of Star Girl can greatly increase your own value, so you can take the initiative to plan. Taking advantage of the competition between the two girl groups, you can actively plan plans, create works, let the stars rise, and then use the opportunity to withdraw from your own work. Isn't this a matter of gaining both fame and fortune? However, the author's way of dealing with it here is passive. He asked others to come to him, and then after retreating, he stayed up all night to create it. Then everyone was amazed, and then it became popular, and then... Nothing more! It was so cool that the piece suddenly broke. Author, have you practiced how to break the chapter? As the protagonist of a book and not the person who actively promotes the plot, how can you make people enjoy reading it?

Personally, I think TANK's talent as a singer is comparable to that of Jay Chou and JJ Lin. His music styles are varied: Chinese style, R&B, lyrical, and there is another genre that neither Jay Chou nor JJ Lin has, which is rock and passion. Recommended songs below.

Be honest, author. I don't know what you think about such a big variety show. Can a bad mentor control the show? The director of the program team was so determined. Why shouldn't the title sponsor punish him to death? What else would the protagonist do besides being aggrieved and aggrieved? Nothing. You guys are doing a palace fight drama? Making trouble during the recording of the show is a big taboo in variety shows. He no longer wants to hang out or be on the show. There are so many companies in that program

The protagonist is an idiot who doesn't even have a trump card and just fights with the company.

I read the previous article and thought it was food and grass, but it turned out to be poisonous weed. I had read a lot of bad articles and thought I had some resistance, but I still couldn't resist it. As a reworked product who has just secured the contract, he still dares to show respect to a popular boss and fight if he wants? If your fighting spirit is so strong, why not write fantasy novels?

The poor are almost dying. Never. Even got into a fight with the security guard. Still just came back from ten years later. Author, please be careful when writing your book. Not all people who read are fools.

The protagonist has all the resources on earth. He can jump to a big company or open his own studio, but he chooses to stay because of competition. He feels that his IQ is about the same as that of an elementary school student. Is he grudge?

It's poisonous. The protagonist's IQ is hopeless. He looks smart but actually does stupid things.

This... The character of the protagonist changed so much that I was surprised. Before, he was still a scheming and domineering young boy with an IQ, but after only fifteen chapters, he was forced to become a joke by the author. Moreover, the protagonist's luck value has been reduced to a negative number. I was quite looking forward to it when the announcement was made. The protagonist rose quickly, battled wits and courage with some company bosses, and suddenly became a big villain. Come on out... Analyze the strengths of both sides: Villain-level superstar, with traffic, resources, background, money, and the most important thing is having a family. He was caught cheating by a pig's feet, and found that he could not buy the protagonist with money. He was also scolded by the protagonist's coquettish operation like Erha. At this level, it can be said that we are incompatible with each other. It's you and me! The protagonist is a newbie with no family background and is very short of money. He has very low traffic, no resources and no company background. He has shown the potential to become a top idol. He is noticed by some bosses in the company. The problem is that it is only a few bosses and another group of people are holding them back. There is never a shortage of people with potential. The assistant is a pure newcomer who knows nothing. The agent is in menopause, has no background and is unable to stand up all the time. There is also a problem with the starting camp. He also has a negative attitude towards the protagonist and will definitely abandon him if something goes wrong. How can we compare? There is no way to compare! This is a very disappointing start! The protagonist doesn't even get a chance to show off his talents! You can easily make the protagonist so black that he can't stand up! The black spots will last a lifetime! Unless there is a system, I will just accept my fate. The author is walking on the edge of being abusive, which is very dangerous.

In fact, I think virtual idols are more valuable as mentors than as players. Instructional videos of dance and singing for competition repertoire can be completed virtually, and the performance stage can also serve as one of the hosts, etc. I wonder if the author will let the protagonist negotiate with the sponsors and not eliminate the contestants?