Sacrifice to the Stars

What was pleasant about the protagonist in the white novel is now poisonous: the protagonist is set as a hero and written as a slut who has never seen a woman. And if you want to write about flowers, the best thing to do is to change this routine. Write the hero as you set it, and dig deeper and deeper into the image of the hero. Let me tell you, this hero in me will do this, he will do these things! An extraordinary saint who has been alive for thousands of years, his will and determination, his heartfelt contempt for the struggling mortals in the world, and his heartfelt vigilance against anything and anyone developed over hundreds of years in the last days. This is the cool thing about today's white novels. Author, this is my opinion. I think this will greatly improve the quality of the novel in the later stage. With the improvement of strength, the extraordinary and holy soul gradually awakens. That great man who looks down on the world with arrogance is the yearning in the hearts of readers of male videos! Compared with a harem of three thousand, compared with countless younger brothers, compared with being amazed again and again, compared with being slapped in the face by pretending to be cool, this is the romance for readers of male novels nowadays!

Are you sure there is no female protagonist? Are you sure it is a dark novel? Why are there two beauties in the three golden pictures? I am very surprised why the protagonist is surrounded by beauties.

Brother, let me summarize some of the poisonous points for you. 1. The rebirth at the beginning directly accepts the cause and effect of the predecessor, takes over without any obstacles, and inexplicably recognizes Sister Xin'er. 2. After boasting that there is no female protagonist, it is crazy about female supporting characters. It's okay to have female supporting characters, but it's too much to have all of them be beautiful women. 3. In the section following "Wanling Balm", although the protagonist has been reborn, he is still a waste. Is it necessary to talk big words to attract hatred? He also boasts that he will repay you two portions later. His emotional intelligence is too low. 4. The routine is too old, and the useless style is now very outdated, especially this kind of one with a female supporting character at the beginning. Summary: The three golden chapters are written like this, which is very discouraging. I feel that you may have wanted to write some flesh-and-blood female supporting characters, but the writing power is not enough, or the idea is too straight, so the writing is still a template to dissuade. There is no heroine to be encouraged, but the plot and characters still need to continue to work hard.

Although it is not a holy text, it is definitely not a dark text.

It's okay, but my writing skills need to be improved.

Not bad. Hope it gets better and better. The main thing is. I hope you don't follow a cliche.

However, the following two routines are a very big test for the grasp of the setting and logic in the novel. In the early stages of Faust's novels, readers thought that the plot collapsed, but he could always find the main thread and bring the plot back together in this special way. Qin Ding is the one who clings to the setting, and the viciousness, timidity and caution of a generation of heroes have been written to death by him. But his novels come to life because their settings are rigid and don't break down.

I think it's very good, especially the show-off part, it's very enjoyable to watch.

It's interesting. I'll start casting two recommendation votes tomorrow.

I think it has the potential to be a high-level drama without a female protagonist. But whether he is superior to others or inferior to others depends on the author.

Brother, if you are afraid of not getting it right, just follow the method of writing novels prescribed by the author next door: extremely highlight the setting of the protagonist, such as a real villain, silly and sweet, etc., And think about the plot according to the characteristics of the protagonist in the setting. As long as the image of other characters does not collapse and their IQ is not forced, it will be fine. This routine has very different and exciting points, but it is a big test for the author's ability to grasp settings. Or follow the routine of Faust, the author of Krypton: In fact, this kind of protagonist is more suitable - the powerful protagonist gives opportunities, the real strong man seizes the opportunity, stands up and fights against the oppressor. Note that he does not force the plot, but each character is seriously shaped according to a villain or a good guy, so this kind of routine is updated very slowly, at most one chapter a day, but the quality is excellent. In short, I only have these suggestions for singles, because in the novels I have read, I only think that theirs have these very outstanding features.

Because the author said I only watched it if there was no female protagonist. After watching it, I found it to be pretty good. Except that there is no female protagonist, it has a mainstream feeling from the previous starting point. The protagonist is reborn and jumps around in the whirlpool. The protagonist was a demon king in his previous life. In the end of the world, he had no rules and he was so strong that he could do whatever he wanted. After his rebirth, he was fused with the memory of a refugee and possibly his sexuality, and he was too weak. The world also had rules, and it was more like being in shackles. This is normal. I don't know any skills that can make you stronger by killing people. There are also a lot of r [provoke] b [not] q [start] (funny) enemies that can jump like this because of the author's golden finger. Also talk about the situation where there are several beauties at the beginning. I drove a car in the first few chapters (funny) and ran over a little beauty (funny). This is a pretty good but a bit outdated novel.