Faced with a Strange Beast from the Start, I Summoned the Gods of the Nine Heavens

Here is a picture of the gods

How can I put it, the writing style is good and the ideas are good, but the biggest color pen of this kind cannot write the self-nature of the gods, and it feels like it has become the puppet of the protagonist. You can write that the protagonist is the boss, the link between man and God, but you cannot erase the self-nature of God. Personal feelings, please don't criticize.

The subject matter is quite good, but the depiction of Chinese gods is a bit useless! Every time something goes wrong, the gods always go out before the mortals, but the result is that the gods arrive later every time! Are you kidding me?

After reading a little bit, I felt that it was very good to have clairvoyance and a good ear at the beginning, but what the hell is all that is written after? Why do these two gods stay around? Wouldn't it be good to let them out and slay demons? Also, Why do you want to write a woman? Why? What kind of heroine does a man who will eventually become the King of the Gods want?

In the battle at Fengming Temple, the two gods set out first but arrived last. In order to fill the cup, they fell into the inferior position.

The recent chapter has become a big problem, so I won't talk about the Heavenly Soldiers. As Zhengshen said before, even if he has just recovered, he still has to transcend the existence of S. The result is this, what's the point?

Disappointed, I saved for a long time and found out that I only updated a few hundred chapters And did the author mess up the last few dozen chapters? There is basically no plot. Three lines of dialogue between the characters are one chapter. It describes useless psychological activities, reasons for the character's actions and the environment in a long way. Compare the heroine's reflections on the relationship between Emperor Chongyang and the hero in recent chapters. She thought about it twice, and wrote it once with Zhang Laoxu. Every time, she started from the beginning, and just "explained Emperor Chongyang's favoritism to her and Zhang Laoxu again", right? Does it have to be this watery? The scariest chapter contains 3 lines of character dialogue, but it's gone... You, the author, are really good at it The headquarters was described three times, twice that the headquarters was heavily guarded, and twice that Mr. Zhang was heavily guarded. He also described the chief instructor and guards... The profile description is good, But once is enough, you have written it so many times... As for why you don't doubt the heroine, from entering the organization, making phone calls, to talking to Mr. Zhang, I can't count how many times I have written it. I write it every time. Is it because the author has forgotten what he has written before or is he afraid that the readers will forget? Hundreds of words about a character's heart are gone, hundreds of words about a side character description (completely useless) are gone, and hundreds or even thousands of words are gone about explaining why a character talks and does what he does You are writing stories, and you must have a plot. You are not discussing the plot with us. Discussing the plot is what we do in the comment area! ! ! It's too watery and disappointing. I've been voting for you before, but these last few dozen chapters really demotivated me.

That's it for writing this kind of novel that summons mythical characters. It's easy to write in the early stage, but it's easy to collapse if you don't control it well in the later stage. There are many awesome mythical characters. The frame is not well constructed!

I couldn't stand it after reading Chapter 33. It's really poisonous. What the hell is that woman? The sister you wrote about earlier could bear it, and you still wrote about this woman. It's really disgusting. Also, the protagonist can't kill evildoers. This setting is really stupid. The protagonist is also the same as 250. Well

That female anchor wrote very well, don't write it again next time