I Was Born to Make Hong Kong Films

Wu Xiaowu became more and more shameless, and even asked Auntie Lin to help count the money after selling her. However, he was willing to change roles for Auntie Lin and specially arranged to go to the United States to raise a baby. Finally, he did what a man should do. Predict that Wu Xiaoxiao's first child will be a daughter

This book, in my opinion, is the first Hong Kong entertainment novel. At the very least, after reading this one by Gu Liang, I should never be able to read any other Hong Kong entertainment novels. Therefore, before reading this book, you can read Lao Wang's Xiangjiang first. By doing so, you will be able to read one more book Because Gu Liang's book can be said to be the inheritance and sublimation of Lao Wang Xiangjiang in terms of context. Both describe the entertainment industry from the perspective of the entire media industry. Capital is the main body, and the entertainment industry is only capital. , This point kills most entertainment works in terms of format. Those about directors and movie stars, in my opinion, are adult fairy tales, so childish that they can only be written as pure love stories. Although both are written about the entertainment industry, the latter is actually based on the pure love between men and women as its selling point... But, pure love in the entertainment industry? It's hard for me to continue reading. Pure love literature, or ambiguous literature, is only suitable for writing on campus... The core of entertainment works should be capital, and making movies is just Only Gu Liang's book can write about the capital game and the fight in the shopping mall. Even Lao Wang's Xiangjiang, as an early work, is very rough in writing. Therefore, aside from other things, purely in terms of shopping mall content, Gu Liang's book is a level higher than most other books. This can be seen from the interaction with He Fatty. The two fell in love and killed each other in the shopping mall, which brought the character of Fatty to life As far as entertainment works are concerned, Gu Liang's description of filmmaking is much higher than other so-called entertainment works. In reality, two years have passed, and only three years have passed in the book, with 2 million words, and only eight movies have been made. This is because Gu Liang spent a lot of pen and ink to tell everyone why Wu Gouzi's movies can make money, and his expertise in film knowledge is also higher than that of many other authors. It is like everyone uses movies as a , knocking on the door of capital, someone's brick is made of paper, with a few words written on it, I, xxx, make money. At this point, Guliang is much higher than them Of course, as Gu Liang's first book, there is also the problem of not grasping the rhythm well. Sometimes the literary youth disease makes readers feel toothache. Maybe Gu Liang deliberately uses those literary youth's words and toothache poisonous chicken soup to irony, but it is like a nonsensical joke. If this point is not grasped well, it can easily become embarrassing. Therefore, many times, I directly Skip the ones you don't want to read, and this is a big problem for online articles, because online articles are fast food literature, and the update speed is the core issue. Especially this book has gone through too much in the middle, and now it cannot be displayed on the client and can only be read through the app. This leads to a poor reading experience for readers who are following updates. They wait a day in vain and waste a chapter Therefore, my suggestion to the author is that if the author's main plot is stuck, then we can write some branch plots to buffer it. This is the advantage of entertainment works. The main plot is capital layout, shopping mall games, and the branch plots have more interactions with the characters. Others can become great by simply writing about the ambiguous interactions between male and female protagonists, such as the bottom of the sea. In fact, Guliang now also has this talent. This book, first of all, Gu Liang's writing style is not weaker than that of the other party. Secondly, even when deliberately describing other characters, Aunt Lin, Wang Xianxian, and He Pangpang are all written brilliantly. This is the advantage of entertainment works. The female characters in them have actually lived in everyone's hearts for a long time. Therefore, for a while, when Qiu Mada was disconnected, people felt very regretful Of course, some people may also think that Wu Pao Wang has already reached the point where he has been promoted three thousand miles, so how can he write interactions with female characters? In fact, this is wrong. Between men and women, for some people, sex may be the end of the relationship, such as the character He Fatty. But for some people, such as Wang Xianxian and Auntie Lin, it is the end of the relationship. Therefore, Wushan Yunyu is just like that, it always enters the time of the wise, but the yellow decals in the mirror moisturize things silently. For Gu Liang, a work that only took three years but has two million words, this kind of moisturizing and silent feeling is needed as a transition and connection Those who can still be with Gu Liang now, I think, to use the metaphor of the relationship between men and women, are no longer the passionate lovers at the beginning. They are getting better and better at every turn. What we enjoy now is the arrogance of He Pangpang, the coquettishness of Wang Xianxian, and there are too many existences that have been disconnected by Gu Liang... Finally, I would like to mention a personal opinion. When used as a joke, heavy flavors make me smile, but if I always use them like this, I find it boring. In fact, from a psychological point of view, heavy flavors are a way to vent one's ambitions but not enough energy, so one needs to use external stimuli to stimulate them. In fact, as of now, it's like King Wu Pao has started to have his own feathers. There is no need to use this kind of words as a gimmick. Instead, Lin I really liked the way the little aunt gave birth, including Wang Xianxian's recent troubles. It's all the same. At the beginning, Wu Pao Wang's origin meant that he could only attack others with bayonet. But at this point, it's like Wang Changjiu and others have become disciples. Wu Pao Wang's identity and plot should also have changed. He no longer needs to charge into battle to create conflicts to promote the plot, but can be used as a character. , Let the people below create conflicts to promote the plot, which can also increase the interaction between the gun king and the characters in the book. When I had no money, I shot a movie with one lens. Now that I have money, I need multiple lenses and multiple threads

Life without this chapter would be so miserable!

It's the end of the year, give me a reward, I've wanted to do it for a long time

It feels a bit abrupt, because I ran back to Hong Kong without a word of explanation, and it seems that I don't want to go back to the mainland anymore. So I don't care about the people on the mainland? There seems to be a bit of a problem with this connection. I also feel that the author has been hesitant when writing about mainland China. Maybe it's because of the ban that it's hard to write.

Please recommend some excellent harem novels from China Entertainment, Hong Kong Entertainment, and Korean Entertainment. I watched Hong Kong Entertainment's Drunken Pillow and Fantasy Hong Kong, directed by Tycoon. I watched Ji Cha's wreaking havoc, the interplay of light and shadow. China Entertainment has watched it since 1983. Please recommend someone with better writing skills, not too watery (don't recommend it if you always copy Baidu Encyclopedia and book reviews, there is no useful information), preferably with more plot, please recommend it, thank you guys.

The shelf life of Zhou Yu's legs is really long, tsk tsk, you can really play with the old ones!

People don't talk secretly, and boars don't pretend to be secretive. I, Peppa Pig, will put it here. I will go out to eat some pig food. If I don't have 100 likes when I come back, I will kill everyone here. Pay attention, it's you.

This book gives me the feeling that we are serious about making movies! It is a breath of fresh air among the many Hong Kong entertainment novels that copy scripts.

The author's writing is great. The underworld and business layout are reasonable, especially the process of making the movie. It allows readers to know why the movie is good-looking and popular. The author's use of some current affairs jokes makes people feel happy. It is a pity that Wu Gouzi is not friendly enough to Zhou Yunv. She was already miserable enough in reality. You are going too far than in reality, making her lose her dignity.