
Ask the Devil
问天极魔
- Status
- Ongoing
- Length
- 80k Words
- Genre
- Eastern Fantasy
- Audience
- Male
- Subgenre
- Eastern Xuanhuan
- Updated
- 9y ago
- Source
- Qidian
Stats
0Monthly votes
766Recommends
7Fans
37Chapters
Synopsis
Reader comments
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To be honest, why do so many people like dark literature? It's not that everyone has psychological problems, it's just to stop the nonsense.
"A Misaka Girl's Comprehensive Comic Journey" visited to support the masterpiece——
Http://u. Qidian. Com/z8DufroP Misaka No. 19090 Was experimented in advance, and was killed by Accelerator without any suspense. Death, this is Misaka's destined fate—— Misaka has a self, repeats her own destiny in different forms of existence, and in other forms in countless dimensions, but she has the desire to change her own destiny. Can Misaka girl's wish come true? Why would she have such an opportunity? Stay tuned——
The author's naming skills are so speechless. My son and I have the same generation, one is Wugou, the other is Wuji, and the pig-footed sister's name is too tacky, Xuemei.
It feels a bit like a devil.
Come on, I like novels like yours that have a positive outlook on life!
How to write a good novel: First, you need a good writing style, otherwise the narrative will not be penetrating, the environment will not be exaggerated, and the characters will look pale, which will seriously affect the reader's senses. The writing style can be exercised, and the author must write seriously and learn more language techniques. The second author must have an overall view, that is, stand at the top of the novel and look down on it, being deeply involved but detached from it, which will help the author discover flaws and incongruities in the text. Third, build a rigorous worldview. Whether it is a region, an exotic custom, or a different power system, these must be carefully written on a few pieces of paper and read several times when writing a novel. A real world is too involved and we cannot write it all, but we should try to restore it as much as possible, so as to give readers a visual feast of imagination. Fourth, regarding the character and will of different characters in the book, this is one of the core parts of a book. The author needs to use the substitution method to substitute the personality, background, vision, external influences and other factors of each character, and think about how the character will make a choice in such a situation. This can give the character a soul and no longer be rigid, and can also cultivate the author's understanding of people. The intuitive sensitivity of objects, because you have been substituted many times, you will have a feeling, and you can use your perception to write behaviors that are very suitable for the character's background. This is a training method, so don't find it troublesome. After all, a book may seem to have many characters, but if you calculate it on a daily basis, the characters you substitute every day are actually only a few, so it is not very time-consuming. Fifth, some readers' suggestions and ideas can be selectively adopted. After all, a person's energy is limited, and the author may not be able to detect some things that are obvious to bystanders. Sixth, learn from other people's strengths, such as fighting scenes, love scenes, and some basic scientific knowledge. It is best to create the world you write, so that it becomes a self-contained system. Bugs in other works can be avoided, and the right to interpret your own work belongs to you. That's about it. If there are any additions, I'll add them later. My advice to the author is that those who aspire to become great masters should not find it troublesome. As long as you work harder every day, your grades will definitely improve. It's better than not seriously writing summarizing experience and digging around for half-dead works. It doesn't matter if it's a bit difficult in the early stage. This is an exercise process and you can hone your writing style intuition. This is the most important wealth of a great master. If you want to become a blockbuster with your first book, there is no such thing. So don't be sad about low grades. The above are all suggestions for novel authors about their dark selves.
In fact, the villain's schemes and ruthlessness can only show that he is weak. The protagonist becomes stronger, beats the weak, and continues to become stronger. The strong person in the eyes of others is already weak in the eyes of the protagonist. It is okay to be unscrupulous and cruel.
Is there a bug in your book? Ye Huo was able to practice before and then he was disabled. But the protagonist has never practiced and you still bully him all day long? A person who has practiced is bullied by someone who has not practiced all day? Also, the main character is a villain and has a useless qualification.
It doesn't matter that the protagonist is a villain, but at least he has to help his family.
What I am more troubled about is the performance of the protagonist when he meets Yi Xingjian. It makes me think that the protagonist is a person who is not good at communication. I hope the author can make the protagonist into a person who is more scheming, scheming, and good at investing. This will make it easier to succeed. It is also best to replace the inner energy with Xuanli, vitality, etc. Otherwise, readers will easily substitute themselves into martial arts, and martial arts cannot be so awesome in the early stage. It feels like being deceived. Finally, how can martial arts be practiced to the point of being able to set fire and other phenomena? My understanding is that when you are not extraordinary in the early stage, martial arts are more like a way to exercise your body. The author should pay more attention to your power system and keep it closer to reality. This way, there will be fewer flaws and more people will see it.