The Great Literary Master

Author, the title of your book is "The Great Writer", but the things the protagonist has done recently have nothing to do with the title of the book. He is about to go to the battlefield, so it can be called "The Great War God".

I have always had a question that I would like to ask everyone. If I change the title of this book, change the name of the protagonist, and post it on other websites, can I also earn royalties and become a literary giant? The title of a book is called "The Great Writer", but in the book it holds high the banner of "appropriationism", copying an article here and there, and copying an emperor. In his spare time, he also calls on everyone to read the original version and pay attention to copyright. I really can't understand the world now. The article is written to convey the truth. Although this is the realm of online novels, we can't label it as "time travel" and fool readers here with wrong values, right? I rarely, very rarely, "have bad words" about a book, but I really couldn't help it. The scenes of killing people and seizing treasures in other novels are about gangsters, but they are still considered real villains and real robbers. But these copycats, who are under the banner of "literary men", steal good works to pretend to be slapped in the face, and are arty. They are the hypocrites among hypocrites. Don't readers find it disgusting?

The first problem is that the protagonist's thinking is too much like that of a Confucian scholar and not like a person in the 21st century. His insistence on morality is often reflected in the expression of etiquette, unlike modern people who do not associate action etiquette with morality. Many times the protagonist's need for face is not like a person in modern society who wants face, but rather like a pure ancient Confucian scholar's insistence on etiquette in poetry and books. When the protagonist criticizes Chen Wuji, the way of criticism: first harshly without asking the reason, then gentle and then reasonable. This method reminds me of the feudal patriarchal style when Teacher Guo Degang taught the members of Deyun Society. I feel very disgusted. I wonder if the author has written too many time-travel stories of this type, and his way of thinking about life has become a bit Confucian. I really recommend the author to read modern classics or science fiction urban light novels to cleanse his mind and clear up his Confucian thinking. Second question, I feel like this author doesn't know how to write more comfortably. Usually there are several chapters, and it is a foreshadowing of the exciting moments that are empathetic and very frustrating; adding one chapter is a burst of excitement that doesn't seem so exciting. It's just a rigid pile of cool points based on chapters, and even the cool bits are mixed with a lot of the author's unwillingness to fate. If the author is really unwilling to be plotted in life, we can understand, but please do not put them in the cool articles you write. This is the professional ethics of an online writer writing cool articles. I suggest the author to take a look at the rise of literary giants in the Republic of China, to see how they rationally arranged their unwillingness to deal with the current situation and their outbursts of joy, and to see how they were able to describe an aggrieved era and at the same time make their joyful moments particularly enjoyable.

I didn't read a book today, so I just drank water. That's it.

Broken book, the main character travels through mountains and rivers to play the piano. The teacher who is his apprentice looks down on the protagonist and does not teach him knowledge, but he does not know that the piano music he got by chance belongs to the protagonist. The protagonist has to confess to the teacher, has to pretend to be deep, pretend to be cool, and play hard-to-get, which is rubbish.

This book is quite bad, and it lacks a strong sense of humor. The protagonist has a sarcastic quality, and things will always find his way around the corner. The author's handling of conflicts is just forced. Also, he is a literary genius, but it can be seen that the author's knowledge reserve is very poor. He writes again and again by taking familiar (textbook) articles and translating them twice to express his literary talent. It still takes a long time to write one article. The author is not familiar with the ancient system. There are many rigid and illogical places. He also basically knows nothing about Confucian classics. The definition of talent is to be able to endorse, and he even figured out that candidates in the exams actually write silently. Xiaobai may like it, but personally I really can't accept it, so I'll say goodbye.

To be honest, the main character was targeted throughout the whole process, and I was tired of watching it. One after another came back again and again, endlessly.

What the hell is this about? I didn't want to read the first chapter.

It's so selfish to insist on showing off. Just seeing the protagonist in Chapter 60 ruining the reputation of other girls and not wanting to take responsibility at all makes me feel like this protagonist is really bad.

I don't understand. The protagonist is the son of the ruling queen mother, and he is also the top scholar in civil and military affairs. He was named a student, but he is always bullied by some petty officials. Those people can make the protagonist jump into a situation of narrow escape with a few words. The protagonist has to fight these people in everything he does. Even a simple registration for the provincial examination is full of twists and turns, with a narrow escape. Such plots are boring one after another, and insult the reader's IQ.