The Great Writer of Baodao

I have a suggestion. If the author could delete the first two chapters, I bet there wouldn't be so many people criticizing you. The rest of the book is still very good. The following is my personal opinion to answer the author's essence post. 1. One Guo Jingming is not a literary giant, and 100 million Guo Jingming is still not a literary giant. Half of the people who like it will still like it to death, and the other half of the people who hate it will still hate it to death. I would like to ask, which literary giant's works will still have such serious polarization after being polished by time? If so, please tell me. 2. Is Tang San a literary giant? I'm afraid not, but he has written so many online bestsellers. Isn't that enough? It can be seen that the quantitative change of best-selling authors is not that of literary giants. 3. Let me say it with conscience, Dou Po is not a fast food article? Dou Po is the most typical fast food article. Apart from being slap in the face and having fun, what else is left? It seems to be gone. Among these 11 books, Fighting to Break the Sky is the least connotative. Once you read it, you will be happy, and then it will be gone. If Xiaobing Piaomiao is the pioneering work, Zhu Xian Wukong also has gorgeous writing and ancient style bonuses, and Dou Po just makes everyone feel happy and slapped in the face. 4. The books that sell the most are not necessarily works. The influence of a writer is not reflected in how many idiot fans he has, but more in his criticism of social phenomena, the transformation of social behavior and the shaping of people's character. Unfortunately, none of these 11 books meets the standard. 5. Ming Dynasty and Three Kingdoms are good tools for becoming famous at a young age. Killing Immortals, Wukong and Tomb Robbers are online classics, so there is no harm in writing them. Harry Potter is more likely to have flowers outside the walls and fragrances inside the walls, but it is unavoidable for an author to inexplicably write a book for foreigners. As for Little Soldiers, Dou Po Pi is just superfluous. The above five books are enough to establish the author's status and lay the foundation for future changes. 6. Fantasy City is really not recommended, really.

Oh, come on, author, let me know when you publish a new book

This book is like a glass of boiled water that has been left overnight. It will definitely not taste good. Drinking too much may cause diarrhea.

The protagonist is afraid that there is a prairie doll on his head

There is a lot of debate on this issue in the book review area. It is all personal understanding. Who can say it clearly? I am also on the opposition side. I completely agree with the book friends' lofty definition of the word literary giant. I think that best-selling writers may not necessarily be called literary giants. One hundred Guo Jingming = Guo Jingming. For this kind of thing, quantitative change and qualitative change are not very applicable. If If you don't break through yourself, you won't become a junior high school student even if you solve 10,000 elementary school questions. Maybe some people have noticed that my attitude is not very sure, and I even use the word "not sure". That's because no one can guarantee that one day a best-selling author will be inspired by certain events to write a classic that will be passed down through the ages. Writers are definitely not judged by current sales, but by time! Many people's definition of a literary hero is a large number of good works. Sorry, I'm just that extreme. I take the term literary hero very seriously. No matter how many trivial articles you write, no matter how popular they are, as far as I'm concerned, you can't be called a literary hero. As far as this book is concerned, what's there to actually fuss about? The protagonist is still developing, and literary greatness is not achieved overnight. I don't believe that the great writers in history have not written some failed things, and one book is enough to become a great writer. And the author also said that the protagonist becomes a great writer at the end of the book, so why bother holding on to this point? There is also a little suggestion for the author: those classics that have been passed down through the ages all have a specific historical background. Once that condition is missing, the work will lose its inherent divinity. There is no way to copy and paste those famous works. I hope the author can think about it carefully.