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This book is a companion volume to the book "GIS and Archaeological Spatial Analysis" published by our company. It focuses on the application of GIS technology in archaeological research and teaching from a practical perspective. Including GIS landscape analysis, GIS hydrological analysis and soil erosion model, GIS cost surface analysis and archaeological spatial movement research, GIS viewshed analysis and landscape visibility, GIS network analysis, expansion and application of GIS technology, etc. This book is a companion volume to the book "GIS and Archaeological Spatial Analysis" published by our company. It focuses on the application of GIS technology in archaeological research and teaching from a practical perspective. Including GIS landscape analysis, GIS hydrological analysis and soil erosion model, GIS cost surface analysis and archaeological spatial movement research, GIS viewshed analysis and landscape visibility, GIS network analysis, expansion and application of GIS technology, etc.

The book is divided into four parts, including explanations of ancient porcelain identification terms, observations on ancient porcelain appreciation, five physical explanations, and some characteristic pictures of ancient porcelain. Among them, the first part lists a total of 226 characteristics of ancient porcelain, and annotates the ancient porcelain identification terms one by one, so that readers can not only appreciate the overall style of Chinese ancient porcelain art, but also understand the porcelain making technology and artistic characteristics of each historical period, and master the knowledge of defects, counterfeiting, imitation and identification of porcelain in each period. For antique lovers, this is a very practical book.

Among the Dunhuang posthumous works, in addition to handed down literary works and literary works of singing and singing, such as Bian Wen, Lectures on Sutras, etc., The most literary and practical text is undoubtedly the Wan Wen. About 95% of these vows are about Buddhism, and most of them are vows by Buddhists and non-Buddhists praying for protection from Buddhas and Bodhisattvas. Most Buddhist vows, whether by lay people or Buddhists, are characterized by sincerity and sincerity, so their use of language is often highly literary. This book will start by clarifying the types of Buddhist vows in the Dunhuang posthumous texts, combined with the social and historical background of the Buddhist vows, make a more detailed analysis of the literary and artistic color of the Dunhuang Buddhist vows, explore its literary factors, and put forward some opinions on its status in literary history.

This book uses a historical analysis method to look at the archaeological materials of the Chinese Bronze Age. It has novel perspectives, unique perspectives, and powerful arguments. It is refreshing after reading. It can be said to be a model work for research on the Chinese Bronze Age in recent years. This book focuses on how to use the ever-changing archaeological data as evidence to elucidate the important historical proposition of the social structure and social change process of China's Late Bronze Age from the perspective of social anthropology.

This book consists of ten articles, starting with Gu Jiegang's "Ancient History Analysis", which provides a detailed analysis of the major issues and representative scholars in the development of Xia, Shang and Zhou archeology. At the same time, the author adheres to the principle of objectivity and "states without commenting and ends with the point" and does not comment on the merits and demerits of each view.

The Xia, Shang and Western Zhou dynasties were important historical periods for the formation and development of Chinese civilization. The Central Plains lived in the "world" and were the main body of Chinese civilization. However, the "barbarian, Rongdi" cultures located in the four directions not only influenced, participated in and even integrated into the process of the formation of Chinese civilization. Among the "four directions" culture of the Central Plains, northern culture has had a profound and far-reaching influence on the Central Plains civilization. "Research on Northern Bronze Ware in the Central Plains of Xia, Shang and Western Zhou Dynasties" edited by Han Jinqiu takes the northern bronze wares of the Central Plains as the starting point, and reproduces the historical picture of the impact of northern bronze wares on the Central Plains through archaeological research.

People in the archeology circle draw pictures, and comics circles dig graves. A comic-loving archaeological girl uses her comic image of the fox "Ah San" to bring you from your imagination full of temptation, romance, and mystery into a scientific, real, but very interesting world of archeology.

The Liangshan Yi Autonomous Prefecture Museum in Sichuan Province houses many unknown and precious cultural relics. The special cultural geographical location and long historical and cultural accumulation make Liangshan a place rich in cultural relics resources. After more than 50 years of accumulation, the Liangshan Prefecture Museum has more than 20,000 cultural relics in its collection, including nearly 2,000 precious cultural relics. Among these cultural relics with strong local characteristics, there are flowing pottery pots, copper staffs with nine-section fish patterns, bronze drums, chimes, copper money trees, eight-pointed star gold ornaments, pottery figurines, etc., All of which are unique or rare treasures in the country. There are also many rare treasures, such as the Red Army's house loan receipt, Ding Youjun's autograph letters, paintings by the famous painter Ma Ji, and the passport of American scholar Locke, etc. Liangshan Prefecture Museum and "Xichang Metropolis Daily" jointly launched the "Liangshan Treasures" column, which selected 20 treasures (sets) from more than 20,000 cultural relics in the museum's collection, based on their scientific value, historical value and artistic value; telling the story of a cultural relic and understanding the legend of Liangshan history. Use cultural relics to talk about culture and civilization, and explore the cultural charm and historical value behind cultural relics, aiming to let more people understand the past and present lives of cultural relics and understand the wisdom and creativity of their ancestors.

Northern China has the largest number of human-faced rock paintings and the widest distribution. Yinshan Mountain, Zhuizhuishan Mountain, Helan Mountain and Chifeng are the main distribution areas. Drawing on the method of archaeological typology, this book studies the human-face rock paintings in the northern China system, analyzes and summarizes the characteristics and distribution characteristics of the human-face rock paintings in various regions of northern China, and conducts periodic research and chronological discussion. At the same time, this book also discusses the transmission route of human-face rock paintings, human-face rock paintings and primitive religion, human-face rock paintings and Wu Nuo masks, and primitive dramas, etc., In order to more comprehensively study the cultural connotation of human-face rock paintings and reproduce the relevant historical and cultural aspects of China.

"Spatial expression" is the basic theme of Chinese and Western art history research. This book is committed to using the stylistic method under the background of "simulating the history" of art in the Han and Tang Dynasties, taking the "spatial expression" issue of Dunhuang murals from the Northern Liang Dynasty to the prosperous Tang Dynasty as the starting point, to systematically examine the integration process of the unique spatial expression methods of the Han nation and foreign Buddhist themes. It organically combines archaeological artworks, handed down works and documents, places the evolution of style history in its historical and cultural context, and explains the changes in style from the macro background of conceptual history, social history and cultural history. During the specific research process, from the basic perspective of spatial painting, we re-examined some important issues in the study of Chinese Buddhist art, such as the sinicization reform of Buddhist art in the Northern Wei Dynasty, the division of labor and cooperation of the Dunhuang craftsmen group in the late Northern Dynasties and the use of powder books, and the source of the patterns of the Pure Land Sutra paintings in the Tang Dynasty. We also tried to reveal the uniqueness of ancient Chinese art in expressing space.

This book attempts to explore the development path of pre-Qin Confucian political ideals from individuals to society from its internal logical roots. Based on the newly unearthed bamboo slips and silk documents, the author makes deep connections and examines the source; relying on the documents handed down from ancient times, from the exegesis of words and sentences to the exploration of the thoughts of chapters, from the elucidation of individual cases to the overall observation of trends, reviewing the past and learning the new, and telling the whole story. This article will discuss the political ideals of Pre-Qin Confucianism in the newly unearthed bamboo slips and silk documents from six aspects: the religious relationship between heaven and man, how to establish a trustworthy society, the unique value of temperament thought, the modernity of ethical thought, differences in texts to differences in thought, and the ideals of political philosophy. There are waves at the bottom of the pen, and the clouds are steaming and the clouds are rising.

"Research on the Genealogy of Images of the Five Mountains Gods in Taoist Mural Paintings" has three chapters. Among them, the first chapter mainly discusses the time when the term "Five Mountains" was formed and the situation of mountain murals from the Han Dynasty to the Tang and Song Dynasties, as well as an inspection list of the existing images of the Five Mountains in temple murals. The second chapter is an examination of the status and karma of the gods in the Five Mountains murals in specific temples, in an attempt to establish a "small genealogy" of the images of the Five Mountains gods. The third chapter further elaborates on the basis of the second chapter. By summarizing and sorting out the deities in the Five Mountains murals, it establishes the image lineage of the Five Mountains gods in Taoist murals, which is mainly composed of the Taoist dynasty system, the national mountain temple sacrificial system, and the folk mountain temple sacrificial system. By analyzing the relationship between the three lineages, it finally outlines the five mountain god lineage in Taoist murals, which consists of the Five Mountains God, the Yu Sacrifice God, the Direction God, the Timing God, and the God of Protection and Punishment.

Yandi generally refers to today's Beijing, Tianjin, northern Hebei, and southwestern Liaoning. This book is based on "Hanshu Geography", and examines the geographical location, structural layout, initial style and evolution of the 134 counties (kingdom capitals) and county (hou state) cities in this area. It supplements the existing research results, speculates on the issues that are still controversial, and also expresses their own opinions on those who have not studied them in ancient and modern times. This book examines more than 200 ancient cities. Its content is mainly based on the Han Dynasty, dating back to before the Qin Dynasty, and the lower limit generally ends in the Southern and Northern Dynasties. The historical materials are detailed and reliable, the argument is solid and steady, creative and consistent with historical reality.

Since 1928, scientific archaeological excavations at the Yin Ruins have been carried out for ninety years. During this period, a large amount of archaeological materials were accumulated, including a large number of bones, horns, teeth, and clams. This book selects a total of more than 200 photos, divided into categories, and accompanied by detailed text descriptions. The selected artifacts are either exquisitely made and exquisitely crafted ceremonial items, or weapons with various forms and full functions, or seemingly ordinary but highly practical tools. Bone tool making tools are also specially selected. In addition, there are also a small number of oracle bones, animal remains specimens, etc. Through this, we hope to more comprehensively reflect the production and use of bone, horn, tooth, and clam vessels in the Yin Ruins, as well as their significance in the lives of the ancestors of the Yin Ruins.

The significance of the Yin Ruins to Chinese archeology is not only that it contains rich ancient relics, but also that its discovery and excavation are closely related to Chinese archaeology. Therefore, the excavation of the Yin Ruins is regarded as a microcosm of the history of Chinese archaeology. The book "People and Things in the Archeology of the Yin Ruins in the Ninety Years" selects the photos, tools and daily utensils left by many archaeologists during their work at the Yin Ruins since 1928, especially since the 1950s. Using time as the longitude and events as the latitude, it has left physical evidence for the archeology of the Yin Ruins in the past ninety years and given it academic historical significance.

This book is adapted from 17 monographs. It currently has thirteen chapters, divided into four parts, and is roughly centered around the Dunhuang and Turpan documents. It is divided into four parts: legal system, social economy, academic and education, divination and calendar. The specific contents include: a preliminary study of the six volumes of the Tang Dynasty's Book of Documents and twenty-four figures, the application and issuance of the Tang Dynasty's ultimatum as seen in the Dunhuang documents, the production and practice of the Tang Dynasty's "Three Jia City" as seen in the Dunhuang and Turpan documents, etc.

The author condenses his profound knowledge of ancient book versions and rich and specific experience in version identification into concise and professional text explanations. He is knowledgeable and knowledgeable about ancient books and has a thorough understanding of ancient and modern times, and provides a systematic explanation of ancient book version identification. This book will help readers who love the appraisal of ancient book versions to improve their ability to distinguish similarities and differences and determine right and wrong in ancient book versions.

This book collects extensive information on shipwrecks at home and abroad, compares them with ceramic remains unearthed from various land sites, and combs and analyzes the process and stage characteristics of ancient Chinese ceramics exported through the Maritime Silk Road with pictures and texts, revealing the history of changes in ancient Chinese maritime civilization and China's status and role in the world's maritime civilization system at different stages. Based on a large amount of displayed kiln site information, it outlines the changes in the production of ancient Chinese export porcelain, and discusses the cultural exchanges between China and foreign countries through the ceramic trade in the form of individual cases, which vividly reflects the long history and rich connotation of the Maritime Silk Road.

This book mainly introduces the development overview, characteristics and identification points of ceramics in the three dynasties of Qing Dynasty, and strives to reflect the latest archaeological excavation and academic research results in recent years. The book pays attention to the comparison of written materials and physical objects, explores the varieties, characteristics, achievements and influence of porcelain in various periods, and expands the horizons of Chinese ceramic archeology and research. This book is not only a professional work with comprehensive knowledge points, but also a popular reading, which has certain value for readers to appreciate the ceramic art of the third generation of Qing Dynasty.

This book is a collection of papers from three academic seminars on the study of unearthed documents and ancient Chinese civilization. It conducts comprehensive and extensive research on various social, cultural, economic and other issues reflected in the unearthed documents of the Qin and Han Dynasties, such as Shuihudi Qin bamboo slips, Fangmatan Qin bamboo slips, Tsinghua Qin bamboo slips, Liye Qin bamboo slips, and Xuanquan Han bamboo slips. It has a certain significance in promoting the study of Qin and Han history.

The World Archaeological Forum is a grand academic event hosted by the Institute of Archeology of the Chinese Academy of Social Sciences and attended by famous archaeologists from more than a dozen countries. "Proceedings of the World Archaeological Forum" is a collection of outstanding papers published in the World Archaeological Forum. This collection contains texts on history and archeology by top Chinese and foreign scholars, as well as introductions to the top ten world archaeological discoveries rated that year, and a large number of pictures. This is an excellent book for understanding the current situation of world archeology.

"Nankai Cultural Museum and Archeology Series" collects 19 papers written by teachers in the Department of Archeology and Museology, School of History, Nankai University since 1979, covering many aspects such as archaeological research, cultural relics research, museology, and historical research. The collection of essays not only reflects the development and creation of Nankai University's cultural and cultural studies major over the years, but also reflects the achievements and gains in the development process. "Nankai Cultural Museum and Archeology Series" can be used as a reference and reading by researchers and enthusiasts engaged in archeology, museums, history, etc.

This book is arranged in chronological order and brings together the author's research results on archeology and art in the Western Regions in recent years. The content involves the spread of ancient metallurgical technology seen in the Seima-Turbino cultural relics, the impact of the migration and redistribution of ancient Western Regions ethnic groups on the culture and art of the Silk Road, the discovery of the ruins of the Western Regions Protectorate, as well as issues such as jewelry art and cultural exchanges between China and foreign countries. The book is based on archaeological materials, combined with solid literature research and on-the-spot investigation, and provides unique insights into some academic issues that are currently controversial in the academic community, which is refreshing. Among them, the discussion about the Seima-Turbino culture and the prehistoric Silk Road has attracted widespread attention from academic circles at home and abroad.

This book is a collection of articles by members of the academic department. Mr. Zhang Changshou was the deputy director of the Institute of Archeology of the Chinese Academy of Social Sciences and a well-known Shang and Zhou archaeologist in my country. This book brings together Mr. Zhang Changshou's research papers on bronzes, jades, etc. These articles have been of great significance in the Chinese archaeological community, especially the Shang and Zhou archaeological circles. They are of milestone significance in solving the research problems of bronzes and jades. The publication of this book is very important for future scholars to inherit the academic work of their predecessors.

Based on an in-depth discussion of the discovery, attributes, and development stages of pre-Qin cities, this book conducts a comprehensive and systematic analysis and research on the types and construction techniques of urban defense facilities during this period, the construction and evolution of defense systems, the defense culture model, the comparison of defense culture between the Central Plains and surrounding cities, and the development and utilization of defense cultural resources in Central Plains cities. The book divides the three stages of pre-Qin city development in the Central Plains, discusses the capital defense systems in each period of Xia, Shang, and Zhou, demonstrates the pre-Qin "city wall system" and "defending on four sides" urban defense models, and studies the commonalities and differences of pre-Qin urban defense culture in the Central Plains and surrounding areas. These results are all innovative.

This is the first academic monograph to conduct a comprehensive study of the Bronze Age culture of Yunnan, China and Vietnam. Taking the origin, development and evolution of early civilizations as the main line, the author sorted out the cultural development process from the late Neolithic Age to the Bronze Age and finally to the early Iron Age in Yunnan and Vietnam in China, and attempted to conduct archaeological studies on the various Bronze Age cultures in Yunnan and Vietnam. The book also attempted for the first time a comparative study on the origins of the bronze cultures in the two places, their livelihood patterns, religious sacrificial rituals and other aspects.

"History of the Forbidden City" was first written in 1962. It includes three parts: the palace architecture of the Forbidden City, the construction history of the Forbidden City, and the historical sites of the Forbidden City. It uses a simple and easy-to-understand approach to give life to the boring silicon shingle and tile stone buildings, making it not boring to read.

The famous Chen family, the glorious legend of four generations of elites, tells you what a cultural aristocrat is! There are many famous and distinguished families in Chinese history, but the only one who is famous in "Cihai" is Chen Baozhen from Xiushui, Jiangxi (known as Yining in ancient times). Chen Baozhen, the governor of Hunan in the late Qing Dynasty, Chen Sanli, a representative figure of Tongguang poetry, Chen Hengke, a painter, Chen Yinke, a master of history, and Chen Fenghuai, the "father of the Chinese Botanical Garden", are the famous "Five Heroes of the Chen Family". The century-old legend of the four generations and five heroes of the Chen family in Yining illuminates the epitome of the fate of modern Chinese intellectuals...

This book is a comparative study of archaeological culture based on geographical divisions. It first sorts out the early archaeological and cultural sequences in the Central Plains, Sichuan Basin and Qinghai-Tibet Plateau, and then analyzes the Central Plains, Qinghai-Tibet Plateau and Central Plains according to different transmission routes. After studying the archaeological and cultural relationship with the Sichuan Basin, we finally came to the conclusion that in the late Neolithic Age, the archaeological culture of the Central Plains region had a greater impact on the culture of the Qinghai-Tibet Plateau; after entering the Bronze Age, the archaeological culture of the Central Plains region and the Sichuan Basin became more closely connected.

This is a popular work that introduces archeology and archaeological research results to a broad audience. According to the order of human historical development, the book provides a relatively systematic summary of archaeologists from various countries around the world, with a special focus on the latest major archaeological discoveries and research results achieved by German archaeologists. It is an important supplement to similar works in Britain, France, the United States and other countries. In vivid and easy-to-understand language, "Archaeological Traces: A Journey Through Human History" summarizes the millions of years of physiological evolution and long-term development of material culture of human beings from the Paleolithic Age, through farming, animal husbandry and settled life in the Neolithic Age, and the gradual emergence of division of labor and differentiation between rich and poor based on the smelting and processing of metals in the Bronze and Iron Ages, which eventually gave rise to social classes and the emergence of ancient world civilizations, all the way to modern history including the Second World War. The author properly captures the characteristics of each historical period of mankind, briefly introduces the evolution and development process of human society, and at the same time highlights the outstanding contribution of archeology in the study of each historical period.

This collection includes 19 papers since the author started participating in archaeological work and 1 research excavation report, totaling 20 papers. This collection systematically discusses the cultural characteristics, divisions, staging and age of various ancient remains in Shaanxi and its adjacent Gansu, Shanxi and other regions from the Yangshao Culture to the Western Zhou Dynasty, as well as their mutual relationships. It also puts forward some new insights and has a certain role in promoting the study of the archaeological cultural sequence in this region.

This book is the result of the interpretation and compilation of 13 Sogdian documents unearthed in Hotan (ancient Khotan), Xinjiang, which were collected by the Museum of Renmin University of China in 2010. This batch of documents is not only the largest batch of Sogdian documents published in China in recent years, but is also of great research interest. The contents of the documents include economic documents, letters and other secular documents, dating from about the end of the 8th century, and provide important reference materials for understanding the Sogdian barbarians from Central Asia who were active in the four towns of Anxi at the end of the Tang Dynasty's rule in the Western Regions.

Through a systematic and in-depth study of temple inscriptions in the Song Dynasty, this book believes that the multi-dimensional Buddhist beliefs of the Song Dynasty were established and presented in the rich and colorful temple inscriptions. Regarding the practical value of Buddhism, although the positions and understandings of the official, folk and monasteries are different, there is no opposition or conflict between them, but complement and echo each other. Ultimately, through the writing of inscriptions by literati, monks and common people, the basic ideological aspects of Buddhist culture in the Song Dynasty were constructed: life well-being, spiritual freedom and social harmony. This conclusion undoubtedly has profound implications for the current modern country that integrates the forces of all parties, promotes social harmony, and realizes democracy and civilization.

In 2011, "Liaoshen Evening News" sent a capable team to conduct field inspections in Inner Mongolia and western Liaoning. They interviewed many archaeological experts and private researchers and obtained a large amount of detailed information. This book is based on fifteen articles published in "Liaoshen Evening News" after this inspection. It also includes a number of articles about the remains of the Yellow Emperor published in authoritative domestic newspapers in recent years. It is compiled and published with a total of 250,000 words. These articles demonstrate the historical fact that the Huangdi tribe originated in the Liaohe River Basin from different aspects. The article has a clear argument, rigorous argumentation and well-founded evidence. After it was first published in the newspaper, it attracted close attention from the domestic archaeological and historical circles.

Shanxi Province now preserves about 70% of the country's large wooden buildings before the Ming Dynasty. The number of ancient buildings in various forms ranks first in the country. The Pingyang and Hedong areas in southern Shanxi have preserved many ancient buildings that span a long time, cover a wide range of forms, and have a high density of ancient buildings. There are buildings from the Tang, Song, Jin, Yuan, Ming, and Qing periods, and they are known as "a paradise for lovers of ancient architecture." In this book, the author Lianda uses sincere and ingenious words paired with 157 exquisite hand-drawn paintings to show readers the beauty of 124 ancient buildings in southern Shanxi. He records the current status of many little-known ancient buildings and also records his whereabouts and thoughts in words. It allows us to feel the beauty of traditional ancient buildings more deeply, understand the history and humanistic stories in them, and at the same time, pay more attention and protection to traditional buildings and culture.

The origin of primitive art is an ancient and fashionable topic. A large number of ostrich egg skin beads have been found in Paleolithic sites. These non-practical products are considered to be the most vivid and concrete representatives of the changes in the spiritual field of ancient humans. They are the origin of primitive artistic creation and early records of modern human behavior. This book comprehensively uses archaeological results at home and abroad, taking the ostrich egg skin beads unearthed in my country as an example, to explore the production process and symbolic significance of personal ornaments in the Paleolithic Age, providing an important inspiration for analyzing and explaining the emergence and development of ancient human symbolic behavior and the origin and spread of primitive art.

A group of important epigraph collectors and epigraphists emerged in the late Qing Dynasty. Their collection types, quantity, quality, etc. Greatly exceeded their predecessors, showing the characteristics of extensive collection, precise identification, and group textual research. Among the epigraphers of this period, Pan Zuyin had the largest collection of bronzes, which influenced the epigraphic cultural activities of this group. This book uses Pan as a link to go deep into the group, sort out their thoughts and practices, describe the late Qing epigraphy culture from one side, and reveal the uniqueness of the late Qing epigraphy culture. At the same time, it studies the impact of epigraphy culture on the art of calligraphy and seal cutting, analyzes a series of changes in creative concepts, creative methods, etc., And provides inspiration for today's related art research and creation.

This book covers ancient people's daily necessities, transportation, cultural life, arts and crafts, etc., And is more specific to the evolution and development of ancient jade, ceramics, glass, mirrors, lacquerware, chariots, carriages, fans, embroidery, clothing, lions, dragons, phoenixes, and fish patterns. Mr. Shen Congwen used the attitude of a writer to sort out the common sense related to cultural relics, and talked about various cultural relics from the perspective of appreciation, filling the gaps in the history of cultural relics in my country.

The Institute of Unearthed Documents and Traditional Economy of Wuhan University took the lead in organizing well-known experts and scholars in the study of contracts of various ethnic groups in China. In 2014, it applied for and undertook the major project of the National Social Science Fund "Compilation of Contract Documents of Various Ethnic Groups Unearthed on the Silk Road and Its Relationship with Chinese Contracts" "Comparative Research" (14ZDB030), cooperated to systematically sort out contracts in some ethnic languages, and also carried out multi-faceted research on the contract documents of various ethnic groups. In October 2015, the "Research on Ethnic Contracts Unearthed from the Silk Road" was held in Turpan City "International Academic Forum", more than 40 experts and scholars from home and abroad participated in the meeting. They conducted multi-faceted discussions on the Qilin, Tubo, Uighur, Xixia, Chagatai and Chinese contract documents unearthed along the ancient Silk Road. They also discussed the prosperity of contracts along the Silk Road. Many insights were put forward in terms of the role of the contract in various ethnic languages, the similarities and differences between contracts in various ethnic languages and those in Chinese, as well as the evolution of differences and convergence, the adjustment of the Silk Road route and its economic activities in different periods, and the understanding of the characteristics and regularity of the development of the contract itself. These academic results are now compiled into the "Collection of Research on Contract Documents of Various Ethnic Groups on the Silk Road" for the purpose of wider exchange.

This book is a related work that the author completed in 1947 at the same time as the "Collection of Chinese Bronze Ware Collection in the United States". According to the English manuscript of V1 collected by the Institute of Archeology of the Chinese Academy of Social Sciences, it was translated into Chinese by Wang Rui and four others. The translation was reviewed by Zhang Changshou and Wang Shimin. The book is divided into fifteen chapters. Based on the information available at the time, it provides a comprehensive and in-depth discussion of many aspects of the study of Chinese bronzes, such as research methods and brief history, regional distribution and cultural background, bronze terminology and shape classification, shape and decoration, forgery and casting, inscriptions, dating, etc. Some of the chapters are quite exciting. This is a work that has been lost for a long time due to historical reasons in the history of Chinese bronze research and has important academic value.

This book is a compilation of the results of the third national cultural relics census in Qufu City, including a compilation of "Three Census" documents, "Three Census" work records, a collection of "Three Census" results, and "Three Census" harvest experiences and major work events. Through this cultural relics census, we have a new understanding of the protection of cultural relics in the field, and we have new ideas and new feelings on how to do a good job in cultural relics protection. ?

This book is another work by Chen Shengqian on archaeological theory, methods, practice and reflection besides "Learning Archeology". If "Learning Archeology" is written for young people who are interested in archeology, are new to archaeology, and are new to working in the field, then "Thinking about Archeology" is aimed at archaeological researchers who have been working in the field for many years, as well as the general public who want to have a deeper understanding of archeology. The author analyzes the subject of archeology from the aspects of ontology thinking, archaeological significance, archaeological identity, the development of contemporary archeology, and the research status of Chinese archeology. In particular, he summarizes and reflects on the development of Chinese archeology, covering both its advantages and disadvantages, and puts forward good ideas. The attitudes towards academic studies and life are integrated throughout, and the content is richer and the vision is broader.

This book uses physical historical materials discovered by archaeologists as evidence to historically and systematically explain the institutional characteristics of the imperial mausoleums of the Tang Dynasty and the process of their occurrence, development, rise and decline. It also conducts extensive and in-depth discussions on the stone carvings of the mausoleums, the burial system, and the historical status, merits and demerits of the tomb owners.

The papers included in this book cover six aspects: museum construction and development, museum management and services, museum display and display, appreciation and research of museum collections, collection and protection of museum collections, and cultural heritage and protection.

This book analyzes and explains the history, culture and stone carving art of Zhaoling Mausoleum of Emperor Taizong of the Tang Dynasty. Contents include: Six Horses of Zhaoling, stone statues of chiefs of the Fourteen Kingdoms, Shinto tablets, epitaphs, and other stone carvings.

This book mainly collects the relevant research papers of scholars at home and abroad on Lu Xun's research on Han portrait stones, and discusses other researchers' related research and data inspection on Han portrait stones. This book mainly collects the relevant research papers of scholars at home and abroad on Lu Xun's research on Han portrait stones, and discusses other researchers' related research and data inspection on Han portrait stones.

"A Brief History of the Excavation of Ancient Tombs in Ancient Cities", with pictures and texts, uses refined and popular language to summarize the major archaeological discoveries made abroad from the 19th century to the early 20th century, such as the discovery and excavation process of important relics in ancient Egypt, ancient Babylon, and ancient Greece. This is one of Mr. Zheng Zhenduo's important archaeological works. It has detailed information, clear organization, vivid diction, and strong academic significance and readability. In addition, the appendix of this book also includes Zhu Xie's "Illustrated Research on the Tombs of the Six Dynasties in Jiankang Lanling", making the content of this book richer and more complete. There are approximately 160 pictures inserted into the book, many of which are very precious old photos.

This book is a tool for searching archaeological documents of the Neolithic Age in China. It includes Chinese books, newspapers and periodicals on the archaeological excavation and research of the Neolithic Age published in China (including Hong Kong, Macao and Taiwan) from 1923 to 2006. It also includes some internal materials and documents from several related disciplines. On the basis of the traditional arrangement of archaeological data from the Neolithic Age in China, the book adds items arranged around academic research topics.

Si Fei's team has paid attention to and visited the "National Protection" theme for more than ten years. It has in-depth sorted out seven batches of "National Protection" lists, totaling 4,296 places, compiled nearly 10,000 historical sites, and presented China's most magnificent ancient buildings, painted sculptures, murals, grottoes, ruins, tombs, etc. From multiple angles. It compiled a detailed visit guide based on on-the-spot travel experience. "Searching for the Ancients: A Handbook of Chinese Cultural and Historical Relics" consists of four volumes, with provinces, cities, and counties as divisional units, and marked with "National Security" batches, eras, and addresses. It is a live map of historical and cultural relics that can be used at any time and is easy to read and write.

Professor Rosen has a wide range of interests in Chinese culture, including ancient Chinese bronzes and jades, as well as the later revival of bronzes. She pays attention to the role of "sets" of bronze ware in the ritual procedures of the Shang and Zhou dynasties. This theory is very effective in exploring the development of bronze ware. In terms of jade, Professor Rosen's contribution mainly focused on the preservation and reuse of ancient jade in the later period. For example, many reused ancient jade were discovered in the tomb of Fuhao in the Shang Dynasty. In recent years, Professor Rosen has mainly focused on research on the development of Chinese tomb structures, trying to show how ancient tombs were understood by tomb owners and builders. She explores the evolution of monolithic burial forms in early China (from the Shang to Han dynasties), and also focuses on China's exchanges with inland Asia. Professor Rosen is also committed to some recent projects, such as organizing the "Prosperity of the Prosperity - Three Dynasties of Emperors Kang, Yong and Qian" art exhibition in London to recreate China's three dynasties and its rich artistic connotation to Western society. In her research on recent Chinese art, she has a special interest in the use of "decoration", focusing on the comparative study of the decorative traditions of Western culture and Far Eastern culture, thereby revealing the important cultural differences and similarities between the two regions.