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This book is Wang Guohua's work about writing about flowers and about himself. The two hundred and fifteen kinds of flowers I write about are all those I have seen with my own eyes, or copied their shapes, or described their states. I do not seek to become an encyclopedia, let alone be absolutely accurate. I just want to write down the flowers I have seen, understood, and cared about. The flowers in the painting are either lively, melancholy, indifferent, or transcendent, and they have become spiritual lives. Reading them feels like meeting old friends, or talking to confidants. On the surface, you write about flowers, but in reality, you describe yourself. When I read about each flower, I see thousands of corners of Wang Guohua's inner world. Prose is a first-class work that can express the richness and richness of the spiritual world. The reason for this achievement is that every time he writes about a kind of flower, he gets closer to look at it, bends down to listen to the language of flowers, erases all prejudices, and touches them with the eyes of a baby. The careful observation and the true emotion make the prose a masterpiece.

An innocent girl walks from the countryside into the city, meets a boy from the same village, lives in a small house for career and love, walks through the ordinary and resists mediocrity, and her life gradually becomes magnificent in front of them. A life that should have been peaceful for many years is instead filled with illness, long nights, life and death, helplessness, and parting... When everything has settled, look back at your hometown and face the present, the only one who can truly heal you is yourself. As time goes by, the hidden undercurrents of life are unearthed and merged together in the entanglement of reality. The shock of time, pastoral songs, mental journeys, hometown scenery, landscapes, etc. Written in the book all calm the mind and make the journey come smoothly. This book breaks through the limitations of what is generally described in chicken soup for the soul. Life changes and daily fireworks fly before your eyes. Traditional culture and modern life keep pace with each other. Personal destiny is intertwined with the changes of the times. It makes people unknowingly walk into a wonderful place with lush bamboo trees, winding water bottles, and the fragrance of tea.

Zhou Hai's collection of essays "In a Drop of Dew" has a centralized and unified theme: writing about his hometown of Zhoutan and the life history of the Zhou family that thrives on Zhoutan. He measured the earth with his footsteps, used on-site visits and consulted classics to trace the historical context of the Zhou family, and explored the origin of life from a historical perspective. He has raised his tracing of time to a higher level of life philosophy. He swims upstream in the river of time, trying to salvage and reproduce the unforgettable moments that make him excited, happy or sad. He tries to restore the scenes to build monuments of life from point to surface, outline the long family history and village history, erect monuments for life in the river of time, and express his emotions to his hometown.

"Journey to the West" is one of the four classic Chinese literary masterpieces. After hundreds of years of dissemination, it is known to almost all women and children. "Hantian Lupin's Journey to the West" is a critical work in which the author deeply explores the rich cultural connotations, philosophical implications and tastes of life in "Journey to the West". It is extremely literary, readable and inspiring. The book is divided into three sections: "Culture", "Art" and "Philosophy". Through in-depth exploration and interpretation of the storyline and artistic images of "Journey to the West", it profoundly reveals the philosophy of life and wisdom hidden in the original work, as well as people's unremitting exploration and efforts to transcend their own life value. This book has profound thoughts, artistic height, rich content, vivid words, and is extremely contagious. This book helps people enter the wonderful world of "Journey to the West".

"Love is an Attitude: Essays on Financial Street" collects the author's essays, divided into seven series: "Farming in Financial Street", "The Entourage of Time", "Literature and Random Thoughts", "Servants of Emotion", "Notes on Life", "Write Wherever You Think" and "I Want to Understand You Deeper", as well as the poetry collection "Love is an Attitude". The author has been writing non-stop for many years, and has expressed his work insights, life experiences, reading feelings, life reflections, etc. In his writing. He truly describes his daily thoughts and thoughts, extends his thoughts on the financial industry beyond the industry, and describes many life details and life insights in a delicate and profound way. The article is short, concise, thoughtful, and enlightening.

"Beauty Combing Her Hair" takes hometown and relatives as the blood and roots of writing. The "hometown" in the book is no longer a geographical concept, but the spiritual imprint and emotional image of past life. The author uses words to pick up and polish those meaningful traces of time and fragments of life, looking for the written meaning of life itself. The whole book is divided into four series: "Lian Lian Feng Chen", "Hometown Feng Shui", "Listen to the Singing of the Wind" and "One Pole of Wind and Moon".

Focusing on good family tradition, good tutoring, good moral character, and caring for the next generation, this book comprehensively explains from different angles the importance of attaching importance to family, inheriting virtues, improving spiritual realm, and cultivating new trends of civilization. It not only inherits the excellent culture of the Chinese nation, but also actively advocates the practice of socialist core values.

As small as dust, as light as dust, floating as dust, floating as dust - this book focuses on people and things as dust and their encounters. Those humble people and things, those stagnants and retrogrades who are running like the tide, the ups and downs, twists and turns, joy, sorrow, fear, confusion and helplessness they encountered on the journey from life to death are certainly their own destiny, but it is undeniable that "they" are also countless "us". As an eyewitness, a bystander and even a scavenger, the author extends the tentacles of language through careful examination and elimination, intending to touch the good and evil of human nature, the joy and sorrow of fate from the subtleties. Although the descriptions are all humble and small things in the big era, they give these small things an unusual light. The tension generated by the interactive use of fiction and non-fiction constructs the inner world of this book, and the strengthening of narrative elements makes the hardships at the bottom more shocking. In addition, the intervention of poetic elements also establishes a mutually supportive relationship between the two styles, making the language more flexible and beautiful.

The so-called "gaze within and outside the border" has two meanings. First, serious literature has "boundaries", which is a concept that needs to be reflected on, but does exist. When popular literature, film and television, animation, and games form a kind of "encirclement" around serious literature, today's literary research especially needs a perspective that can be both inside and outside. It is not only to find ways to dialogue with the times, but also to further "revitalize" today's serious literature and make it more leafy and colorful. The second is the cultural life of an era, which can be divided into center and periphery. When we stand within the "border" of serious literature and talk endlessly, what we say may be relatively close to the edge of the entire cultural life. There is nothing wrong with this, but as a literary researcher, you should have a clear understanding of this, and only then can you choose to pursue further specialization, historicization, or reflect from the margins and return to the center. This book is divided into four volumes. The first two volumes systematically review the history of contemporary literature from the perspective of "cities" such as Beijing, Shanghai, Nanjing, Wuhan, Guangzhou, and Taipei, as well as the spectrum of "characters" such as new people, old people, teenagers, intellectuals, women, and villains. This perspective or genealogy transcends the distinction between serious and popular. The latter two series look for the key to explaining literary issues and the path to connect the inside and outside of literature from the perspective of academic history, history of ideological trends, literary imagination, writers' works and other special topics.

This book is a collection of articles in the series "Li Tianfei's Great Talk about Journey to the West". The book not only contains the latest research results in the academic world, but also clarifies the popular "conspiracy theories" and "thick theories", and interestingly explores hot topics and encyclopedic knowledge about "Journey to the West". Under Li Tianfei's interpretation, "Journey to the West" is no longer one of the "four great classics" about fighting monsters throughout, but an enduring spiritual nourishment for modern people.

"A Thousand Miles of Rivers and Mountains" in the new era. This is an inspirational legend about a young man from a small town traveling around the world on a budget. It is also a journey guide that leads readers to travel across the country. It took four years for the author to understand history and explore nature from a unique perspective. He gazed at the picturesque mountains and rivers in peaceful times with a nostalgic gaze, and used gentle brushstrokes to describe the hometown that the descendants of Yan and Huang all loved.

Write Crow Guozhuang with twenty solar terms. The stories that happen in each solar term are related to the solar terms. Each story contains a kind of "struggle and tragic fate". The crow is black, black but not white, white cannot be black, and black cannot be white. The clear life casts a "black" shadow over Guozhuang. People living in Guozhuang live a life that goes against their destiny. There is no bright hope here, no joyful laughter. There is only pain, infinite pain lingering like ghosts and gods. However, the subtle warmth of loneliness makes Crow Guozhuang gradually become brighter. That is the distance of distant poetry. But this kind of distance is another way out reflected by human nature. Although the way out cannot be associated with blood, it adds vitality to people. Guozhuang's customs, mountains, rivers, clouds and moon, every plant and tree; Guozhuang's warmth and coldness of people, the climate of the world; how crows live in Guozhuang, and where the Guozhuang people end up. "Crow Guozhuang" will give you a different taste of bitterness and happiness.

For most readers, Ili is a distant and unfamiliar land with mysterious history and beautiful scenery. For authors who love history and travel, it is full of temptation and inspiration. Yangzhou and Yili, two places far apart from each other on the land of China, are connected because of "Jiangsu's Aid to Xinjiang". "Ili Diary" takes the time of folk collecting activities as the main axis and spreads it out in a layer-by-layer and progressive manner. It artistically reproduces the place where the "sun rises" on the Nalati Prairie in Xinyuan County where there is no communication network. The author personally experiences Princess Xijun's original nomadic life on the grassland. He interprets the ancient "Chigu City" ruins in Tekes County from multiple dimensions, and lovingly visits the "Princess Xijun Cemetery" in Zhaosu County. The "I" in the work leaves with a sense of "mystery" and returns with a sense of "sacredness", effectively integrating Yangzhou, Ili, and Jiangsu Aid to Xinjiang in the form of a relaxed travelogue. On the whole, it is vivid, erudite, full of emotions, revealing poetry, and presents readers with a beautiful and profound scroll of nature and history from the grassland.

This book is a collection of articles in the series "Li Tianfei's Great Talk about Journey to the West". The book not only contains the latest research results in the academic world, but also clarifies the popular "conspiracy theories" and "thick theories", and interestingly explores hot topics and encyclopedic knowledge about "Journey to the West". Under Li Tianfei's interpretation, "Journey to the West" is no longer one of the "four great classics" about fighting monsters throughout, but an enduring spiritual nourishment for modern people.

This book is a collection of articles in the series "Li Tianfei's Great Talk about Journey to the West". The book not only contains the latest research results in the academic world, but also clarifies the popular "conspiracy theories" and "thick theories", and interestingly explores hot topics and encyclopedic knowledge about "Journey to the West". Under Li Tianfei's interpretation, "Journey to the West" is no longer one of the "four great classics" about fighting monsters throughout, but an enduring spiritual nourishment for modern people.

"Jin Bo Luo" is Chen Fengsheng's latest collection of essays. There are 35 chapters in the book, divided into four sections: mountains, water, people, and villages. The author uses Yanshan Mountain and Chaobai River as the latitude and longitude, and his hometown as the coordinates. He describes the fields, mountains, rivers, stories, human relations, changes, etc. In his hometown territory. He uses a natural, relaxed and melancholy writing style to describe the vicissitudes of his hometown's history, changes in the times, and personal feelings from multiple perspectives. The "township shape" has been retained and the "township soul" has been inherited. Its language is simple and friendly, full of poetic grace and conciseness, full of rich flavor of life, making people feel the comfort and tranquility of the soul.

Huancheng Primary School in Jinhua City, Zhejiang Province is one of the national modern educational technology experimental schools. There is a sailing squadron in the school, and the creative reading and writing in the Chinese class is very impressive. This time, he led the whole school to carry out the creative activity of "Reading "Strange People in the World" and Writing about "Little Strange People"", and compiled the students' imitations after reading Feng Jicai's classic short story collection "Strange People in the World". There are 89 chapters in the book, with hand-drawn illustrations by students, describing the demeanor, conversation, and interesting anecdotes of the classmates around them. Each character has its "strange" features. The young authors are meticulous in their observations, their language is lively and childlike, and they demonstrate their strong learning ability and ability to absorb and digest what they have learned. They are a good example for primary and secondary school students to read and learn to write. After reading it, Feng Jicai wrote a letter of approval, saying that this is an entertaining way of teaching writing that is unique and creative and can make children fall in love with writing. Zhu Yongxin, who wrote the preface to this book, also believes that using students' favorite famous works as models to teach Chinese classes is an active and effective reading and writing teaching practice under the new curriculum system. It is worth promoting and has reference significance for many teachers and students.

This collection of rural-themed essays has more than forty articles. The author uses dialects with distinctive regional characteristics, and uses his concise writing style, honest feelings and a touch of nostalgia to present every bit of rural life that the author has experienced, conveying the author's simple humanistic feelings and local feelings. In addition to a large number of essays recalling the unique customs of Guanzhong and expressing simple nostalgia, this collection of essays also focuses heavily on the hometown Party members. Twenty articles vividly depict the hometown Party members with different personalities and distinctive images, as well as their legendary stories of joys and sorrows. It can be said that these works are odes, elegies and hymns written by the author to the countryside. They are realistic ukiyo-e paintings of the past in rural areas in Guanzhong; the melancholy of traveling in the countryside like mist that lingers in the heart of a cultural traveler; and the changes in the world in the eyes of a dedicated media practitioner.

This book is edited by essayist Li Xia, and presents some research results on the works of ten essayists. It also includes the essayists' photos, resumes, and their own understanding of essays, as well as their respective masterpieces. These ten writers are Liu Zheng, Xu Weicheng, Yang Zicai, Kang Kai, Guatian, Duan Pingren, Li Gengchen, Wang Qianrong, Jiang Yuanming, and Zhu Tiezhi. In addition, each writer's work is accompanied by comments from four critics on his creation. These ten writers have great influence on readers across the country. Through this book, readers can have a clearer understanding of the true face of these essayists and a more detailed understanding of their creative styles and characteristics.

"Jiu Yue Ji" is the "new voice" of transformation after "The Legend of Zhen Huan" and "Ruyi's Royal Love in the Palace". The prose is clever and beautiful, describing one's own daily necessities, food, housing and transportation, as well as the wonderful associations between daily moments and Zhang Ailing and the characters in Zhang Ailing's works, which is full of wonderful flavor. In the novel, several stories are concise, lively, sharp and thorough, and the lively desolation between men and women is vividly written on the page, which is quite like Zhang Ailing. She is good at wandering between reality and imagination, accumulating joy for the busy, tired and repetitive daily life. We are just mortals. We have no ability to resist the impermanence of time. All we can do is record the trivial joys over the long years, and let ourselves remember in the occasional long sadness that we were so happy before. It is worth never forgetting and our life is not in vain. Follow you like a shadow. This is my little Jiuyue Ji. --Liu Lian Zi

This book closely follows the pulse of the times and highlights the characteristics of the times. Although each article has different angles and different touchpoints, what they feel is deeply familiar with the people's sentiments and customs, what they think about is deeply aware of the disadvantages of accumulated habits, what they understand deeply shows the affection of a child, and what they advocate deeply expresses the meaning of forging ahead. Discuss points and quote from classics, and talk about countermeasures and cite from other sources. It includes the author's unique understanding of politics, society, and reality, as well as his love for the country, his true feelings for the people, and his pursuit of truth.

The author of this book, Xiaoxin, graduated with a master's degree in law. He is a well-known young host, a visiting professor at Shandong University, and the first TV news commentator at Shandong Radio Station. The articles in this book give full play to the author's multiple "professional identities" and reflect the confusion, anguish, beauty and warmth that people can really feel in today's life. They have the readability of beautiful stories, but also have the transcendent, profound and thought-provoking literary spirit. The whole article exudes the belief and pursuit of truth, goodness and beauty.

The first collection of essays by the poet Hua Sheng mainly describes rural life, folk customs, immigrants and the earth-shaking changes in the countryside along the Tao River deep in the mountains on the eastern edge of the Qinghai-Tibet Plateau. It embodies the author's love for life and hometown. The author uses a simple and unpretentious writing style, popular language and a "presence" perspective to describe his concern and compassion for the people and things at the bottom. It also infiltrates his unique perception and experience of life and destiny, and has a strong sense of hometown feelings and nostalgia.

A collection of essays written by Xu Chunlin. Collects the authors' works published in publications at or above the provincial level in recent years.

This is a collection of comic essays depicting life in the mountains. A girl lives alone in Liuli Village at an altitude of 1,500 meters, 14 kilometers away from the nearest bus station. She picks up express delivery in a small town 33 kilometers away. Accompanying Xiaoyang Liuli, he decorates the old rented house by himself, and follows the villagers to pick mushrooms, hunt wild vegetables, and kill New Year pigs... The fresh and healing painting style and simple and enthusiastic words are a record of the dialogue with nature and the pursuit of the essence of life.

Outside the simple and elegant Suzhou City, there is a set of graceful notes dancing in the east. It is the new voice of education in Suzhou Park. Starting from the story and traveling through the ordinary world, you will listen to more warm and clear educational voices along the way. What is a new voice? The voice of the newborn is also the voice of the heart.

The work is full of affection and records tear-jerking scenes in words, showing the special power of literature. The author's thoughts and comments on many events are rational and profound, worthy of people's reflection and reference.

Hometown is everyone's retreat. Miner poet Chen Nienxi's new collection of essays talks about his hometown and explores the roots of literature! This book is a sincere collection of the works of Chen Nianxi's literary column "Xiahe Flows to the West" in "Southern Weekend". He is an Odyssey in the mines and a wanderer of words. His nearly twenty years of wandering have ended with great joy. His body is stained with fine dust and he returns to his hometown to search. An in-depth dialogue with clouds, soil, mountains and forests, and memories of time, condensed into 27 masterpieces about the hometown. Where does the Xiahe River come from and where does it go? The answers given by the people of Xiahe River are in the book, and they are all in the rhyme of the times. In the artist's field, he specially painted 30 pen and ink paintings, embellishing the people, things and things in the Xiahe River. "People do two things throughout their lives, leaving home and returning home, which takes a lot of effort and even narrow escapes. In fact, it is not two things, it is one thing, because leaving home is also returning home, but in a different direction or way. Hometown is an important part of destiny. I would like to dedicate this book to my hometown that has disappeared, and to the people who are rushing and scattered in the dust. In the era when our hometown disappears, I hope we all have a hometown!"

The life philosophy of Ji Xianlin, a master of traditional Chinese culture, is a collection of selected classic prose! The book is divided into four volumes. The content includes Ji Xianlin's attitude towards reading, scholarship and life, as well as his own experience. It discusses the way of life in a simple and profound way. Ji Xianlin's sincerity in academics and humility in life are revealed between the lines. Regarding his hometown, he said: "These big moons in the vast world are nothing compared to my beloved little moon. No matter how many thousands of miles I leave my hometown, my heart immediately flies back. My little moon, I will never forget you!" About life, he said : "Everyone strives for a perfect life. However, from ancient times to the present, at home and abroad, there is no 100% perfect life. So I say that imperfection is life."... This book is a good extracurricular reading book for primary and secondary schools, suitable for Chinese language learning. This book is a compilation of selected chapters suitable for young people to read, and includes many chapters selected for the newly compiled Chinese language textbooks. In the last chapter of the book, Ji Xianlin's learning methods are shared in more detail, giving readers substantive guidance, so that readers' writing skills can be subtly improved and their minds can be enlightened.

This book is the ideological imprint left by a Chinese intellectual youth who is engaged in media work based on his investigation and further study on the other side of the ocean. It is a collection of essays.

Mr. Lu Xun is the best essayist since the vernacular. He disliked everything and always liked to stab people with a small dagger. Therefore, in the photos that remain today, he always looks very serious. Occasionally, he laughs heartily, but he always reveals a very confused melancholy. Essayists all over China regard Mr. Lu Xun as their idol. Therefore, when writing articles, I am very concerned about the country and the people. Eastern intellectuals seem to have this "melancholy complex." A young man once asked a great director in the Soviet era, whose name I forgot, but who seemed to have made a very famous movie, "How can we become a great director?" The old man said, "All you owe is a prison sentence." I am not an essayist, and I don't want to wait for a prison sentence, but I was born to only write articles to make a living. Therefore, I usually write some "serious" financial articles and books. Occasionally, when my hands feel itchy, I make up a character named "Mr. Wu" and let him flaunt around, hit walls, and cause trouble. The more stories this person makes up, the more it becomes a small virtual society. He has a wife, a daughter, neighbors, cousins, and colleagues. He keeps pace with the times every day, lives endlessly, and keeps getting weird. After years of crawling and climbing, his deeds have actually become spectacular. Hence, this book. It should be noted here that "Mr. Wu" has little to do with "Wu Xiaobo". The reason why they have the same surname is purely coincidental. However, in the final analysis, they are ordinary people who like to be smart. In this regard, many people in China are like this.

In the peripheral vision, homesickness is a small stamp, a narrow boat ticket, a short grave, a shallow strait... In Xi Murong's eyes, homesickness is a clear and distant flute that always sounds on moonlit nights; it is a kind of vague longing, like waving goodbye in the fog... No matter where the world is, or what night it is, homesickness is always a sincere and objective existence. Whether it is the hometown China that you and I have always missed, or these nostalgia notes written one after another during the journey, just so that in the years of non-stop running, we can often relive the beauty of the years deep in our hearts, and look back at the peace of our hometown...

Mr. Yang Zhishui is a researcher at the Institute of Literature of the Chinese Academy of Social Sciences and a famous expert on antiquities. His experience is quite legendary. In his youth, he worked, drove a truck, pedaled a three-wheeler, delivered cabbages, and sold watermelons. In 1977, he took part in the first college entrance examination and successfully passed the university. However, due to some strange circumstances, he failed to enter the school. He could only complete his studies through self-study, and eventually became a famous scholar of his generation. "Wen Xue Ji" is a collection of retrospective essays written by Mr. Yang Zhishui. In addition to several highly autobiographical chapters, the author also reminisces about his long-term interactions with mentors and friends such as Xu Fancheng, Sun Ji, Gu Lin, Zhao Luorui, Nan Xing, and Yang Chengkai. He uses exquisite and expressive writing to capture the erudition and elegance of those scholars, so that readers can appreciate the beauty of their thoughts, true feelings, and diction, and have a unique power to move them and inspire them.

"Chinese Modern and Contemporary Famous Prose Collection" is a collection of "famous writers and masterpieces" in the history of Chinese prose since the 20th century. It is a set of "authoritative editions" of modern and contemporary Chinese prose selected by the authoritative editorial board and edited by the Humanities Society. There are about 80 types in total. The editing and publication of this series of books reflects the authority and classicity of the Humanities Society in the field of prose genre publishing, and strives to guide the aesthetic trend of public prose reading, mainly young readers. Among them, the author of this topic, Zhao Lihong, is an influential poet and essayist in the contemporary literary world. His works have won many domestic and foreign literary awards and have been included in Chinese textbooks for primary and secondary schools across the country. Zhao Lihong's prose may record events or reflect on people, or sing about objects or describe scenes. The language is simple, the narrative is concise, the emotions are sincere, fresh and long, and it is suitable for readers of all ages. Based on the above reasons, "Zhao Lihong's Prose" was included in the "Prose Collection of Modern and Contemporary Chinese Famous Writers" series.

This book is a collection of essays by the famous writer Pan Xiangli. He writes about tea-related people and things, poetry and history, utensils and Tao. "The Way of Tea" involves tea and people, tea and water, tea and poetry, tea and history, tea and utensils. It integrates tea into traditional Chinese culture and into real life. From the temperament of tea, it naturally crosses over to the temperament of tea drinkers. "Tea" itself is inexhaustible. Tea can be explained but cannot be exhausted. This revision will include several new articles written by the author, and the content of the entire book will be richer. At the same time, we will focus on creating this book from the perspective of tea, Chinese classical culture, and the lives of ancient people, and strive to create an introductory book for understanding Chinese tea culture.

"Guanlan Collection" contains more than 60 essays, which are divided into two parts: "The Island is hooked" and "Yishi Yunyan". It is a folklore work that describes Qingdao's customs, customs and customs in literary language. The author is a native of Daocheng. He grew up locally and is naturally familiar with Qingdao's scenery and stories. He has been in charge of Qingdao's cultural frontier for many years. Whether it is a grand narrative based on urban construction or an artistic short story in the historical context, they are all observed and narrated with people as the core and around the people in history. With rich emotions and delicate brushstrokes, they may look back on their growing up experiences as teenagers, or dwell on the folk customs and history of the island city, or use their artistic talent to describe the anecdotes of famous people in Qingdao or their visits to Qingdao.

"Wild Chrysanthemum" is a collection of essays and a book that helps young people grow spiritually. The author is a father of two children. He once believed that men should focus on working hard in the outside world and should not focus too much on their children, just like many fathers think. One day, he discovered that he was wrong. As a result, he began to spend more time with his daughter. He used a pen to record every small fragment of his child's growth, and was surprised to find that he got more from companionship than he gave. After his son entered the society, the author talked about a series of his thoughts and insights as a person who has experienced it. People can pursue excellence or choose to be ordinary. The key is not what you get, but what you experience.

In this book, the author of "Firefly Light" focuses on herself and the women around her for the first time. They are tough and beautiful, but they encounter different life difficulties - when her birthday is adjacent to the anniversary of her late husband's death, how can she get out of the shackles of psychological time and regain a new life? As a working mother, how to balance work and family; how a sister who has been married for many years faces the dilemma of having a child but has been unable to do so many times; how friends around her deal with Xiaocao, a child who was born with a terminal illness... They are all ordinary people struggling with their destiny, but they are all trying to move towards the light. In this book, you will more or less see the shadows of yourself and the people around you. Each of us is ups and downs in destiny, and we are all trying to find our own light. May this book be a beam of light that illuminates your way forward.

Love has been a theme that has been advocated and praised since ancient times, both in literary works and in real life. This book selects 48 classic love articles by 28 famous modern and contemporary Chinese literary figures including Zhu Shenghao. It interprets touching love from four aspects: ignorant feelings, romantic love letters, sweet marriages, and affectionate memories. It may be subtle or passionate, allowing people to feel the true confessions and ultimate romance written by famous writers, draw nutrients from them, and gain a mature view of love. I hope this book can help readers regain the courage to love, possess the pure determination to persevere, and always believe that love will never die out.

The author of this book is a famous ethicist who has made great achievements in ethics for many years. The author was interested in literature when he was in college. He has published many essays, poems, essays, etc. In various magazines over the years, and has also done a lot of research on literary works. He has published nearly 100 essays, poems, essays, and miscellaneous talks on his public account "Sansizhai Moral Observation". This book is a collection of the author's literary works and thoughts on life. It is also the completion of the author's literary dream in his youth. The first part is about long-lasting memories, "Reflection makes the memories of life's joys and sorrows become distant." This part records the author's recollection and nostalgia for his hometown and old things, expressing his deep nostalgia. The second part is about the emptiness of things, which is the author's praise of life. Spring, summer, autumn, winter, flowers, plants and trees are all full of inspiration and praise. The third part is about moaning and groaning, which is the author's exploration of human nature and contemporary society. Why does a society with low sense of beauty arise? How to get rid of "involution" and "internal fatigue"? How to learn to live a good life? Dataism and free choice... The author's words, whether they are insights into life or judgments about human nature, are filled with deep humanistic care and emotional warmth.

The prose elements of calligraphy need to include a little fact, a little anecdote, a little opinion, and a little lyrical flavor; it gives people knowledge and artistic enjoyment. In addition to the original "Book Talk", this book also includes four parts: "Reading Miscellaneous Books", "A Spoonful of Poems", "Records of Translated Books" and "Eight Notes on the Book City". Tang Tao made pioneering contributions to the literature research of modern literature based on his rich and comprehensive collection of books and the study of traditional editions and catalogs. In 1945, Tang Tao began to write modern literary "calligraphy", "writing each paragraph of calligraphy into an independent prose." Later, many people attributed the "Shuhua" genre to Tang Tao's creation. "Hui'an Shuhua" reviews the works of Li Dazhao, Lu Xun, Liu Bannong, Liu Dabai, Wang Tongzhao, Zhu Ziqing, Xu Dishan, Wen Yiduo, Zhu Xiang, Mao Dun, Yu Dafu, Guo Moruo, Shen Congwen, etc. Although it does not have the shape of the current academic works, it clearly explains, examines and clarifies many works and facts of modern literature, and lays a solid foundation for understanding the historical topography of modern literature. They may narrate the history of their editions, facts and anecdotes, or express their own opinions and aesthetic emotions. They do not take it as their duty to compile boring information, but strive to integrate the agility of literature and art into substantial content.

When you are eighteen years old, your life is dreams and distance; when you are twenty-eight years old, your life is like a container in a big city. This book is Qin Hao, a member of the band "Good Sister", writing about his wandering life: his displaced childhood, his ignorant first love and hard-won friendship. Every word is sincere. Qin Hao said: "Your sadness is not only personal, but also belongs to the common sorrow of many people in this era." We have all experienced the hardship of leaving home to pursue dreams, and we have also seen the helplessness and understanding of parents after learning that their children are about to travel far away; when we first entered the workplace, we faced the gap and frustration between ideals and reality alone; after we resigned, we were at a loss and at a loss to worry about food, clothing and pursuits every day. I hope this book can give you the courage to face life head-on, and your confused days can turn into beautiful memories.

This is a collection of bedtime stories, containing 23 chapters, about love, family affection, frustration, and some scattered thoughts. I didn't write about chicken soup. I could, but I don't want to lie to you. Life will not get better slowly. Most lives follow the same rules and gradually become dull. At the moment when everything settles, it seems that I can say to others, I am living a good life. When you are bored and have nothing to do, you can kill some time by hiding in the toilet. I don't write well and speak very slowly. The slower something is, the more profound it is in my memory. Hope you like it.

American writer Mark Twain once said: "Sometimes truth is more absurd than fiction." More than a century later, the Internet has completely changed people's lifestyles and ways of thinking. The ways in which people record life and witness history have become more and more diversified. We have photos, videos, short videos, news features with delicate writing, and historical texts that are good at telling stories. Why do we need fiction and novels? Based on this question, writer Ren Xiaowen used classic foreign masterpieces such as "Doctor Zhivago", "Les Misérables", "Lyric Poets in the Age of Advanced Capitalism", "Love in the Time of Cholera", "The Master and Marguerite", as well as the works of literary giants Dostoyevsky and Tolstoy as text entry points. She conducted a retrospective reading appreciation and explored the historical connotation and contemporary significance of these classic works in the text analysis, thereby exploring the thought-provoking question "Why do we still need novels today?"

"Books Can Talk" contains thirty essays and comments written by Gu Zhen in recent years, focusing on the relationship between book collecting and reading, and books and people. It records the author's research experience on book binding, editions and illustrations after compiling, translating, and collecting books for many years. Why did Desmond McCarthy, who dreamed of being a literary writer, rely on writing articles for newspapers and magazines to make a living? What is the revenue of Virginia Woolf and Hogarth Books over the years? What is the difference between Disney's revamped "Winnie the Pooh" image and Shepard's original illustrations? How does Rosenbach, the great bookseller, make buyers involuntarily believe that the books in his hands are better than others on the market? Sean Besser, the author of "Bookstore Diary", actually calls himself docile and friendly. So what made him become a "venomous shopkeeper"? Stories about "book men" that have had an important impact on the history of publishing, interesting anecdotes about books, extraordinary ancient books, and heart-warming connections with book lovers... Gu Zhen has brought the old days of the book industry bit by bit into this book, "Books Can Talk," and arranged it with implicit internal connections. Different articles are like gardens connected by paths, providing different tour routes for interested readers.

This is a collection of non-fiction essays by Qiu Bing. In an affectionate and simple way, he tells the story of the growing pains and self-exploration he experienced in the collision between ideal and reality, life and distance. The 18-year-old Qiu Bing was admitted to university and came from a backwater town to the prosperous Shanghai. He stumbled all the way but always adhered to his original ideal; when he reached middle age, Xiao Xu lost his job, but deep in the mountains there was a "Chicken King" who led the villagers to start their own businesses; Lao Xiao still did not become a reporter, but in a certain fish pond on the Yangtze River, But it was filled with more of his life expectations; in the winter rain in Chongqing, Lao Zhao was laid off, but he was still trying to figure out how to open his own noodle shop... We have all sought knowledge and grown up in loneliness.

19-year-old Liu Chenjun is always on his way to the mountains. This young man calls travel a move and mountain climbing a mountain road. He explores the world with pure gestures and words. From India to Nepal, Liu Chenjun revealed the emotional tug on the journey; trapped in a cave, Liu Chenjun embraced fear but still looked to the future; and Liu Chenjun never stopped thinking about life, literature, and love. All these, the travel notes, poems, and notes preserved in the book, allow people to witness a sharp and deep soul, and also feel its perseverance and confusion, pursuit and sadness.

In "The Soul of Old Objects", young scholar Guo Ting embarks on a journey of searching for old objects across time and space. She encounters antique porcelain and vinyl records in a charity shop on the streets of Oxford, wanders around coats and accessories in Edinburgh vintage shops, wanders through a Welsh town famous for second-hand books, and visits the Strahov Library in Prague, which has experienced several wars. Visit Hong Kong's independent bookstores to feel the spirit of the city, and relive Old Uncle Koehler's Butterfly Dream at Sullivan's Café in Shanghai... This cherishing of "things" is not an attachment to material possessions per se, but rather gratitude to the maker, the cherishment of "possession", and the broader existence and time generated through the relationship between people and old things.

To them who are blooming in the wild, and to us who are walking together on the wrong road. This is a chronicle of female characters in the Republic of China, as well as an apocalypse for contemporary women. During the Republic of China, many outstanding women emerged. Among these shining women, there are female scientists, female architects, female singers, female writers, and female academicians; they were once known as Mrs. Qian Sanqiang, Mrs. Liang Sicheng, Mrs. Qian Xuesen, Mrs. Guo Yonghuai, and Mrs. Zhou Youguang; but at the same time, they are more They are China's Madame Curie He Zehui, female architect Lin Huiyin, artist and singer Jiang Ying, the mother of Chinese applied linguistics Li Pei, and the talented woman Zhang Yunhe of the Republic of China... They have outstanding talents and their own pride. They are a group of outstanding women who can bloom in the wind even on the cliff. Count down the awakening lives of twenty-three women in the Republic of China and tell them to the world. Write down the endless tenacity and beauty of Chinese women. I hope you can live a free and relaxed life.

A collection of essays by young writer Xu Qingshan is called "The Age of Nursery Rhymes". It is based on personal memories and uses the vicissitudes of the present to write about the innocence of the past. The work is divided into four parts, namely, Long Thoughts, Passing Time, Nostalgia and Polygonum Zheer. These four parts record the old stories of old friends in his childhood, his own experiences, the scenery of his hometown, and his reflections after getting married and raising a family. The author picked up these past life fragments and experiences, carefully wrote about the passing years in his memory, and personally described and recorded the time. The language of the article is vivid, the expression is calm, the emotion is delicate, the artistic conception is rich, and the writing is profound, allowing readers to resonate with the author while reading.