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It restores the pace of changes in the times, tells the fate of the characters, appreciates the emotions of the characters, and shows the characters' souls, in order to comfort the scarred souls and appeal to the erratic conscience. --Author's Notes Author's voice: As early as when I first started on the road of literature, I had the desire to write a novel. I hope to tell the world the stories and personal experiences of my father's generation that I know well during the half-century of history since the mid-20th century, and share them with readers. At that time, when I learned about my dream, several young literary friends around me not only did not laugh at my naivety and arrogance, but actively encouraged me to put it into practice. My friends in my hometown were full of expectations for my imaginary novel. Due to the limitations of personal abilities, I have never dared to write. Decades passed in a flash, and many of my friends and partners from those days had passed away, and I had entered my old age. Seeing that his early dreams were about to come to nothing, a turning point came unexpectedly. On the night of the National Day in 2011, while meditating at my desk under the lamp, I suddenly felt the courage to create. I immediately typed on the keyboard, and by the fifth watch of the next day, I typed out more than 2,000 words, and named the book "Red Ants"...

It restores the pace of changes in the times, tells the fate of the characters, appreciates the emotions of the characters, and shows the characters' souls, in order to comfort the scarred souls and appeal to the erratic conscience. --Author's Notes Author's voice: As early as when I first started on the road of literature, I had the desire to write a novel. I hope to tell the world the stories and personal experiences of my father's generation that I know well during the half-century of history since the mid-20th century, and share them with readers. At that time, when I learned about my dream, several young literary friends around me not only did not laugh at my naivety and arrogance, but actively encouraged me to put it into practice. My friends in my hometown were full of expectations for my imaginary novel. Due to the limitations of personal abilities, I have never dared to write. Decades passed in a flash, and many of my friends and partners from those days had passed away, and I had entered my old age. Seeing that his early dreams were about to come to nothing, a turning point came unexpectedly. On the night of the National Day in 2011, while meditating at my desk under the lamp, I suddenly felt the courage to create. I immediately typed on the keyboard, and by the fifth watch of the next day, I typed out more than 2,000 words, and named the book "Red Ants"...

This is a collection of food essays. The fruit can be used as food and has a unique flavor. This book is divided into four chapters according to spring, summer, autumn and winter, describing seasonal fruits and vegetables, from elm money cherries and plums in spring to taro and chestnuts by the stove in cold winter, interpreting the kitchen flavors and cultural imprints of these fruits. This book has both rich cultural connotation and practical content.

This book takes modern and contemporary prose classics as the interpretation object, and humanities and culture as the theme and main line. Through a comprehensive interpretation of prose classics by famous modern and contemporary writers, scholars, and artists, it comprehensively displays the rich cultural connotation and human brilliance carried by books from multiple aspects and angles, and conveys the beauty of culture and humanity to readers.

This is a legendary work that interprets crickets and the fate of life. It is a long song of joy and sorrow that explains regional culture and history. It is the first giant novel in the history of literature with cricket culture as the theme background. Ningyang is the main producing area of ​​crickets, and cricket lovers from all over the country regard Ningyang as a spiritual Mecca. Through the tragic and joyful life and death of the protagonist "You Ye", the work lays out a period of local history and displays the unique and unique cricket culture. "You Ye" is the eldest son and grandson of the Zhang family. He has read poetry and books since he was a child, but he has no intention of becoming an official and has no interest in the huge family business. His lifelong ambition is to serve crickets. He admires the courageous character of crickets and has in-depth research on the ancient weaving game. However, such a wish was regarded as a plaything, which kept him in a state of being ignored, despised and marginalized throughout the changes of history. It was this experience that gave him a more unique way of thinking about life and a more indifferent view of the historical process. The book has a unique structure. The current clues and the memory clues overlap, the two clues develop separately, and the two story lines converge at the end.

"Glimmer of Water in the Desert" is a book based on the author's desert life. It contains objective details of Juyan culture, Heicheng ruins, Populus euphratica forest, sandstorms and Gobi life such as sand grouse, camels, yellow sheep, scorpions, four-legged snakes, etc. It is a collection of essays that integrates geographical environment, humanistic observation, and personal experience, and has a strong regional color and exotic customs.

The editor uniquely takes Tibet as the theme and strives to reshape the beauty and depth of Tibet with the beauty of words. The concept is novel, unique and closely follows the current cultural trend. The manuscripts include prose works by writers such as Alai, Qiu Shanshan, Ma Lihua, and Yu Jian who wrote about Tibet and the Greater Tibet Area. The works involve Namtso, Shannan, Potala Palace, Golok, Yanjing, Yushu, Gannan, Sichuan-Tibet Line, Qinghai-Tibet Line, Ngari, Shambhala, Modog and other famous scenic spots and places with the largest number of cultural relics. It is a book that is helpful for self-guided in-depth tourism in Tibet and has empirical writing on national culture and natural features. It presents the various physical and spiritual imprints of the Tibetan and Han people on the highlands of the world.

The collection of essays includes chapters such as Broken Hometown, Fireworks in the World, This Place of Peace, White Clouds on the Mountain, and Thousand Years of Worry, etc., Recording the author's mental journey over the past decades. His words are kind and peaceful. In the process of reading, you can feel the author's extensive knowledge, cherishment of family and friendship, as well as tolerance, appreciation and cherishment of life and all things in the world.

Zhu Ziqing is an essayist who has made great achievements in modern Chinese literature. His original name is Zihua and his courtesy name is Peixian. He was originally from Shaoxing, Zhejiang Province. He was born in Donghai, Jiangsu Province and grew up in Yangzhou. He was influenced by traditional Chinese culture and the May 4th Movement since childhood and embarked on the path of literature. After graduating from Peking University in 1920, he taught in Jiangsu and Zhejiang areas. In 1925, he was employed at Tsinghua University and engaged in the teaching and research of classical literature. His creative writing turned to prose. Popular prose collections such as "Traces" and "Back" were written at this time. In 1931, he went to the United Kingdom to study and traveled around Europe. He compiled what he saw and felt along the way into "Miscellaneous Notes on Travels in Europe" which was widely circulated for a while. After the outbreak of the Anti-Japanese War, he served as a professor at Southwest Associated University and made outstanding achievements in academic research. In 1948, he refused to receive food relief from the United States, showing the noble sentiments of a patriotic scholar. He later died of illness.

The best-selling author Zhang Qishu writes affectionately about the beauty, arrogance and love, hate and sorrow of ancient strange women: They are hidden in the boudoir, but they are famous outside. Shangguan Wan'er, Liu Rushi, Tang Wan, Su Xiaoxiao, Wei Zifu... Although they are beautiful, proud and intelligent, they are born in troubled times and entrusted to unworthy people, so they are destined to wander in love. And their full talents allow them to live a life of isolation and independence. With the theme of "thoughts", it arouses emotional resonance: whether it is a strange woman in ancient times or all living beings like you and me today, is there an emotion deep in the heart that was once obtained but finally lost, or is passionately in love at the moment but divided between two places? When I recall it, whether it is a sigh of regret or a sweet joy, it is all sincerity. Deep in your heart, is there a person whom you want to say: "I miss someone far away." There is a "micro-healing" at the end of each article: at the end of each article, the author further interprets and summarizes the emotions of ancient strange women. After giving deeply, the emotions are unprecedented, which makes people think deeply and see the true self at the same time.

In 2019, Yuan Ziwen's new personal collection of works is launched. Each story can help you find yourself. Feng Tang and Tong Hua sincerely recommend it. In the appendix of the book, 20 Yuan Ziwen answers his own questions. I hope these answers can help you find the strength to move forward. We always seem to be dissatisfied, regretful, regretful, and realize that we were wrong only after making the wrong decision. But don't be too sad. We are not perfect people. It is impossible to answer every question correctly in the examination room of life. Instead of worrying about the past, it is better to make more changes for tomorrow, abandon the worldly perspective, and be the helmsman of your own life. You have to believe that you also have the ability to love and be loved, and you can give kindness and light to strangers. You have to believe that short-term failure is to welcome a new starting point, and no one always has smooth sailing. You have to believe that you are the most precious, and there will always be people who find your flaws cute and charming. We feel inferior, we are timid, we are brave, we transform. My dear, you have to be good, the years are still long, don't be too disappointed.

The author writes about the pain and joy, love and sorrow of contemporary ordinary people's lives, and her delicate words outline the sophistication of the world; her current comments on entertainment stars and entertainment events, Faye Wong, Shu Qi, Ruby Lin, Carina Lau... Are transparent and thought-provoking; and Yan Hong's unique interpretation of "Dream of Red Mansions" and "Water Margin" is especially popular among readers, and she is good at discovering interesting things about history between the words.

This book is Lin Huiyin's classic collection of works, including Lin Huiyin's beautiful and exquisite works, including poetry, prose and novels. Her poems are greatly influenced by the Indian poet Rabindranath Tagore. They are quiet, elegant, beautiful, graceful, full of intellectual beauty, and full of profound philosophical thoughts. Her prose style is calm and lively, with rich literary sentiments, like flowing clouds and flowing water, and like the spring breeze blowing on her face. There are only 6 of her novels in total, but most of them are full of social care and witty discussions. Xiao Qian even called her "the soul of the Beijing school". For a long time, Lin Huiyin has been buried in the shadows of Liang Sicheng and Xu Zhimo, and buried in the legends about her beauty and love. However, the real her has a more vivid appearance and a richer life than the legends.

This book uses a unique style of prose essays with rich emotions, and depicts the beautiful and touching historical love pictures behind scenes of classical poems through Tang poems. Readers can listen to classic and shocking romantic past events. It uses Tang poetry as its sutra and poets as its weft, and talks about the vicissitudes of ancient and modern human affairs. The writing style is romantic, the writing perspective is unique, and the language is more concise and soft. "Who's Drunk on Wine, Who's Drunk on Tang Poetry" selects representative works from Tang poems, including riding horses in rivers and lakes, happy grudges; small bridges and flowing water, solitary smoke in the desert; and lonely boats and coir raincoats, slanting wind and drizzle... With smart brushwork and detailed interpretation, it will take you through the poems and words, listen to the fighting and iron horses, and see the picturesque mountains and rivers. No matter what the situation, you can find poems that collide with your soul. You will find that in that poetic dynasty, there were people who knew you. Although you have never met, you are already an old friend.

"The World Never Treats Everyone Who Works Hard" tells that life is fair on the road of struggle. It doesn't look at appearance and origin, nor does it care about money or status. It only recognizes people's hard work and wisdom. The winner who can smile till the end must be the one who seizes every moment and works hard. Life is like sailing against the current, if you don't advance, you will retreat. If you don't work hard, no one can give you the life you want. Today's efforts are the foreshadowing of luck, and the efforts made now are the flowers that will bloom tomorrow. The harder you work, the luckier you will be. What kind of gesture you give to the world will be what kind of life the world will give you back!

"Being at ease" is everyone's pursuit and desire. All the beauty in this world comes from inner calmness. This book tells the true meaning of calmness through 6 large chapters and 69 ethereal and beautiful articles. There are many famous stories in the book: Jia Pingwa, Lin Qingxuan, Qian Zhongshu, Yang Jiang, Shen Congwen, Lin Huiyin...; There are also ordinary people, ordinary things, the silence of empty mountains, and the lightness of Zen, which make people realize the freedom and beauty of life, the joy and brightness of the soul.

The history of contemporary Chinese literature can be seen as a history of Chinese literature facing challenges from the West. It is not an "other" outside the world's modernization process, but it does have its own distinctive characteristics. In the field of postmodernism around the world, modernity, which is contemporary with postmodernity, is in a state of "unending". Specifically in China, modernity is especially an unfinished project. This book attempts to reveal the state of mind in which contemporary Chinese literature seeks its own path. It focuses on themes that Professor Chen Xiaoming has been paying attention to in recent years, namely the commonalities and differences between contemporary literature and world literature, the relationship between traditional literary experience and modernism in the creative integration of Chinese literature, the expansion of the boundaries of Chinese novels by certain radical explorations, and how new literary experiences that point to creation, expansion and transgression reflect the contemporary nature of literature and the contemporary situation of Chinese literature.

"Whispers Behind the Scenes" is one of the "Self-Talking and Self-Drawing Series". This is a set of original prose essays about the writer's growth story and life insights, accompanied by paintings created by the writer himself. It pursues readability, interest and artistry, and the content is positive, full of positive energy and inspirational spirit. "Whispers Behind the Scenes" mainly describes the writer Ge Shuijing's experience of learning opera when he was young and the kindness of the simple folk customs in the village.

The first part, "Inside and Outside the Book," starts from the social phenomena around us and combines relevant theories in the history of economics and the history of economic thought to elucidate the discussion. The second part, "The Traces of Time", recalls the personal interactions of the authors Zhu Bokang, Ma Maoyuan and other academic predecessors; it recalls certain small aspects of the past 50 years of history in the way of remembering one's own relatives. This book contains 53 articles, including essays and essays. From the perspective of an economist, we observe changes in the world, observe life, discuss social history, and remember our ancestors and relatives. The thoughts are sharp and profound, the arguments are balanced and mature, and the writing is smooth and beautiful. Those who have deep sympathy and understanding of society, history and life can be the author's confidants.

Small fortunes, those small and certain happiness, leave a vivid mark on life in this way. This book tells some short stories between the author and his son Hanghang. The content is interesting and full of mothers' love for their children and thoughts on education.

I am a man named Huang Xiaoyang. I was born in 1974 and grew up in a small county in southern China surrounded by mountains and with extremely inconvenient transportation. The 1980s were my boyhood. When I was in the fourth grade of elementary school, I started writing limericks. That spring, small video studios all over the streets were shut down and relocated, and both sides of the road were filled with idle teenagers squatting like stones. I was a bad boy, withdrawn and unsocial. Reading is so thrilling. My reading at that time was so complex and confusing. Any piece of paper with Song fonts on it piques my interest.

The volunteers who participated in the "Power of Walking" this time created textual and visual creations inspired by nature and inner changes. In "Return to Zero" edited by Chen Kun, you can see their subtle changes and their touches after trying hard to get closer to their true selves. We cannot provide an effective methodology, but we only hope that you can quietly follow this book and walk with Chen Kun through the 240 hours of isolation in Shangri-La, feel the tranquility of walking meditation, appreciate the beauty of simple life, and finally feel the power of "returning to zero". Because no matter where we start from, we need to find inner peace.

This article is composed of two series: "Baltic Wind" and "Iberian Letter". "Baltic Wind" mainly records the author's thirteen-day journey in the countries around the Baltic Sea. "Letter from Iberia" mainly records the countries he traveled to and his insights during his honeymoon trip.

The best way to understand a writer is to read his works, especially prose. This collection of essays is a cantabile andante of the author's migration from his hometown to a foreign land. It is the fruit of his hard work in the past 20 years. While reading, one can feel his loneliness as a wanderer, his various efforts to integrate into a foreign land, and his journey of finding sustenance in literature.

1978, the ideal era. The famous literary critic Meng Fanhua is a witness and participant in the development of contemporary Chinese literature. His attention to and comments on writers' works, his grasp of contemporary literary trends, and his analysis of the development process of contemporary literature have all produced great repercussions in the academic community.

"The Streets in the Bustling Deep" is one of the "Nostalgia Collection" edited by Wang Jianbing. It is a collection of Ge Shuijing's essays about the villagers and the land of the Three Jin Dynasties. It contains 30 essays and 1 postscript. The author's language is poetic, and his narrative descriptions focus on the creation of imagery and environment. Coupled with his calm mind, there is a sense of intimacy that comes from the narration. The profound culture of the Sanjin area has nourished the author. From simple objects such as stone carvings, iron products, beds, windows, etc., He can see the imprint of culture, which has depth and breadth.

This book collects the prose essays written by Zhang Wumao in the past ten years, and has selected more than 40 articles from the 200 articles he published for publication. In this book, the author describes family affection and nostalgia, tells his thoughts and feelings about life, and comments on some social events. His words about his family and hometown are heartfelt and touching. The thoughts and feelings about life and the comments on social events are both humane and sophisticated, as well as precise and insightful. They are humorous but not vulgar, and rational but not pedantic.

This is a scholarly work written by an old man who is over eighty years old. With the vicissitudes of time, it uses the calendar format of 2012 as a guide to record Qin Xue's book journey. Looking up and down, it takes 11 themes as its latitude, including "Building People to Learn", "Historical Memory", "Poetic Life", "Philosophical Words of Philosophers", and "Natural Humanity", showing the learning trajectory of thinking. Consistently, it focuses on the historical concept of conscious exchanges between human civilizations. The Success of Humanity is the sixth work with the same theme after "The Theory of Civilized Exchanges", "The Records of Shu Lu Hongzong", "Hundred Records of Songyu Zhai", "The Theory of Liangzhai Civilization Consciousness", and "My Concept of Civilization", collectively referred to as the "Six Steps of Civilized Exchanges".

This book draws materials from historical stories, fables, myths and legends, literary creations and real life, and provides an in-depth and simple explanation of the "Three Realms of Life". The wise and philosophical viewpoint allows readers to gain comprehensive life enlightenment through easy reading.

In order to help modern people better shape and improve their personal image, we have compiled this book "Be Your Best Self: Your Image Is Worth Ten Millions". The book systematically explains the methods of improving your personal image from aspects such as clothing, grooming, temperament cultivation, social etiquette, behavior, and overall quality. It guides and helps readers cultivate positive, honest and friendly qualities, improve their personal mental outlook and work efficiency, and thus find their own happiness.

This book is a collection of essays by writer Ye Zhaoyan interpreting the works of foreign classic writers. The writers discussed include Shakespeare, Goethe, Balzac, Llosa and Naipaul. This collection combines the keenness of a novelist with the persistence of a critic. From another aspect, we can also understand the private reading history of a literary master.

This is a book about the group of people who can calm down in the current noisy society. It tells the stories of 45 urban craftsmen. Among them are the common cake chefs around us, the inheritors of intangible cultural heritage, Mr. Qiu Qing, a traditional dye maker who has been featured in "National Treasures", and Internet celebrity craftsmen. Forging iron, making incense, dyeing cloth, repairing brushes, cutting harps, making round fans, carving inkstones, gold-stitching, embroidery, sword-making, bamboo crafts, brewing wine, making noodles... They only do one thing in their lives. They represent an aesthetic attitude towards life that cherishes things. They teach us to find meaning in the emptiness of life, and to discover beauty while struggling for livelihood.

"Zhengbian·Tongbian·New Change" is one of the "Chinese Aesthetic Category Series". The book discusses in detail the historical and cultural background of the three categories of "positive change", "conforming change" and "new change", as well as their development and evolution. In examining its origins and commenting on its pros and cons, many achievements have been made. The book has a high theoretical level and outstanding academic value.

"Analysis of Simple Aesthetic Theory" is one of the "Chinese Aesthetic Category Series". This book focuses on sorting out and analyzing the typical phenomena and mechanisms of the "Qing" aesthetic cultural spirit, and then analyzes the concepts of "qing and handsome character" since the Middle Ages, and puts into perspective the "bland" aesthetic theory and the "excellent" phenomenon. This book selects key aesthetic ideological issues as its perspective, paying special attention to the convergence of Chinese classical aesthetic categories and related theoretical fields.

The contents of this book include "New Youth and Our Era", "Behind Eating", "Beware of the Distortion of History by Instrumentalism and Consumerism", "Parrot", "Heart Lamp Record", "Poetry of Heroes", etc.

"Between Reality and Virtuality" is one of the "Chinese Aesthetic Category Series". This book explores the category of "virtual and real", describes its evolution, analyzes its implications, and demonstrates the evolution and connotation of this category in a relatively comprehensive and in-depth manner. The whole book not only provides a macroscopic review of the distinction between "virtual and real", but also explains the manifestation and significance of "virtual and real" in various art forms and theoretical criticism in categories. The whole book is layered with inferences, clear logic, and highly readable.

"Beauty in Nature" is one of the "Chinese Aesthetic Category Series". The book is divided into two parts. The first part examines the historical trajectory of naturalism from philosophy to aesthetics, from its inception to its development, and clarifies several stages of naturalism in literature and art. The second part mainly carries out a logical analysis of the aesthetic connotation of "nature". The whole book strives to provide an accurate modern interpretation of "nature" without any suspense or inference.

"Elegance" and "vulgarity" are a pair of ancient and new categories in the history of Chinese aesthetics. Starting from the aesthetic consciousness of "the elegant is right", "The Distinction between Refined and Popular" examines the cultural origins of the debate between elegance and elegance in Chinese aesthetics, expounds the aesthetic connotation and aesthetic characteristics of elegance, elegance, harmony, simplicity and ancient elegance. At the same time, it also conducts a systematic and in-depth discussion of the historical trajectory of the elegance and vulgar aesthetic consciousness from the pre-Qin to the Qing Dynasty in my country. It quotes from a wide range of sources and has clear viewpoints, fully demonstrating the three-dimensional aspect of the elegance and vulgar aesthetic consciousness.

The contents of this book include "The Taste of Flying", "First Submission", "Mandarin Duck Tribulation", "Mao Zedong, Master of Language", "Literature and Nature", "The Blacksmith of the Great Northern Wilderness", "Four Essay Questions", etc.

"Shensi: The Spirit of Art" is one of the "Chinese Aesthetic Category Series". This book provides a comprehensive and in-depth discussion of "spiritual thinking", a core category of artistic creative thinking in Chinese classical aesthetics. It explains that "spiritual thinking" has the characteristics of freedom, transcendence, intuition and creativity, and is a dynamic way of thinking. It also discusses that imagination is the main connotation of "spiritual thinking" and has many original ideas to inspire readers.

"The Scent of Ink Under the Scalpel" is a collection of essays by a cosmetic surgeon. The whole book is presented to readers in the form of interaction between the author and netizens. As a plastic surgeon, the author expresses the quiet relief of keeping a distance from the hustle and bustle and maintaining a certain world. Words create a kind of spiritual practice and a kind of value from technique to art.

This book selects Chen Tong's emotional essays written in recent years, as well as some letters to and from fans. Focusing on the current complicated and diverse urban life, she is delicate and sensitive and specializes in solving various emotional "difficult diseases"; she is concerned about the current living conditions of modern people and works hard to find the key to unlocking happiness. The writing is fresh, personal, sometimes humorous, and has unique practical significance. The article is also accompanied by black and white illustrations by young illustrator Su Qing, which is full of modernity.

"If a person has something he likes and takes it seriously, then he can ignore the unpredictable changes in life and live happily. This is the way I like jade." "Jade Seeing" records nearly 40 years of private inspection experience across China and the West - from the 1980s to today, from the most remote villages in China to the other side of the ocean - including appreciation, aesthetics, markets, museums, historical background and other aspects of pan-ancient jade culture. In the recollection and interpretation of ancient jade collections, relevant topics can be easily introduced, making highly professional knowledge such as ancient jade appreciation and ancient jade culture lively, interesting and fascinating. The author's unique experience brings readers a three-dimensional presentation of the past events of Yangchun Baixue and Jianghu. In reviewing each piece of ancient jade, he shares his mental journey, insights on jade and insights on life.

This book is the latest self-selected collection of prose by the novelist Ye Zhaoyan. From the perspective of humanistic care, he writes about people, events and objects, and understands the mixed flavors of life. In recent years, novelist Ye Zhaoyan has written a large number of prose essays, which are loved by readers. In an interview with a reporter, he said: "I am a novelist, and prose is just for fun!" But the brilliance of his prose is comparable to that of novels. Perhaps due to his family background, novelist Ye Zhaoyan's prose expresses a strong literati sentiment. Whether he is talking about old things, gossiping about cultural celebrities, or reminiscing about relatives, friends and teachers, he appears to be knowledgeable, candid and sincere, exuding a peaceful and tranquil elegance. His writing style is simple and plain, expresses his thoughts directly, quotes from other sources, and is humorous. It has its own charm, reflecting a writer's profound knowledge and strong realistic and humanistic feelings.

Xu Jinglei's family history, the history of her centenary-year-old grandfather. Recommended by Wang Meng and Yan Geling. This book is the first part of the family trilogy "Homeland Xu Wang". The author is Xu Zijian, Xu Jinglei's father, and the protagonist is Xu Jinglei's grandfather, Xu Chengyuan, who is 103 years old and has won the Anti-Japanese War Medal. The Xu family was once very prosperous in Xiangtan, Hunan, but later failed in business and the family fell into decline. After the outbreak of the Anti-Japanese War, 11 members of the family participated in the Anti-Japanese War. Xu Chengyuan joined the Kuomintang army as a military doctor and participated in the Songhu Anti-Japanese War. He had meritorious service and was awarded a commendation order by Chiang Kai-shek. Soon, Xu Chengyuan resigned from the Kuomintang due to his involvement in the "love affair". After that, he joined the Communist Party, advanced to the Dabie Mountains, saw Zhao Xitian captured, and treated Liu Bocheng's eyes. Based on the oral accounts of his father and mother, the author searched archives on both sides of the Taiwan Strait and searched for his hometown. The book contains solid historical materials, restrained emotions, and is full of words and endless meanings.

What is transparency? It means thorough, clear, and also means clean and transparent. The most valuable thing about a woman is that she still maintains a simple and clear heart after going through thousands of sails. See clearly and live simply; know how to advance and retreat, don't get entangled, don't compete with yourself; love yourself, but not selfish. When love comes, it's the icing on the cake; when love doesn't come, you enjoy loneliness. No matter what situation you are in, you will never give up your confidence and gentleness. May you still have your original sincerity in a complex and ever-changing world.

Ge Shuijing is a multi-faceted woman. She can make clothes, embroider, wear her own improved Chinese clothes, and wear her own embroidered shoes. She looks quiet on the outside, but is very wild in her heart. She likes fishing, hunting and other very masculine entertainment. As the saying goes, talented women are often not beautiful, and beautiful women are often just superficial. However, the female writer Ge Shuijing has completely overturned this long-standing saying; some literary critics say that she is the most feminine and talented woman in the Chinese literary world today; she is hailed by critics as "a dark horse", "the most eye-catching writer in the Chinese literary world", and "an important harvest of the Chinese literary world". The narrative she writes is skillful, full of emotions, full of rural pastoral poetry and unique philosophy.

This is the life essay of a self-proclaimed urban peasant woman. She writes about her process, experience, and harvest of planting, caring for, and appreciating flowers. She also shares her exchanges and interactions with her flower friends. This is not only people taking care of plants, but also plants taking care of people. In every pleasant morning and relaxing dusk, I carefully take care of the plants as if I were nurturing a child, recording the subtle changes of each plant, and capturing the richness and touch of life in the myriad of flowers.

"Morning Blossoms Plucked at Dusk" is Mr. Lu Xun's well-known collection of reminiscence essays. It relatively completely records his life experience and ideological context from childhood to youth. While shaping some distinctive characters, it also integrates these memories into rational thinking. It is a warm and beneficial read. Although "Morning Blossoms Plucked at Dusk" is not just written for children, it also writes many things about children, which makes it interesting to read. And as we grow older, we can always read different flavors from it. This is the charm of Lu Xun's works.