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"Collected Works of Wang Huo·Volume 7" is a collection of short stories and novels, divided into three parts. The first part is a collection of novellas "The Tide in the Heart", which consists of seven novels. Most of them are stories about marriage and love in different eras. They tell the story of the protagonist's tragedy because of his values, misunderstanding, cowardice, money, or personality. The second part is the novella "Privacy", which explores the scale of privacy between lovers. The third part is a collection of short stories and novels "All Living Things", which consists of more than 40 novels covering a wide range of fields. There are philosophies of life, sighs and praises for worldly affairs, various characters are depicted, and a rich and colorful social picture is formed.

"Collected Works of Wang Huo Volume Six" includes "Life in Dreams" and "Mystery of the Crown" written by Wang Huo in the late 1980s and early 1990s. "Life in Dreams" is a collection of short stories and short stories. The whole book uses "my" memories as clues to condense the historical trends and changes of the times for more than half a century. The works are full of love for life, pursuit of ideals, praise of the cause of human progress and reflection on past human affairs, shining with the brilliance of idealism and humanitarianism. "The Mystery of the Crown" is a novel that describes a tortuous case that occurred during the anti-corruption and bribery campaign at the beginning of the founding of the People's Republic of China. The work conducts in-depth discussions on issues such as fighting corruption, promoting democracy and the rule of law, and arouses people's resonance, thinking and aftertaste with fire-like enthusiasm, high sense of responsibility and clear view of right and wrong.

The three stories in "Wang Huo's Collected Works Volume 5" all left a deep imprint of the Anti-Japanese War. This is a history that our nation should not and cannot forget. The author has reflected it in a literary and artistic way in the story - whether it is the daily life of ordinary civilians ("Snow Festival"), or a monk hoping to seek liberation ("Zen Enlightenment"), or even studying abroad in Japan after the new century. It can be seen that the trauma of the Japanese invasion nearly 80 years ago on the Chinese nation is still aching, and it can also be seen that the author's painful memories and deep reflections are not motivated by personal emotions. Such reflections will never go out of style for the Chinese nation, as well as for all peace-loving nations in the world. Although these three works were created a long time ago, they still have strong practical significance.

"Collected Works of Wang Huo·Volume 4" contains various novels written by Mr. Wang Huo in various periods - a total of nine novels and short stories: the novel "Heroes for the Country - Jie Zhenguo and the Workers' Secret Service Brigade" and the short stories "Clang of Heart", "Spring Breeze Peaches", "Death Diamond", "Meteor", "The Cherry Blossoms in the World Are Red", "The Wrong Apology" and "The Legend of a Peking Opera Actress in "Oriental Venice"". Among them, the novel "Heroes for the Country - Jie Zhenguo and the Workers' Spy Brigade" is a biographical legendary novel with the anti-Japanese hero Jie Zhenguo as the protagonist. The novel describes the heroic deeds of the workers' guerrillas led by Jie Zhenguo in Tangshan and Eastern Hebei during the arduous Anti-Japanese War, fighting against Japanese invaders, eradicating traitors, pacifying bandits, and fighting against invaders in bloody raids by Japanese devils. It describes the evocative national spirit of the Chinese people and is an epic literary work.

"Wang Huo's Collected Works Volume Three" includes four parts: the novel "Eight Routes from Foreign Countries", the interview notes "Chasing the Traces of Hans Heber", the script "Hans Heber", and the novel "Legend of the Flowing Fireflies". The first three parts all tell the heroic story of Hans Sieber, a German Communist Party member, writer, and journalist, who went to China for interviews during the Anti-Japanese War and went deep behind enemy lines in southern Shandong to experience the fighting life of Chinese Communists, participated in it, and eventually died in battle. "Legend of the Flowing Fireflies" describes the story of the young hero Lu Jiagang who fought as a militiaman against counterrevolutionaries during the land reform period. Although these two parts take place at different times, they are both stories from the Lunan region, so they are placed in the same volume. These contents reflect the special characters and social conditions in a specific historical period, especially the interviews and records of Hans Heber, which have important historical value.

"Collected Works of Wang Huo Volume 2" contains two novels, "Three Years of Thunderbolt" and "Firelight in the Thick Fog". Among them, "Three Years of Thunderbolt" features a pair of young male and female journalists as the protagonists. The work tells their extraordinary and unique experiences, their love, hate and desolate youth. The lovers were active in Shanghai, a ten-mile foreign land, and in Nanjing, the capital of the heartland at that time. They weathered the storms of the great era, went through the ups and downs after the founding of the People's Republic of China, and entered a good period of reform and opening up; "Fire in the Fog" tells the story of a famous university at the foot of Jinyun Mountain in Chongqing and on the bank of the Jialing River in the 1940s. The work reproduces the style of university life during the Anti-Japanese War from a side.

"Wang Huo's Collected Works Volume 1 War and People" contains Wang Huo's masterpiece "War and People" trilogy, which are "The Moon Sets, Crows Crying and the Sky Full of Frost", "The Mountain in the Void" and "Maple Leaves and Flowers Autumn", which are reflections of the world. A masterpiece novel in the fascist book series, it takes the family misfortunes and life experiences of Tong Shuangwei, a high-ranking official of the Kuomintang and an authority in legal science, and his son Tong Jiating as the main line, showing a panoramic picture of the southern half of China during the Anti-Japanese War. The core character Tong Shuangwei went from passively taking refuge and maintaining his reputation to despising the Kuomintang's dictatorship and joining the ranks of the democratic movement. At the same time, Tong Jiating, who grew up as a young man, also devoted himself to the light without hesitation under the influence of the times.

This collection mainly consists of four books by author YK. This book collects the columns that YK has published in fashion and lifestyle magazines such as "Red Show", "Guangzhou Daily", "Marie Marie", and "Hope" over the past few years. It is a heart-warming and insightful analysis of all aspects of the relationship between men and women. It is a hormone advocate and teaches us how to fall in love scientifically.

"Zhou Zuoren's Self-edited Collection: Yongri Collection" contains more than 40 essays by Zhou Zuoren, which is the "Fourth Little Book of Kuyuzhai". It is the author's continuation or in-depth thinking on the two themes of literature and current affairs, showing the beauty of articles, thoughts and depth. "Whoever wants to go up, lean on the hand and neck, and cut off the dead man's fist for me!" - This is the witch's spell. But why does the author introduce this? Because human beings have developed and perfected from the era of ignorance, understanding the barbaric winds of the past is of great significance to the present. The breadth of the author's interests is evident. "Zhou Zuoren's Collected Works: Yongri Collection" has been carefully edited by Zhi'an, making it the most comprehensive and authoritative collection of Zhou's essays on the market.

"Zhou Zuoren's Self-edited Collection: A Bitter Mouth is Sweet" contains twenty-one articles by Zhou Zuoren. The style basically continues from "Yaotang Essays". It is the author's combing of his own thoughts. There are "serious articles" about literature and thoughts, and there are also works about reading with nostalgia. Especially in the long summary article "My Miscellaneous Studies", he comprehensively reviewed his study of Chinese and foreign languages ​​and his involvement in various disciplines, and proposed the core of his later thoughts "naturalization of ethics" and "conformation of moral principles", which is an inescapable work when studying Zhou Zuoren.

"Bitter Bamboo Miscellaneous Notes" contains more than forty articles, most of which are essays and "copied books", which are concise and distant articles in the later period. Among them, "talking about ghosts" is one of Zhou Zuoren's favorite topics. From this, the author feels the life situation and survival desire of ordinary people, and feels the most sad and pitiable. It looks like talking about ghosts, but it is actually a heart-to-heart talk. It not only pursues true knowledge, but also does not forget human feelings. Among Zhou's writings, such articles have the most emotional depth. "Bitter Bamboo Miscellanies" was carefully edited by Zhi'an.

"Zhou Zuoren's Collected Works: My Own Garden" is divided into three series, with a total of fifty-six articles. Among them, "My Own Garden" and "Oasis" are close to literary criticism, while "Tea Talk" is a miscellaneous essay. "Oasis" is full of interest, and its technique has been followed by many of the author's subsequent essay creations; "My Own Garden" is a mirror of the author's literary and artistic thoughts at this stage. "The so-called own garden is originally very broad and is not limited to a certain type: whether it is planting fruits and vegetables, whether it is planting medicinal materials, or whether it is a kind of rose garden, as long as it is based on his personal consciousness and has the strength to cultivate the land no matter how big or small it is, he has fulfilled his bounden duty."

"Zhou Zuoren's Collected Works: Books on Rainy Days" contains more than 50 essays written by Zhou Zuoren from 1921 to 1925, most of which are miscellaneous essays. Some of the articles are plain and natural, leisurely and harmonious, such as "Wild Vegetables in Hometown", "Drinking Tea" and "Flies", etc., Which have always been popular. And this is not the only feature of the articles in this collection. The author does not take leisure as his only purpose. His concern for literature, art and national character is still obvious.

"Woodchip Collection" is the representative of Zhou Zuoren's later prose. The subject matter continues the previous themes of nostalgic memories of the past, famous objects and customs, plants, trees, insects and fish, reminiscing about the founding of "Silk", stories about old friends such as Cai Jiemin and Qian Xuandong, talking about Greek mythology, northern and southern snacks, analyzing the lunar and fishing calendars, avoiding taboos about changing surnames, and even topics such as bats and owls, crows and parrots can be discussed comfortably. But I no longer write long essays, and I also reduce the quotation of large paragraphs of ancient texts. I only write short chapters and eloquent stories, which are concise and lively, and sometimes have humorous conversations. Just like what he said in his poem about his eightieth birthday: "I pity my one-legged father and miss the mountain father, and I imagine that I am envious of the wild raccoon on a green felt. I sometimes pretend to make faces in my conversations, and I like to scatter coriander in my humorous conversations."

"Ku Yu Zhai Preface and Postscript" contains fifty-four chapters. Zhou Zuoren's preface and postscript best reflect his style and characteristics, and are also his summary and reflection on his own ideological context and writing process. They are called prefaces and postscripts, and they are actually beautiful and wonderful articles. The most interesting thing about reading Zhou's articles is his preface and postscript, where almost all the important, core, thought-provoking thoughts and sentences are contained. "Zhou Zuoren talks about Zhou Zuoren", "with the purpose of not being relevant to the topic", the writing method is unconventional, and the thinking is contrary to orthodoxy. It is not pleasant to read like this. "Kuyuzhai Preface and Postscripts" was carefully edited by Zhi'an, making it the most comprehensive and authoritative collection of Zhou's essays on the market.

"Zhou Zuoren's Collected Works: Looking at the Clouds" contains a total of forty-one essays by Zhou Zuoren, which reflects the author's profound education and extensive knowledge. Whether they are entertaining and leisurely sketches or King Kong's angry comments on current affairs, they are all truth-seeking works with "appreciation mixed with criticism". Words of worry, anger, depression and pain can be seen everywhere. For example, he said, "I think moral control in a civilized society should be very broad, but honesty should be required... I think it is better for us to be true evil than to be hypocritical. For true evil, we still have to be responsible and take risks." This is also a good medicine for China today. "Zhou Zuoren's Collected Works: Kanyun Ji" has been carefully edited by Zhi'an, making it the most comprehensive and authoritative collection of Zhou's essays on the market.

"Zhou Zuoren's Collected Works: Guandouji" collects Zhou Zuoren's works from May to December 1936. Compared with the previous work, there are some new elements in the content. As the author puts it, "'iconoclasm' and 'moderateness' are sandwiched together," which reminds us of what he said about himself being both a "gentleman ghost" and a "gangster ghost." Here, "I have my own opinions on ghosts, gods, families, women, especially prostitutes." Zhou uses the moral values ​​established by sexual psychology to cover both men and women. However, women have no social security and are often victims, so they pay special attention to this aspect, and are especially sympathetic to women's unfortunate experiences, whether it is experience or psychology.

"Zhou Zuoren's Self-edited Collection: A Corner of the Study" can be said to be a companion volume to "Yaotang Quotations". It contains one hundred and ninety-one reading notes by Zhou Zuoren. It is also a work of Zhou Zuoren's "exploring the opinions of his predecessors, distinguishing them, picking the gold from the sand, and grinding the pestle into a needle." Therefore, it is short and flexible, even less than ten lines. It also involves many ancient books, which to a large extent reflects Zhou Zuoren's thinking and analysis of traditional Chinese culture. It incorporates modern thoughts into the comments on ancient books, making it a unique and interesting read. Among them, "Sang Xia Cong Tan" focuses on combing Yue people's writings, introducing the people, monuments, customs, food, etc. In his hometown of Shaoxing one by one. It is an excellent chronicle of Yue customs, and between the lines, you can feel the feelings of hometown and hometown triggered by the war.

"Zhou Zuoren's Collected Works: Quotations from the Medicine Hall" contains 50 essays written by Zhou Zuoren around 1940. It is a new attempt in his prose writing style. It is short in length and is close to "notes written by predecessors". The title "Quotations" is not intended to imitate Confucianism and Buddhism and record one's own words and deeds for future generations, but to "speak more concisely" and select a few points to capture some flash of thought. Although the author claims that these articles are not intended to be critical, but only "lay out several kinds of herbs on the table" and "arrange some medicines", the spirit of "disease of falsehood" and "love of truth" is everywhere in the writing. Good medicine does not have to be bitter, and a tea soup that relieves summer heat may be more effective for the appetite. Zhitang's article is exactly this kind of tea soup with a suitable density and relief from summer heat.

"Collected Works of Zhitang" contains forty-five articles and is the most representative of Zhou Zuoren's self-selected works. Zhou Zuoren called himself Zhitang, and its significance can be seen in the "Zhitang Shuo" in this collection. The greatest value of "Collected Works of Zhitang" is that it shows Zhou Zuoren's early achievements in his creative career, including poems, essays, sketches, essays, translations and other styles. It not only maintains his own taste, but also absorbs various knowledge and adheres to cultural criticism. It can be said that it is a mixture of clear, gloomy, evil tune and elegance. It was his most satisfying work at that time.

"Zhou Zuoren's Collected Works: Talks after Holding a Candle" mainly collects Zhou Zuoren's works from April to October 1937. As the author said, "There are many leisurely topics in the articles in this book." However, they are all leisurely topics, but the content can be divided into two categories. One expresses interest, and the other is false. The author continues to criticize the darkest phenomena in Chinese and Western cultures in articles such as "On Literary Inquisition". In Literary Prison, the author pays special attention to the category of "killing people with thoughts" and points out that the essence of ideological tyranny is that people generally lose their ability to think and judge, and consciously converge towards tyranny itself. Zhou always maintains a clear understanding of traditional Chinese culture, carefully distinguishes it, and does not let go of the bad side.

"Zhou Zuoren's Collected Works: Past Work" contains fifteen articles written by Zhou Zuoren before and after the victory of the Anti-Japanese War (April to December 1945). The articles continue the style since the 1940s. One type still writes "leisurely" talk, describes scenes, objects, comments, and eloquent stories, such as "Poems about Bamboo Branches", "Stone Road", and "Stories of Dongchangfang"; the other type continues to "seriously" explore ideas, trace their roots, and speak loudly, such as "Mortal Faith" and "Work of the Past". "Composition" and "Articles of Two Ghosts" play an important role in the history of Zhou Zuoren's writing thoughts; in memory of three old friends, Chen Duxiu, Qian Xuantong, and Liu Bannong, through excerpts and annotations of their official slips, the past interactions and situations are described, and the feeling of "flowing water and setting sun" is fully reflected in the writing, which opens up a new way for writing about people.

"Tan Hu Ji" contains 132 essays written by the author from 1919 to 1927, "comments on all human affairs". During the May Fourth era, Zhou Zuoren appeared as an advocate of "ideological revolution". The "ideological revolution" and "ancestor worship" in this episode are its main symbols. The articles in "Tan Hu Ji" have clear stances and fierce words, fully demonstrating the appearance of a social critic.

"Zhou Zuoren's Self-edited Collection: Tan Long Collection" is a collection of essays by Mr. Zhou Zuoren, a famous Chinese essayist. It contains a total of forty-four essays. This collection "slightly touches on literature and art" and is also the main work of Zhou Zuoren, a literary theorist. Since then, his essay writing, both in terms of interest and approach, is more closely related to "Zhou Zuoren's Self-edited Collection: Tan Long Collection".

"Zhou Zuoren's Self-edited Collection: Zhitang Yiyou Wenbian" contains eighteen articles (including inscriptions) by Zhou Zuoren, most of which were written in the late 1940s. Among them are the history, customs, and famous things that Zhitang always likes to talk about. They cover a wide range of topics and have far-reaching intentions. They are enlightening in their calm talk, such as "The Story of Kong Rong", "Poems About Bamboo Branches", "Custom Poems of Beijing", etc.; There are also serious articles such as "The Contribution of Moral Affairs", which is a continuation of "Medicine" "Japanese Insights No. 4" And "Japan Re-understanding" brought an end to his Japanese studies; there are also works of memory such as "Hangzhou Prison Fifty Years Ago" and "Inside and Outside the Red Mansion", which are plain and true, do not fall short of empty words, and are the forerunners of "Memories of Zhitang".

"Zhou Zuoren's Collected Works: The Past Life of Alismatis Collection" contains twenty-two essays by Zhou Zuoren, and is the third of the "Kuyuzhai Little Books". It includes both interesting "beautiful prose" and sonorous and elegant "current prose". It is a combination of "simple and plain" and "connoting murderous intent" styles, which is quite worth reading and pondering. "Past Life" is a collection of poems, including twenty-nine poems. It is called "The Fifth Little Book of Kuyuzhai". It may be innocent and fresh, or it may be gentle and compassionate. It pays special attention to children and women. "Children, children, I prayed to you, you are my atoneers." This kind of prayer is very touching.

"Zhou Zuoren's Collected Works: Wind and Rain Talk" collects Zhou Zuoren's works from November 1935 to May 1936. In the book, Zhou focused on a careful examination of ancient Chinese writings, covering a wide range of fields and investing a lot of energy. Although the articles he wrote were all short, the work was systematic. This kind of examination is first of all ideological, and the author's literary concepts are also reflected from time to time. His skill is "picking gold from sand", and his attitude is "praise and criticism are obvious". He has seen many disadvantages and also found some advantages in the works of the ancients. The criteria for choosing among them are the always-emphasized "disease against illusion" and "emphasis on emotion and reason"; in other words, his stance is scientific spirit and humanism, or modern civilization together.

"Zhou Zuoren's Collected Works: Bingzhu Tan" collects Zhou Zuoren's works from November 1936 to April 1937. In his later years, the author looked back on his writings and emphasized the concentration of cultural criticism works such as "Fu De Mao". The materials are drawn from ancient and modern times, Chinese and foreign, and are all based on the author's special knowledge, special interests and special discoveries. It can be said that discovery is due to knowledge, and interest is due to discovery, and both discovery and knowledge are included in taste. Because they are interesting articles, they are written in a casual style. Although they are heavy in weight and profound in conception, these articles are among Zhou Zuoren's best works and best represent his characteristics, both in terms of artistry and ideological considerations.

"Zhou Zuoren's Collected Works: Looking at the Clouds" contains a total of forty-one essays by Zhou Zuoren, which reflects the author's profound education and extensive knowledge. Whether they are entertaining and leisurely sketches or King Kong's angry comments on current affairs, they are all truth-seeking works with "appreciation mixed with criticism". Words of worry, anger, depression and pain can be seen everywhere. For example, he said, "I think moral control in a civilized society should be very broad, but honesty should be required... I think it is better for us to be true evil than to be hypocritical. For true evil, we still have to be responsible and take risks." This is also a good medicine for China today. "Zhou Zuoren's Collected Works: Kanyun Ji" has been carefully edited by Zhi'an, making it the most comprehensive and authoritative collection of Zhou's essays on the market.

"Zhou Zuoren's Collected Works: Before the Beginning of Spring" contains thirty-three articles by Zhou Zuoren, most of which were written between August 1944 and January 1945. The serious articles about literature refer to historical records and trace the origins; the emotional articles about remembering old friends are indifferent to life and death, sincere and touching, while the talks about rain, about sending stoves, and about the beauty of Japanese paper are all leisurely. As the editor, Mr. Zhi'an, said, "Almost all the features of prose in previous issues are shown in "Before the Beginning of Spring", and it is given a new and contemporary color, so it is unique among Zhou's works."

"Zhou Zuoren's Self-edited Collection: Yaotang Essays" contains 28 articles written by Zhou Zuoren from 1940 to 1943 in the occupied Peiping. Different from the leisurely conversations about making a cup of tea under the paper windows of the tiled houses in the early days, and different from the flashes of thoughts in the form of short notes in the middle period, here are "serious articles" about Chinese literature and thought. From the traditional future of Chinese literature to Chinese thought, from enlightenment to morality and women's studies, from recollections of studying abroad to nostalgia for old friends, although it is not a lengthy discussion, it is a sorting out of Zhou Zuoren's own thoughts, who has experienced the pain of bronze camels and thorns and was stranded in occupied areas.

"Zhou Zuoren's self-edited collection: Laohuqiao Miscellaneous Poems" is the only collection of old-style poems compiled by Zhou Zuoren. Most of them were written in Laohuqiao Prison in Nanjing, hence the name. A collection of "Kucha'an Doggerel" and its addendum were written before 1945. The former was included in "Before the Beginning of Spring"; "Pao Bureau Miscellaneous Poems", "Zhongshe Miscellaneous Poems", "Thirty Poems from the Past", "Bingxu Late Year Poems", and "Dinghai Summer Poems" were all written in prison. The content involves past reading experiences, chanting history, and recalling the past. Nostalgia, etc., "Emotions are moved in words and expressed in words", reflecting on life and expressing the state of mind, which is extremely profound; "Quatrains on Paintings" is a work of chanting objects; "Poems on Children's Miscellaneous Affairs" tells children's lives and stories in the form of poems, expressing children's views. It is fresh and unique. It has been published many times in various forms in Hong Kong and the Mainland, and is very popular.

This book is Sun Li's first relatively complete anthology of novels and essays. It has been rated as one of the "100 Outstanding Chinese Literature Books of the Century". It includes most of the short stories, essays, features, communications, etc. Written by the author from 1939 to 1950. It contains nearly a hundred short works, arranged in chronological order. "Lotus Lake" and "Luhua Dang" are the most famous works among them. This book selects forty classic works such as "Luhua Dang", "Lotus Lake", "Glory", "Instructions" and "Plucking Reeds from the Pu Tai".

Language has flavor. When you read this collection of poems, you will taste the sweetness that the author gives you. This collection of poems is a collection of the author's poetry creation in the past ten years. The imagination about youth and love in those years lingers in the author's words. I believe you will like it.

Human life is a process of pursuing happiness and success. No one is born with a lot of money. They all realize their ideals and achieve their goals in life through this process. It doesn't matter whether you succeed in the end. What matters is that you enjoy the process in the constant pursuit. Enjoying the process is actually the greatest happiness. This is a collection of philosophical essays, which collects more than 100 classic works written by the author for more than 20 years. The author tries to make people understand this truth through the perspective of seeing the big from the small. That is those who have pursuits, those who have been walking on the road, are happy and valuable at the same time.

This is a collection of prose and poems about loneliness and loneliness compiled from the works of famous Chinese and foreign writers. It brings together 33 classic articles by 19 contemporary literary masters such as Liang Shiqiu, Zhu Ziqing, Xu Zhimo, Lin Huiyin, and Schopenhauer. Their words either hit the subject directly or elaborated slowly, all of which reveal their deep thinking and understanding of life and loneliness. Your loneliness and what you fear will be forged into steel by time.

This book is a collection of the author's short works, including: tender pain; we believe; who falls in love with whom first; dusting off the dust; meeting and breaking up; meeting each other rather than missing each other; the most beautiful memories, etc.

This book is a collection of Li Fusheng's personal works. It includes the author's thoughts on people's livelihood issues (political essays "Everything is related to people's livelihood, branches and leaves are always related to feelings", etc.), Insights on people's livelihood issues (essay articles "Volunteer, Make Life Better", "Charity, Make Me Rich", etc.), As well as interviews and comments about the lyrics "Leading China" created by the author.

This manuscript is a collection of personal essays. It is a collection of the author's long-term exploration and thinking in personnel management and party-mass work. It is also a study and discussion of ideological and political work in the new era, such as "persisting in the assessment of enterprise cadres and strengthening the construction of enterprise teams" (Shenzhen Municipal Government) "Party Life in the Special Administrative Region" by the Organization Department of the Party Committee), "Thoughts on Personnel Management in Modern Enterprises" ("Reference for Political Workers" by the Propaganda Department of the Guangdong Provincial Party Committee), "Quality education of employees is the foundation of enterprise development" ("Guangdong Labor Movement" by the Guangdong Provincial Federation of Trade Unions), etc.

The author's delicate words bring a kind of tranquility to the hearts of people in today's noisy and prosperous city. Whether it is a prose sentence, an essay, or a novel, the words are full of wise calmness and thinking power. After reading this book, we can see the confrontation between the author and his inner self. He uses simple and plain language to dilute the current anxiety. I hope that every reader can get a long-lost tranquility from it.

This is a girl's "private diary" full of growth marks. The private content and note-based form are the greatest features of this book. It is these trivial records of daily life that help her build a girl's path to adulthood and a mature soul step by step. This is not only the growth notes of an ordinary adolescent girl, but also the inner cry of children of this generation when they face a strange and ever-changing world.

"The Legend of the Master" is a collection of essays, which compiles a total of 125 essays on cultural criticism by the author in recent years. It contains criticisms of various cultural phenomena and reflections on many cultural issues that trouble contemporary people. It has high academic value as well as high literary value; especially its unique thinking and sharp writing style increase the readability of this book. This is another pinnacle of Chinese essays after Lu Xun's essays.

"The Legend of the Master" is a collection of essays that compiles the author's essays on cultural criticism in recent years. It contains criticisms of various cultural phenomena and reflections on many cultural issues that trouble contemporary people. It has high academic value as well as high literary value; especially its unique thinking and sharp writing style increase the readability of this book.

The market, landscape, officialdom, and literary world were all of his deep concern. Whether looking at the major events in the country's political life or recording the daily mundane things around us, it is like examining oneself in front of a real mirror. The individual and society, the sublime and the secular, are so closely intertwined that they are indistinguishable from each other. His radiant talents and swirling philosophical thoughts are like the swaying waterfalls in his hometown hitting the rocks and blooming with bright light.

"Hymn of the Red Dust" is divided into two volumes, with a total of six chapters and more than 600 poems. The poems have the flavor of the times, thoughts and emotions. From the opening chapter "Lyrics of Scenery" to the concluding chapter "Meditating on Zen to Enlighten the Tao", Wang Jinsen's romantic heart runs throughout. He writes from the true feelings of his heart without spreading branches, carvings or pecks, covering up or hiding.

This collection of works includes prose essays, novels and stories, etc., Covering the time span from before liberation to today. The prose essays are derived from the life of the author and the people around him, with vivid and readable plots and quiet and pure language; the novel stories are true, simple and deeply touching. The author regards writing as a way of playing, pursuing a kind of spiritual and cultural enjoyment, making people admire his feelings and admiration for his detachment.

This book is a collection of academic essays on Lu Xun topics written by the author Yan Jingming in the past ten years. The important features are to use prose style to describe and comment on Lu Xun's spirit, thought, creation and life in detail, and strive to be vivid and vivid, without seeking to summarize the discussion; strive to have a novel perspective, rather than copy what others say; strive to have rich materials and take them from the original work, without making grand remarks. This book has a great role in popularizing Lu Xun's works, spirit and experience. It is also quite inspiring and suggestive for Lu Xun's academic research. Most of the articles in this book were published in important domestic literary magazines such as "People's Literature", "October", "Shanghai Literature", and "Modern Chinese Literature Research Series", and most of them were published in prose. A small number of these articles are included in various annual prose and essay selections.

In this collection of my father's works, there is a gene that inherits the most primitive, simple and natural love of the Chinese nation; there is a kind of wind that is supported by the majesty of the sky, adjusted by the earth, and inspired by the mountains and rivers in the heart; there is also a kind of spiritual spirit in the heart that reflects the light of the branches, dyes the moon in the night, and shines in the universe.

This book is a collection of prefaces written by Mr. Wei Liqun, the former director of the Research Office of the State Council over more than 30 years, with a total of 74 articles. The contents of the works cover a wide range of topics, including discussions on economic construction, social construction, political construction, and cultural construction; there are monographs on development and reform; there are works exploring academic theories and the voices of think tanks offering advice and suggestions. Therefore, for these works, the preface is not only an outline and finishing touch, but also serves as an introduction. The collection and publication of these prefaces is a process of reviewing the past and re-learning for the author; it is an authoritative interpretation of the contents of the research work for the readers to quickly understand. Therefore, the publication of this book can have wide social needs and also have great theoretical value.

Some people say that writing novels is a game, writing poetry is like high jumping, and writing prose is like walking. Some people say that the joy of writing novels is the joy of building a house brick by brick, nail by nail, and the joy of writing prose is the joy of immediately imaging and taking pictures with a camera. I think, whether it's walking or taking photos, there are still things that require attention and technique. So what should I pay attention to and what techniques should I use when writing prose? Looking back and thinking about it, I still have it. I would like to summarize it in four sentences: first, write narrative prose like a novel, second, write lyrical prose like a poem, third, write travel notes like an essay, and fourth, write a review like an essay. This book contains 17 narrative essays, 24 lyrical essays, 30 travel notes, and 29 reviews (including preface and postscript). Including 4 articles written by others about Liu Wenqi, there are 104 articles in total.