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This book tells mysterious legends, understands systematic astronomical knowledge, and explores the forefront of astronomy. It is divided into seven chapters: The most in the solar system, the most in comets and satellites, the most in stars, the most in galaxies and nebulae, the most in quasars, the most in astronomical exploration, and being at the forefront of astronomy.

"Then" is Zhang Xiaohou's first growth essay from the phenomenal music group Good Sister. It uses a warm writing style and an upward attitude to convey an attitude towards life that requires courage to move forward regardless of good or bad times. The book is divided into four parts: "Hello Sister", "Ordinary Emails", "The Past Can Only Be Reminisced" and "A Kind of Growth Ring". Through 40 heart-warming articles, it records the original intention and trajectory of the growth and development of Good Sister, Zhang Xiaohou's personal life experience, and the interactions and descriptions of celebrities in the literary and art circles. It restores the struggle and self-improvement process of how an optimistic teenager became a phenomenal independent musician, and also reveals for readers the unknown behind-the-scenes stories in the entertainment industry. Zhang Xiaohou's writing is humorous, with frequent golden sentences, both funny and tearful. This book has been highly recommended by the famous musician, writer, and collector Yao Qian, the planner Xi Tao, and the preface by his good sister Qin Hao, as well as Liu Tong, Ding Ding Zhang, Ji Guangguang, and Chen Li!

The topic "Research on Chinese Modern Writers' Community in the 1930s" aims at the dilemma of research on modern Chinese literary societies and genres, and puts forward the concept of "modern writers' community". Using the research method of writer's community, it conducts an in-depth interpretation and analysis of the context, literary form, cultural mentality, literary publishing and other aspects of the formation of modern Chinese writers' community in the 1930s, and accurately summarizes the characteristics of the survival and development of writer's community during this period.

The collection of poems compiles 36 groups of poems from the author's visits, inspections, research, and tourism activities from 1992 to 2014. The content mainly includes: first, praising the party, motherland, and people; second, praising China's great rivers and mountains; third, promoting the glorious achievements of efforts to realize the "Chinese Dream." The title of this book is inscribed by Wang Hanbin, former vice chairman of the National People's Congress; Luo Haocai, former vice chairman of the National Committee of the Chinese People's Political Consultative Conference, writes the first preface; Hu Zhenmin, secretary of the Party Leadership Group of the China Federation of Literary and Art Circles, writes the second preface; Shi Yiwei, deputy dean of the School of Chinese Language and Literature of the University of Macau and emeritus professor, writes the third preface.

This book tells the story of slow and gentle life in Xinjiang. Staying by a river, dating the twenty-four solar terms. Walk through ordinary alleys and savor the taste of the world. In the middle of life, look from afar. The whole book is full of rich taste of the world, detailing the little beauties in ordinary life, and sharing simple and plain happiness with readers.

This book is a record of the lectures on Chinese classical prose by Gu Sui, a master of Chinese studies, at Peking University and other schools, recorded by his student Ye Jiaying. Taking classic prose classics as the object of explanation, it integrates ancient and modern times, connects China and the West, and moves from text to person, with unconstrained style, high literary talent, and profound insights. It has never been made public and is the first time it has been seen.

This book is a recollection of past events written by Meng Youbin. I am from Tsinghua University.

This book is a collection of Mr. Huang Yonghou's writings and paintings. Mr. Huang Yonghou is not only a famous Chinese painter in my country, but also an essayist. Therefore, most of his paintings are integrated with articles and calligraphy, thus forming his own unique style. His articles are free in form, talking about the past and the present, and they are easy to read and write freely, which shows his profound knowledge and profound education. His calligraphy and painting collections are now very rare in the world, and the existing old copies are relatively expensive. I believe that the publication of this book will make many people who are in love with Huang Lao's calligraphy and painting unable to put it down. And feel the shock of the overall momentum from his paintings, and learn more about his way of life from his articles.

Mr. Du Zhaokun is a veteran cadre and comrade at the municipal level in our city. After retiring from the leadership position, he turned to the research and creation of classical literature poetry and music. He has published six works including the collection of lyrics "Qiu You Ci Cao", the research monographs on lyrics "Exploration of Lyrics" and "The Essence of Couplets of Ancient Ci Poems" (co-author), the monograph on phonology "Poetry, Ci, Song and Rhyme", the compiled rhyme book "Four Parts of Rhyme", and the editor-in-chief of six works including the collection of couplets, lyrics and music "The Rhythm of Daqian".

To follow one's own creative path and express one's unrestrained personality is the "bone of poetry". Although some works are a little rough, a little sharp, and a little hard, this is actually a stage that every poetry lover must go through. However, after learning from and absorbing excellent works, Yongcheng has become more self-conscious in his poetry and gradually found his own words and expressions. This is a kind of self-awakening and a kind of growth.

The book contains more than 300,000 words and is divided into five parts: ramblings, notes on reading paintings, performances by painters, self-painting and self-talk, and interviews. Each part has its own characteristics, including his comments on the paintings of famous painters and his views on art. Together with the elegant paintings, the book is more elegant.

Hometown is the spiritual home of every poet. After the passion for poetry creation that had been interrupted for more than ten years was rekindled, the poet Zhang Hairong burst out with talent and turned his attention to his hometown where he was raised. He started his poetry journey again with the direction of seeking and celebrating his roots. The poetry collection "Sunshine of Pan Palm" contains 113 poems written by the poet in recent years about his hometown Pan Zhang. In the poem, old wells, oil mills, mountain temples, vegetable cellars, Yangshe Railway, scarecrows, locust trees, ancient pines, dandelions, snails, sparrows, wild bees, cotinus, water snakes, cicadas, wild chrysanthemums, mountain peach trees... Everything about his hometown moved the poet and filled him with nostalgia. Zhang Hairong has his own writing stance. Pan Zhang in his works is both the engine and the starting point of poetry. At the same time, he also injects his own unique artistic thinking into the poetry. Hometown, in Zhang Hairong's poems, blooms and is sublimated.

Prose is a narrative literary genre that expresses the author's true feelings and has a flexible writing style. The term "prose" probably appeared during the period of Taiping and Xingguo in the Northern Song Dynasty (December 976-November 984). With the development of the times, the concept of prose has changed from a broad sense to a narrow sense, and has been influenced by Western culture.

This book truly reproduces the special history of the Third Front and Small Third Front construction. The work takes the construction, development, and decline of Shandong Guangming Machinery Factory as the main line, presenting the little-known reality of military industrial enterprises and the living conditions of military enterprise employees.

Based on the Taifu Temple and taking history, geography, and humanities as coordinates, this book provides an anatomical introduction to this ancient building from multiple aspects such as architecture, sculptures, murals, and tablets. It attempts to make readers interested in ancient architectural culture, increase their understanding, and master certain ancient cultural knowledge through this book. It is a popular interpretation of ancient architecture from a professional perspective.

[Exclusive first release on the entire network, exclusive customized version for WeChat Reading] The most innocent and special Suiko story. Yan Geling switched to animal themes and opened up another kind of writing about human nature. With plenty of love and compassion, everyone can have a zoo in their lifetime. In these nine essays and two novels, we see the humble and helpless Officer Yan. The total residents of Suiko's zoo over the years are as follows: Sombra and Penny are cats. The gift is also a cat: the cat given to grandma by grandma. Xiao Huang is a little sparrow. Ma Hua'er is a flying reed chicken. The little swallow was the first animal Suizi raised. Hans is the pig king. Ke Liya, Zhuang Zhuang, Zhang Jinfeng, Li Dalong and Ke Ren are all dogs, and their identities are thieves, refugees, farmers and Tibetans respectively. Suiko is Director Yan. It's the little girl wearing an umbrella and flower bragi. He is a natural word wizard. She is a female writer who has moved around the country and abroad as an adult, but is always merciful to animals. An animal keeper who cares deeply about all living things.

"Why Live So Hard" Reading, writing, listening to jazz, practicing calligraphy, making movies, playing with a cane, studying suits... This is Cai Lam's elegant life. Traveling, becoming an "Internet celebrity", opening an online store, listening to audio books... This is Cai Lam's immortal life. Acupuncture, getting eczema, recalling the past, watching life and death with a smile... This is Cai Lam's bitter and happy life. What is your life like? Wearing stars and wearing moon, "996"? Why live so hard? Come and "play" life happily with Cai Lam!

Vegetables, tofu and other vegetarian foods are indispensable but ordinary foods in our daily lives. This book is a unique collection of calligraphy and painting (prose and paintings) that focuses on vegetarian foods in daily life; eggplant, cabbage, water celery, water shield, lotus root , radish, corn, potato..., The author of the text, Ke Ping, narrates historical materials, talks about the past and present, and narrates the past and present life of these ordinary and simple foods in an interesting and meaningful way. The author of the painting, Ma Xu, has a very literary style of painting and calligraphy, which adds multiple interesting and connotative meanings to the text. In their words and paintings, ordinary vegetarian food has a unique charm, and its simplicity embodies the true meaning of life. This book shows readers how two writers and painters with deep humanistic feelings and delicate sensibility in the consumer era continue to maintain the habit of spiritual thinking in the market and the world of society, and inadvertently reveal the traces of their thoughts in daily life.

This book reflects the revival and development of Chinese comparative literature, and strives to face and answer the literary and cultural issues faced by domestic scholars from a multidisciplinary perspective in a world context, from a comparative perspective. This book focuses on publishing the latest academic achievements in the fields of comparative literature and world literature, reflecting the latest research information in the fields of international and domestic comparative literature and world literature. As a public platform, this book provides exchange and dialogue opportunities for colleagues from different languages ​​and majors, especially those with academic backgrounds in foreign languages ​​and Chinese. This book is rich in content and covers a wide range of topics. There is both research on the utopian nature of "The Three-Body Problem" from the perspective of globalization, and analysis of the time and space configuration of utopian writing in Beijing-style novels; there is both comparative analysis of different translations, and investigation and summary of classical literature; there is tracking of cutting-edge academic conferences, and attention to the latest academic publications; there are insights from well-known experts, and unique perspectives from young scholars.

"Zi Zhi Tong Jian" is a textbook written by Sima Guang to the emperor to teach the emperor how to govern the country. However, the methods of life and work reflected in the past events he recorded are still not outdated in modern times. In addition to being a reference for leaders and managers, it is also of great benefit to each of us in cultivating our lives. History is like a huge chess game. Although the players who played chess are far away, fortunately there are people like Sima Guang who recorded every move they made. Sitting next to the chessboard, we can understand the principles of chess in the ever-changing chess positions and understand how victory is won and how loss is lost. When we step into the chess game ourselves, we will no longer feel at a loss and not know where to place the pieces.

Growth is always the most important lesson in a person's life. "One Cloud Pushes Another Cloud" is Yu Minhong's reflection on education and Yu Minhong's candid world view. Through 24 speeches with the theme of education, the author told the inspirational story of his own growth with true feelings. At the same time, he also faced the current educational dilemma and the questions about life and growth. "Education is like one tree shaking another tree, one cloud pushing another cloud, one soul awakening another soul." The author's thinking is also the choice we are facing in this era: in the wind and rain, trees stand swaying; under the sun, clouds roll freely; when a young person or even the young people of the entire era need to awaken the soul, what can education do, and what should we do?

Shen Hao is a young teacher at Communication University of China and a documentary director. His book "Sichuan Opera Recording Production and Appreciation" won the 7th Sichuan Province "Bashu Literary Award", and the documentary "Muya, My Muya" won the "Golden Panda" Documentary Humanities Jury Award. "The Road of Recording" collects the author's experiences and thoughts on countless walks and thoughts on the road of recording as a young documentarian, including his own associations triggered by every moment of life. In particular, it promotes and introduces the nurturing role of Chinese traditional culture in documentary shooting, such as Confucianism, Buddhist thought, Zen thought, historiography, ancient Chinese philosophy (represented by the Book of Changes and Wang Yangming). Many conclusions and experiences in traditional Chinese culture are applicable to the present. Therefore, this book is a work with both practical experience and theoretical guidance, and is full of speculation.

This book is a selection of Mr. Wu Xiaoru's lectures on classical prose and ancient poetry, as well as some of his notes on ancient literary works. Every statement and every sentence was carefully considered and written. This selection of ancient works can reflect Mr. Wu Xiaoru's consistent thoughts and attitudes towards classical literature.

A collection of Zhao Song's latest essays. Still continuing Zhao Song's fine observation and control of people, things, and places, the main time and space scene is moved from Fushun, a small northeastern town in "Fushun Stories", to Shanghai, a prosperous city where the writer later lived. Memory and present, past and surroundings are interspersed, recording a missed meeting with Robbe Griet, life in Shanghai, stories with his son, travel diaries, etc. The words are calm and detailed, yet have a soft texture. You need a little patience to encounter these words, because they can allow you to read carefully, make you feel confused, and also allow you to imagine your own story in them.

This book is mainly a description of the Hong Kong subculture phenomenon. It is a writer born in the 1970s who closely describes the life of Bosch's literary style, using literature, music and poetry to connect it. After personally experiencing the life there, Liu Wai-tang captured the cultural scene of Hong Kong at this moment with his always sharp and melancholy eyes. After reading this book, you will find that it is actually literature, music, theater, resistance, and the emotions in it that depict the profound outline of a city.

"Far Mountains and Old Dreams" is the only collection of essays in the life of Mr. Tong Qingbing, the "godfather" of the literary world. It records his memories of his childhood, hometown and love, as well as many memories of studying, traveling, teaching and educating people in his youth. The words are simple and polished, warm and touching, and very precious. Tong Qingbing had many peaches and plumes in his life. Popular Chinese writers Mo Yan, Yu Hua, Bi Shumin, Chi Zijian, Liu Zhenyun, and famous scholars Professor Tao Dongfeng, Professor Wang Yichuan, Professor Luo Gang, Professor Ding Ning, Professor Sun Jin, etc. All studied under him. The book can make full use of these celebrity resources in later promotion.

Art is a kind of emotional education that cultivates sentiments and purifies the soul, allowing people to enter a noble spiritual realm, leading to freedom and happiness. In the summer of 2017, Qiu Yong, President of Tsinghua University, gave a copy of "The Story of Art" as a gift to every incoming undergraduate freshman, hoping that by reading this book, students would learn to appreciate the beauty of art, and feel, discover, and create beauty in life. When they first read this book, the students were surprised by the thickness of the book. However, as the reading progressed, the students gradually felt the charm of art. After enrolling in the school, the students wrote their reflections after reading, describing what they had learned and thought in the cultivation of artistic thinking and the process of pursuing beauty. This book is also a concentrated expression of the spirit of the freshmen of Tsinghua University in 2017. We are very happy to solemnly present this book to you, and we hope you will like it.

This book adopts a writing method that uses time as a clue, literary societies and writers' works as the focus of narrative and analysis, and is based on relatively rich historical data to systematically sort out the development of modern and contemporary literature in Ningbo during the century from 1908 to 2008.

As an anthology to accompany basic platform courses related to Chinese language and literature, so far there are only selections of works but no anthology that combines works with literature and historical materials. This textbook is a brand-new selection, which embodies the latest concepts of Chinese language and literature professional teaching. This rigorous and solid way of cultivating high-quality, solid foundation and wide-caliber students will also be the direction of the Ministry of Education's undergraduate teaching and training, and is instructive. This book is divided into two volumes. It mainly compiles and selects historical materials on Western literary theory, ranging from ancient Greece to contemporary times. It plans to select the main works of more than twenty classic literary critics, accompanied by reviews and research articles on their works and characters.

This book is one of the "Chinese Contemporary Literary Documents and Historical Materials Series" edited by Professor Wu Xiuming, and is one of the projects funded by the High Level Academic Fund for Liberal Arts of Zhejiang University. Contemporary literary journals are the most important carriers and recorders of contemporary literary activities. The operation of contemporary literary production mechanisms, the formation of contemporary literary creation patterns, and the rise of contemporary literary schools of thought are all inextricably linked to contemporary literary journals. In turn, journals have become an important basis for conducting research in these fields. There is an inseparable relationship between literary societies and literary schools, so in this volume, the relevant historical materials of the two are grouped under the same section.

This book is a collection of twelve letters written by Mr. Zhu Guangqian to young friends in China during his stay in Europe. In the letter, Mr. Wang talks like an old friend about matters that young people care about, such as reading, self-cultivation, composition, social movements, love, etc., And provides earnest and thoughtful advice to young friends. He encourages young people to set up lofty ideals, study hard, live a simple life, and not covet worldly fame and fortune. The feelings are sincere and sincere, and the writing style is friendly and natural. It was deeply loved by young readers as soon as it was published. It has been reprinted many times since then, and it still has the power to shock people today. At the same time, this book also specially includes Zhu Guangqian's another classic work on life philosophy, "Talk about Cultivation", which further provides guidance for young people from the perspectives of literature, aesthetics, philosophy, morality, politics, etc., And is an indispensable life guide for contemporary young people.

Doctoral thesis of Zhejiang University, planned to apply for later-stage funding project of National Social Science Fund. This manuscript mainly analyzes the cultural conservative trend of thought that has gradually gained momentum since the 1990s, and the novel creation under its influence and interaction. The manuscript reveals the background, essence, meaning generation and value characteristics of the cultural conservative trend in multiple dimensions and levels, and focuses on analyzing the cultural conservative value orientation of the novels of this period: persistence of local traditions, reflection on instrumental rationality modernity, nostalgia and review of rural pastoralism, protection of faith and morality, and call for ecological harmony. In particular, it analyzes these The different manifestations and expressions of this value orientation in novel creation in the new era are also systematically studied on some core issues, revealing the spiritual connotation of this value orientation and its response to modern culture; in addition, this book also conducts an in-depth discussion of the common characteristics of the artistic style of novels that hold this value orientation, as well as their potential misunderstandings in ideological concepts and creative expression. The discussion often has new insights and perspectives, has obvious academic value, and is at the leading level in the same or similar research fields in China.

The author uses a documentary essay style and a happy and readable writing style to tell the story of his mother in the United States. Through a series of interesting and lovely stories, he depicts the family connotation of "a Chinese and American family" and the emotional connotation of "Chinese mother-in-law" and "American son-in-law". The "Chinese mother-in-law" rushes to the United States to visit her daughter and son-in-law. In fact, she is "detecting" and "investigating" her son-in-law. It is a typical "mother-in-law to visit her son-in-law." Through chatting together, raising chickens, growing vegetables, fishing, catching crabs, spring outings, festivals, seeing doctors, guarding relatives and friends, going to church... Bit by bit, every detail, every detail, the Chinese mother-in-law saw her daughter's real life in the United States and her son-in-law's real behavior at home. The result was that the mother-in-law looked at her son-in-law, and the more she watched, the happier she became. In the book, the mother-in-law not only "visits her son-in-law", but also visits her foreign in-laws, foreign grandchildren, foreign relatives, foreign neighbors, and foreign friends. This book is full of the blending and conflict of Chinese and American cultures, showing the particularity, interest and joy of Chinese and American combined families.

Life without wisdom is not life. Wisdom without pattern is not wisdom. Where does a person's pattern come from, and how to build it? With his extensive knowledge, profound insight and cutting-edge insights, the author of this book freely enters and exits the labyrinth of ancient and modern Chinese and foreign cultures, revealing the secrets of structuring things and shaping people's wisdom. Most of the content in this book comes from the author's lectures in university lecture halls, talks at international cultural events, and insights from participating in cultural diversity exchanges around the world. Through vivid cases, profound interpretations, and fascinating narratives, it opens up a new world of pattern quality and pattern value for the first time. Studying the relationship between heaven and man, and understanding the changes in ancient and modern times, "Ge·Ju" is worth appreciating and collecting.

The manuscript is a collection of historical sketches. It starts from the economic activities of ancient celebrities and uses detailed financial investigation to lead readers deep into the daily lives of the ancients, giving a glimpse of vivid details that are difficult to present in history textbooks. It also introduces the unknown economic profiles of these celebrities. Prying into the privacy of celebrities and dragging sages down from the altar is not the direction of this book. What this book focuses on is looking at ancient celebrities from a human perspective and showing their truer side in history through an interesting method. The writing perspective of the manuscript is novel, with a certain degree of textual research, and the source of historical materials is rich, including official history, unofficial history, and novels. The language is humorous and has Spring and Autumn style of writing. It is a very interesting book that can be read after dinner.

"I Know No One I Envy" is a hand reaching out to the human spiritual world. Xian Paofan, an unashamed middle-aged man, took off his clothes and quietly touched himself and us with words on a dark moonlit night with no one around. He used writing styles that were either sad or playful, sharp or warm, to write about the life experience of a person as small as a pellet walking in the vast world, about all kinds of love and separation, resentment and hatred, and not being able to ask for it, and about his hunger for warmth and love. "Of course not everything is OK" is the feeling of real life. I believe that everyone is the same. It just means that we don't want others to see the bad side. We always selectively show a highly designed and packaged life appearance. But in the dead of night, I still feel a little tired of whitewashing things like that. This book is written for myself, for people in this world who work hard to live and love like me, and also for young boys and girls who have unlimited imagination and even worry and fear about the future. "Everything that makes way for reality is not a dream" This book talks about dreams and is divided into four parts. The first part starts from a trip in 2007, sharing the reasons for leaving, the people and stories that happened during the trip; the second part shares attitudes towards life, friendship, work and dreams; the third part tells the dream stories of the craftsmen and shopkeepers around them; literary and artistic young people always dream of stopping during the trip and opening a small cafe, an inn, etc., So the fourth part directly shares the village chief's experience of opening an inn. "I Dare to Live the Way I Want" Life is your own, do everything for yourself, treat life with the greatest sincerity, face the subtle and cumbersome things in life with a happy attitude, and life will give you peaceful happiness in return. Don't let yourself down and the times you can never turn back. The author once lived in Guernsey, a British Crown Dependency, a small but mysterious island. This book was written while she was living on this island. On this island, she treats her life attentively and listens quietly to other people's stories. Grow in life, slowly become the person you like more and more, and live the life you want.

Li Chuchu is a true traveler, constantly walking on the road to explore the habitat of his soul. In his mind, Tibet is a mysterious and charming place. The legend of the Brahmaputra Grand Canyon, the paradise deep in the Himalayas, the soul-trembling "Turn Mountain", the mysterious Gee Dance and Harmony... In more than ten years, he has reached almost most areas of Tibet that are inaccessible to ordinary people, exploring the unknown mysterious and beautiful places in Tibet, recording in detail the lives, religious beliefs, customs and culture of the local people in Tibet, and showing a real, beautiful and mysterious Tibet unknown to many people. At the same time, in the deepest part of his soul, he was closely connected with this vast land. On the long journey, he finally found his heart's home.

"Mushy Dreams" is a collection of essays by Zhang Jiawei on reading Jin Yong. The author blends the readable, tasteful and memorable parts of Jin Yong's novels into his unique perspective and imagination, and puts forward many interesting ideas. Everyone has a different understanding of Jin Yong's martial arts world. Zhang Gongzi works with readers to interpret the fireworks, brotherhood, and lovers' tears between the lines, discovering new flavors from old stories, and making a mess of old rivers and lakes.

From the narrative of the rural Dongba where the sun and the moon are slow and humane, to the mysterious, sad and strange urban undercover series, to the hormonal night talk that directly points to the origin of the body, and more multi-theme variations scattered outside the light of the series, Lu Min has always violated the boundaries of novels and has never been willing to settle for the existing territory and glory. She rejects safe and convenient aesthetics and pursues alone, heading to the next intersection, to a new furry and secluded area, to write one after another similar to "infinite defense" for human nature. This book is the first collection and sincere sharing of nearly 30 creative essays, literary interviews and speeches written by Lu Min in his 20-year writing career. It is real enough and is a frank self-disclosure of the author's long writing process; it is also light enough that you can turn to an offline "novel class" at any page. How can writing free people from the vanity of daily life? What is the Achilles' heel of writing written by people born in the 1970s? How did those vague sources finally turn into stories? How should novel techniques be used? How to give a novel character a name that doesn't take human life lightly? Is it a passerby or a novelist? Turn into this book and watch Lu Min restore the author's barbaric growth and multiple fissions.

This book collects the literary reading notes of Lu Min, a "severe dyslexic", over the years and a comprehensive book list she compiled for "comrades". It is a talk about world literature, a functional reading guide, and a literary writing class. Divided into "Time Scale" series and "Vitamin" series. The former are writers and works that the author admires personally, including Sandor, Capote, Naipaul, Vonnegut, etc. The latter is a broad-spectrum book list for readers, taking into account reading needs and reading situations, from the most difficult books to the funniest books, from the most popular books to unpopular books, from heavy brick books to light travel books, reflecting the author's personal interests and reading trajectory for more than 20 years. "There is no regularity in the production and appearance of classic works, which is what makes them so gorgeous." Lu Min said.

A book that confronts time, daily life, and the body, a collection of self-selected essays that condense personal experience and intellectual torture. From the fleeting life to the handwriting to the heaviness of the body, the writer Lu Min faced himself directly. Under the witness of time, the past served as a witness. He looked back on the twists and turns, cut through the subtle core, and presented scars and introspection. The sensitive and stubborn writing style and the tough and sharp pen drag the weight from the old years and the old self and open it to you.

This book collects twenty-two essays written by the author between 2017 and 2019. The content covers his childhood school experiences and mentors he met, his understanding of literature and writing, prefaces written by himself or by invitation, research on Shen Congwen, and other text research (Mu Dan, Yu Hua and Eliot). These memorials of life are composed of countless small scenes, like inconspicuous grains of sand, delicate and simple, but containing touching moments.

This book is a collection of literary essays. The book consists of three parts. The first part, "Landscapes on the Road," records what the author has seen and heard during his more than 30 years of traveling around the world, including the collection of foreign cultures, the appreciation of folk customs, and the praise of the mountains and rivers of the motherland. The second part, "Just for Search," is the author's insights into life and life. , There are reminiscences of the past, gratitude to the people around him, and longing for his hometown in China; the third part, "The descendants give me a piece of sunshine," records every bit of his daughter's growth, and also describes the young and lovely descendants. From them, the author feels the vitality of life and sees the infinite hope of the future world. The writing style of this book is simple and the content is rich, especially the display of the customs and customs of various countries around the world, which can increase readers' knowledge and broaden their horizons. The record of her daughter's growth also reflects the author's concern for the next generation and thinking about education as a mother influenced by both Chinese and Western cultures, which has certain practical significance.

Food records time, and the demand for food promotes changes in the times. This is a handbook of individual growth and memory, as well as a history of the development and changes of contemporary society. The author uses a humorous and relaxed style to tell the story of the author's relationship with food, the city, and his friends since he was young. The text is rich in flavor and imagery. Through the clues of food and food, the history of changes in the times from the 1970s to the present is outlined. The book is also equipped with watercolor illustrations drawn by the author. The colors are bright, concise and generous, and full of childlike interest. The imagination of the content in the book becomes more concrete and perceptible, adding to the pleasure of reading.

Liang Xiaosheng, the most influential scholar-writer in China today, examines the experiences he has gained from life with rationality, and then uses the knowledge he developed from life experiences to penetrate into the spiritual level, providing people living at all levels of society with a way to understand the present so that they can effectively solve some practical problems. He interprets various hot spots in China's reality that are closely related to the public, proposes a way of dealing with real problems, and strives to find inspiration for people to stand in society. In the intertwining of passion and reason, he tells everyone to understand the many feelings in today's China, emphasizing that a calm life comes from a clear understanding of reality. He hopes that everyone: develop awareness of reality, have rich social experience, and live calmly and happily in this world with a kind of life wisdom.

This book is a non-fiction prose book that writes about the folk cultural memory of rural northwest China. The author uses a plain tone, simple and simple language to describe the geographical latitude and longitude, historical memory, physical pain and realistic situation of an unknown village called Shijiahe in the northwest of the country. With affectionate and unique strokes, the author shows the world a rough ancient village. The simple, soft and strange, mysterious and quiet, deep and changeable rural world shows us the ancient and ever-changing humanistic customs of Guanzhong. It writes a simple and colorful picture of rural society for readers with its unique perspective and handwriting.

"The Ideal of the Earth" belongs to one of the "Traveling and Reading the Earth" series. "Ideal of the Earth" is a collection of prose works written by the writer who went deep into the southern foothills of Wuyi Mountain and the Wuling Mountains and other primitive mountainous areas, and lived in close relationship with nature for a long time. From the discovery of the beauty of nature, and then the discovery of the life value of all things on the earth, "Ideal of the Earth" creates a new mountain aesthetics, which is meticulous, affectionate and strange, expressing the harmonious relationship between man and nature, and the time relationship between life and nature.

This book is divided into historical and geographical chapters. The history chapter includes four articles including "The Drunkenness in the Ninth Year of Yonghe", "The Glory and Shame of the Song, Hui, and Song Dynasties", "Kong Shangren on the Official Career", and "Paper Paradise", and the geography chapter includes 7 articles including "The Old Palace", "Southern Water Impression", and "The Dege on the Engravings". In these articles, the author transcends time and space and expresses each grand historical event from a modern perspective in graphic language, making readers feel as if they are following the author to appreciate a large freehand painting with bright colors and meaningful meanings. The delicate and profound introduction, marginal notes and general comments after the text allow readers to understand more deeply and thoroughly after reading it.

This book belongs to one of the "Unbounded Prose" series. Starting from the face, hands, feet, eyes, ears, etc., The author uses delicate brushwork and philosophical thinking to reveal the more secret emotional world of human beings, as well as his views on life and death, joys and sorrows, and even the entire life. The works also tell readers at all times to cherish life, love life, and be grateful for every day of life.

This book is a true record of Yang Dong, the owner of the library in Lihua Village, one of the top ten bibliophiles in Shanxi Province and one of the "top ten reading figures in the country", who searches for books, collects books, reads and writes books. He is a "book-lover" and the author's persistent love for books. It is divided into three parts. The first part is "Book Lover", which is the author's small life insights; the second part is "Taking Book Lovers", which is the main part of the book, and writes about teachers and friends' writings about writers; the third part is "Reading Notes", which is some of the author's writing experience. It is a book lover's notes with a strong aroma of books.