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Poetry has universal value for all mankind. Poetry is the deep calling of the human soul. Poetry is a clear river that never dries up and flows through every corner of humankind. Poetry is not limited by time and space conditions. That's because the beautiful human emotions conveyed by poetry are not limited by time and space conditions. Poetry can transcend the vicissitudes of time and reach the end of time. Poetry is beauty in the overall sense, and it is the beauty of being intoxicated by the spring breeze. Poetry is the ultimate beauty, because poetry has huge artistic capacity and broad imagination space.

This book collects the results of Professor Xia Chuancai's twenty years of work in the Chinese Book of Songs Society to promote the study of Book of Songs. In the 1990s, some scholars pessimistically believed that the research topics of the Book of Songs, a world cultural heritage, had been exhausted. However, Professor Xia Chuancai spent his whole life in the field of research on The Book of Songs, writing articles with a stylus and getting stronger with time, using the dialectical materialism theory he adhered to. Field, absorbing new scientific research methods, fully exploring the multi-faceted and all-round academic value of The Book of Songs in literature, history, linguistics, comparative literature, philology, archeology, and anthropology, promoting my country's traditional excellent culture, and pushing The Book of Songs onto the stage of world culture.

Shanxi is a great literary province with a long literary tradition. It has produced many great writers with outstanding achievements in history, as well as many great critics. For example, Sikong Tu of the Tang Dynasty wrote the classic literary criticism "Twenty-Four Poems" and other works. In the history of modern Shanxi literature, there have also been some very influential critics, such as Li Jianwu. Since the new era, with the prosperity of creation in our province, literary criticism has played an important role in guiding and promoting creation. Especially in the 1980s, with "The Critic" magazine as the core, a team of critics that attracted attention in the national criticism circle was gathered and cultivated, becoming one of the components of the "Rise of the Jin Army". After more than 20 years of hard work, these critics have accumulated richer and richer knowledge, become more and more theoretically sophisticated, have a broader vision of criticism, and have become more and more outstanding in their writing achievements.

Contemporary poetry was born and developed under the direct call to express new life and new characters. Poetry seeks its own immediate territory, which is people's emotional world. In the new era, poetry expresses new emotions and practices new ways of expressing emotions.

This book is the transcript of twelve lectures on Western literature delivered by the famous British critic and historian Thomas Carlyle in London. Thomas Carlyle had a profound and unique understanding and summary of the characteristics of every era, the character of every nation, and the character of every writer. Such as the cheerfulness of the Greeks, the practicality of the Romans, the faith and loyalty of the Middle Ages, the humor of Cervantes, the nobility of Dante's soul and the breadth of his soul, etc. What runs through the entire speech is the great personality charm of the literary masters: strong, optimistic, frank, humorous, humble, persistent, pursuing the truth, and full of love for mankind. Their works are "the whispers of the great soul of nature and the sincere revelation of the human soul."

Contemporary Chinese prose carries rich historical content and has gone through a rough journey of nearly half a century. The dynamic process of literary development will inevitably develop synchronously with the origin and context of history, era, and society. Therefore, examining the development trend of Hubei prose in the new era from a vertical and developmental perspective and clarifying the ins and outs are of self-evident significance for the construction of the entire history of Chinese prose. Under this diachronic control, the evolution of Hubei prose presents the following three stages. Hubei prose has always been striving to seek new development prospects in a silent manner. Its artistic vitality has conformed to the needs of the times in terms of its creative team, number of works, and aesthetic expansion, forming a colorful situation.

Thoughts, thoughts on the current situation of realist creation, the way out for literature: paying attention to people's livelihood, examining the current creation of rural novels, the homes of novelists, and where is the spirit of the "new generation" writers? Getting out of the embarrassment of novel creation, calling for literary masters, literary criticism that must be embarrassed, when will freelance writers become popular, urban literature at the beginning of the century, judgment, research, film and television, etc.

This book is a written record of the lectures on contemporary poetry given by the famous young scholar and poetry critic Tan Wuchang in the classroom of Beijing Normal University. It is an ideal literary reading for the majority of students in domestic colleges and universities, and is also a poetry reading of great appreciation value for the majority of poetry lovers.

The research on this topic mainly adopts research methods such as text analysis, combination of literature and history, mutual verification of literature and history, and quantitative statistics. This thesis is based on the existing research results, starting from the poetry texts of the poets of the Tang Dynasty, using first-hand materials as much as possible, and drawing conclusions through scientific comparison, induction, and synthesis. It focuses on exploring the relationship between the urban culture of the Tang Dynasty and the mentality of the poets. It mainly conducts the following Several aspects are discussed: the political urban nature and the poet's mentality; commercial culture and the poet's mentality; urban festival folk customs and the poet's mentality; urban survival and anxiety; landscape pastoral and urban anxiety relief; religion and urban anxiety relief.

The main content of "After the Decline of Etiquette: A Collection of Cultural Research Essays" includes: The extension of etiquette and the rise of pornography: the hierarchical interaction of Chinese culture, re-reading "The Ballad of the Red Flag": a taste of "universal culture", innocent hypocrisy: the moral paradox of popular literature On, finding national consensus from Jin Yong's novels, Two-way Road: the basic trend of cultural exchanges between China and the West in the 20th century, Within the Three-layer Cocoon: The Subject Matter Limitation of Chinese Novels, The Dream of the Rootless: The Drifting Theme in Overseas Novels, A Good Pair of "Chinese Eyes", etc.

"Study on the Thoughts of Dunhuang Taixuan Zhenyibenji Jing" and "Taixuanzhen Yibenji Jing" are referred to as "Benji Jing". It is an early Taoist classic in the Sui and Tang Dynasties and is also the most important Dunhuang Taoist scripture. In the form of prayers and explanations, the entire sutra narrates how Yuanshi Tianzun, Taishang Daojun, and Taishang Laojun preached sermons to all the innocent and immortal beings, preached the profound Taoism, and "began to perform the true Dharma." It aims to educate the "Three Vehicles" into the "One Vehicle" and explains the root of all dharma in the Taoist view of truth. The content involves the "Tao Body Theory" that "Tao has no origin"; the "Tao Nature Theory" that "Tao nature is natural"; the "Twelve Dharma Seals" and "Three Cave" classification methods and the "Chongxuan" Tao combination of "Judgment Theory"; the "Cultivation Theory" of karma, merit industry, scientific rituals and precepts, cultivation steps, training methods, etc.

This book selects many dialogues between the famous contemporary writer Yan Lianke and critics and translators on literary issues, tracing the land, intervening in reality, talking about language, and commenting on world literature. In the confrontation of opinions and the collision of passion, a literary picture is sketched. This is a writing manifesto, an analysis of life, and a literary journey starting from the land: Yan Lianke talks about his thirty-year writing process, details the birth of his stories and characters, and discusses world famous literary figures. For the first time, the creative concept of "divine realism" was put forward, providing a new way of thinking for us to understand Chinese literature.

Film, poetry, Chinese studies, Western studies, fine arts, literature, music, and life. From the vast sea of ​​humanities and art works, the author uses refined and classic standards to select beautiful articles, famous paintings, masterpieces, and famous songs from the perspective of teenagers. Integrated into five single volumes that will benefit people throughout their lives, it is also compiled into "The Essence of Chinese Studies" and "The Essence of Western Studies" with quotes from hundreds of schools of thought representing Chinese wisdom and Western sages full of philosophy. This book is not only an excellent work for understanding humanities and arts, but also an indispensable book for home collections.

This book is a work that specifically studies the language usage methods and techniques in Mo Yan's novels from the perspective of language.

This book studies Chen Yi from the aspects of novels, essays, poetry, film criticism, literary and artistic thoughts, political thoughts, contacts with political greats, contacts with literary and artistic masters, etc.

Radar has worked as an editor at the All-China Federation of Literary and Art Circles, Xinhua News Agency, and "Literary News", and served as deputy editor-in-chief of "Chinese Writers Magazine." He is currently the director and researcher of the Creative Research Department of the Chinese Writers Association, and concurrently serves as the vice president of the Chinese Contemporary Literature Research Association, the executive vice president of the Chinese Novel Society, and a doctoral supervisor at his alma mater, Lanzhou University. This is a collection of literary criticism on contemporary Chinese novels written by him. It is composed of "Century Symphony", "Long Platform", "Beautiful Green Fields" and "Literary Selections".

"Essences of Literature that Will Benefit a Lifetime: Essences of Literature that Will Benefit a Lifetime" tells about movies, poetry, Chinese studies, Western studies, fine arts, literature, music, and life. From the vast sea of ​​humanities and art works, the author uses refined and classic standards to select beautiful articles, famous paintings, masterpieces, and famous songs from the perspective of teenagers. Integrated into five single volumes that will benefit people throughout their lives, it is also compiled into "The Essence of Garden Studies" and "The Essence of Western Studies" with famous quotes from hundreds of schools of thought representing Chinese wisdom and Western sages full of philosophy. This is not only an excellent work for understanding and learning humanities and arts, but also an indispensable book for family collections.

Ancient Chinese literary theory bears the characteristics of the traditional culture of the Chinese nation and also contains certain universal laws of human literary activities. With the development of the times and the deepening of research, its modern significance is increasingly revealed. For the first time, this book places ancient Chinese literary theory in a modern academic perspective, systematically and clearly raises the issue of the modern transformation of ancient Chinese literary theory, and makes a demonstrative attempt at the modern interpretation of ancient literary theory. This is of great significance for people in a modern position to understand, inherit and carry forward Chinese traditional literary theory, as well as for the poetic revival of Chinese national culture.

This book is one of the "Southwestern University Philology Research Series". The book is divided into three chapters. It mainly introduces the poetry and literature of the Tang Dynasty, including the compilation of poetry, poetry and literature, poetry and subject matter conventions of the Tang Dynasty. This book can be used as a teaching material by various colleges and universities, and can also be used as a reference book by those engaged in related work.

The moon waxes and wanes, people have joys and sorrows, flowers bloom and fall, and poems have joy, anger, sorrow, and joy. Love and hate are always similar through the ages, the only difference is the changing "protagonist" in the story. Probably everyone has had a love flower blooming in their heart, for a person or a love. Every little thought, every trace of tenderness is engraved on the fluttering love flower in the world. The hollow ones are petals, and the full ones are deep feelings. Life is full of love and obsession, and lingering is bound to be a passionate place. People today love Song poetry and love flowers, probably because they cannot escape the word "love". She encompasses all things, and produces all kinds of impermanence in all things. Song Ci is the gorgeous flower of love that blooms in the valley of despair, and we have all been poisoned by it.

This book is a project of the National Social Science Foundation. It combines the historical and academic background of modern China and focuses on the study of modernity and nationality issues in the development of modern Chinese literary theory. The methods and features of this book are: first, it shifts from a thin case study and historical description model to a problem-centered research model. Second, it adheres to the Marxist view of dialectical unity and the principle of the unity of history and logic. Third, it implements China Dialogue's theoretical and methodological principles. This book contains both clear historical clues and profound conceptual analysis, providing necessary historical reference and conceptual guidance for the future development of Chinese literary theory.

"I Read 4" comprehensively collects books about thinking, about life, about love, and about home. It is warm and broad, delicate and objective. Liang Wendao uses his independent thinking and keen vision to select various good books for us, and looks forward to sharing the author's spiritual world with readers. Every reader can find his or her own spiritual realm in this little book, and can follow the clues and context to choose the most appropriate reading book to complete this pleasant and soft reading journey. In this process, our hearts will gradually become stronger and richer, and a certain connection will be achieved between the writer and the reader.

"Ci Fu in the Pre-Tang Dynasty (Study on Typical Characteristics and Separation of Ci and Fu in the Pre-Tang Dynasty)" written by Wang Dehua breaks through the limitations of separate research on the Ci and Fu in the Pre-Tang Dynasty based on function and style. Taking typification as the criterion for the separation of Ci and Fu in the Pre-Tang Dynasty is a theoretical improvement based on the analysis of the Ci and Fu works in the Pre-Tang Dynasty. This is not only in line with the reality of Ci Fu creation in the pre-Tang Dynasty, but also goes deep into the internal structural model of literary style. It is a deeper structural study of literary style. In the analysis of the structural types of Ci and Fu before the Tang Dynasty, "Ci Fu in the Pre-Tang Dynasty (Study on Typical Characteristics and Separation of Ci and Fu)" grasps the characteristics of Ci and Fu creation in terms of subject matter, theme, structure, style, etc., Accurately grasps the dominant stylistic characteristics of Sao and Fu, and reveals the different creative thinking and different literary and cultural functions of the two styles. The intrinsic characteristics and historical evolution of Ci and Fu in the pre-Tang Dynasty are thus presented more truly, objectively and clearly.

This collection contains a total of 30 papers, including 16 academic papers and 14 teaching reform papers. Most of the authors of the paper are current teachers in the School of Liberal Arts. There are also teachers who were transferred from the School of Liberal Arts to the Art Institute of our school, and master students in the School of Liberal Arts who are currently studying or graduating from the School of Arts and Sciences who collaborated with teachers on the paper. All papers included in this volume are published here for the first time and can be used as a window to reflect the scientific research and teaching of teachers in the School of Liberal Arts.

This book contains a series of articles written by the author on the study of reportage from 1996 to 2000. It is the author's tracking, observation and reflection on the development of reportage during the turn of the century. It includes macroscopic reportage theory, development changes, and creative trends, as well as analysis and comments on current reportage creation, and even microscopic reportage writers and works. As a participant in the literature of the new era, the author of this book has been at the forefront of reportage creation and research for a long time. Therefore, these articles show profound theoretical literacy, and some of them enrich, develop and supplement the theoretical construction of reportage. At the same time, these research articles also convey a large amount of information to readers and are quite documentary. It can be said that this book is not only a phased research result of the author, but also a phased achievement of the reportage theory circle in recent years.

The historical role and significance of "social issue reportage", the journalistic characteristics and variations of reportage, the proliferation of fallacies - the pursuit of "documentary literature", realistic literature: an intensifying trend, "historical reportage - a new form of reportage, reportage should show rigid character, reportage's character of the times, etc.

This book was written on the basis of six consecutive rounds of introduction to literature classes I gave to students in the Chinese Department. After 6 rounds of classes, I have tried three popular textbooks. I feel that each textbook has its own advantages and can be used for reference. However, is there a textbook that explains the truth in simple terms without being theoretical? This book was rewritten on the basis of the lecture notes of several students, and basically retains my oral teaching style in class. The format of "text + appendix" is to improve the systematic knowledge of the book without compromising my own conceptual system, and to guide students to read the original work.

This book uses the most concise and straightforward way to present the core of a book to readers from multiple perspectives from the author, writing background, etc. The speaker digested and polished each book and finally formed pertinent comments. Use easy-to-understand language to convey various ideological trends and social and cultural hot spots to readers calmly and objectively.

The top-secret tool for admission to the Ivy League schools in the United States has won the "U. S. Presidential Book Award", "International Book Award", and "Annual Education Book Award"! A summary of 20 years of teaching experience by the teaching director of Kaplan, a famous American examination training institution, a benchmark for global English writing! From three aspects: structure, style, and readability, we compiled 20 principles of efficient writing that are universally applicable and applicable to everyone! Detailed example analysis, 13 practical exercises to consolidate what you have learned, and the use of comparative explanations to make each principle easier to understand and easier to use! Teach you how to write a focused, clear and impressive article! A must-have reading for students taking exams, and an indispensable recharge course for business people! Most people with outstanding writing skills have mastered some fixed and important writing principles and use them repeatedly in the writing process. This book lists 20 writing principles that are universally applicable from three aspects: structure, style, and readability, including how to plan the ideas and order of expression, how to use appropriate examples, and how to increase the readability of the article. The techniques covered are applicable to almost all types of writing. Whether you are a student or a business person, you can learn the contents in this book to make daily writing a simple task that comes at your fingertips, thereby making your study career and career path easier.

In the prosperous age of Victoria, Matthew Arnold heard the lamentation of the ebbing tide of the "sea of ​​faith" representing the spirit of Christ, and called for the use of sincere love to save the seemingly bright world. If the author of "Sea of ​​Faith" also has his own "Sea of ​​Faith", it must be poetry. After all, "gentleness and kindness are the teachings of poetry." Most of the words here are related to poetry and contain classic poems, which shows the author's intention to nourish the temperament. There are also a small number of texts about translation and reading, which are glimpses of real life. "Sea of ​​Faith" can be said to be the author's interpretation and testimony of "poetic life".