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Every flower is a spring, blooming with fragrant fragrance; every grain of sand is a world, building a small paradise; every heart is a light, lighting up the global village! Add a touch of color to your life with the help of books. This series of books is written for teenagers who have a certain foundation in Chinese to learn Chinese language and culture. In recent years, more and more people are learning Chinese, and people also want to know more about China and Chinese culture. China is a country with a long history. Chinese culture is vast and profound, and it is impossible to explain it all at once. This book hopes to lead young people into the vast world of Chinese culture through logic, writing, rhetoric, culture and other aspects, and initially understand every bit of Chinese culture. In the compilation process, it strives to combine interest, knowledge and practicality, so that people can read with ease and pleasure.

This book is a collection of six lectures Milosz gave as part of the Norton Lectures at Harvard University. Milosz's explanation of the witnessing function of poetry is extremely insightful. With this pamphlet, Milosz discusses the importance of poetry to the times. What Mie said is not a cliché. What he reminded the world of is precisely an ancient tradition of poetry. At the same time, reflection on the twentieth century provided a clearer direction for this thinking dimension.

Chinese opera culture is a creation of the Chinese nation and a cultural heritage accumulated by generations of people. It is an important part of building Chinese culture. Mao Zedong loved and was familiar with opera. During his spare time, he enjoyed various operas and listened to tunes from various schools with the people. He also liked everything the people liked, such as Peking Opera, Jin Opera, Yu Opera, Qin Opera, Yue Opera and Kun Opera. Others watch operas, listen to music, enjoy the excitement, and comment on elegance and vulgarity, but he can often find philosophical knowledge from the operas, which can be used in the past and present. In real life, he can find references on political struggles, strategies, leadership arts, work methods, etc., And make unique comments from a different perspective...

Huai'an literature is like the sparkling waves in the sea, which constantly shines with moving light under the sunlight. Starting from the 1,500-year-old ancient Xu State, the predecessor of Huai'an, which has written records, the folk songs full of benevolence and righteousness, the poems that connect the past and the future, the poems with steadfast character, the novels that stand at the top of the tripod, etc., Have made Huai'an literature a proud monument in the history of Chinese literature.

Our country's ancient literature has a long history, with deep roots and luxuriant roots. In the process of its development, growth and maturity, famous writers have emerged in large numbers and have made remarkable achievements. Those rich prose works are undoubtedly precious cultural heritage left to us by our predecessors. "Guwen Guanzhi", an anthology of ancient prose compiled by Wu Chucai and Wu Tiaohou during the Kangxi period of the early Qing Dynasty, contains a total of 222 representative articles from the pre-Qin Dynasty to the late Ming Dynasty. The selection is appropriate and well-founded. It is divided into twelve volumes with the era as the classic and the author as the latitude, and the contents of each volume are well-proportioned. The length is moderate, and it includes all the crystallizations of wisdom written by famous writers over thousands of years. It summarizes and accurately lays out the general outline and main features of the development of ancient Chinese prose. It focuses on reflecting the unique styles and outstanding achievements of eight major literary works in Chinese and Tang and Song dynasties, which can be said to be the essence of Chinese classical prose and traditional culture. This "Comprehensive Collection of Appreciation of Ancient Chinese Classics" compiled by Yaser starts from a general background introduction, to sorting out words and sentences and annotating them.

David Demby, an American film critic, returned to college at the age of 48. The cause was a debate that took place in American intellectual circles at that time - how to treat the traditional Western "classics"? There is also a debate in our country about "reading classics", which is almost a replica of the debate that took place in the United States many years ago. Whether those who support or oppose reading classics, especially Chinese classics, are actually very far away from the books they discuss - works of literature, philosophy, and history. For example, the Four Books and Five Classics are undoubtedly both Chinese studies and classics, but are they really the source of evil, as some people say, or the source of the national spirit or the hope of the 21st century, as others say? The best way to get real answers is to read these books carefully with the questions you encounter today.

This book bears witness to Yan Lianke's own literary outlook, but at the same time it goes beyond the interpretation of his personal literary outlook, redefines the connotation, boundaries and levels of realism, and re-makes a unique and enlightening judgment on the merits of literature. Using his theory, world literature and Chinese literature can be clearly classified and judged very readily, and it is highly literary and operable. This is a very remarkable innovation.

Taking the poetry of the Tang and Song Dynasties as an aesthetic reflection, this book selects a large number of famous works from Chinese classical poetry, lyrics, and music. Through comparative research, it focuses on the creative mentality, aesthetic taste, and personality characteristics of the poets of the Tang and Song Dynasties. It deeply analyzes the content and subject matter, emotional tone, artistic realm, and language style of outstanding lyrics, as well as the peculiar phenomena that appear in the world of poetry that are different from the fields of poetry and literature, and the evolution of word styles. It is a masterpiece in the study of poetry of the Tang and Song Dynasties. During the research process, the author organically combined sociology, cultural studies, aesthetics, literary theory and creative practice, combined macro inspection and micro exploration, and revealed the unique artistic characteristics and aesthetic qualities of Tang and Song poetry.

Religion and literature have many similarities, and the study of it has become a worldwide topic, with numerous works and diverse viewpoints. With the development of history, this kind of research will continue to deepen, but no matter how the research is conducted, there is no doubt that Christian culture is the spiritual foundation of Western culture.

This book is an academic monograph written by the author over a period of 20 years. It is a theoretical summary of the author's years of research on art philosophy issues. It discusses the position, nature, and characteristics of art relatively comprehensively and systematically from a philosophical perspective, showing the author's unique insights and experiences, proposing new theoretical viewpoints, and also proposing new ideas for the theoretical transformation of art philosophy. It is full of exploratory spirit and has considerable academic value. The publication of this book can promote and promote the current academic research on the philosophy of art in the academic world. At the same time, this book can also be used as a valuable reference book for theoretical workers, doctoral and master's students, and college students.

Because masterpieces are the spiritual soil deep in time, they describe the typical shapes and typical emotions of human beings, they are the foundation and platform for the continuous improvement of human nature, and they are the witness and coordinate for human nature to stand out from bestiality. Therefore, the purpose of the reading process is to find the source and rationally find the spiritual lifeline to inherit and carry forward, so as not to make the same mistakes, waste no effort, save the life cost of spiritual pursuit, and better construct new ideas. In other words, masterpieces are the crystallization of time after the bubbles have been eliminated. They get rid of the "hypnotic" effect of various historical and realistic factors, and provide the essence of human nature and the purity of spirit, which can be trusted. Starting from this starting point, when thinking and speaking based on one's own life experience, it will reduce the number of arbitrary judgments, fallacies, perverse arguments and statements, and increase the writer's contribution value.

This book is the result of thinking and researching on issues that are of keen concern to the aesthetics, philosophy, and literature and art circles on the basis of paying attention to and studying these (and other related) cutting-edge issues. This book is divided into three parts: upper, middle and lower parts. The above chapter is titled "Literature in the Electronic Media Era". This is a hot issue currently discussed in the literary and art circles. It asks whether literature will disappear in the current electronic media era. The middle edition is "Considering the Academic History of Literature and Art", which mainly focuses on and conducts in-depth research on cutting-edge issues such as the academic history of literature and art and the academic history of aesthetics in China in the 20th century. The next chapter is "Contemplation of Aesthetics", which is actually the abbreviation of a century-old academic history of aesthetics. It proposes the concept of value aesthetics based on summarizing the historical experience and lessons of previous aesthetic research.

Li Bingyin has been involved in literary activities and engaged in literary criticism writing for nearly 20 years. Compared with this short period of time, the results achieved appear very meager. Every time I think of this, I can't help but feel ashamed. There are three parts to the papers selected for inclusion in this book. They are reviews of writers' works, reflections on the creation of novels and essays, and articles on research on the creation of reportage. The time when these articles were written and published almost accompanies my entire history of literary criticism research.

Du Shuying, the author of "Comments on Li Yu: Research on \u003Coccasionally sending leisurely feelings\u003E, \u003C Glimpses of Ci Ci\u003E" has studied Li Yu for more than 30 years, and he has developed the theoretical connotation of Li Yu's research. His presentation and elaboration are mostly outstanding. Since the publication of "On Li Yu's Dramatic Aesthetics" in 1982, he has successively published a series of monographs on Li Yu's research, and has become a well-known expert, connoisseur and master of Li Yu's research at home and abroad. "Comments on Li Yu: Research on \u003CIdle Love and Occasionally Posted\u003E, \u003CPreviews of Ci Ci\u003E" is Mr. Du Shuying's latest and most comprehensive monograph on Li Yu. Drawing on the unique form of "commentary" in Chinese classical literary theory, he conducted a comprehensive, systematic and in-depth collation, annotation and commentary on two important works by the Qing Dynasty dramatist and theorist Li Yu, "Xian Qing Ou Ji" and "Gui Ci Guan Jian".

This article starts from the fundamental characteristics of literature's "humanities" and summarizes the main trend of literature in the new era as: the discovery and recasting of the national soul. It is believed that this is an inevitable trend in the development of Chinese history, Chinese society, and Chinese literature to this day. It is not a man-made norm, but a natural phenomenon of the intersection of human consciousness (the new awakening of the Chinese nation's self-awareness) and literary consciousness (contemporary literature gets rid of dependence and rebuilds independent character). This article disagrees with using the diversified state of modern Western "ownerless trends" to simply analogize the specific diversified phenomenon of contemporary Chinese literature. At the same time, it believes that humanism, as a general philosophical trend, should not be regarded as a mainstream literary trend due to the lack of "intermediaries" and other reasons; realism, whether in the narrow sense of method or the broad sense of spirit, is not suitable to cover increasingly complex literary phenomena.

As a famous novelist, Mr. Li Guowen uses a unique perspective to place the people and events in "A Dream of Red Mansions" in real life, and interprets it from a modern perspective. It involves political systems, human relations, and even food culture and language culture. The content is extensive and interesting. The interpretation of "Dream of Red Mansions" can be described as penetrating and original. It reads out content that ordinary readers have not seen. Through popular and humorous language, it conducts profound analysis. It is a must-read that helps readers gain a deeper understanding of Chinese national character, popular psychology, and common cultural knowledge. Red Mansions is a dream, not a dream. With a sharp perspective as a writer, Li Guowen penetrated deeply and found a unique way to reinterpret the Dream of Red Mansions in the real world and read out fresh content.

Mr. Lu Xun wrote many immortal works that will shine through the ages, among which poetry works cannot be ignored. This book collects all of his poems, including 63 old-style poems and 12 new-style poems. It is the most comprehensive and detailed research work on Lu Xun's poetry to date.

This book selects the critical works of 17 famous domestic literary and art critics, mainly those since the new era, especially recent works. The selection not only selects articles that have been seen in previous collections of reviews but are of great academic value and represent the critic's academic achievements in a certain period, but also recent new reviews that have not yet been compiled and published, covering writers, works reviews, and theoretical research and discussion on special topics. This series of books showcases the achievements of my country's critical circles since the new era, especially in recent times. It also reflects the overview of my country's literary development and the creative achievements and related insights of many famous and emerging writers.

This book is the author's sixth collection of literary criticism dedicated to readers; in a sense, it is also a collection of literary criticism by the author. This selection of literary criticism can also be regarded as a summary and a small display of my literary criticism activities over the past half century. The forty-three articles included in this collection of reviews are half selected from five review collections published in the 1980s and 1990s, and the other half are selected from hundreds of literary reviews published since the 21st century. According to the review object and nature of the article, it is divided into four series: The first series is an essay on literary trends of thought or a review of a certain topic. Not much has been written in this area, and only seven articles have been collected for reference; the second series is about stylistic research and stylistic criticism; the third series is about reviews of novels; and the fourth series is about reportage, short stories, or reviews of the creative activities of young writers.

The rise of reportage is one of the most prominent literary phenomena in the new era. The author of this book has always been at the center of literary activities in the new era, and has direct participation and experience in the ebb and flow of reportage and its changes. The papers collected here are the results of the author's years of research on reportage. The article's achievements in empirical research and theoretical discussion of the works of many outstanding writers are outstanding in the current literary world. Reportage is still a new style of writing that needs to be re-understood and practiced. There have been very few relevant theoretical works before. The publication of this book will help people understand reportage and contribute to the theoretical construction of reportage.

A series of selected works by powerful Beijing writers. Yi Xiangdong, a famous military novelist, has written "I am a Soldier" and "A Soldier's Song" and is widely known to readers. This book is a short and medium-length novel he wrote in the past two years. It brings us a strong sense of military style, and the joys, sorrows, joys, bitterness and honors of soldiers are vividly written on the page.

The word "female" is not an empty signifier, it has rich and profound connotations. She is a daughter, a wife, a mother, a woman herself, and a member of society. No woman can become just one of these and leave the others as nothing. As an independent, self-confident and self-sufficient individual, women should regard responsibility as a necessity of life, suffering as the nourishment of life, and love and success as the pursuit of life. She should be harmonious, clear, and heavy, living in harmony with the world around her and seeking common development. Only when she can face it with an open mind in her career pursuits and daily life, will the magic of life, the light of wisdom, and the buds of dreams bloom brilliantly, stretching freely under the blue sky and white clouds, dancing in the wind and joyful in the rain.

Without the empathy and understanding of life, how can we accurately grasp the subtle and complex core of the work? How can we portray the writer vividly and describe his spirit? Excellent works are the crystallization of the writer's life passion and life experience. If you want to truly understand your research object, you must get close to your body, mind, and soul, and listen with bated breath. Curl up with the text of "Love Blooms Like a Rose: Uncovering the Spirit of Chinese Literature in the Media Era" edited by Wen Hongxia, listen to the sound of the rose blooming, and let the light of the rose appear in your heart.

Who is holding an oil-paper umbrella, walking through the sentimental rainy season, looking for the old dream of prosperity in the south of the Yangtze River; who is sipping a cup of tea, leaning on the railing and quietly looking into the distance, waiting for the lonely lotus to bloom; who is taking a small boat, in the frosty sky with a bright moon like water, to salvage the passing years; and who is breaking a cold plum and writing elegant and romantic poems? The book contains 39 fresh and beautiful essays. Bai Luomei, a powerful author of Jiangnan Wanyue School, interprets Tang poetry from a new perspective. It is divided into six series, each with different themes, bringing readers different spiritual enjoyment. In a feast of culture and history, cleanse the soul, pour passion, refine the mind, and transcend aesthetics. In the perfect blend of novel Tang poetry and prose, readers can taste the charm of words, realize the truth of life, and explore the eternity of nature.

Speed ​​reading of classics has become a worldwide trend. Speed ​​reading allows you to spend less time and energy to master as much information as possible. Specifically for this book: if you want to know about the author and the writing background of the work, you can read the "Author Introduction" and "Work Archives" sections. If you want to understand the main plot of a masterpiece, you can read the "Content Summary" section of the relevant article; if you want to understand the protagonist in the masterpiece, you can read the "Main Characters" section; if you want to understand the artistic achievements of the masterpiece itself and the evaluation of the work by famous writers, you can read " "Literary Achievements" and "Comments by Famous Writers"; if you want to remember some wonderful chapters in famous works, you can read the "Recommended Chapters" section; if you have the desire to read the original works after reading these parts, the "Comments by Famous Writers" and "Recommended Chapters by Famous Writers" point out the essence of the original works.

Chinese literature, from the Book of Songs, Chu Ci, Pre-Qin prose, and Han Fu to Tang poetry, Song lyrics, Yuan opera, and even Ming and Qing novels, constitutes a history of the development of Chinese culture over thousands of years. When you feel the endless power of life and the various rhythms of life in Tang poems; experience the fresh and romantic artistic conception aesthetics and lingering emotions of life in Song lyrics; appreciate the vast and vast cosmic images and the romantic feelings of the prodigal in Yuan opera; read the colorful pictures of the human world in the literature and art of Ming and Qing Dynasties, then your language level, your artistic conception and style, and your thoughts and sentiments will be sublimated. One day, you will be unable to stop wandering in the beautiful cultural classics, you will be intoxicated by the most essence of Chinese language and be able to use it freely. This is the power of classics.

Among the classic literary masterpieces that Mao Zedong liked to read, "The Romance of the Gods" occupies a special place. Although he did not read "The Romance of the Gods" as much as "The Romance of the Three Kingdoms" and "A Dream of Red Mansions" as a political or military book, nor did he read "Fengshen Yanyi" as a political or military book like "Journey to the West" and "Water Margin", he often used the stories in the book to explain things and explain the truth. From the historical materials I have seen so far, Mao Zedong did not talk much about "The Romance of the Gods". However, Mao Zedong was familiar with this book, had his own analysis of the stories in the book, and used his analysis to explain important truths.

This book reviews Mozi's life attitude and life strategies by introducing topics such as Mozi, the greatest art of life, self-cultivation, wisdom and strategy, saving life, pursuing truth, and the relationship between yin and yang.

In Mao Zedong's writings and words, ancient Chinese studies have been given a new soul: it can provide guidance on principles and policies for the actual revolutionary struggle, it can contribute to the development of ideological education, and even more wonderfully, it can be integrated with Marxism from the West, so that the principles of Marxism can take on the style of Greater China! Mao Zedong was able to pick up idioms, allusions, poems, songs, and even myths and legends in Chinese classics at his fingertips and run around at will. He can use a plot from a classical novel to explain a revolutionary principle, which makes the listener see the sun behind the clouds: he can find Chu and Tang poems from the name of the person he meets for the first time, which makes his opponents marvel...

The three thousand years of evolution and development of Chinese literature have long been integrated into a long, winding and majestic river; and it is a complex construction that encompasses all things in the world and captures everything in the world. It also shows a majestic, extremely colorful and rich huge space capacity. Therefore, we try to describe its diverse forms of expression and the evolutionary phenomenon of new inheritance, rise and fall, and explore its prominent external forms and deep underlying artistic characteristics, so as to give a more practical and appropriate value judgment on the aesthetic and social and cultural levels, so as to determine its role in finding and establishing the soul or the soul of the nation-state. The symbolic meaning of one's own spiritual outlook, in other words, the work of trying to write a summary "history" for literature also arises accordingly - this can also be said to have a long and ancient origin, because China has a strong historical complex and a strong historical consciousness, and is a country with a long historical tradition.

This book specifically analyzes the small pieces of wisdom in "A Dream of Red Mansions". Many of them have the opposite meaning, that is, they are cunning people and the conspiracies of some characters. The purpose of this book is not to promote or instigate evil-hearted people to engage in conspiracies. Social experience tells us: "You must not have the intention to harm others, and you must have the intention to guard against others." "Know your enemy and know yourself, and you will always win in every battle." Only by understanding and studying other people's conspiracies can we have the wisdom to prevent and guard against darkness, and help kind readers cultivate and improve the wisdom to see through, prevent, oppose, and defeat such conspiracies.

The author of "The Journey of the Poet: How China Changed Modern American Poetry" has continuously collected materials and rewritten it with all his strength during the twenty years of teaching and research. He traced the investigation period back to the 19th century and down to the present day, and detailed the three-stage scene of "future-change-change after change". Using this large-scale investigation as the background, he made a convincing analysis: Chinese poetics, philosophy, and religion are the key influences in the modern transformation of American poetry.

"The Complete Works of Wen Yiduo" follows the principle of selecting the best from the best and carefully selected Wen Yiduo's most popular poems, speeches, literary criticism, academic research, essays, essays, letters and other works, and compiled them into a book. Since Wen Yiduo has made the greatest achievements in poetry, the selection of "The Complete Works of Wen Yiduo" also focuses on his poetry works. For example, poetry collections such as "Dead Water", "Red Candle", and "Real Self Collection" all reflect Wen Yiduo's "three beauties" (the beauty of music, the beauty of painting, and the beauty of architecture).

"Contemporary Literary Circles" consists of five volumes, including fifty writers. Most of the articles are written by famous writers, either relatives and friends of famous literary figures or biographers, or have a close relationship with the biographers being written about. The stories or tidbits they write about the creations of a certain famous artist are all first-hand materials, which are of great significance for understanding the creation and life of the famous artist being written about. At the same time, they can also satisfy the general readers' desire for voyeurism about famous writers.

"Contemporary Literary Circles" consists of five volumes, including fifty writers. Most of the articles are written by famous writers, either relatives and friends of famous literary figures or biographers, or have a close relationship with the biographers being written about. The stories or tidbits they write about the creations of a certain famous artist are all first-hand materials, which are of great significance for understanding the creation and life of the famous artist being written about. At the same time, they can also satisfy the general readers' desire for voyeurism about famous writers.

"Contemporary Literary Circles" consists of five volumes, including fifty writers. Most of the articles are written by famous writers, either relatives and friends of famous literary figures or biographers, or have a close relationship with the biographers being written about. The stories or tidbits they write about the creations of a certain famous artist are all first-hand materials, which are of great significance for understanding the creation and life of the famous artist being written about. At the same time, they can also satisfy the general readers' desire for voyeurism about famous writers.

"Contemporary Literary Circles" consists of five volumes, including fifty writers. Most of the articles are written by famous writers, either relatives and friends of famous literary figures or biographers, or have a close relationship with the biographers being written about. The stories or tidbits they write about the creations of a certain famous artist are all first-hand materials, which are of great significance for understanding the creation and life of the famous artist being written about. At the same time, they can also satisfy the general readers' desire for voyeurism about famous writers.

"Contemporary Literary Circles" consists of five volumes, including fifty writers. Most of the articles are written by famous writers, either relatives and friends of famous literary figures or biographers, or have a close relationship with the biographers being written about. The stories or tidbits they write about the creations of a certain famous artist are all first-hand materials, which are of great significance for understanding the creation and life of the famous artist being written about. At the same time, they can also satisfy the general readers' desire for voyeurism about famous writers.

"The Troubled Narrator" was written by Zhao Yiheng. Most of the space is devoted to discussing the issue of narrative form and going too deep into details. For the sake of clarity, I briefly explain the analytical principles of "The Troubled Narrator" here. To talk about this issue at the beginning of the book would be a bit prejudicial. In fact, the following discussion should be the conclusion of the book. It is recommended that interested readers read this section after reading the entire book.

This book is a collection of academic papers, including more than 20 academic papers on linguistic theory, characters, phonology, grammar, exegesis, dialect investigation, etc., Which has certain academic value and publication significance.

Huang Tingjian and the Jiangxi Poetry School can be regarded as representatives of the artistic characteristics of the Song Dynasty. This book studies them with clear views, sufficient discussion, and high publication value.

"New Criticism Revisited" was written by Zhao Yiheng. The new generation of critics lamented: "New Criticism is like the ghost of Hamlet's father, still commanding us." This book was published and named because since the early 1980s, many young scholars in China have been interested in the New Criticism method and used it in Chinese literature. They have made outstanding text analysis and theoretical broadening. They have used critical practice to prove that the New Criticism method does have a certain vitality.

A key research project of the Institute of Contemporary Literature, Chinese Academy of Social Sciences. This article explains it from four aspects: "the significance and value of motifs in literature; double marginality and the voice of motherhood; cultural motifs in overseas Chinese literature; and artistic variations of motifs." Following the four perspectives, focusing on tradition, focusing on the whole, focusing on the text, and focusing on "harmony without difference", a new theoretical interpretation of the conceptual characteristics of the motif is made by combining Chinese contemporary literature and overseas Chinese literature. It is a practice of interdisciplinary and cross-genre research to break the long-standing habitual research status of holding on to one section of literature and one style of literature.

"Zhu Zi's Language Classes" alternates between white and white text, blending old and new qualities. It is superimposed with words of different historical levels inherited from various periods in history and new words and new meanings produced in the Song Dynasty. To a certain extent, the different texts in each existing volume reflect the evolution of language from the Song to the Ming and Qing Dynasties, providing precious linguistic records for the study of the evolution of Chinese language and the history of vocabulary.

This book is the author's own feelings derived from the association of his own experience when he read "Dream of Red Mansions". Since it is a feeling, it is extremely personal and innovative. Since I feel my feelings, I often express my feelings directly in writing, often talk eloquently, and are very emotional and melodious, which is very attractive to readers. The book contains chapters of appreciation and comments on the masterpiece "Dream of Red Mansions". These factors constitute the unique novelty of this book since "Dream of Red Mansions" was written. It is of considerable value to the popularization of red studies, especially the famous "Dream of Red Mansions".

The poetics of the Qianlong period mainly revolved around the reflection on the poetry since the Ming Dynasty. During that period, the country was strong and the mentality of the scholars was relatively peaceful, so the poetry at that time paid more attention to aesthetics and art. By the Jiaqing and Daoguang periods, the Qing Dynasty was declining, and the mentality of the scholars turned from peaceful to restless and angry. Many poems reflected reality. This book is a study of the poetics of the Qianlong period, the poetics of the Qianlong Jiaqing period, and the Jiaqing Daoguang period.

A new interpretation of 46 classical poems. Through beautiful and moving words and ethereal and poetic analysis, the author sorts out the various lives and emotions of the ancients, communicates them with the inner life of modern people, and leads us into the emotions of poets and poets. Feel the world and appreciate the wild Li Bai, the dashing Su Shi, the Zen Wang Wei, the passionate Liu Yong, and those classical scenes that are deeply rooted in your bones: the dancing posture of holding wine with flowers, the sound of the flute walking on the snow to find plum blossoms, the gaze behind the crystal curtain, the cry in the empty mountain of the ancient temple

"Research on Late Tang Style Poetry in the Song Dynasty" is divided into six chapters: The first chapter focuses on the research of the emergence time and cultural background of the two terms "Late Tang" and "Late Tang Style" in the Song Dynasty. The second chapter's research object is the late Tang style in the early Song Dynasty. The third chapter talks about the period from Zhenzong of the Northern Song Dynasty to Guangzong of the Southern Song Dynasty, and the fourth chapter is the study of the Four Spirits of Yongjia. Chapter 5 talks about the late Tang style creation and related issues in the late Southern Song Dynasty. Chapter six is ​​a summary of the characteristics of late Tang poetry in the Song Dynasty. The late Tang style poets of the Song Dynasty had an almost fanatical attitude towards poetry. They emphasized five rhymes and despised the ancient style. They preferred to describe landscapes, bamboos and rocks at dusk in autumn. They liked line drawings as poems and emphasized the middle couplet. Their poems showed fresh and plain aesthetic characteristics.

"Research on Meng Wentong's Classical Studies and Neo-Confucian Thought" is a key scientific research planning project of the Sichuan Bashu Cultural Research Center. The establishment of this research project has received strong support and help from the leaders and relevant personnel of the Sichuan Bashu Cultural Research Center. This book specifically includes: Meng Wentong's life and writings, about Qing Dynasty Confucian classics, the characteristics of Mongolian Confucian studies, and discussion of the scope of Mongolian Confucianism.

This book mainly discusses the reception of "Zhuangzi" in literature against the background of the comprehensive revival of Zhuangzi in the ideological and academic field during the Han and Jin Dynasties. Answered the following questions: What were the manifestations of the revival of Zhuangxue during the Han and Wei dynasties? What is the reason for the revival? In what way did Han and Jin literature accept Zhuangzi? What are the characteristics of the reception of "Zhuangzi" in each period of Han and Jin Dynasties? Which aspects of "Zhuangzi" did Han and Jin literature mainly accept? What's the performance? The strong life spirit of "Zhuangzi" and the poetic spirit derived from it were a major excitement point when scholars and literature in the Han and Jin Dynasties chose and accepted it. Based on this, this book conducts a special study on the deep connection between Han and Jin literature and "Zhuangzi" in terms of life consciousness, construction of ideal life realm and narrative method.