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This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

"A Brief Introduction to Poetry" is an introductory book for appreciation and analysis of ancient poems written by Mr. Yu Biyun, a master of modern poetry. "A Brief Introduction to Poetry" consists of two parts: "A Brief Introduction to Poetic Realm" and "A Continuation of a Brief Introduction to Poetic Realm". It is a poetry enlightenment book compiled by Mr. Yu Biyun for educating children in their families to learn classical poetry. "A Brief Introduction to Poetry" contains more than 400 poems and poem excerpts from more than 100 poets such as Wang Bo, Luo Binwang, Li Bai, Du Fu, Wang Wei, Meng Haoran, Bai Juyi, Li Shangyin, etc., With explanations and comments, aiming to inspire poetry beginners to appreciate the beauty of poetry's tone, rhythm, calligraphy and syntax. The text is simple and pure, and the commentary is subtle and subtle. It is a guide book for learning and reading poetry.

Reading is a way to dream. Reading a good book and reading a beautiful article can make our hearts softer and clearer. It also broadens our horizons and enriches our experience. It is endless fun and beneficial. This book is a migrant worker's reading notes on famous classics. It is worth reading.

The process of reading Song poetry is the process of getting close to a big tree. With the tree there, you can meet the ancients in a moment, or the universe can appear in the dust. The writer selects the most representative works of the 15 most accomplished poets. With profound literary accomplishment and delicate, beautiful and penetrating words, the writer restores the era, life, stories and psychology of the poets for readers, and restores the unique cultural atmosphere, life sentiment and aesthetic charm of that era, which is both novel and infectious.

"Shishuoxinyu" expresses the spiritual outlook of the scholars of the Wei and Jin Dynasties. "Only the great heroes can show their true colors, and the true celebrities have their own style." The style of the Wei and Jin Dynasties has always fascinated people. Coupled with the timeless and beautiful writing, the artistic charm of this classic masterpiece will last forever. This book selects about 100 famous articles from "Shishuoxinyu" and divides them into more than a dozen special topics according to the content. It draws on the methods of traditional Chinese commentaries and Western text reading to meticulously interpret the characterization techniques, chapter structure, writing characteristics, charm and interest of each sketch, so that the impetuous modern people can taste what is extraordinary and refined, what is noble and elegant, and what is unrestrained and elegant.

This work is a collection of interpretations of ancient poems written by the author in the 1980s. It was written in winter, and there was a heating stove in the room, hence the name. It has the feel of informal chatting by the fireside. The work contains more than 50 pieces by the author about poetry, starting from the Book of Songs and talking about Lin Xu, one of the Six Gentlemen of 1898 in the late Qing Dynasty. Jin Xingyao was good at studying the poetry of the Tang and Song Dynasties, so he was able to see things that others had never seen before and talk about things that others had never said. Therefore, the publisher Zhong Shuhe commented that he was "unique and innovative". When Jin Xingyao discusses poetry and people, he can enter the world of the ancients with a rational and sympathetic attitude. His words are plain and natural, washing away impetuosity and anger, and making them cool and self-generating.

Ten famous scholars from Fudan University interpret 3,000 humanistic classics and talk about 3,000 cultural heritages based on the ten classic themes of Chinese cultural history: Shao Yiping talks about "The Book of Songs", Fu Jie talks about "The Analects" and "Mencius", and Chen Yinchi talks about "Old Man". Zi" and "Zhuangzi", Chen Zhenghong talked about "Historical Records", Qiu Luming talked about "Shishuoxinyu", Wang Yonghao talked about "Tang Poems", Hou Tijian talked about "Song Ci", Jiang Peng talked about "Zi Zhi Tong Jian", Wu Zhen talked about "Zhuan Xi Lu", and Gao Yuanbao talked about "Dream of Red Mansions". Explaining the profound in simple terms and speaking eloquently, it will open the door to classics for you and lead you to appreciate the beauty of 3000 years of humanistic classics. From "The Book of Songs" to "A Dream of Red Mansions", from Confucianism to Taoism, from Tang poetry to Song poetry, Chinese civilization has always been inherited for thousands of years. Since the pre-Qin Dynasty, these classics have nourished the spirit of every Chinese and shaped the character of every Chinese. These cultural genes flowing in our blood are worthy of everyone's serious understanding and feeling.

This book is an overall and systematic reflection on the basic principles of literary criticism. This book is divided into three parts: the upper part, the middle part and the lower part. The first part, "Essentials of Literary Criticism", briefly discusses the important issues of literary criticism. As a basic view of literary criticism, it is the basis for discussing the principles of literary criticism. The second volume is a general introduction to the principles of literary criticism: what are the principles of literary criticism, the relationship between literary principles and principles of literary criticism, the historical formation of principles of literary criticism, the significance and characteristics, system and composition of principles of literary criticism, etc., Are discussed in general. The second part is an analysis of the principles of literary criticism: thirty-six specific principles of literary criticism, such as the principle of fairness, the principle of respect, the principle of goodwill, the principle of integrity, the principle of rhetoric, etc., Are discussed to facilitate readers' specific understanding and flexible application.

This book is a creative theory of the writer Zhao Defa, which mainly includes an analysis of the local-themed novels, religious-themed novels and prose creations of Zhao Defa.

"May Fourth" prose is the standard of modern Chinese prose. There are many important connections between late Qing prose and May Fourth prose. This is not only because there is a direct historical connection between the May Fourth Movement and the late Qing Dynasty, but there are also many detailed logical connections between the two. The prose of the late Qing Dynasty continued to evolve across the Xinhai and early Republic of China with its inherent inertia. The prose of the May Fourth period historically inherited the prose of the late Qing Dynasty and generated new qualities in the new historical context. This book takes the "modernity" of prose as the basic perspective, and discusses the historical connection between late Qing prose and the May Fourth Movement in a relatively comprehensive and in-depth manner from the internal logic, media carrier, language expression, and the contribution of important prose writers to the generation of prose modernity.

This book sorts out and interprets the rural-themed novels created by contemporary writers in the thirty years of reform and opening up, and extracts three types: peachland, pastoral and wilderness, constructs a thematic imagination system of rural-themed novels in the thirty years of reform and opening up, and examines the value of rural-themed novels since the reform and opening up. Value and significance, explore its humanistic spirit, explore the development trend of rural-themed novels since the new era, reveal the existing problems and deficiencies in the creation of rural-themed novels in the thirty years of reform and opening up, and provide theoretical basis and policy advisory support for the prosperity and development of literature in the new century and the construction of new rural culture.

Wang Fuzhi was one of the important thinkers and poetic commentators in the late Ming and early Qing dynasties. He studied the Book of Songs with the thoughts and emotions of a thinker and philosopher, and expressed his unique thoughts in a unique way. This is a peak in the history of research on the Book of Songs. The study of Wang Fuzhi's "Book of Songs" can not only present the interpretation of classics during the social revolution, but also demonstrate the complex relationship between academics and politics, society, and people's livelihood, highlighting its important academic thoughts and contemporary significance. This book selects Wang Fuzhi and his study of The Book of Songs in a special historical period as the research object. It strives to reveal the specific reasons and academic inheritance of Wang Fuzhi's study of The Book of Songs on the basis of systematically sorting out the relevant academic context. On the one hand, it attempts to break the traditional research ideas of poetics and aesthetics, based on the text of The Book of Songs, and pays attention to Documentary basis; on the other hand, we strive to integrate literature, literature, culture, aesthetics, philosophy and other aspects into one, and study it more systematically from six levels: cultural background, poetic purpose, basic methods, poetic concepts, aesthetic thoughts and life feelings, and present the full picture of Wang Fuzhi's study of "The Book of Songs" in a three-dimensional way.

Deconstructionist misreading theory is an important theory of deconstructionist literary criticism, covering important deconstructive ideas such as uncertainty, intertextuality, and anti-metaphysics. This book aims to enhance the understanding of deconstructive literary criticism and expand the horizons of literary reading theory research by studying the emergence and development of deconstructive misreading theory, the two forms of subject dimension and rhetorical dimension, validity and historical value.

"The theory of literary quality" is an important basic proposition in Chinese classical literary theory, and it is also one of the major issues that have not been clarified in current literary theory research. "Exploring the Origin of the Theory of Literary Quality in Classical Poetry" attempts to clarify the basic aspects of the issue of "literary quality" in Chinese classical literary theory by exploring the original meaning of "the theory of literary quality".

Following "Jiang Xun on Tang Poetry" and "Jiang Xun on Song Ci", Mr. Jiang Xun comprehensively and systematically sorted out the context of Chinese literature, interpreting the beauty of nearly three thousand years of Chinese literature from pre-Qin to modern times from an aesthetic perspective. In this volume, Mr. Jiang Xun relies on his profound aesthetic skills and keen insight into real life to narrate the classic works of Chinese literature from the Tang Dynasty to modern times in plain language. With the unique artistic conception of literature, he observes the inner world of people today and helps everyone regain their feeling of beauty and life.

The literature of the pre-Qin, Han, Wei, and Jin dynasties is a stage where Chinese literature is gradually maturing. It is a picture of life that cultivates the soul, advocates nature, and is full of passion. Their beauty is full of love, romantic worry, and strong character, setting different models for later generations of literature.

Mr. Jiang Xun follows the chronological context of the Five Dynasties, Northern Song Dynasty, and Southern Song Dynasty, and presents the masterpieces of important poets such as Li Yu, Feng Yansi, Fan Zhongyan, Yan Shu, Yan Jidao, Ouyang Xiu, Liu Yong, Su Shi, Qin Guan, Zhou Bangyan, Li Qingzhao, Xin Qiji, Jiang Kui, etc.

As long as people pursue spiritual freedom, they will definitely love poetry. Mr. Jiang Xun said: "When we face Tang poetry, almost everyone feels that Tang poetry is so charming and the world inside is so moving. If we ask further, maybe it is because the world described by Tang poetry is the one we lack the most experience. We read poems about running away when we are least afraid to run away, we read poems about loneliness when there is the least possibility of loneliness, and we read poems about being conceited when we have the least conditions to be conceited."

This series of books is compiled from a series of lectures on the theme of "The Beauty of Chinese Literature" by Mr. Jiang Xun in Taiwan. It is divided into five volumes: "Chiang Xun Talks about Literature: From the Book of Songs to Tao Yuanming", "Chiang Xun Talks about Tang Poetry", "Chiang Xun Talks about Song Ci", "Chiang Xun Talks about Literature: From Tang and Song Prose to Modern Literature" and "Beauty, Invisible Competitiveness". Jiang Xun tells the history of Chinese literature from ancient times to modern times, which is a complete general history of literature. First, it is beautifully told and has a very different interpretation of beauty in Chinese literature. Second, the writing is smooth and elegant, without difficult academic vocabulary and frameworks. The "Jiang Xun on the Beauty of Literature" series is a rare introductory book for readers to fully understand Chinese literature and aesthetics from beginning to end.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

Wu Guoqing has been engaged in journalism for decades and has written a large number of press releases and research manuscripts, which reflect the social changes in the past 30 years of reform and opening up. This book contains more than 100 research manuscripts and papers, recording the author's journey of going deep into life, going deep into the grassroots, writing diligently, and fulfilling his responsibilities.

Everyone, I think it is a profound move for all of us to come here to discuss the poet Duoduo's creations. As a famous misty poet, even the most underestimated contemporary poet, Duoduo's decades of creation are not only his personal journey, but also a historical career. Why do you say this? Based on my reading experience and repeated speculation, in my personal opinion, Duoduo's poetry not only breaks through the limitations of traditional Chinese farming culture, but also breaks through the superiority of this ancient cultural style full of national psychological implications, and shatters this cultural mentality of superiority. On this basis, he also developed a very personal grammatical approach.

During the Republic of China, academics flourished and there were many academic masters. This book selects ten scholars of the Republic of China (Liang Qichao, Wang Guowei, Chen Yinke, Hu Shi, Zhang Junmai, Ma Yifu, Xiong Shili, Liang Shuming, Gu Hongming, and Zong Baihua) to deeply analyze their academic thoughts, academic research methods, and show their main academic achievements and influence. It strives to take these ten scholars as examples to reflect the basic academic outlook during the Republic of China.

"Appreciation and Introduction to Classical Works of British and American Literature" (British Chapter) is divided into six chapters, arranged in sequence according to the historical stages of the development of British literature, from the origin and prosperity of literature to the works of Nobel Prize winners in literature and famous modern writers. Each chapter highlights the representative works of representative writers, including an introduction to the writing background and the author's situation, as well as a detailed appreciation of the wonderful chapters and incisive comments from famous writers; there is an overview of the development of literature, and a specific presentation of representative writers and works. It achieves the organic combination of literary theory and literary appreciation. Provide readers with the original essence of humanities reading.

Classical culture is highly favored by Chinese people, and Tang poetry is even more popular. "Paintings of the Tang Poets: Soaring and Submerging in the Splendid Land" carefully selects the best works of Tang poetry, and explains the artistic conception of their poems through the lives of poets such as Li Bai, Du Fu, Bai Juyi, and Meng Haoran.

Classical culture is highly favored by Chinese people, and so is Song poetry. "The Past of Song Ci Poems: A Brief Essay on the Elegance and Sorrow in Low Singing" carefully selects the best works of Song Ci, and uses the lives of Su Shi, Li Qingzhao, Xin Qiji, Liu Yong and other poets to explain the artistic conception of their poems.

"A Study of Nabokov's Novels" focuses on Nabokov's novels, and analyzes the artistic characteristics of Nabokov's novels through in-depth analysis of the themes, characters, narrative strategies, language characteristics, etc. Of Nabokov's novels. "A Study of Nabokov's Novels" has six main chapters, which are divided into the development and evolution of Nabokov's novel creation, Nabokov's literary thoughts, the themes of Nabokov's novels, the characters of Nabokov's novels, the narrative strategies of Nabokov's novels, and the language art of Nabokov's novels.

This is not only a collection of essays that reveals the wisdom of Red Mansions, but also a guide book that analyzes various human emotions. This book tells you that Red Mansions is not a dream, but a real life, which contains rich wisdom of life. Chen Yantao, a senior talented woman, loves Red Mansions and understands life. She combines her reading experience, growth experience, and workplace insights into one pot. The content includes the true meaning of love, workplace scriptures, official conspiracy, educational concepts, character decryption, psychological roots, and worldly relationships.

This book is a perfect double wall with another "Chronological Handbook of Chinese Writers". The two books concisely and comprehensively present the life and creation of Chinese literature and world literary giants. It is a good assistant for readers to browse and understand the achievements of national literature and world literature in a short period of time. Among them, this book uses the birth and death years of writers as clues to form a "timeline" according to their years. It shows the life and creation of more than 400 important writers in the history of world literature through concise and clear tabular language, and intuitively reproduces the development process of world literature.

This book is one of our series of appreciation dictionaries of famous Chinese literary figures. Selected Guan Hanqing's representative works, and invited contemporary researchers to write appreciation articles for each work. The interpretation of words and sentences and the invention of wonderful ideas are helpful to understand the mystery of Guan Hanqing's famous works, so that readers can better appreciate the realism and strong spirit of resistance in Guan Hanqing's works.

Baoyu listened to the music and realized that "he comes and goes naked without any worries", which kicked off the Zen talk among the characters in the Red Mansion. Daiyu burying flowers, Xiangyun lying drunk, Baoyu becoming a monk... All reveal a strong sense of Zen in a subtle and subtle way. This book tells the relationship between "Dream of Red Mansions" and Zen in an easy-to-understand manner, distinguishes the true and false Zen in the sequel and the first eighty chapters, and outlines the true meaning of "Xueqin Zen" in "Dream of Red Mansions". Zhou Ruchang, a master of Hongxue, said: "Guizhi's book should be ranked first in terms of quality."

This article is the author Shi Xiaoyun's textual interpretation of the famous writer Liu Zhenyun's Mao Dun Literature Award work "One Sentence is Worth Ten Thousand Sentences". The author uses easy-to-understand language to explain this beautiful, engaging, and thought-provoking novel in detail. The fate of the characters in "One Sentence is Worth Ten Thousand" is analyzed concisely and effectively as they strive to escape loneliness and constantly search for "dialogue". Through the author's interpretation, readers can more clearly feel the emotion and sweat given by Liu Zhenyun in "One Sentence is Worth Ten Thousand Sentences". "Look, this novel... - Reading "One Sentence is Worth Ten Thousand Sentences"" is as natural and durable as the work "One Sentence is Worth Ten Thousand Sentences" itself, fully demonstrating the sense of history and the deep meaning of the novel.

The famous scholar Professor Chen Yinchi relied on his years of Taoist research experience to carefully select and interpret hundreds of passages in Zhuangzi that are rich in wisdom and inspiration. With a perspective close to reality and easy-to-understand words, it elaborates and extends the essence of Zhuangzi, and introduces the wisdom in the classics into real life, allowing readers to easily enter Zhuangzi's spiritual world, accurately grasp the ideological expressions of Chinese sages, and then find the resonance between the classics and inner life.

The modern literature research results selected by Comrade Li Songrui's "Literature's Traces of the Times" are mainly divided into two parts: the study of writers, works and literary phenomena in the history of modern Chinese literature, sorted by the generation of the research objects; and the study of "Politics" from the perspective of the relationship between the times and literary forms. Commentaries on three research works on modern Chinese literature: "Governmental Culture and Chinese Literature in the 1930s", "Revolution and Form - The Development of Modernity in Early Contradictory Novels (1927-1930)", and "Narisi Thoughts by the Water - The Artistic Motif of Chinese Modernist Poetry". Among them, the research on the translated literature of the late Qing Dynasty, Lu Xun's translated works, Bian Zhilin's novels, Zhao Shuli's literary language and Lao She's novel creation in the 1940s has impacted the existing research pattern and has a high academic level.

This is a philosophical note about literature. It is a reading sharing between a book lover and readers. It is also a growth gift written by Zhou Baosong to his five-year-old daughter. There are fifteen chapters in the book. Zhou Baosong uses his philosophy and childlike innocence. Each chapter uses the different dilemmas and encounters faced by the little prince at different stages of growth as an entry point. Combined with the current social reality, he puts forward new thoughts and interpretations on taming, dreams, life, and responsibilities. He ponders the meaning and beauty of life, and also re-examines his own inner world. Think about the philosophical meaning in literary classics, share the reading experience with readers in writing, continue to experience life seriously after understanding, and move forward more firmly.

This book aims to make a comprehensive study of Louis Erdrich's novels from the perspective of social ecology. It consists of seven parts: introduction, brief description of social ecology, care, equality, harmony, and self-confidence.

"Nordic Literature" takes the context of time as the warp and national and national literature as the latitude, starting from the languages ​​and myths of ancient northern Europe. It first describes Icelandic literature, then Danish literature, then Norwegian literature, then Swedish literature, and finally ends with the literature of the four small Baltic countries. The writings are well organized and well-narrated. When describing the literature of different countries and nations, it pays attention to the meridians of literary evolution, takes into account the different expression forms of literature, and highlights the main writers and works. It is elegantly written and highly readable. It is a masterpiece of world literature history with both academic taste and pioneering value.

What were the eighties? Zhu Wei, former editor-in-chief of Sanlian Life Weekly, wrote: The 1980s was an era when people could sit together in groups of three or five and talk about literature all night long; it was an era when everyone could get together to drink beer, watch movie videos and World Cup broadcasts all night long; it was an era when people could "run" on the road like "lovers". Everyone was being chased by the innovative dog and couldn't lift their pants, but they were all intimate and having endless fun. In the 1980s, Zhu Wei rode his bicycle from one writer's house to meet another writer. During this period, he successively published a large number of writers in "People's Literature" such as Mo Yan, Yu Hua, Su Tong, Liu Sola, Acheng, and Ge Fei. In 2013, Zhu Wei began to write "Me and the 1980s" on his blog, hoping to recall every node of that era through his own life trajectory and record the process of interacting with each writer. This book is the culmination of three years of reading and writing by Zhu Wei. He rereads the classic works of important writers active from the 1980s to the present one by one, analyzed them step by step, and systematically interpreted the works of 10 iconic writers: Wang Meng, Li Tuo, Han Shaogong, Chen Cun, Shi Tiesheng, Wang Anyi, Mo Yan, Ma Yuan, Yu Hua, and Su Tong, allowing readers to understand a writer through one article.

The essence of alchemy is the combination of "witchcraft" and "rationality". Witchcraft culture occupies the cultural mainstream of primitive society, and social progress determines the inevitable decline of witchcraft culture. However, thanks to the "unparalleled knowledge of heaven and earth" in Zhuanxu's era, Chinese witchcraft was not interrupted like in the West, but was combined with rationality, eventually forming a unique alchemy culture. The source of alchemy is witchcraft, so it is inevitably full of superstitious content, but it is also combined with rationality, which inevitably breeds the buds of science. For example, the close correspondence between Taiyi, Qimen, and Liuren and ancient astronomy, and the invention of gunpowder by alchemists in the practice of refining elixirs and seeking immortality are all clear evidence. "Strange Stories from a Chinese Studio", as the pinnacle of zhiguai literature, must contain rich alchemy culture. This book has uncovered the tip of the iceberg, which can play a role in attracting new ideas. The bricks thrown may not be exquisite, but the world of alchemy from the Chinese Studio that it opens must be very promising.

Yu Hua called this "Literature or Music" his personal reading book and the book of harmony. The 28 articles included record Yu Hua's thirty-year personal reading and listening history. His repeated dives into classic masterpieces, his rereading and echoing over and over again, are all condensed in 330 pages. Here, with the sensitivity and empathy of a "novel writer", he repeatedly inquires and leads us closer to great masters such as Borges, Faulkner, Kafka, Chekhov, Marquez, Shostakovich, and Tchaikovsky, analyzing their narrative techniques step by step, and arriving at the secrets of their creations. It is through unremitting reading and interpretation that these classic works glow with ever-lasting vitality. Regardless of resonance or refutation, the arrival of these colorful moments arouses the stress between reading and the original text. Open the book, and an enlightening journey into literature and music classics begins.

"Simple Murder: A Brief History of Mystery Novels in the World" combs the history of mystery literature in the most concise and clear way, shows the major schools formed in the long history, and introduces the most representative creators of each major genre. It contains two major chapters, Europe, America and Japan, from Edgar Allan Poe to Agatha Christie, from Edogawa Rampo to Higashino Keigo, all in one place. This book is the second edition of "The Phantom of Murder: A Brief History of Mystery Novels in the World" published in 2011. Compared with the previous edition, the content has increased by 30% and has been improved in all aspects.

Time is just an excuse to forget love, "Eternal love will last forever, but love will never end." Then, even if the world is forever separated, even if thousands of years of time and space go by, love will never end, love is the answer. In the sincere writings of ancient poets, love and lovesickness are reproduced thousands of times. "Lovesickness: Encountering Love in the Most Beautiful Poems" selects beautiful lovesickness ancient poems and restores the deep image of lovesickness for readers. Through these affectionate whispers that have been passed down through the ages, readers can relive the tender lovesickness.