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"Research on Luo Feng and Bai Lang" is an academic research work on the Northeastern exile writers Luo Feng and Bai Lang created by critic Wu Xiaoyan in recent years. It is also one of the research volumes of the "Northeast Exile Literature Historical Materials and Research Series" edited by Zhang Fugui. The book is divided into three parts, including "Part One: Overview of Creation and Research", "Part Two: Research on Bai Lang's Creation" and "Part Two: Research on Luo Feng's Creation". The first part mainly tells the creative experiences of Luo Feng and Bai Lang and the current academic research on their works; the middle part mainly analyzes the creative characteristics of Bai Lang's short stories, essays and reportage, and places her in the female writing group for a longitudinal investigation; the second part mainly studies the characteristics of Luo Feng's novels and Luo Feng's dual continuation of Lu Xun's local writing and intellectual spirit, and deeply analyzes the spiritual consciousness in Luo Feng's works.

"On Northeastern Exile Literature Writers" edited by Teng Zhenfu is one of the research volumes of the "Northeast Exile Literature Historical Materials and Research Series" edited by Zhang Fugui. "Historical Materials and Research Series on Northeastern Exile Literature" is China's first large-scale book that comprehensively and systematically organizes the Northeastern exile literature and research results in modern China. It is divided into research volumes, historical materials volumes, and works volumes, with a total of 36 volumes. This series of books presents the appearance and context of Northeastern exile literature in detail and clearly. "On Northeastern Exile Literature Writers" includes 12 in-depth research articles on Northeastern exile writers, including Gao Haitao's "Xiao Jun in the Wind", Liu Zhaolin's "Forever Thirty-One Years Old", Xue Tao's "Duanmu Hongliang: He is a Child of the Earth", Han Chunyan's "Bai Lang: Bowing to the Vast Mulberry Fields, His Pens Are Stunning for Half a Life", and Zhou Jianxin's "Stubbornness and Perseverance". Twelve authors systematically analyzed the creative achievements and achievements of Northeastern exile writers represented by Xiao Hong, Xiao Jun, Duanmu Hongliang, Mu Mutian, Luo Feng, Bai Lang, Shu Qun, Luo Binji, etc. From different angles, which has high academic research value and historical material value.

"Northeast Exile Literature from the Perspective of Regional Culture" co-authored by Yao Yun and Yan Lijie is one of the research volumes of the "Historical Materials and Research Series on Northeast Exile Literature" edited by Zhang Fugui. "Historical Materials and Research Series on Northeastern Exile Literature" is China's first large-scale book that comprehensively and systematically organizes the Northeastern exile literature and research results in modern China. It is divided into research volumes, historical materials volumes, and works volumes, with a total of 36 volumes. "Northeastern Exile Literature from the Perspective of Regional Culture" is divided into eleven chapters, including "The Pain of National Subjugation and Writing of the Field of Life and Death", "Escape from Homeland and Spiritual Return to Hometown", "Living Environment and Northeastern Regional Culture" and other contents. After the September 18th Incident broke out, literary young people such as Xiao Hong, Xiao Jun, Duanmu Hongliang, Luo Binji, Luo Feng, and Bai Lang were forced to flee from the Northeast to the pass. Although they left their homeland, their hearts burned with the hatred of their country and family. This made their works not only full of the lamentations of the suffering of the Northeast people under the iron heel of the Japanese invaders, but also reflections on Northeast culture and questioning the way out for the Northeast. It can be said that in the writings of exiled Northeastern writers, whether they are writing about people and scenes, or reasoning and expressing emotions, the striking Northeastern logo is imprinted on the back of the words, exuding a unique Northeastern flavor.

"Songs of Exiles" is a collection of poems by the famous modern poet Mu Mutian. The book contains a total of 42 poems, including "We Want to Sing New Hymns", "Strafing", "The Death of Two Giants", "The Sorrow of the Exiles", "The Wind Blows in July", "Their Tears Falling in the Autumn Wind", etc. These poems were mainly written between 1932 and 1944. The reality of national peril during the Anti-Japanese War prompted Mu Mutian's poetic style to shift from early symbolism to realism. Writing for the survival of the country and the national war has become the main purpose of Mu Mutian's poetry creation.

"Northeast Exile Literature Historical Materials and Research Series·Research Volume: General Introduction to Northeast Exile Literature" has about 170,000 words and is divided into fifteen chapters, including "They were born on this land", "Review and Meditation of History", "The Soul of Trembling Art", "The Road is Long", "Xiao Hong: The Eternal Sad Smile", "Xiao Jun: The Struggle of the Slaves", etc. "Northeast Exile Literature Historical Materials and Research Series·Research Volume: A General Introduction to Northeast Exile Literature" focuses on the experiences and creations of Northeast exile writers as a whole and analyzes the commonalities of this group and also analyzes their personalities from a micro perspective. It is particularly worthy of attention. What is interesting is that the author has conducted in-depth analysis and research on the works of Xiao Hong, Xiao Jun, Duanmu Hongliang, Shu Qun, Luo Feng, Bai Lang, Luo Binji, Ma Jia and others in the form of special sections. It is a high-quality academic work with profound thoughts and unique insights.

"A rose is a rose, a rose is a rose." "The sky is not dark, the sky is dim, the sun is dim, the sky is not red, there is no dust in the room, the windows are not open, the stove is not closed, and the table has been set. There is no chili, some salt, more chicken, more candy. Are there cauliflower or cake? There is a steamer with butter, potatoes and cucumbers. There is no cream, but there is a mixture of cream and orange behind it. All the potatoes are eaten, and the pigeons are still cooked. There is also a large shallow dish. "This book creates a unique writing style that breaks through the limitations of grammar. The author abandons the standard use of punctuation marks; emphasizes the impression of the work, intending to apply modern painting art theory to literary writing; and emphasizes the simple writing method of repeated fragments, such as the author's most famous saying, "A rose is a rose, a rose is a rose," which comes from this book.

Welleck, a giant in comparative literature, single-handedly wrote a masterpiece that comprehensively sorted out and summarized the theory of modern Western literary criticism. Mr. Yang Ziwu spent 25 years on his own to fully translate it. It has been published three times since 1987 and has a great reputation. The new electronic version fully presents the contents of the hardcover revised third edition and is online for the first time. "A History of Modern Literary Criticism" is the representative work of Rainer Welleck, a famous contemporary American critic, scholar, and comparative literature giant. It is a groundbreaking and conclusive masterpiece in the field of literary criticism history. "History of Modern Literary Criticism" has a total of eight volumes, discussing the history of literary criticism in Western countries spanning two hundred years from 1750 to 1950. Due to the author's profound attainments, rich materials, and clear expressions, he has written a theoretical monograph that is difficult to understand for ordinary people in a simple and clear way, and has won widespread international reputation. It is a masterpiece that comprehensively sorts out and summarizes the theory of modern Western literary criticism. The eight-volume "History of Modern Literary Criticism" was completely translated by Mr. Yang Ziwu for twenty-five years.

The writing of Chinese literary history in the early 20th century was basically based on traditional empirical and genealogical methods, which is reflected in the writings of some literary historians and researchers from Lin Chuanjia to Qian Jibo. This situation changed greatly after the 1920s. The introduction of Western academic trends changed the research concept of literary history, that is, the study of literary history transitioned from traditional empirical genealogical research to essentialist research. Hu Shi's research on literary history pioneered this aspect and established his essentialist and evolutionary research view on literary history, which had a great influence. It was not until the end of the 20th century that the research concept on literary history underwent a new change. Behind every view of literary history there are cultural trends of thought and political and historical reasons. This book sorts out four literary history models: pure literary history, reflection, spiritual history, and emotion, and then analyzes the cultural trends and political and historical reasons behind them.

This book is a collection of historical memories of Peking University professor Duan Baolin's 60 years of diligent study, teaching and educating, academic research, and winning awards at home and abroad under the guidance of many famous teachers. In it, you can not only see various memories and records of his own life and history, but also see the specific historical development of Peking University in the past 60 years, and learn about some academic knowledge of an academically unpopular subject: folk literature and folklore. These are the affectionate memories and heartfelt words of an old professor in his 80s. Many of the accounts are very vivid and touching. His many life insights can give people great inspiration in all aspects.

This book takes nine of the most classic myths in Chinese history - the myth of Nuwa, the myth of Jingwei, the myth of Chang'e, the myth of the Queen Mother of the West, the myth of Dayu, the myth of Gun, the myth of Xingtian, the myth of Chi You, the myth of Gonggong, and the literary "transposition" result of myths - the novel "Journey to the West" of gods and demons as a case study to explore the historical and cultural significance and literary evolution of Chinese myths.

The theory of the beginning and end of the Five Virtues is an extremely important political theory in ancient Chinese society. During the Western Han Dynasty, the implementation of the theory of the Five Virtues was quite complicated. Not only were the fortunes of virtue changeable, but the rules for the evolution of the Five Virtues were not unique. At present, the academic circle's attention to the theory of the beginning and end of the Five Virtues in the Western Han Dynasty mainly focuses on the relationship between the theory and others, while the study of the theory itself is not in-depth. In view of this, the book "An Examination of the De Yun in the Western Han Dynasty" intends to examine the specific implementation of the De Yun in the Western Han Dynasty. The book is divided into three parts: the first part mainly examines the statutory De Yun in the Western Han Dynasty, the middle part focuses on the construction of De Yun and the political legitimacy of the Western Han Dynasty, and the second part mainly examines the De Yun in the Western Han Dynasty system.

The set includes: "Baiyu's Chinese Character Interpretation: Liushahe Teaches Chinese Characters" and "Yu Dan·The Beauty of Chinese Characters". "White Fish Interpreting Chinese Characters: Liushahe Lectures on Chinese Characters" tells the story: Mr. Liushahe is not only a writer of poetry and prose, but also a great scholar who has long studied paleography and traditional culture. This book is the quintessence of his decades of research on Chinese characters and several years of writing. It has a large amount of information and is highly readable. It is a rare masterpiece for the popularization of Chinese characters. It collects hundreds of common Chinese characters and interprets their glyphs, meanings, pronunciations and principles of character creation one by one. It can be called the periodic table of elements of Chinese characters. It uses modern archaeological discoveries to revise "Shuowen Jiezi" for Xu Shen, who has never seen oracle bone inscriptions. It is full of fun to clarify the past and present life of each Chinese character, and sort out the creation process, evolution trajectory and cultural connotation of Chinese characters. The author personally wrote various ancient characters such as oracle bone inscriptions, bronze inscriptions, and seal scripts, making it clear at a glance. "Yu Dan·The Beauty of Chinese Characters" talks about: Chinese characters are the lines held in the palm of the Chinese nation. Following its pictograms, we can touch the secrets of the origin of all concepts. Chinese characters are also the country flowing under the tip of the pen. Horizontally and vertically, they are the strength of character, and the fluttering is the blood. "Yu Dan: The Beauty of Chinese Characters" is divided into seven units: the unity of man and nature, virtues, farming rules, family harmony and everything, knowing yourself, going straight, and finding the heart. Through the origin of characters, font changes, word meanings and related folk customs, it explores the philosophical thoughts and life principles hidden in Chinese characters, leading us to feel the elegance of Chinese characters and awaken the poetry in our hearts. This book collects Chinese characters with similar origins and related semantics into one unit. It comparatively describes more than 300 commonly used basic Chinese characters. More than 100 key Chinese characters are accompanied by diagrams of the evolution of glyphs from oracle bone inscriptions to bronze inscriptions to seal script to regular script to Song style. It also annotates more than 150 related knowledge points. It is intuitive, easy to understand, comprehensive and detailed, and is suitable for readers of all ages, especially teenagers.

The content of this book includes 17th-century French classic literature, 17th-century French literature, 17th-century British literature, 17th-century Spanish literature, 17th-century German literature, 18th-century British literature, 18th-century French literature, 18th-century German literature, 18th-century Russian literature, 18th-century Italian literature, etc.

This long documentary is one of Ye Yonglie's "Red Trilogy". The author calls it "Party History Literature" and it is his non-fiction masterpiece. The Communist Party of China was born in Shanghai. Taking advantage of the "geographical advantage", the author of this book conducted long and detailed interviews in Shanghai, and also made a special trip to Beijing and Nanhu, Jiaxing. After that, he used an objective style and was loyal to historical facts to completely tell the story of the founding of the Communist Party of China. This book adopts a "T"-shaped structure, which mainly writes horizontal sections, supplemented by vertical sections. The horizontal section records the chronological history of the birth of the Communist Party of China around 1921, the flow of social thoughts, the operation of the Communist International, the establishment of the party group and the convening of the National Congress, etc. The vertical section tells the subsequent fate of the representatives of the "National Congress" of the Communist Party of China, giving readers a strong sense of historical depth.

This book is one of Charlotte Perkins Gilman's important feminist works. Published in 1911. In this work, the author analyzes various unfair phenomena in society with an objective and fair perspective and writing style, as well as a common cause behind these phenomena. The book is divided into 15 chapters, which explain how excessive masculinity reverses the laws of nature and causes various abnormal and distorted phenomena in human society from the aspects of human nature, family, health, art, literature, sports, ethics and religion, education, fashion, law, government, crime, war, economy, etc. There is a serious imbalance in the status of the family and society. Men and women do not enjoy equal rights as a human being. Men, as the dominant gender, have long suppressed and distorted the development of women, which has greatly harmed women, harmed the true development of mankind, harmed the progress of society, and also harmed men themselves. We live in such a "world made by men" but don't even know it.

The preface and preface in a book are published before the main text and mainly describe the basic content, compilation intention, book writing process, academic value, and introduction of the author and translator. These prefaces are usually written by the translator or editor or written by others to explain the main theme of the article or the purpose of writing the article. A preface can become an introduction and summary of a book, and can even be understood as the essence of what is written; and a famous preface can go straight to the author's heart, bring insightful insights to the reader, and build a bridge between the author and the reader. This book is the 39th volume of the "Harvard Classics" series, which contains prefaces and prefaces to classic works written by many famous writers. The works selected in this book focus on the 14th to 19th centuries, which was a special period when Western civilization was experiencing the Renaissance and sparks of thought. The bright stars of human civilization born during this period are still shining brightly today. This book collects the prefaces or postscripts of the works of Calvin, Bacon, Copernicus, Spencer, Newton, etc. It not only explains the significance of the works mentioned to readers, but also demonstrates the humanistic spirit of the authors independent of heaven and earth. Reading this book, you can see the confident Bacon, the eloquent Calvin, the cautious Copernicus, the confident Bacon, the talented Spencer, and the rigorous and humble Sir Newton. As the editor of the original book described in the preface - "Each article presents a real and full character image before us."

The contents of this book include ancient Asian and African literature, a review of ancient Asian and African literature, Egyptian literature, Babylonian literature, Indian literature, medieval Asian and African literature, a review of medieval Asian and African literature, medieval East Asian literature, medieval South Asian literature, medieval Southeast Asian literature, Arabic literature, ancient European literature, a review of ancient European literature, Greek literature, Roman literature, European medieval literature, a review of medieval literature, church literature, heroic epics, urban literature, chivalry literature, Renaissance literature, a review of Renaissance literature, the historical conditions of the Renaissance movement, etc.

The contents of this book include modern Asian and African literature, a review of modern Asian and African literature, modern Japanese literature, modern Korean literature, modern Philippine literature, modern Indonesian literature, modern Malaysian literature, modern Vietnamese literature, modern Thai literature, modern Burmese literature, modern Afghan literature, modern Indian literature, and modern Laos literature. Modern Cambodian literature, modern Singapore literature, modern Nepali literature, modern Egyptian literature, modern Iranian literature, modern Iraqi literature, modern Syrian literature, modern Lebanese literature, modern Turkish literature, modern Australian literature, modern New Zealand literature, modern European literature, an overview of modern European literature, etc.

The contents of this book include literature from the early days of the founding of the People's Republic of China, an overview of contemporary Chinese literature, an overview of Chinese literature from the early days of the founding of the People's Republic of China, poetry after the founding of the People's Republic of China, drama literature after the founding of the People's Republic of China, novels after the founding of the People's Republic of China, literature during the "Cultural Revolution" period, an overview of literature during the "Cultural Revolution" period, novels during the "Cultural Revolution" period, poetry and model plays during the "Cultural Revolution" period, and dramas and films during the "Cultural Revolution" period. Literature, literature in the 1980s, overview of literature in the 1980s, novels in the 1980s, poetry in the 1980s, prose in the 1980s, literature in the 1990s, literature overview in the 1990s, the transformation of literature in the 1990s, novels in the 1990s, poetry in the 1990s, prose in the 1990s, film and television in the 1990s, drama in the 1990s, reportage in the 1990s, etc.

The contents of this book include modern Asian and African literature, introduction to modern Asian and African literature, modern Japanese literature, modern North Korea, Korean literature, modern Philippine literature, modern Singaporean literature, modern Australian literature, modern New Zealand literature, modern Mongolian literature, modern Indian literature, modern Pakistani literature, modern Bengali literature, and modern Sri Lankan literature. Modern Burmese literature, modern Laos literature, modern Cambodian literature, modern Thai literature, modern Vietnamese literature, modern Indonesian literature, modern Malaysian literature, modern Egyptian literature, modern Lebanese literature, modern Palestinian literature, modern Iraqi literature, modern Iranian literature, modern Syrian literature, modern Turkish literature, etc.

This book uses Gnosticism, a religious and cultural spirituality originating from the pre-Christian era, as a hidden clue to examine the origins and historical evolution of German Romantic literature and poetics from a post-Enlightenment cultural perspective, revealing the Pagan tradition (Pagantradition) that seeks legitimacy in European modernity. By reflecting on the Romantic concepts of nature, melancholy, irony, and myth, this book attempts to reconstruct the cultural context and image system of German Romantic literature and demonstrate the spiritual origins of European literary modernity appeals.

Selected from the relevant content in the 1st to 26th series of "Peking University Lectures" published by our publisher, this series contains excellent lecture articles in the field of literature, history and philosophy. The readers are college students who are interested in hot topics in the field of literature, history and philosophy. It is planned to be published in soft and hardcover format, suitable for reading and storing. It is planned to be published in soft and hardcover format, suitable for reading and storing. It is planned to be published in soft and hardcover format, suitable for reading and storing.

This book takes the literary works describing urban Beijing in the history of modern and contemporary Chinese literature as a kind of pan-local literature, explores the urban cultural character of Beijing in literature, and then explores the various spiritual connections and ways of connection between its residents, depicters and the city through the cultural character of the city, and interprets Beijing culture from one side.

The book "Introduction to Literary Ethics Criticism" takes ethical choices as the theoretical basis, and combines the research on existing literary theories in my country to propose a series of new academic perspectives, such as literary ethics expression theory, literary text theory, literary material theory, literary teaching theory, etc., And strives to establish the basic theory and discourse system of literary ethics criticism.

This book is mainly a reflection on the naming of literary history and the view of literary history in the existing disciplines of modern and contemporary Chinese literature. With the help of the enlightening concept of "Republic of China Literature", the author reorganizes the development stages, values ​​and logical flaws, ideological construction and disciplinary construction of the view of literary history, and provides an in-depth interpretation of the theory he constructed based on specific texts.

This book starts from the proposition of the legitimacy of literature and art highlighted by Hegel's theory of the end of art, and believes that since Plato, truth has been pointed to as the spiritual essence that makes literature and art possible. However, neither the universality of this proposition nor the ambiguity of the use of the concept of truth can be convincingly justified. This book introduces the perspective of power to the study of the legitimacy of literature and art. The book is divided into three parts: the first part puts forward the concept of literary power, combines it with the concept of capital, and analyzes its constitutive conditions and mode of action from a sociological perspective; the second part, the author combines the history of communication media to examine the historical evolution of literary power, and concludes that literary power is determined by the proportion of literature as symbolic capital in the field of representation; the third part focuses on how political capital and economic capital invade the literary field, and at what level constitutes the legitimacy crisis of literature. The whole book closely combines the relationship between literature and power, makes a profound analysis of the history and reality of the issue of literary legitimacy, and makes great progress at the level of literary sociology.

This edition selects and compiles the wonderful lectures on history from Peking University lectures. The authors are mainly experts in this field, including Professor Li Boqian of Tsinghua University, Professor Yang Kuisong of East China Normal University, Professor Zhang Xingang of the Chinese University of Hong Kong, etc. The selected lecture articles are vivid, interesting and highly readable, forming an album with concentrated content for collection and reading.

The writing phenomenon of workers, peasants and soldiers that appeared from 1949 to 1966 is an important literary phenomenon and an important part of socialist realism literature. Writers of workers, peasants, and soldiers, as the main creative subjects, are a creative group strongly promoted and supported by the party and the country after liberation. They inherit the resources of left-wing literature and are also considered to be a symbol of the growth of new forces in New China literature. They embody the ideal of socialist literature. This book involves a creative group (worker writer group), a writing case (soldier writer Gao Yubao), a movement (New Folk Song Movement), and a criticism (Wu Yan). Through the description and analysis of these creative phenomena, this book attempts to restore the historical scene and present the disappearing cultural (literary) picture.

This book adheres to strict academic research norms and excellent academic traditions. The academic papers included in this book pursue academic depth and breadth, and strive to promote the study of literary theory, Chinese literature and comparative literature, and literary history, including papers on literary studies, ancient Chinese literature, modern and contemporary Chinese literature, and comparative literature.

This book contains ten dialogues on the writing and teaching of literary history, including: 1. The fate and choices of humanities scholars (interlocutors: Qian Liqun, Wu Fuhui, Zhao Yuan, Chen Pingyuan); 2. Literary restoration and literary revolution (interlocutors: Mushan Yingxiong, Wang Dehou, Qian Liqun, Chen Pingyuan, Sun Ge, Zhao Jinghua, Dong Bingyue, Gao Yuandong, Wang Feng, Jiang Tao, Cheng Kai); 3. "Three Chinese "Research Society for Literature of the Ten Years" and cultural exchanges between Japan and China (interlocutors: Noboru Maruyama, Yan Jiayan, Sun Yushi, Le Daiyun, Qian Liqun, Chen Pingyuan, etc.); 4. The perspective of overseas Chinese studies (interlocutors: Wang Dewei, Liu Dong, Wu Xiaodong, Chen Pingyuan); 5. Methods of imagining China: focusing on the study of the history of novels (interlocutors: Wang Dewei, Xu Zidong, Chen Pingyuan); 6. City books Writing and academic voice (interlocutors: Chen Pingyuan, Chen Guoqiu, Li Oufan); 7. Writing and teaching of literary history (interlocutors: Yuwen Suoan, Chen Pingyuan, Tian Xiaofei, Liu Yongqiang, Yan Jiayan, Le Daiyun, Duan Baolin, Fu Gang, Pan Jianguo, Zhang Ming, Yang Zhu, Du Xiaoqin, Xia Xiaohong, Li Pengfei, Liu Chunrui, Chen Yuehong, etc.); 8. "Cross-media dialogue" symposium (interlocutor) : Li Oufan, Le Daiyun, Chen Pingyuan, Huang Ziping, Wang Feng, etc.); 9. The direction of modern Chinese literature research (interlocutors: Chen Pingyuan, Fujii Shozo, Wang Dewei); 10. "Write hard until I write everything I want to write" (symposium on Qian Liqun's new book "The Vicissitudes of Time", interlocutors: Zhao Yuan, Sun Yu, Yao Dan, Gao Yuandong, He Guimei, Chen Pingyuan, Qian Liqun, etc.). The participants in the dialogue were all well-known literary researchers at home and abroad. They all had personal experience and in-depth understanding of relevant issues. The dialogue showed many wonderful thoughts and judgments, which were very enlightening. The "dialogue" itself also determines that although the text is not systematic, it has many free and lively shining points, making it interesting and interesting to read.

This book is a monograph that combines narratology research with novel stylistics research. Narratology and novel stylistics occupy a very important position in contemporary Western novel criticism theory. Their research results have deepened the understanding of the structural form, operating rules, expression or aesthetics of novels, and improved the level of appreciation and criticism of the art of novels. This book aims to conduct an in-depth and systematic review of some major theories in narratology and novel stylistics to clarify relevant concepts, and to revise and supplement relevant theories and analytical models through a large number of case studies. This book especially sorts out and discusses the relationship between the two schools of thought to help fill the gaps in academic research in this area.

This book uses the basic concepts and research methods of narratology to discuss issues such as the nature, structure, and narrative characteristics of literary history. Specifically, this work will be divided into seven chapters: the first chapter will sort out and discuss the existing academic results (such as Eliot, Welleck and others' views on literary history, and the discussion of literary history writing in the West); the second chapter will discuss the fictional issue of literary history and its manifestations; the third chapter will discuss the narrative body, time and space of literary history and its ethical relationship; the fourth chapter will discuss the "order" issue in literary history; the fifth chapter will discuss the performance narrative issue of literary history; the sixth chapter will discuss the three worlds of literary history and its narrative model. In addition, the last chapter is the conclusion, in which the author will summarize the main points, methods, etc. Of the summary statement.

This book mainly focuses on the development of Western cultural criticism theory and the current state of theoretical discourse in academic circles. Based on authoritative contemporary Western reference books and theoretical monographs with critical reviews, this book analyzes the 28 most important keywords in cultural criticism from basic definitions, cultural studies and literary studies. The interrelationship between the keywords and the problematic nature of the theoretical discourse of cultural criticism were sorted out, screened and theoretically analyzed. Each keyword is followed by Chinese and English references and an introduction to the relevant research status. The discussion of each word objectively forms an organic connection to achieve an overall cognitive effect. This book is one of the 211 key projects of Sichuan University.

This book provides a comprehensive introduction and commentary on popular literature, including an overall analysis of the connotation, characteristics, origins, and modernization of popular literature. In addition, it also conducts a detailed category analysis from the content of popular literature, such as popular social novels that inherit the legacy of condemnation, romance novels from pathos to society, Detective novels in the process of nationalization, humorous and satirical novels, science fiction novels that are both science and fantasy, etc. It also conducts a detailed analysis of popular literature masters Zhang Henshui and Jin Yong. Finally, it also introduces popular dramas and popular popular publications. It is a very good introductory popular book for readers to understand popular literature.

This book is based on the author's grasp of the overall pattern of Chinese humanities research and the internal logic of the past 30 years, and resorts to the analysis of specific phenomena and individual cases. The content involves topics such as people, modernity, tradition, literature, Lu Xun, etc. It attempts to present the macro pattern and micro texture of the humanities landscape in the past 30 years through in-depth analysis of specific objects in an integrated context.

Mencius studies refers to the discussion or academic activities that interpret, study or inherit Mencius' theoretical doctrines based on "Mencius". In the chronological study of Mencius, people focus more on the Song Dynasty and later, while the academic world pays relatively little attention to Mencius in the Tang Dynasty. This book takes as the research object the quotations, evaluations, interpretations, and inheritance of Mencius by scholars, especially literati, in the Tang Dynasty, and collects it more comprehensively. It sorted out the materials related to Mencius scattered in the Tang Dynasty documents, analyzed in detail the inheritance, development and even criticism of Mencius' thoughts by scholars in the Tang Dynasty under the academic background of different eras, summarized their attitudes towards Mencius, and revealed the appearance of Mencius in the Tang Dynasty in more detail.

Zhang Zhiyang is a scholar with truly original ideas in Chinese philosophy. He was the first to propose philosophical concepts such as "existential philosophy," "philosophy of language," "political philosophy," and "traumatic memory." He has been secretly leading the surging trend of Chinese philosophical thought, but he also maintains a unique sobriety and independence. He can be called the most respected writer in the Chinese ideological circle. "Can anyone walk in a secluded place?" --Events·Literature·Film Reading Experience" includes three collections of essays published together for the first time-"Rondo of Shadows in Memory-Event Reading Experience", "The Bells of Verona Vespers-Novel Reading Experience" and "Aria on the E String-Film Reading Experience" , in the book, Zhang Zhiyang talks about his legendary and tortuous life course, and his thoughts and feelings when reading novels and movies, highlighting his unique temperament of the collision of philosophy and life, and at the same time showing his life as a leader of a generation of scholars. It can be described as a rare and valuable private memory book.

This book strives to help normal students, by learning the theory of children's literature and reading children's literature works, to comprehensively grasp the main genres and contents of children's literature on the basis of understanding the basic principles of children's literature and the development of Chinese and foreign children's literature, cultivate the ability to appreciate and comment on children's literature, and learn the basic rules of children's literature creation and the creation requirements of common styles, so as to have certain creative abilities in several major children's literature styles, so as to better adapt to the kindergarten or primary school teaching work they will engage in in the future. The content of this book is divided into four parts. The first and second parts are theoretical parts, which introduce the basic theory, origin and development of children's literature; the third part is the classification and reading and writing guidance of children's literature, which is the main part of the book. Each chapter consists of children's literature categories, work introduction and creation guidance, and related It is composed of several linked parts, and each chapter is equipped with introduction cases, learning objectives, and thinking and training sections to help clarify ideas; the fourth part is about the application of children's literature in preschool and primary school teaching, which consists of several parts such as material selection characteristics, interpretation methods, and case analysis, truly realizing the application of what you have learned. This book can be used by students majoring in elementary education and preschool education in normal colleges. When using this book, please pay attention to guiding students to complete the thinking training after each chapter to achieve the teaching purpose of integrating theory with practice.

This book analyzes the narrative nature of literary genres by examining the works of Joyce, Proust, Thomas Mann, Lawrence, Faulkner, and other writers. As an evergreen tree that leads narrative research, "The Nature of Narrative" provides a unique and valuable historical writing on narrative and narrative theory.

This book takes J. M. Coetzee, the winner of the 2003 Nobel Prize for Literature, as the research object. It is divided into four chapters, focusing on the unique group of characters created in his fifteen novels, analyzing the fate and soul salvation of the characters in his works, and then exploring Coetzee's understanding and expression of our current existential dilemma, human weakness and failure.

This manuscript is edited by the School of Liberal Arts of Nanjing University and compiles some academic papers on literary research, covering modern and contemporary literature, ancient literature, film and television drama, foreign literature, etc. The authors include both new academics and established scholars. These papers reflect some recent new achievements in literary research and have certain reference value for broadening research horizons. The academic papers included in this book pursue academic depth and breadth, and strive to promote the study of literary theory and literary history, including papers on literary studies, ancient Chinese literature studies, modern and contemporary Chinese literature studies, comparative literature studies, etc.

Literature is an inward-looking art, and it is the best way for human beings to observe and establish themselves. Therefore, the beauty of literature is the clarification and embodiment of the "truth", "love", "goodness" and "beauty" of the human spirit. The novelist's aesthetic observation is based on the "truth" of human nature, the "love" of emotion, the "goodness" of the soul and the "beauty" of art. Starting from the spiritual world of the novelist and the characters in the novel, a study is conducted from the outside to the inside, in order to shed some light on the aesthetic consciousness and creative practice of contemporary novelists, as well as the reading and appreciation of novels.

Divided into ten chapters, this book tells the story of Xinjiang Zhongtai Group's 60 years of ups and downs and perseverance since its establishment as a school-run factory in 1958. It eulogizes the tremendous changes brought about by reform and opening up to the enterprise, and demonstrates the outstanding results achieved in the past 20 years.

This book is one of a series of special literary histories on Chinese chronology. Chinese literary styles, schools, theories, and ideological trends throughout the ages have emerged in endlessly and brilliantly. A literary history that takes dynasty style or topic as its content is conducive to in-depth discussion and detailed description, and plays a great role in promoting academic development and subject maturity. To this end, representative works from the academic community on the rise and fall of a certain period of ancient Chinese literature and a certain style of literature since the 20th century have been specially selected, carefully edited, compiled into a series, and presented to readers in a concentrated manner. This book mainly tells the relatively independent process of emergence, evolution, maturity and decline of Yuefu literature in the Han, Wei and Six Dynasties.

This book completely describes and analyzes the development process of novel creation in the Ming Dynasty, deeply explores its characteristics and laws, and has creative research and wonderful discussions on many phenomena and issues. The book consciously attempts various research methods, such as fuzzy mathematics, catastrophe theory and even mathematical statistics, etc., And conducts a comprehensive study on the impact of the five intersecting and mutually restricting factors of author, publishing, novel theory, official cultural policy and readers on the development of novels. This makes the history of novels truly a dynamic history of novel development and creates a new paradigm for the study of novel history.

This book takes history as a clue and divides it into the pre-Qin and Han dynasties, the Wei, Jin and Northern and Southern dynasties, and the Sui, Tang, and Five Dynasties periods. It narrates the budding of Chinese literary thought to the literary thought of the late Tang and Five Dynasties. It analyzes the characteristics and significance of literary thought in each period in detail, and sort out the clues of the inheritance and transfer of literary thought at each stage, striving to observe and clarify the true process of the emergence, development, and change of literary thought from a macro perspective.

"A Bitter Journey in Sweet Spring: Yang Daxin's Autobiography" is a memoir, which includes three parts: the first is an autobiography, the second is an oral history, and the third is a memory article. There are more than 100 long and short articles, and more than 70 photos, book shadows, and woodcuts. The whole book truly describes the author's extraordinary life journey. Although the times have changed and my career has changed several times, I have always kept writing. Over the years, I have written articles about my personal understanding and reflections on national affairs, people's livelihood, social conditions, and writing style in different historical periods.

This is a very emotional literary history. Bao Pengshan believes that literature is the refuge of the human spirit. This book attempts to penetrate into the inner soul and thoughts of the Chinese nation through novel interpretations and poetic reflections on the three thousand years of Chinese literary masters and masterpieces from the Book of Songs to The Dream of Red Mansions, and to show the nation's three thousand years of reason and emotion. In the book, we see that Bao Pengshan, who has passionate feelings and sharp thoughts, uses his highly personalized words to lead readers to find those souls who take refuge in literature, to get infinitely close to the true feelings of the ancients, and to feel the great beauty, great kindness, great sadness, great pain, great joy and great sorrow of ancient literature.

Young friends are not afraid of having technology without temperament, but they are afraid of having temperament without technology. People who are interested in writing should really pay attention to technical training as soon as possible and prepare a "container" for their temperament as soon as possible.

This book draws on the background of history, sociology, culture and other disciplines, uses modernity as the main theoretical tool, and cuts in from three perspectives: enlightenment, ideology, and consumerism; vertically, it systematically and comprehensively analyzes the evolution of the image of farmers in movies in the new era; horizontally, it analyzes how social, cultural and other macro factors form the microscopic image of farmers in movies through the intermediary of the creative team; it reappears the golden age of rural-themed movies in the minds of readers in a different way. For the current impetuous and high-profile commercial movies, it also strives to return creation to the people and kiss the earth.