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The significance of "Foreign Literature Research Series·Research on Creative Translation of Poetry: Taking (Rubaiyat) Translation as a Case Study" is that it starts from the case of "Rubaiyat" and uses descriptive empirical methods to explore several important topics in poetry translation, and focuses on elucidating the concept of "poetry creative translation". It is meaningful and reasonable. It is a fruitful result of the contemporary young and middle-aged scholars who have devoted themselves to academic research (as can be seen from the materials he collected).

In 2019, Sanlian reporters traveled to various places for interviews. Sometimes they followed truck drivers and walked on the road network that serves as the blood vessel of China's economy to experience the lives of these ordinary but great people. Sometimes they walked into foreign trade factories in Dongguan and followed coastal manufacturers and businessmen out to sea to Bangalore, Ethiopia, and Vietnam. Sanlian reporters explored a flesh-and-blood China built by hundreds of millions of ordinary people. Internationally, the Brexit has finally been settled three years later, and the Islamic State, which has been entrenched in the Middle East for many years, is also on the verge of collapse. Sanlian reporters went deep into post-war Syria to witness this historical moment... New technologies are like wave after wave, lapping at the life we ​​thought was solid. In 2019, we seem to have entered the wonderful world depicted by digital currency and 5G, and the problems caused by technology have become increasingly prominent...

This manuscript aims to explore the complex relationship between the "name" of the "naming method of Chinese classical novels" and the "reality" of "narrative world construction" from the perspective of Chinese and foreign cultural comparisons, so as to gain a glimpse of the whole story, examine the national characteristics of Chinese classical novels that are different from Western narrative traditions, and lay a solid foundation for inheriting national cultural heritage. The manuscript implements the research idea of ​​combining macro and micro. It not only has an overall grasp of the history of ancient Chinese novel titles, but also implements this grasp into the analysis of the naming of specific works of various novels, so that the universality and particularity of ancient novel naming can be highlighted.

This book is the memoirs of Mr. Zeng Yanxiu. It is not long, with only six records, but it records some of the most memorable events in his life, all of which are related to the fate of ordinary people and full of humanitarian glory. "I write this book with a small hope, that is, everyone's life and reputation should be treated with utmost respect. This is the boundary between human and non-human. Never do the opposite or praise the opposite."

China's biographical literature has a long history, but it has long been in a state of neglect. This is not surprising at all, because the genre of biography is not only ignored in China, but even in the West, its research lags behind writing. Karl van Dauren said pessimistically in his book "Biography as a Literary Form": Criticism has almost no involvement in the territory of biography. But this was the lonely situation a hundred years ago at the beginning of the 20th century. Since the 1970s, Western academic circles have rarely paid much attention to the theory of biographical literature, especially the theoretical interest in autobiography, which has become one of the prominent topics in Western academic circles. James M. Cox pointed out in the article "Autobiography and America" that "autobiography and confessional writing are receiving more and more attention from literary criticism in modern Western academia than in the past. This is not only because criticism has exhausted its heat in other genres for a long time, but also because the entire concept of literature is changing." (The Virginia Quarterly Revie) w, 470) The change here refers to the fact that as the print run of non-fiction literature far exceeds that of novels and other fictional works in the publishing market, the textual value of biography has aroused the interest of theoretical researchers. It can even be said that biography, as a universal cultural anthropological phenomenon, is attracting the attention of more and more philosophers, aesthetes, ethnographers, sociologists and even psychoanalysts since Freud. In the monograph "Literary Criticism in the 20th Century", the French scholar Jean-Yves Tardier discusses biography in Chapter 9 "Poetics", and treats biographical literature and novels equally as prose poetics. He said, "Biography is a very old genre, and it is particularly lucky today. Although the biography genre has been severely criticized for two thousand years, it still survives tenaciously beyond all philosophical and literary theories that attack it." Even Paul de Man, one of the major centers of deconstruction, also published an important discussion on the theory of biography. But it is regrettable that the entire Western academic community has embarked on the train of deconstruction, frequently proposing the deconstructive views that "autobiography is dead" or "biography is an illusion". Biographical poetics has almost become synonymous with novel aesthetics. China's biographical literature has a long history, but it has long been in a state of neglect. This is not surprising at all, because the genre of biography is not only ignored in China, but even in the West, its research lags behind writing. Karl van Dauren said pessimistically in his book "Biography as a Literary Form": Criticism has almost no involvement in the territory of biography. But this was the lonely situation a hundred years ago at the beginning of the 20th century. Since the 1970s, Western academic circles have rarely paid much attention to the theory of biographical literature, especially the theoretical interest in autobiography, which has become one of the prominent topics in Western academic circles. James M. Cox pointed out in the article "Autobiography and America" that "autobiography and confessional writing are receiving more and more attention from literary criticism in modern Western academia than in the past. This is not only because criticism has exhausted its heat in other genres for a long time, but also because the entire concept of literature is changing." (The Virginia Quarterly Revie) w, 470) The change here refers to the fact that as the print run of non-fiction literature far exceeds that of novels and other fictional works in the publishing market, the textual value of biography has aroused the interest of theoretical researchers. It can even be said that biography, as a universal cultural anthropological phenomenon, is attracting the attention of more and more philosophers, aesthetes, ethnographers, sociologists and even psychoanalysts since Freud. In the monograph "Literary Criticism in the 20th Century", the French scholar Jean-Yves Tardier discusses biography in Chapter 9 "Poetics", and treats biographical literature and novels equally as prose poetics. He said, "Biography is a very old genre, and it is particularly lucky today. Although the biography genre has been severely criticized for two thousand years, it still survives tenaciously beyond all philosophical and literary theories that attack it." Even Paul de Man, one of the major centers of deconstruction, also published an important discussion on the theory of biography. But it is regrettable that the entire Western academic community has embarked on the train of deconstruction, frequently proposing the deconstructive views that "autobiography is dead" or "biography is an illusion". Biographical poetics has almost become synonymous with novel aesthetics.

This historical monograph focuses on the overview and evolution of the political thought and system of the Tang Dynasty.

A collection of representative essays by Chen Yinke, which examines and elaborates on historical figures, events, systems and other issues in my country's medieval period (Han Dynasty - Sui and Tang Dynasties). It contains 20 essays.

Chen Yinke's representative collection of papers, special research works on literature, history, philosophy, archaeology, etc., Collects a total of 61 papers.

Scholar-officials in the Northern Song Dynasty pursued beauty with unprecedented enthusiasm. Their activities in many fields went beyond the scope of the past and broke through the boundaries that were previously considered insurmountable. They were prominently displayed in the fields of art appreciation and collection, poetry, flower manuals, Song poetry and other fields that can represent the cultural characteristics of the Northern Song Dynasty. Scholar-officials in this period were accompanied by anxiety in their pursuit of beauty. They had to face various traditional Confucian prejudices about their pursuit of beauty. They had to open up new horizons, dare to get rid of the shackles of dogma, and struggle to come up with a self-defense. In fact, the results of their efforts are dazzling and far-reaching.

Research monographs on Tang Dynasty poets Yuan Zhen and Bai Juyi, including six chapters of "Song of Everlasting Sorrow", "Pipa Introduction", "Lianchang Palace Ci", "Erotic Poems and Mourning Poems", "New Yuefu" and "Ancient Inscriptions on Yuefu".

This historical monograph analyzes and studies the laws and regulations of the Sui and Tang dynasties, covering various aspects such as etiquette, official positions, criminal laws, music, military systems, and finance.

Chen Yinke's representative collection of essays includes 11 essays, including "On the Destiny of Rebirth", "On the Emperor Gaozu of the Tang Dynasty's Appointment of Ministers to the Turks", "Weizhuang Qin Fu Yin Collector's Notes", "Xu Gaoruan's Preface to the Reprint of Luoyang Jialan", and "Preface to Jiang Bingnan". Attached: "The Preservation of Mr. Yinke's Poems".

This book is a representative monograph written by Chen Yinke in his later years. It uses exegesis, textual research, collation and other methods, and uses detailed historical materials to prove the marriage harmony poem of Liu Rushi, a famous prostitute in the late Ming Dynasty, and Qian Qianyi.

This set of books includes Mr. Chen's seven works: "The Collection of Hanliutang", "The First Edition of the Jinmingguan Series", "The Second Edition of the Jinminguan Series", "A Brief Essay on the Origin of Institutions in the Sui and Tang Dynasties", "A Narrative Essay on the Political History of the Tang Dynasty", "Yuanbai Poetry Notes and Notes", and "Liu Rushi's Biography".

In the context of China's modern history, this book uses the vast historical culture of the Chinese nation as its material to systematically and emphatically describe the development of my country's multi-ethnic modern literature; it analyzes the experience and limitations of modern literature in absorbing, integrating Western culture, and innovating; it objectively evaluates the achievements and historical status of modern literary creation.

"History of Chinese Ethnic Minority Literature" provides a complete and comprehensive narrative and analysis of Chinese ethnic minority literature. 1. Discuss the writers, works, literary phenomena and trends of thought produced in different eras from a historical perspective. 2. Focus on writers' literature and showcase the creations of ethnic minority writers from ancient times to the present, rather than just focusing on ethnic minority folk creations. 3. Pay attention to comprehensive comparative research, including comparative research between Han literature and literature of ethnic minorities, literature of various ethnic minorities, literature of China's neighboring countries, and cross-border ethnic literature. This book is the novel part of it.

This book is a critical history work that analyzes the literary thoughts of ethnic minority writers and the criticism of ethnic minority literature. The author takes the era as the outline, and the time runs through the ancient and modern times, with the era as the unit, and within each era, the ethnic group is used as the details, to distinguish the literary theories of each ethnic group and the literary thoughts of the writers. The modern and contemporary part is considered and discussed from two aspects: minority literature theory and minority Chinese literature theory.

What is "literature"? Since the rise of "literature" in the modern sense in the West in the early 19th century, scholars in Chinese and foreign academic circles have continuously given their own answers to these questions. Based on the historical background of the collision and blending of Chinese and Western cultures in modern times, the author of this article uses detailed research and discussion to examine and sort out the evolution of the core concept of "literature" in Chinese history from an etymological perspective, clearly revealing the changing characteristics of the Chinese concept of "literature."

This treatise mainly analyzes the value of the famous work "Shishuoxinyu" of the Six Dynasties from an aesthetic point of view. First of all, the author believes that the historical materials contained in Shishuoxinyu fully reflect the aesthetic taste of the editor and his entire era. During the Six Dynasties, people's aesthetic taste mainly focused on three aspects: personality aesthetics, natural aesthetics and literary aesthetics. The deeds recorded in "Shishuoxinyu" show that people's aesthetic vision was greatly expanded during this period, and it also established a set of models for future generations.

This manuscript contains 62 commentaries published by the author in recent years, which are divided into four articles: "Strategy·Philosophy", "People-oriented·Employment", "Political Morality·Cultivation" and "Style·Discipline". It draws from allusions in "The Great Learning", "The Doctrine of the Mean", "Historical Records", "Zi Zhi Tong Jian", etc. To elaborate on the inspiration of these allusions for the cultivation of morality and politics.

The manuscript sorts out and summarizes the contemporary research results on Lu Xun around the world from three dimensions: Lu Xun's ideological tradition, Lu Xun's literary world, and Lu Xun's global communication. The content covers the traditional exploration of Lu Xun's thoughts and the analysis of the classic significance and value of his works. It also reviews and summarizes the history of Lu Xun's spread and acceptance overseas. It is a display of the latest achievements in the field of Lu Xun research in recent years.

The book conducts in-depth discussions on cutting-edge academic theoretical issues such as the excavation and compilation of historical materials for modern Chinese novels, Chinese modern and contemporary literature, research on the literature of the Republic of China, research on modern literary trends of thought, research on modern Sichuan writers, research on literary perspectives and modern and contemporary Chinese literature, new century literature, and the "imaging" craze of novel narratives. Such as the excavation and compilation of historical materials for modern novels, the analysis of issues, angles and methods in the study of modern literary trends, etc. This book can also be used as a platform teaching material for graduate students.

This book is based on oral historical materials collected from interviews with witnesses of the Wenchuan Earthquake, and conducts research on the excavation, organization and application of the spirit of earthquake relief. It has high academic and social value. The content includes four major parts: the first is a summary of the Wenchuan earthquake and the interpretation of the spirit of earthquake relief; the second is the research summary and the explanation of value implications, as well as the research design and implementation plan; the third is the spirit of earthquake relief in the mouth of the oral speaker, which provides fresh information and historical evidence for the spirit of earthquake relief; the fourth is the empirical interpretation of the spirit of earthquake relief.

The literary reviews, academic papers written by Guo Jiulin in recent years, as well as the experiences and feelings of creative research over the years, are gathered into a collection. It not only studies the creative achievements of outstanding writers and the ideological and artistic charm of their works, but also explores, studies and summarizes his own creative experience, insights and mental journey. The anthology is divided into four volumes: the first volume is work reviews, the second volume is academic papers, the third volume is about creative thinking, and the fourth volume is appraisal of excellent works.

"Revolution in Poetic Language" (Revolution in Poetic Language), the foundational work of Christeva's theory and the founder of "Symbolic Psychoanalysis", was first published in France in 1974. Its brilliance lies in the creative application of the mutual methodology of psychoanalysis and semiotics to construct a new psychoanalytic semiotics (semanlysis) theory. The "complexity" and "broadness" of Kristeva's theory are fully demonstrated in this book. In this book, Kristeva applies semiotics to psychoanalysis and constructs the concept of "subject-in-process". The formation of the subject is not a constant change, but a constructible and dynamic process from rupture to completeness. Psychoanalysis is used in the study of symbolic texts to explore the dynamic generation process of the presented "phenomenal texts".

This book is an academic work in the field of literature and art. With the rise of Chinese contemporary art in the market and its participation in the public sphere, contemporary art reporting has also broken away from the conventions of traditional literary and art reporting. Art reporting is very professional, and there is an inequality in information and knowledge between the reporter and the audience. The media actually has the right to speak about art, and controls the way art leads to the public and even art history. Therefore, this study takes "Sanlian Life Weekly", "Southern Weekend" and "Oriental Morning Post" as cases to examine the mass media's presentation of the overall image of Chinese contemporary art and the evolution of its reporting model.

This book is a collection of the author's comments and reflections on the works or speeches of writers born in the 50s, 60s and 70s. Through his own words, the author writes about his unique insights into the works of writers born in the 1950s such as Wang Anyi, Shi Tiesheng, and Mo Yan, writers born in the 1960s such as Chi Zijian, Mai Jia, Xue Mo, Dongxi, Wang Hua, etc., And writers born in the 1970s such as Qiao Ye, Zhao Xiaozhao, Cao Yong, and Yu Yiming.

Bizarre, crazy, intuitive, irrational, counter-logical, dreamy and omnipotent... The Surrealist revolution is the wave of dreams! As a revolutionary trend of thought, Surrealism called for profound changes in society, and its intention was to create a light that contained "poetry, freedom and love". As an important ideological source of avant-garde art, Surrealism had an important impact on Western literature, aesthetics, painting, film and social life throughout the twentieth century. This book includes Breton's "Manifesto of Surrealism", "The Second Manifesto of Surrealism", "The Political Position of Surrealism" and other works. These articles ultimately established the theoretical basis of the Surrealist movement and won Breton a great reputation, making him a well-deserved iconic figure of the Surrealist movement.

This book is one of the Sichuan University Philosophy and Social Sciences Academic Works Publishing Fund Series. Starting from the aesthetic dimension of the text, this book comprehensively analyzes the reception history of Zhang Ziping, Ba Jin, and dozens of modern Chinese classic novels such as "Eclipse", "Autobiography of a Female Soldier", "Camel Xiangzi", "Cold Night", "Fortress Besieged", etc. Through overall inspection or case analysis. It clarifies the relationship between readers in the canonization of modern Chinese novels and speculates on their historical destiny in the canonization process The luck and experience and lessons have clarified many details about the research on the reception of modern Chinese novels, and outlined the rich diversity of the development of modern Chinese novels. It not only provides a specific acceptance vision and perspective for the multi-perspective and multi-level research of modern Chinese novels, but also provides new horizons and research examples for the study of modern Chinese literature. It also provides new reading expectations for reconstructing a new picture of modern literature.

The author of this book has been engaged in the collection, compilation and research of local party history materials, and has collected a large number of revolutionary deeds of figures in party history. He was deeply moved by their heroic deeds of thinking about the people's thoughts, worrying about the people's urgent needs, and carrying out arduous struggles for the liberation of the people. This book shows the spiritual outlook of this heroic group to people who don't know much about the party's history, so as to commemorate the martyrs and educate future generations. This book mainly tells a series of epic stories after Liu Qingzhuang was dispatched by the party after the failure of the Great Revolution, contacted party member Zhang Dazhou, promoted Tang Zuojun to join the party, and established the East Sichuan guerrillas.

The book is divided into ten chapters. It starts with the method of studying literary genres, and then proceeds to define the fantasy genre, define genres adjacent to fantasy (grotesque and miracle), distinguish genres with similar structural characteristics to fantasy (poetry and satire), and analyze fantasy discourse and fantasy themes.

This book studies the influence and reception process of "Journey to the West" after its publication, and also discusses the modern interpretation of the Journey to the West story. The book is composed of two parts, the upper and lower parts. The first part mainly discusses the interpretation and reception of the text form after the publication of "Journey to the West". The second part mainly discusses the interpretation and reception of the story of "Journey to the West" on stages and images in different periods and regions.

This book takes Sichuan local literary works as examples and attempts to conduct an overall study of the subaltern narratives in the works: first, it discusses the emergence and evolution of the subaltern narratives and how they are affected by the local context, postmodern context, and global context; the second aspect analyzes the characteristics of the subaltern narratives in Sichuan local novels, mainly including drama. The dramatic plot arrangement, group portraits of the lower class people, the display of urban space, the use of local chronicle techniques, etc.; The third aspect is to analyze the theme selection of the lower class narratives of Sichuan native novels from the following aspects: the description of daily life conditions, the search for edge and wandering, silent writing, and the expression of the growth experience of the creative subject.

This book mainly based on the study of Dostoevsky's novel texts, creative notes, literary theory and literary letters, explores the trajectory of the novelist's literary and artistic thoughts and creative development. While reviewing the important comments of Dostoevsky, this paper takes the textual analysis of the original novel as the main line and expounds the connotation and artistic characteristics of "idealism", "realism that achieves fantasy" and "complete realism" proposed by Dosage. This book also discusses Dosage's literary and artistic dialogues with famous European, American and Russian figures (such as Hugo, Edgar Allan Poe, Pushkin, and Gogol) during his artistic exploration.

The task of "Rich Pain: The Eastward Movement of Don Quixote and Hamlet" is only to describe: to describe the story of two literary ghosts crossing the threshold of several centuries, from the West to the East; to describe how writers from Eastern and Western countries out of the common concern for some major spiritual propositions of mankind (first of all, intellectuals), In accordance with the traditions of one's own national culture, the requirements of one's own era, and the characteristics of one's own spiritual temperament, while accepting the thoughts and artistic achievements of the predecessors, they also enriched and developed the thinking of the predecessors, just like the mutual passing of batons of ideas and art, jointly creating two immortal typical stories of world literature.

How did Maupassant, Chekhov, O. Henry, Mark Twain and other short story masters write wonderful short stories? How did literary giants such as Alice Munro and Mo Yan write classics that have been passed down to generations? In addition to extraordinary talent, is the creation of short stories justified and evidence-based? "The Harvard Short Story Writing Guide" is written by John Gallishaw, a prestigious writing professor at Harvard University, who combined his many years of experience in writing teaching and script writing in Hollywood to summarize twenty writing guides that address all the pain points of short story writing. From collecting story materials, conceiving the plot, drafting the outline, taking emotional notes to the finalization stage, it provides full guidance, integrating professionalism, practicality and readability. Whether you are a professional writer or a newbie, you can quickly understand the writing logic of short stories through this book, and write interesting and exciting stories step by step.

The Renaissance is a key development period in the history of English literature, a great literary era. "History of British Renaissance Literature" provides a clear overview of the development of British Renaissance literature. It combines important historical events to describe the characteristics and development process of prose, poetry, and drama during this period. It also conducts "close-up" special chapter discussions on important writers such as More, Sidney, Shakespeare, Jonson, and Milton and their works. The narrative contains comments, with literary style and academic depth. This book unfolds to us a panoramic view of the development of English literature during the Renaissance. Its colorfulness is shocking and exciting.

The 19th century occupies an extremely important position in the history of British literature. In this century, romantic literature and realist novels have entered prosperous times, and a large number of literary masters have emerged. "History of British Literature in the 19th Century" is edited by Professor Qian Qing of Beijing Foreign Studies University. It is the fourth volume of the "Five-Volume History of British Literature". It focuses on British literature from 1786 to 1900, that is, British 19th-century romantic literature and Victorian literature. It covers important literary genres including prose, poetry, novels, and dramas. Important writers include Shelley, Byron, Keats, Jane Austen, Dickens, Hardy, Wilde, etc. This book combines important historical events to clearly sort out the development of British literature in the 19th century. It is a good teacher and helpful friend to help understand the panoramic development of British literature in the 19th century and deepen literary understanding.

"History of British Medieval Literature" tells the story of early British literature before 1500, counting Alfred the Great, Malory, Caxton, Langland, Chaucer and other figures who left a mark on the history of British literature, and depicts " "Beowulf", "Le Morte d'Arthur", "Pierce the Plowman", "The Canterbury Tales" and other magnificent or colorful works are the best choice for college and middle school students and literature lovers to get started and explore the magnificent history of British literature.

"History of British Literature in the 18th Century (Supplementary Edition)" is one of the "Five-Volume History of British Literature". It discusses the development of British literature in the 18th century. It covers important literary genres including neoclassicism, romanticism, sentimentalism, etc. The writers highlighted include Pope, Defoe, Swift, Johnson, etc. The whole book provides a clear overview of the development of British literature in the 18th century. The research is thorough and in place. It is an academic work that helps expand literary horizons and deepen literary understanding.

"History of British Literature in the 20th Century" is the last volume of the "Five-Volume History of British Literature". The book contains 22 chapters and about 700,000 words. It provides a clear overview of the development of British literature in the first 90 years of the 20th century. The detailed narrative contains objective and academically in-depth analysis and comments, and special chapters discuss important writers, genres, regions, etc. The important literary genres covered include novels, poetry, drama, essays, etc., As well as literary criticism and radio and television literature. The important writers mentioned include Hardy, Bernard Shaw, Eliot, Joyce, Virginia Woolf, Dylan Thomas, Graham Greene, Beckett, Pinter, etc. The areas covered include Scotland, Wales, Ireland, etc. It can be described as all-encompassing, with both literary style and academic depth. It is a rare academic masterpiece.

The author believes that Western literary theory is incompetent or even ineffective in interpreting literary texts. Interpretation of literary texts should pursue the interpretation of aesthetic appeal and the particularity, uniqueness, and non-repeatability of the text. The basic point is to return to text analysis and literary aesthetics. Implemented into specific operations, it is proposed: first, micro direct analysis: hidden contradictions; second, micro indirect analysis one: reduction of artistic perception; third, micro indirect analysis two: reduction of emotional logic (\

Genre is one of the ancient categories of literary theory and one of the basic issues in literary research. As a category of literary theory, genre covers all types of literary works divided by standards such as structure, content, style, and function. A rather surprising fact is that for more than two thousand years, there have always been ambiguities, differences and even confusions in the understanding of literary genres at home and abroad, both ancient and modern, and there is no relatively centralized and unified opinion and statement. This book traces back to its origins and analyzes the relationship between the West and ancient China about \

This set contains 2 volumes: "Story Writing Master Class" and "The Craft of Writing". 1. "Story Writing Master Class" is Hollywood's leading story writing consultant. It is the essence of John Truby's 30 years of story writing and teaching experience. It has been best-selling for more than ten years. It contains a complete set of story writing secrets, allowing creators to accurately find the right method and write good and engaging stories. "There are no boring topics, only incompetent authors." 2. "The Craft of Writing": John McPhee is an American master of nonfiction writing. He has taught nonfiction writing at Princeton University for more than 40 years, and many of his students have become Pulitzer Prize winners. In this book, McPhee not only shares his writing story full of twists, excitements, and pitfalls, but also confesses his experiences and thoughts accumulated while teaching nonfiction writing at Princeton University. His articles are casual but professional, full of experience in how to establish themes and structures, writing techniques, interviewing techniques, and even the tools used in writing. He sees writing as a way of being in the world. It is this concept that makes this book extremely vivid. This is a master class that readers have been waiting for.

"Rhetoric" is one of Aristotle's most important extant literary and artistic theoretical works, and it is also the first systematic rhetorical theoretical work in the history of European literary and artistic theory. In this book, Aristotle defined the nature, definition, and significance of rhetoric, summarized the development history and research results of rhetoric in the past, analyzed the emotions that can be used in speeches, rhetorical themes, and methods of persuasion, and discussed the form (style and arrangement) of speeches. This book pioneered a scientific rhetoric system and has important theoretical significance and academic value for future generations to study and study Western rhetoric.

"Eight Million Ways to Write a Novel" is a compilation of Lawrence Block's 14-year writing column in "Writer's Digest", covering all aspects of the novel creation process. The book has been a best-seller for more than 40 years since its publication. This edition has been updated and revised by Block himself. The collision of new and old ideas makes this creative secret book more vibrant. "Comprehensive Writing Techniques for Best-Selling Writers" is a unique guide to novel writing techniques, compiled from a series of "Novel Class" lectures given by Japanese mystery novelist Osawa Zaimasa. "The Ten Most Important Things in Writing a Novel" is a class lecture given by Ursula Le Guin when she hosted the "Writing Workshop". It is also a condensation of her many years of writing and reading experience. It focuses on the ten most important things in narrative and fictional writing: the musicality of language, the organic interaction between words, and the conclusion. Structure and tonality, the narrator's perspective and tone... "The Skeleton of a Novel: A Good Outline Makes a Good Story" dispels your possible misunderstandings about outlines and points out the fun, benefits and techniques of writing an outline point by point, so that the framework, level and rhythm of your novel can be directional. The book "Discover Your Creative Type" proposes the concept of "creative personality" and its five types. Each type has detailed characteristics, type subdivisions, advantages, shortcomings and improvement methods, covering music, dance, literature, painting, film and television and other literary and artistic fields. "Writer's Treasure House of Inspiration" is a "Dictionary of Inspiration" compiled by Fred White based on more than 30 years of teaching experience. Adventure, conquest, suspense, love, growth, escape, search... No matter what subject matter readers want to write about, they can find inspiration in this book.

"Deconstructing Jin Yong" comprehensively explains the humanistic thoughts and content structure of Jin Yong's martial arts novels. On the one hand, in view of the disorganized phenomenon of current Jin Yong research, it clarifies the important concepts of Jin Yong's martial arts novels, allowing readers to have a systematic understanding of Jin Yong's thoughts and the important concepts in his martial arts novels; on the other hand, it reveals the mystery of Jin Yong's creation and shows the interaction between Jin Yong's martial arts novels and Chinese and foreign novels.

This book is one of the "Cultural Confidence and Chinese Prose Series" funded by the National Publishing Fund. This book explores the conscious stylistic awareness of Chinese prose and its unique inner aesthetics. This book believes that the aesthetic characteristics of prose are not only a valuable traditional cultural heritage, but also an urgent need for public aesthetics after the inheritance and development of traditional culture. This book integrates traditional aesthetic spirit and cultural aesthetic appeal, carries out theoretical innovation, and proposes a series of aesthetic spiritual creation paths based on prose.

"Times Everyone" is a selection of Time Weekly's interviews with scholars, experts, and writers who have had a great influence on China's ideological and cultural fields in the past ten years, such as Wu Jinglian, Ge Jianxiong, Mo Yan, etc., From which we can get a glimpse of these cultural elites' touch and mentality towards the times. The ideological and cultural reporting of these ten years is the best demonstration of the context of the 40th anniversary of reform and opening up.

Chang Qinyi's "Luo Binji: A Model of Modern Chinese Writers in the Current of Times and Politics" is one of the research volumes of the "Northeast Exile Literature Historical Materials and Research Series" edited by Zhang Fugui. The book has about 200,000 words, including "Recording the "Synchronic" Feelings with Time", "Characterizing the "Synchronic" Thinking with the Times", and "Exploring the "Synchronic" Distance with Politics", etc. Through the investigation and discussion of Luo Binji's career as a writer, scholar and his works in the past 60 years, the book points out that he has quite comprehensive and exemplary "synchronic" and "transversal" characteristics among modern and contemporary Chinese writers. It will penetrate the internal and external causes of the typical formation, change and development of this "Luo Binji style", analyze the internal structure and evolutionary trajectory of his creative mentality, and objectively evaluate Luo Binji's status and role in the history of modern and contemporary Chinese literature.