Library

"Compassion for All Living Beings" selects dozens of essays on Buddhism by famous modern Chinese Buddhists and literary masters such as Li Shutong, Liang Qichao, Ji Xianlin, Hu Shi, Liang Shuming, Feng Youlan, Feng Zikai, Xu Dishan, Zhu Ziqing and other famous modern Chinese Buddhists and literary masters. From the four aspects of Buddhism, Buddha's mind, mind cultivation, and enlightenment, it panoramically displays the master's Buddhist connections and Buddhist understanding, and explains the realm of Buddhist thought, which is compassion.

"Morning Blossoms Plucked at Dusk" is Lu Xun's only collection of retrospective essays. "Morning Blossoms Plucked at Dusk" was a name later modified by Lu Xun, also known as "Revisiting Old Things". "Chao" means morning, here refers to the early years; "Xi" means evening, here refers to the old age. The title of the book means flowers that bloom in the morning and are picked or picked up in the evening. This refers to Mr. Lu Xun's memories of people and events in his childhood, adolescence, and middle age in his later years.

This book is a collection of the author's literary works, which mainly includes communications, reports, reviews, essays, couplets, essays and other works. The articles included in the manuscript are diverse in genre and profound in meaning. It is an important work for understanding Li Jianwu as a person and his writings. Li Jianwu, deputy editor-in-chief and senior reporter of Lanzhou Evening News.

Sublimating real life into literary life is not only a religion, but also a process of improving the realm of life.

This book is the winning work of the first Lu Xun Literature Award. The author uses the creation of a mystical atmosphere, constellation culture and dreams to metaphorize the embarrassing situation of women in the patriarchal society, and reveals the deterioration of the relationship between men and women in modern society from another level, revealing the impact of the highly materially developed modern industrial society on the entire human race.

This book tells the story of three young women's wandering fate in life, workplace, and love. Through their choices of life paths and different destinies, the work sheds light on the spiritual crisis and existential confusion of modern women in a male-dominated society.

The little prince had trouble with his favorite rose on his asteroid, so he started traveling in the universe alone. He visited six planets, met all kinds of people, and finally arrived on Earth. A fox became a good friend with the little prince, making him understand love and responsibility, so the little prince wanted to return to his own planet to reunite with the flowers... The entire fairy tale is pure and simple in text and concise in form, but it contains the light of wisdom. In his memories again and again, you will cry for the kindness and simplicity of the little prince, listen to the sound of roses blooming with him, and understand the true meaning and touch of love.

"Birds" and "Crescent Moon" are the most beautiful and appreciative masterpieces of Rabindranath Tagore, the world's literary giant, and one of the most outstanding collections of poetry and prose in the world. In these works, day and night, oceans and rivers, freedom and betrayal, philosophy and religion are all integrated into one in Tagore's writings. In short sentences, profound philosophy of life is expounded, leading readers to explore truth and wisdom after reading. This book is a bound hardcover volume of The Flying Birds and The Crescent Moon, translated by the famous Chinese translator Zheng Zhenduo. It contains exquisite color pages, Tagore's life, Tagore's visit to China and the 1913 Nobel Prize for Literature acceptance speech. It has considerable literary and collection value.

"Walden" records Thoreau's secluded life on the shores of Walden Pond near Concord from 1845 to 1847. In his writing, nature, humanities and transcendentalist ideals blend together seamlessly. This book was called a "supernatural" book by Eliot and was also hailed as a book that "shapes the readers' hearts".

"Lin Huiyin Talks about Architecture" selects fourteen architectural essays by Lin Huiyin, a famous modern Chinese architect and a talented woman in the Republic of China. The articles include professional research on specific ancient buildings in Beijing, Shanxi, Dunhuang and other places, as well as detailed expositions on ancient Chinese architectural traditions and their historical development stages. They can be regarded as academic articles by senior architects, or as beautiful chapters on architecture by famous essayists. In "Lin Huiyin Talks about Architecture", we can feel that Lin Huiyin is both a scholar-type essayist and a writer-type scholar.

It seems that the author of "Men and Women with Disabilities" had a sudden idea, and the six people present jointly created a work, showing everyone's life experience and social thinking through literary characters. This in itself is a bit shocking and a bit sensational, but it is definitely a kind of creation and a kind of subversion.

This book includes three works of Lu Xun: "Morning Flowers Picked at Dusk", a collection of 10 memoir essays written in 1926; "New Stories", a collection of short stories based on ancient myths and historical legends created between 1922 and 1935; and "Sorrow", a novel reflecting the love between young men and women written in 1925.

Since this book basically uses time as a clue to record Lin Huiyin's works, we can clearly see the changes in her writing style in different eras. From the innocence of girlhood, to the fiery bravery of youth, to the broadening of mind in middle age, and finally to the maturity and poise of old age. Looking at each piece one by one, we can see that this legendary woman is like a clear clear water, which always reminds us of the beautiful memories of that era and that period of history. Maybe one day someone will be crowned "the most beautiful woman in the East", but we should never forget that at the end of the Republic of China and the beginning of the Republic, there was such a stunning woman active in Peiping or Beijing. Her smile was as bright as a flower, her energy was as strong as a thunder, and her heart was like a warm April day in the world.

This is the first time in China that "Records of a Travel to Hunan" and "Cong Wen's Autobiography" have been published together; it depicts the peach blossom garden in the hearts of modern people, shows the pure and natural human nature, and shows the simple and wild style of western Hunan. With beautiful and vivid hand-drawn illustrations, "Xiang Xing Xian Ji Cong Wen's Autobiography" is a collection of works by the famous writer Shen Congwen. Researchers such as Qian Liqun and Wen Rumin believe that "Xiang Xing Xing Ji" is "equal to his autobiography", while "Cong Wen Autobiography" is an autobiographical prose. "Xiang Xing Xing Ji" includes 12 essays including "Sailors on the Boat on the Chen River", which follows the journey back home from the lower reaches to the upper reaches, depicts the pure and beautiful landscape of the Yuanshui River Basin, and records the human affairs, sorrows and joys of the counties in western Hunan. "Congwen's Autobiography" narrates Shen Congwen's life experience for nearly twenty years from his birth to his departure from western Hunan. It is a literary record of his difficult journey and dreams. Both "Song Notes of a Journey to Hunan" and "Autobiography of Congwen" express a more direct historical feeling than novels, propose a philosophy of harmonious coexistence between man and nature, and praise a "beautiful, healthy, natural form of life that is not contrary to human nature." The two collections of essays mirror each other, and when read together, there is a wonderful feeling of intertextuality. This book includes reading guidance programs and beautiful illustrations written by famous teachers in Zhejiang.

Zhongtian's Reading China series, a 20-year classic, has sold millions of copies, covering Beijing, Shanghai, Guangzhou, Xiamen, Chengdu, and Wuhan. If you understand the city, you will understand ourselves!

Zhongtian's Reading China series, a 20-year classic, has sold millions of copies, covering Beijing, Shanghai, Guangzhou, Xiamen, Chengdu, and Wuhan. If you understand the city, you will understand ourselves!

Zhou Zuoren, the second brother of Lu Xun, is an encyclopedic figure in the history of modern Chinese literature and one of the people who knows Lu Xun best. The title of "Characters in Lu Xun's Novels" seems to be a collection of reviews that explores the art of Lu Xun's novels, but it is actually the same as "Lu Xun's Hometown". The focus is still on "writing about the garden and its surroundings" and "writing about the characters, time and place in the two novels", that is, "describing without pretense". The novels discussed in the book are limited to "The Scream" and "Wandering", plus "Morning Blossoms Picked Up at Dusk", which is classified as a collection of essays. The various characters who appear in it are archetypal indexed and their background deeds are verified, but they will never fall into Dong Heng's positivist school. On the surface, it is an index for textual research, but in reality it focuses on illuminating customs, introducing interesting local dialects, and focusing on the artistic issues of the novel such as the relationship between poetry and reality. It occasionally makes brief comments on one or two places, with insightful insights, and can often reveal the best features of Lu Xun's novels that others have not seen in one sentence.

Zhang Yiqujun was my classmate when I was teaching at No. 5 Middle School in this province. It was from the second to the sixth year of the Republic of China. I came to Beijing in the spring of the sixth year and never went back. Zhang Jun had already graduated and left. In the winter of 1991, I suddenly received a letter from Zhang Jun, saying that a children's bookstore was now established in Shanghai, specializing in all kinds of books for children, and asked me to help him. This is something I am very willing to do, because providing children's books is a very important job nowadays, and I have also wanted to get involved in it. However, the teaching profession is really busy. I have verbally agreed for a long time, but I always have no results. To be honest, I haven't started yet. Seeing that twenty years would be over, I felt that such a procrastination would not be a problem, so I decided to compile a booklet first to make up for my responsibilities, and then plan other work after the new year. I wrote to Zhang Jun and he agreed, and the result was this volume "A Brief Treatise on Children's Literature".

"My Distant Qingping Bay" mainly collects Mr. Shi Tiesheng's important novellas or avant-garde literary works, including "My Distant Qingping Bay", "Reportage about Pastor Zhan", "The Story of Queue Jumping", "Sunday", "Original Sin? Destiny", "Imagination of a Drama with Movies as the Stage Background", etc. It has profound thoughts and unique conception, exploring propositions such as life, destiny, culture, faith, emotion, religion and so on. This literary feast brings readers rich spiritual enlightenment and high-quality reading enjoyment.

Wang Zengqi, a highly respected writer and lifestyle writer, carefully collects 28 of the most acclaimed and representative essays in his collection of selected essays, such as classics such as Food in the Four Directions, Food in My Hometown, My Father, and Rain in Kunming. "How wonderful it is to be alive" is a famous saying of Mr. Wang, which represents his attitude towards life and literary pursuit. Mr. Wang's prose is famous for his food writing, making people salivate and eager to try it. He finds vitality and fun in extremely ordinary food and meals. He writes about trivial matters in life and people around him. He is humorous, optimistic and positive. Reading it makes people laugh, as if everyone is cute and everything is interesting. Life is really hard, but he adds a layer of sugar coating to it, finding fun and beauty in the ordinary.

This book contains 20 to 30 essays, poems, travel notes, essays, and speeches by famous modern and contemporary Chinese and foreign writers. Each style is an independent article for readers' convenience. At the same time, each article has columns such as reasons for selection, author introduction, and work appreciation.

This book collects Xu Zhimo's classic works, which are divided into three parts: poetry, prose and novels. It selects famous works from "Zhimo's Poems", "A Night in the Green Green", "Tiger Collection", "Wandering", "Falling Leaves", "Scale Claws of Paris", "Autopsy", "Roulette" and other collections.

Zhu Ziqing is a master of prose in the history of modern Chinese literature, and his prose is regarded as a model of skillful use of vernacular. This book contains the most representative works of Zhu Ziqing's works such as "Traces", "Back", "European Travel Notes", "London Miscellaneous Notes", "Standards and Measures".

"Camel Xiangzi" is not only a landmark work in the history of modern Chinese literature, but also an internationally renowned realist classic. The work tells the story of Xiangzi, a rickshaw puller in the old city of Beiping, China. The book makes extensive use of Beijing colloquialisms and dialects, as well as some descriptions of the customs and customs of old Beijing, making it read in a friendly, natural and catchy way. The novel has also been adapted into operas, plays, movies and TV series, and has been widely welcomed.

"You Are the April Day in the World: Collected Works of Lin Huiyin·The Biography of Lin Huiyin" introduces that she is the blossoming of each tree, the coming of spring in thousands of mountains and plains, and the April day in the world. She walked through the morning smoke in Peiping, through the night fog in Camqiao, and when she looked into the distance, she fell into the pages of Xu Zhimo's poems. Wearing a green shirt, she painted in Liang Sicheng's drawings while praying devoutly in the quaint temple. Her friendship with the academic leader Jin Yuelin was praised as "the relationship between people has reached the most beautiful and noble state." She not only has a beautiful appearance, but also has witty and humorous conversation, and elegant and charming temperament; she is a talented poet, a penetrating critic, and an accomplished architect; she is a fascinating lover and a friend who makes people feel like spring breeze. She is a wife who can share weal and woe; she marks the color of an era, is independent from the world, has a soul of poetry, and is born purely for beauty and love... She is Lin Huiyin, who has "both talent and beauty" in the history of Chinese culture for nearly a hundred years, and combines good stories, legends, talents, ethics, and beauty! She is an outstanding woman with great personal charm and literary talent. Her broad mind, extreme intelligence, outstanding talent and rich experience have been honed into an inner spiritual temperament that is admired by the world. Her works have both rigorous scientific connotations and are full of poetic imagery. They perfectly combine the scientific spirit of architects with the literary temperament of writers. Her achievements are no less than those of many famous masters at that time. Lin Huiyin is a legend of the last century and the most memorable woman of the Republic of China. Her name, like her person, has been passed down to this day and is still praised by everyone. Listen to her stories, read her poems, read her writings, miss her appearance, follow her voice... Meet a real Lin Huiyin, read about the unparalleled talents and emotions that flowed for love, and understand the legendary life of a generation of talented women in the Republic of China.

Gong Rui, the editor of "If You Bloom, Butterflies Will Come: Be a Woman Like Lin Huiyin" uses Lin Huiyin's rich life experience as a model, starting from her personality, temperament, cultivation, taste, love, marriage, outlook on life, values ​​and other aspects.

This is a collection of humorous and interesting prose works by modern and contemporary famous writers. The writers are greedy, greedy and playful in the book. In their writings, all the food is the taste of the world, and all the flowers, plants, trees and weather are permeated with poetry and sentiment. Suddenly, I discovered that the people of that era were not "old antiques", they were writers, and more importantly, "lifestylers". Their stories tell us: In this life, one must always maintain curiosity about life and always be willful, so that life will always be interesting. The book selects classic prose from Wang Zengqi, Liang Shiqiu, Feng Zikai, Lao She, Zhu Ziqing and other literary masters. Playing with cats, raising flowers, drinking tea, taking a walk... Are obviously very common things, but they are filled with interest. After reading some of their prose, you will love the world even more.

"Collection of Nanqiangbei Diao" is a collection of essays by Lu Xun, which contains fifty-one essays written by Lu Xun between 1927 and 1929. At that time, a scholar in Shanghai who signed his name "Meizi" attacked Lu Xun in an article "Sketches of Writers": "Lu Xun likes to speak very much, but he has a stutter, and he has a 'Southern accent and a Northern accent.'" In response, Lu Xun counterattacked: "I can't speak soft Su Bai, and I can't play a loud Beijing tune. If I don't follow the tune, I won't be popular. It's really a Southern accent." It showed that he was unwilling to follow the crowd and despised boring literati. Therefore, my husband named this collection published in March 1934 "Collection of Nanqiangbei Diao", which was a kind of self-deprecation and a mockery of Meiko.

This book contains forty-eight essays written by the author in 1935. It was not written by the author personally in 1935. It was first published by Shanghai Sanxian Bookstore in July 1937.

"Two Hearts Collection" is a collection of Lu Xun's essays, including thirty-seven essays written by Lu Xun from 1930 to 1931. Including "Good Governmentism", "On the Surprise of Friendships", "Bereaved" and "Capitalist's Lame Dog", "The Story of Rou Shi", "Serving the Country with Feet", etc. At the end is a translation of "Modern Film and the Property-owning Stage". "Two Hearts Collection" is a collection of Lu Xun's essays, including thirty-seven essays written by Lu Xun from 1930 to 1931. Including "Good Governmentism", "On the Surprise of Friendships", "Bereaved" and "Capitalist's Lame Dog", "The Story of Rou Shi", "Serving the Country with Feet", etc. At the end is a translation of "Modern Film and the Property-owning Stage".

This book is a collection of poems and essays that were not included in the author's collection of essays published before 1933. It was published by Shanghai Qunzhong Book Company in May 1935. Only one edition was printed during the author's lifetime. This time, only two articles, "\u003CCollection of Short Stories in the Modern World\u003ESmall Quotes" and the translated version "Poems of Petofi Sandor", which have been compiled into "Sanxian Collection", have been taken out. The "preparations" for the three chapters "Beyond Chewing", "Bearing Before Chewing" and "Pastoral Thoughts" were copied out by the author himself after the book was published. Those originally intended to be printed in "Collection Supplements" are now placed after the relevant texts in this collection; " The letters of "Communication (Fu Miao River)" were copied and supplemented this time; the last one was omitted in the first edition of "\u003CBenliu\u003E Editor's Postscript", which has been added now; the old-style poems collected have been adjusted in order according to the time of writing. This book is a collection of poems and essays that were not included in the author's collection of essays published before 1933. It was published by Shanghai Qunzhong Book Company in May 1935. Only one edition was printed during the author's lifetime. This time, only two articles, "\u003CCollection of Short Stories in the Modern World\u003ESmall Quotes" and the translated version "Poems of Petofi Sandor", which have been compiled into "Sanxian Collection", have been taken out. The "preparations" for the three chapters "Beyond Chewing", "Bearing Before Chewing" and "Pastoral Thoughts" were copied out by the author himself after the book was published. Those originally intended to be printed in "Collection Supplements" are now placed after the relevant texts in this collection; " The letters of "Communication (Fu Miao River)" were copied and supplemented this time; the last one was omitted in the first edition of "\u003CBenliu\u003E Editor's Postscript", which has been added now; the old-style poems collected have been adjusted in order according to the time of writing.

"Pseudo-Freedom" is a collection of Lu Xun's essays. It contains forty-three essays written by Lu Xun in 1933. It is a record of Lu Xun's political struggle and ideological criticism using essays as weapons at a specific historical period, including "Watching the Fight", "Talents in the Grand View Garden", "From Satire to Humor", "The Secret of Selling Your Soul", "Circle of Life of the Chinese", etc.

This book contains thirty-five essays written by the author in 1936. It was compiled during the author's lifetime and later compiled by Xu Guangping. It was first published by Shanghai Sanxian Bookstore in July 1937.

"Huagai Collection" is a collection of essays by Lu Xun, published by Beixin Book Company in 1926. This book contains thirty-one essays written by Lu Xun in 1925. Including "Words and Words", "Youth Must Read", "The Soul of Debate", "Three Insects in Summer", "Sudden Thoughts", "My View of Peking University", "Fragments", etc.

This book is the first monograph on the history of Chinese novels compiled by Mr. Lu Xun. The book has a total of twenty-eight chapters, describing the occurrence, development, and evolution of ancient Chinese novels, starting from myths and legends and ending with condemnation novels in the late Qing Dynasty. This book collects a wealth of information, carefully collects and compiles it, and analyzes the thought and art of novels of all ages. It is concise and comprehensive, and its judgment is fair. It is a landmark classic work in the twentieth century.

"Quan Feng Yue Tan" is a collection of essays by Lu Xun, which contains sixty-four essays written by Lu Xun in 1933. Including "Song of the Night", "Eating White Prime Minister's Rice", "Morning Cool Chronicles", "Autumn Night Journey", "Sikuquanshu Rare Books", "The Evolution of Men", "Lessons from Movies", "About Translation (Part 1)", "Drinking Tea", "Also in Foreign Countries", etc.

"New Stories" is a collection of short stories written by Mr. Lu Xun based on ancient myths and historical legends. It includes 8 works written by him in different periods. The language of these works adheres to Mr. Lu Xun's consistent writing style, which is humorous, tactful and satirical. Although the content of the story comes from history, it only uses a little reason. After the author touches it at will, what is displayed in front of us is a wonderful and interesting picture.

This book is a lecture notes written by Lu Xun when he was teaching the history of Chinese literature at Xiamen University in 1926. It is divided into chapters and printed one after another. The title of the book is engraved in the middle of each page. The first three chapters are "A Brief History of Chinese Literature" (or simply "History of Literature"), and the fourth to tenth chapters are all "An Outline of the History of Chinese Literature". When it was compiled into "The Complete Works of Lu Xun" and first officially published in 1938, the latter was used as the title. Since then, it has been the same in all editions, and this edition still uses it.

"Sanxian Ji" is a collection of essays by Lu Xun, which contains thirty-four essays written by Lu Xun between 1927 and 1929. Including "Silent China", "On the Bell Tower (Night Notes Part 2)", "An Account of Hong Kong's Christmas Wishes", "Short Introduction to "February" by Rou Shi", "The Changes of Hooligans", etc.

It is compiled and selected strictly in accordance with the version chosen by Lu Xun during his lifetime, and the version is authoritative. A collection of Lu Xun's classic essays. In the essays included in "Grave", Lu Xun prominently used historical writing to vividly quote facts, express love and hate, criticize current ills, and demonstrate ancient and modern times.

This book includes 23 prose poems written by Mr. Lu Xun in Beijing from September 1924 to April 1926 and one "Inscription" written when compiling the collection in 1927. "Weeds" runs through serious self-dissection and unremitting ideological exploration. Its artistic features are distinctive - symbolic and metaphorical techniques, rich imagination and strange conception. Two artists, Qiu Sha and Wang Weiqun, spent their entire lives "revealing Lu Xun's ideological system" with their brushes, persisting in their exploration, painstakingly conceiving, and boldly creating. They reproduced Lu Xun's world with "accuracy in reasoning, profoundness in expression, and exquisiteness in art."

"Hot Wind" contains forty-one essays written by the author from 1918 to 1924. First published by Beijing Beixin Book Company in November 1925. A total of ten editions were printed during the author's lifetime. Lu Xun made some short comments in the "Reflections" of "New Youth" in the previous year. Because most of the comments he made were minor issues, they were insignificant and the reasons were mostly forgotten. But as far as the current text appears, apart from a few general comments, some of them are about supporting the si, sitting quietly, and boxing; some are about the so-called "preserving the national essence"; some are about the old bureaucrats at that time who were proud of their experience; some are about the caricatures of the Shanghai Times. I remember that at that time, "New Youth" was under attack from all sides, and Lu Xun could only deal with a small part of it.

This book is a collection of essays written by Lu Xun in "Lace Literature" and "Pseudo Freedom Letters". "Lace Literature" contains 61 essays written by Lu Xun from January to November 1934. It was published by Shanghai Lianhua Book Company in June 1936 and reprinted in August of the same year. A total of two editions were printed during Lu Xun's lifetime. "Pseudo Free Book" contains 44 essays written by Lu Xun from January to May 1933. It was published by Shanghai Beixin Bookstore under the name of "Qingguang Bookstore" in October 1933. Lu Xun personally designed the cover. Lu Xun only printed one edition during his lifetime.

"Morning Blossoms Plucked at Dusk" is Mr. Lu Xun's well-known collection of reminiscence essays. It relatively completely records his life experience and ideological context from childhood to youth. While shaping some distinctive characters, it also integrates these memories into rational thinking. It is a warm and beneficial read.

In less than a full year, I have written as much mixed feelings as I did last year. Qiu Lai lives by the sea. Currently, he only sees clouds and water, and hears mostly the sound of wind and waves, almost isolated from society. If the environment hadn't changed, there probably wouldn't be any nonsense this year. When I had nothing to do under the lamp, I compiled the old manuscripts and prepared them for printing to provide to customers who wanted to read my mixed feelings.

"Qiejieting Essays" is a collection of essays by Lu Xun. This book collects thirty-six essays written by Lu Xun in 1934, including "Two or Three Things About China", "Using Doctrine", "An Eye for an Eye", "Speaking of "Face"", etc. "Qiejie" is made up of half of the word "concession", which means that only half of China's sovereignty is left. These essays are not only sophisticated in technique and rich in argumentation, but the author's application of Marxist theory has also been integrated and integrated into specific content in accordance with the characteristics of miscellany.

"Ji Ji Ji" is a collection of essays written by Lu Xun in 1927 and published in 1928. Faced with the reactionary warlords' massacre of revolutionaries and progressives, Mr. Lu Xun was both resentful and powerless. "In the past six months, I have seen a lot of blood and a lot of tears, but I only have mixed feelings. The tears have been wiped, the blood has disappeared, and the butchers are free and happy again. Those with steel knives use soft knives. But I only have "miscellaneous feelings". When even "miscellaneous feelings" are "put where they should go," I only have "just". Faced with the reactionary warlords' massacre of revolutionaries and progressives, Mr. Lu Xun was both resentful and powerless. "In the past six months, I have seen a lot of blood and a lot of tears, but I only have mixed feelings. The tears have dried, the blood has disappeared, and the butchers are free and easy again, some with steel knives, some with soft knives. But I only have 'mixed feelings'. When even the 'mixed feelings' have been 'put where they should go,' I can only say 'nothing more.'"

This book selects more than 100 articles published in "Ningxia Daily", "Wuzhong Daily" and other media in the 23 years since the author has been engaged in propaganda and cultural work. The contents of the recorded articles are permeated by the author's concern for people's livelihood, concern for hot topics, and criticism of ugly phenomena. The book is divided into four chapters: Theory, Speech, Commentary, and News Review. The articles listed in each chapter are basically sorted in order of publication time, which is not only a memory of the past years, but also a testimony to the author's growth experience.

This book is based on "New People's Theory" published by Shanghai Zhonghua Book Company in 1936. It combines the editor's collection and selection of academic papers that study the influence of "New People's Theory" over the past century since its publication, and public opinion on Liang Qichao's contribution to the history of Chinese enlightenment thought. Based on the 20 sections of the book, the publication background is carefully designed in terms of style. There are four columns: , social response, appreciation of the original text, and today's highlights, in order to preserve Liang Rengong's "emotional writing style", inspiring and exciting writing charm, and at the same time help everyone better understand and digest these precious cultural heritages that have spanned a hundred years and still have strong vitality and practical guiding significance. "New People's Theory" reveals this truth: in order for Chinese society to realize modernization, it must first realize the modernization of Chinese people. When we read "Xin Min Shuo" today, we still feel the tremors in our hearts. This is actually because Liang Rengong's predictions about the future changes in Chinese people's personality characteristics and changes in social customs were extremely accurate and to the point. This is tantamount to a guiding light for us who are currently at the forefront of great ideological changes and are striving to find a way out in the spiritual and cultural fields.