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This book is a theoretical monograph on the art of novels by Yan Zhen, the author of "Once at the End of the World" and "The Waves of Water". Due to his expertise in literary theory and successful practice in novel creation, he has unique and profound practical insights and understanding of the art of novels. Therefore, this book has distinctive characteristics and practical and guiding significance compared with ordinary novel theory works.

"History of Chinese Poetry Research (Han Dynasty Volume)" is a treatise that systematically reviews the history of poetry research in the Han Dynasty in the 20th century. The book consists of four chapters. The first chapter introduces the history of research on Han Yuefu poetry from the beginning of the last century to 1980; the second chapter introduces the history of research on Han Yuefu poetry from 1980 to the end of the century; the third chapter introduces the history of research on five-character poetry; the fourth chapter introduces the history of research on four-character, seven-character, and Sao-style poetry. This book summarizes and analyzes the important issues and important treatises on the study of Han Dynasty poetry in the last century. It "distinguishes academic chapters and examines the sources", which provides reference convenience for future related research.

"History of Chinese Poetry Research (Tang Dynasty Volume)" is based on the new century and comprehensively sorts out the achievements in the study of Tang Dynasty poetry in the 20th century. The book is divided into three parts, prefaced by era, respectively examining the achievements in the study of Tang poetry in the first half of the 20th century, the 1950s-1970s, and the last two decades of the 20th century. Each part involves literature collection, research on poets' life stories, research on important poets, research methods, main characteristics of research, etc. It provides a relatively comprehensive reflection on the history of research on Tang Dynasty poetry in the 20th century, and has important reference significance for the current research on Tang Dynasty poetry.

"History of Chinese Poetry Research" (Qing Dynasty Volume) comprehensively sorts out the achievements of Qing Dynasty poetry research in the 20th century. The book is divided into two parts: Poetry Research and Qing Ci Poetry Studies. It is prefaced by era and examines the study of modern poetry in the early Qing Dynasty, the middle Qing Dynasty and the late Qing Dynasty, the study of Ci poetry in the early Qing Dynasty and the late Qing Dynasty, and the study of female poets in the Qing Dynasty. The whole book relatively comprehensively reflects the history of Qing Dynasty poetry research in the 20th century, and has important reference significance for the current Qing Dynasty poetry research.

"History of Chinese Poetry Research (Volume of Wei, Jin, Southern and Northern Dynasties)" is a treatise that systematically combs the history of poetry research in the Wei, Jin, Southern and Northern Dynasties in the 20th century. The book consists of seven chapters. The first five chapters sort out the research on poetry centered on five-character poems in the five periods of Jian'an, Zhengshi, Western Jin, Eastern Jin, Liu Song, and Qi and Liang according to chronological clues. The author elaborates and introduces relevant academic topics and important academic works. The sixth chapter of the book introduces the research situation of poetry in the Northern Dynasties and Sui Dynasty, and the seventh chapter is a summary of the research situation of Yuefu poetry during this period.

"History of Chinese Poetry Research (Jin and Yuan Volume)" is based on the new century and comprehensively sorts out the results of research on Jin and Yuan poetry in the 20th century. The book uses important writers of the Jin and Yuan Dynasties as clues to specifically elaborate on several topics such as the study of Yuan Haowen and Jin poetry, Liu Yin, Zhao Mengfu and the early Yuan poetry, the "Four Great Masters of Yuan poetry" and the study of the mid-Yuan poetry, the study of Yang Weizhen and the late Yuan poetry, the study of Sadula and the poetry of ethnic minority poets, and the study of Jin and Yuan poetry. It comprehensively reflects on the history of the study of Jin and Yuan poetry in the 20th century, which is of great significance for promoting the further development of this discipline.

This book analyzes the essence of Chinese traditional thoughts bit by bit, transforming them into ideas that we can use now, and exerting a subtle influence on society, gradually improving the social atmosphere and improving it day by day, so that the people, especially the young people across the century, can establish a correct world view, outlook on life and values, cultivate themselves into outstanding talents with noble personality, realistic spirit and elegant taste, and become new people in the new century.

This book takes "Zengguang Hundreds of Surnames" as the interpretation object, and makes a detailed analysis of the origins of 506 Han surnames. In order of the number of users of relevant surnames in the current population survey, the distribution, county titles, hall names, glyph changes, origins, and representative figures of the surnames are introduced. It is a detailed introduction to Chinese surnames, which is targeted and readable. It is a popular reading book about Chinese surnames.

The main part of this book is divided into four chapters, which examines the achievements and contributions of "Wen Xin Diao Long" in the theory and creation of parallel prose from both theoretical and practical aspects.

With the clarification of the characteristics of the image culture era and the advent of the consumer society, images, as a media form, art form and cultural consumption object, increasingly occupy a central position in social and cultural discourse, and research with images as objects has emerged. One of the phenomena is worth noting: among the few critical articles on photographic creation in China, researchers drew inspiration from the field of poetic criticism and created a new term - "image poetics" to discuss some specific issues in photographic creation. However, the concept of "image poetics" used here is ambiguous. In the specific application process, it does not cover the academic content that should be included in poetics research, and no corresponding academic logic and research paradigm have been formed. As an academic discourse, "image poetics" still remains an empty concept. In addition, this concept should include various images such as movies, TV, and digital images in terms of naming. However, existing research has not extended to related image forms such as movies, TV, and digital images. There has always been an academic connection and inheritance between poetics and image research. Based on the profound influence of Aristotle's poetic theory, for more than a hundred years, the study of film narrative and meaning has often been placed in the framework of poetics. The poetry of film has been fully paid attention to by film theorists, and the poetic nature of film has been included in the field of poetic research. The concept of "film poetics" naturally emerged. In the past two decades, domestic researchers have successively published a number of monographs that explore film creation and theoretical statements from a poetics perspective. "Film Poetics," "Art Poetics," and "Cultural Poetics" have all been introduced into film research, enriching the connotation of film poetics from different dimensions. Poetics can not only be closely integrated with film art, but as a research method and a path of understanding, the perspective of poetics can also look at the study of photography, television, multimedia and other image forms. Therefore, the poetic research on various image forms initiated by "film poetics" should be continuously expanded and further enriched into "image poetics" on the basis of covering all existing image forms. Traditional poetic theory needs constant innovation, and current image research also expects poetics to bring a broader vision and a more complete system. "Poetic expression of images" and "poetic image research" have won widespread attention and formed academic consciousness. In other words, while images are moving towards poetics, poetry is also moving towards images.

This book is an introductory book for novel writing. The whole book narrates the structure, content, style and other aspects of the novel, and connects relevant factors such as writers, readers and publishers, with strict logic and thorough analysis. This book is an extremely important guide for those who are trying to write novels or other narrative works for the first time. Features of this book: It enumerates the experiences of many famous novelists in creating novels, and combines them with specific creative techniques to describe in detail everything from creative preparation, creative process to publishing cooperation after completion. It provides great guidance to authors who are creating narrative works for the first time and dispels most of the readers' doubts about novel creation.

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

Since the 1980s, the Chinese literary world has been undergoing a magnificent historical change: the tide of market economy has never been seen in a century, the impact of the digital storm has spread around the world, and literature has faced unprecedented "market conditions and network shifts". In view of this, the author uses the discussion of the test of literary production and aesthetic quality by the market and the Internet as a starting point to provide a unique documentary description and academic reflection on the current situation and development trend of contemporary literature. This work has novel arguments, broad vision, and concise language. It has important historical value and theoretical significance for understanding and understanding of contemporary literary production and academic research.

This collection of essays is a summary of the author's thinking over the years, revealing the author's literary views. Literature becomes "modern" not only because of the rise and fall of literary expressions, but also as a result of a comprehensive systematic project that includes institutional environment, literary concepts, consumption concepts, and even production methods and material carriers. Articles such as "Making "New Youth": Zheng Zhenduo before and after the May 4th Movement", "On the Relationship between Lu Xun's Novels and Ancient Short Pieces", "On the Significance and Breakthrough of "Narrative" in "History of Entrepreneurship"", "Shadows in "Cold Night": An Interpretation from a Feminist Perspective", and "On the Significance and Breakthrough of "Narrative" in "History of Entrepreneurship"" discuss the production process of "modern literature" through individual cases. The three articles "On the Poetics of the "Chinese New Poetry School"", "History and Imagination: Thoughts on the "Nine-leaf School of Poetry"", and "Presentation and Construction: Thoughts on Yuan Kejia's "On the Modernization of New Poetry"" focus on the "Chinese New Poetry School\u002FNine-leaf School of Poetry" and analyze the evolution of the meaning of this concept of literary history.

"Research on Narrative Theory of Novels in the Electronic Media Era" is an academic monograph that studies the narrative theory of novels based on the characteristics of the electronic media era. Combining relevant narrative theories, the sensitive exploration of novel narratives by outstanding contemporary writers, and the characteristics of the electronic media era, the book makes a more in-depth exploration of novel narratives in the electronic media era from the perspectives of novel themes and time in novels.

This book selects representative treatises published in the thirty years since the publication of "Ethnic Literature Research" and outlines the clues and trajectories of the inheritance and integration of research on various ethnic literatures and related issues. On the one hand, it provides a certain summary of the theoretical process of ethnic literature since the 1980s. On the other hand, it can also leave reference materials for the history of contemporary Chinese literature and even cultural history, and provide a forward-looking foundation and inspiration for current theoretical dynamics and development trends.

This book is divided into two parts. The first part mainly examines the creative form of Henan literature since the new century, cuts into the basic situation of current Henan novels from the perspective of narratology, and extracts the blending of various narrative modes in the writing practice of the Central Plains. This reflects the narratological turn and the basic appearance of multiple narratives in contemporary Chinese literature in the literary practice of the new century. The second part involves the investigation of prose ideological trends since the new century, especially the changes in new prose ideological trends. This book takes the evolution of prose style as a key node, goes deep into the new prose ideological trends, extracts the stylistic breakthroughs of this ideological trend, and then examines its significance and shortcomings.

This book is the first history of modern Chinese literature written by an individual in China. This book is based on historical materials and traces the origins in different periods. It uses rich historical materials and a reasonable structure to vividly and meticulously depict the historical appearance of China's new literature research from 1917 to 1949. It also clearly outlines the academic order and context of new literature research by identifying academic chapters, examining its origins, and dividing factions, and accurately evaluates the academic achievements of new literature research. The book also makes a macro summary of the general trend of new literature research in various historical stages, and summarizes the characteristics, contributions, experiences and lessons of new literature research.

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

The period of the Republic of China was a period of fierce collision between Chinese and foreign culture and literature. The "spread of Western learning to the east" made foreign literature take root in our country. This book takes the study of foreign literature during the Republic of China as an independent object of investigation. It uses several important literary journals such as New Youth, Novel Monthly, Modern Times, Western Literature, and Times and Trends Literature and Art as its longitude, and uses the discourse of modern Chinese society as its latitude. In the interweaving of longitude and latitude, it presents the overall style of foreign literary research during the Republic of China, explains its status and value in China's century-old academic history of foreign literature, and "justifies its name."

"70 Years of Chinese Literature Research" is written by senior researchers from the Institute of Literature, the Institute of Ethnic Literature, and the Institute of Foreign Literature of the Chinese Academy of Social Sciences. It provides a macro-level overview of the development process of Chinese literary studies (including the study of Chinese ethnic minority literature) and foreign literature studies in the 70 years since the founding of the People's Republic of China. The manuscript is based on the overall layout and cutting-edge development of the discipline system, academic system and discourse system of my country's philosophy and social science research. It organically combines the historical development of the field of literary research with the current status quo, demonstrates brilliant achievements, summarizes valuable experience, and raises a number of issues worthy of further consideration.

Subaltern narratives are an important landscape of new century literature. This book takes the writing of subalterns in new century literature, especially novel narratives, as the research goal. It takes "realist shock waves", "new realist novels", "new citizen novels", "laid-off literature", "migrant literature", "urban bottom immigrant literature" and "non-virtual" as its research goals. "Structural Literature" and other subjects were taken as the research object, and the text was carefully read, supplemented by the realistic background of urbanization as a reference. Through character analysis and literary theory research, the key issues such as the generation, development and evolution of the underclass groups, underclass images and underclass self-awareness in contemporary Chinese urban society were sorted out. This exposes the discursive coverage of the underclass society by various powerful words and opens up a new door for the spiritual space of the urban underclass groups. The research method is based on close reading of the text, taking into account field surveys, and using first-hand information to increase society's attention to people's livelihood. Effectively combine social investigation and logical analysis to conduct comprehensive research. In-depth analysis of the underlying literary text and reveals its essential characteristics and characteristics of the times. At the same time, it is not limited to the interpretation of literary works, but also elevates it to the level of literary theory to explore the occurrence process of this group's awareness of spiritual rights and expression of self-awareness.

Today, when modern civilization is highly developed, in the field of literary research, returning to myths and epics, restarting dialogue with the ancients, interpreting epics from a modern perspective and using different cultures as a reference can help us trace the origins of national literature and guide people to rethink the occurrence, development and inheritance of civilization. Mongolian epics and Indian epics have truly recorded the trajectory of early human civilization due to their comprehensive reflection of social life and literary construction, and have become the essence of their respective national cultures. This book conducts a comparative study of Mongolian epics and Indian epics from aspects such as the literary occurrence of epics, epic themes and national spirit, the relationship between epics and religion, the literary functions of epics, the original thinking characteristics of epics, epic aesthetics, epic characters, and poetics.

This book describes the occurrence, development and evolution of contemporary Chinese literature in chronological order in concise and concise language. The manuscript takes the founding of the People's Republic of China in 1949 as the beginning of contemporary literature, and takes 2019 as the node to briefly describe the important events and trends in the development of contemporary Chinese literature, the current important writers, representative literary works, and the author's re-comments on these literary phenomena and literary theories. Among them, the combing of contemporary poetry groups represented by Shu Ting and Duo Duo, and the re-evaluation of writers such as Ma Yuan and Mo Yan all reflect the author's profound academic foundation and critical vision. The development process of contemporary Chinese literature is not only the modernization process of Chinese literature itself, but also the artistic presentation of the modernization process of Chinese society.

This book takes the influential western novels since the new century as the research object. Based on the summary, analysis and arrangement of existing research results, this book starts from the three perspectives of historical disenchantment, rural nostalgia and poetic construction, sorting out and exploring the expression and development trends of western novels since the new century in terms of creative resources, theme expression, creative skills, stylistic form, narrative structure, language type, spiritual temperament and aesthetic charm. These aspects jointly construct the unique literary landscape of the west. In the process of giving an overall view of the creation of Western novels, we try to summarize and reveal the literary historical significance and aesthetic value reflected in the writing of Western novels since the new century, as well as the enlightenment it brings to contemporary Chinese literature.

In the first half of the 20th century, a rather positive image of China emerged in American literature, and a group of American female writers who had lived in China made outstanding contributions to this end. In addition to the well-known Pearl Buck, A. T. Hobart is also one of the more popular ones. Focusing on A. T. Hobart, this book examines her literary creation in three different periods when she first arrived in China, experienced the Nanjing Incident, and returned to the United States. It explores this female writer's deep thinking on the times and civilization from the perspectives of immigration, gender, and marginalized people. Her observations of old China and reflections on American culture will also have certain reference value for modern readers.

Lao She's novels have always been praised by the world for their clear, concise language and humor. Based on the perspective of discourse rhetoric, this book combines dynamic and static, macro and micro, and uses methods such as substitution comparison and quantitative analysis to comprehensively describe and analyze the contextual characteristics of Lao She's novel discourse, the rhetorical strategies of cohesion and coherence between language units, and the rhetorical art of discourse structure. Context difference is the most prominent feature of the context of Lao She's novels and exists in all aspects of the novel's discourse system. The novel's discourse shows extremely high aesthetic value in the process of adjusting various contextual factors from subversion to balance. From the microscopic perspective of discourse structure, the correspondence between words, the choice and cohesion of sentence patterns, and the block links between paragraphs are all important contents in constructing discourse coherence. The interword anaphora, inter-sentence cohesion, paragraph cohesion, etc. In Lao She's novels all have outstanding expressive effects. Judging from the structure of the novel discourse, the titles of Lao She's novels generally use simple discourse forms, comprehensively using a variety of word forms and figures of speech, showing colorful features. Most of the openings of Lao She's novels go straight to the theme, showing the style characteristics of "straightforward and rapid". The ending is concise and clear, showing the style characteristics of "plain and pure".

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

This book is the first large-scale book at home and abroad that comprehensively combs and details the literature and research results of the Puppet Manchukuo period. It aims to reflect the literary history of the Puppet Manchukuo period systematically, comprehensively and accurately. The book is divided into three parts: works volume, historical materials volume and research volume. It comprehensively and clearly presents the literary appearance and context of this special historical period, as well as the most representative and influential research results in this field at home and abroad. (The book has 34 episodes in total)

Family is a pervasive writing object in Chinese literature in the 20th century. This book takes the construction of family in Chinese literature in the 20th century as a clue, takes the relationship between the nation-state, individuals, and families in the process of China's modernization as a starting point, takes the novels of the 1980s as the research object, selects representative texts, and explores how nation-state discourse and personal discourse construct the representation of family in the novels of the 1980s. On the one hand, there is a "going home" direction and complex in the novels of the 1980s. The humanitarian trend of thought has re-endowed family ethics with the positive value of "humanity". The family has become a carrier of reflection and a home for the return of "humanity", saving individuals who have experienced disasters. On the other hand, the humble and trivial appearance of family shows the alienation of daily life under the perspective of enlightenment, and individuals seek the path to self-realization beyond the family.

Based on the aesthetic attributes and cultural attributes of ecological literary works, this book provides an innovative analysis of contemporary Chinese ecological literature from aspects such as the life dimension of Chinese contemporary ecological literature writing, the discourse practice of Chinese contemporary ecological literary creation, "Walden" and Chinese contemporary ecological prose, European and American poetry and Chinese contemporary ecological poetry, and the re-examination of Chinese contemporary ecological novel creation. It provides new research ideas and analytical methods for the topic of how Chinese contemporary ecological literature research returns to its literary roots and how to expand a broader research horizon.

The author of this book is regarded by academic circles as one of the three representative figures in the comparative study of Lu Xun and foreign cultures in the new era. This book is a collection of the author's many years of research on Lu Xun and modern and contemporary Chinese literature. It is divided into three parts: research on Lu Xun, research on modern Chinese literature, and research on contemporary Chinese literature.

This article is a collection of important papers published by the author in recent years in academic journals such as "Foreign Literature Review", "Russian Studies", "Russian Eastern European and Central Asian Studies", "Social Science Front" and "21st Century". The content includes: The first part studies the development and change process of Soviet Russian literature and international politics. The complex relationship between scholarship, the second part analyzes the direct or indirect relationship between some major topics in Russian humanities academic research in the past two hundred years and international politics, and the third part explores the relationship between the crises implicit in some of China's grand theoretical constructions and social trends of thought and China's own shortcomings in the vision of international politics.