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This book contains all of Ji Xianlin's prose works, including all the first three volumes of "The Complete Works of Ji Xianlin" published by Foreign Language Research Press, plus two additional parts. One part is some articles provided by Ji Cheng that are not collected in the complete collection, and some articles in "Miscellaneous Memories of the Cowshed". A total of 4 volumes.

In the form of prose and beautiful words, this book truly describes the author's experiences from childhood. There are no magnificent scenes in the book, but strong folk customs and local flavor can be seen everywhere. Some objects, scenery, and events are recorded in detail in addition to words, and many of them have disappeared from our sight. Traveling thousands of miles and measuring the world with your feet, this kind of travel diary can be used as a reference for travelers. Seeing the world with your eyes and understanding it with your heart, so that every reader can gain something more or less, is the original intention of the author of this book.

This is a book I wrote about a friend. This is a book written by a friend of mine. This is a book planned, edited, designed and published by a friend. Friends, the wealth of life. With friends by your side, life becomes rich and colorful; with friends by your side, the road of life becomes smooth and open. I borrow this book to express my gratitude to many teachers and friends for their cultivation, help and love at all stages of my life over the past sixty years.

This book is the work of Yan Fenghua, executive vice chairman of the Guangxi Writers Association. The author tells the history and development of Longzhou in the form of prose, shows the customs and charming charm of Longzhou, and embodies the spirit and feelings of Longzhou people. The language of the book is simple and beautiful, showing readers a beautiful flower of southern Xinjiang.

This book is a new prose book by writer Jiang Limin. Jiang Limin's prose is characterized by freshness and refinement, natural freedom and unique insight. This is the result of his insistence on paying attention to reality, writing sincerely, and seeing people's true feelings. Jiang Limin believes that although prose is the most free, broad and convenient style of writing (so much so that it is often misunderstood as being easy to write, but in fact it is just as easy to write and difficult to work as poetry); no matter what style or school the author is, the things he produces must eventually have a distinctive personality, rich emotions, authenticity and unique understanding. The "Yun Yun", "Temperance", "Man Tan" and "Xing Yin" selected articles in this book reveal Jiang Limin's self and soul; sing about her personality and special knowledge; and are full of deep affection and righteousness. Readable and durable.

This book is a collection of modern essays that collects the author's works in his spare time while working in Huaishang District in recent years. Each article expresses the author's love for life, concern for society, praise for friendship and family, and insights into surrounding things and familiar people and objects in a sincere, simple, delicate and beautiful writing style.

This collection of essays won the National Outstanding Prose Essay Award of the Fourth Section Lu Xun Literature Award in 2007. Award-winning review of this collection of essays: A spectacular volume of prose. Han Shaogong persisted in promoting understanding of China in human affairs, and with his honest observation and broad thinking, he discovered and reconstructed the rich meaning of local life in the contemporary context.

This book is a collection of essays on natural themes by the famous writer Baoji Yuanye. The style of Balji Yuanye's works is bold, humorous, wise and simple. This book includes famous works such as "Horses Like White Lotuses", "Siberia's Able Mother" and "Eagle Flying". The book has a total of about 100,000 words.

In the entire cultural history of China in the 20th century, Guo Moruo has a special status. His historical research, his ancient writing research, his archaeological research, etc., Have an irreplaceable position in the field of cultural construction and academic construction in China in the 20th century. This book covers all of Mr. Guo Moruo's early works, and truly and comprehensively records Mr. Guo Moruo's entire journey from his youth to the road of revolution.

This is a series of books written by Guo Moruo Lao on the philosophical thoughts of ancient Chinese sages. The contents include: 1. Self-criticism of ancient research; 2. Criticism of Confucius and Mo; 3. Criticism of the eight schools of Confucianism; 4. Criticism of the Huang-Lao School of Jixia; 5. Criticism of Zhuangzi; 6. Criticism of Xunzi; 7. Criticism of famous debate trends; 8. Criticism of early Legalists; 9. Criticism of Han Feizi; 10. Criticism of Lu Buwei and the Qin Dynasty. This book lays out a relatively complete outline of the institutions of ancient Chinese society, its transformation, and the ideological reflection of the transformation process, and adopts a historical materialist stance.

This book is written by Guo Moruo, a famous Chinese writer, poet, playwright, historian, archaeologist, paleographer, social activist, and one of the founders of new poetry. The first president of the Chinese Academy of Sciences, the first president of the University of Science and Technology of China, and a foreign academician of the Soviet Academy of Sciences. He once served as director of the Department of Philosophy and Social Sciences of the Chinese Academy of Sciences, director of the First Institute of History, chairman of the Chinese People's Committee for Defense of World Peace, honorary president of the China-Japan Friendship Association, chairman of the China Federation of Literary and Art Circles, and other important positions. He was elected as a member of the 9th, 10th, and 11th Central Committee of the Communist Party of China, and as vice chairman of the 2nd, 3rd, and 5th National Committee of the Chinese People's Political Consultative Conference.

Kind? What is kindness? People have become strangers to kindness. The content of the article is thought-provoking...

The author has dabbled in many subjects, so he has taken notes on his insights in the form of short essays, including those about life and career, such as "To convince people by kindness", "Judge people by their appearance", "Judging people by their words", etc.; There are those about reading experience, such as "Long Songs When Crying", "More Cowardly in Being Close to Hometown", etc.; And about management feelings, such as "Training does not compensate for training", "Performance has merit but it is invalid", etc. The writing style is interesting and diverse, and the thoughts are concise and well-cited, making it a worthwhile read.

This book collects dozens of essays by the author such as "Journey of Love", "Love to Mother", "Family in a Small Town", "Old Home", and "Father".

On the first day we came to the island, the instructor took us recruits to visit the club. I looked at this seed box and was stunned.

It discusses the relationship between the body and the closely related objects in life, and the body and the surrounding world, revealing the tension that exists between modern civilization and the body.

This book is a collection of prose essays, including travel notes, miscellaneous notes, work reviews, character memories, etc.

This book is a long essay that not only vividly reproduces the scene of the Majiang naval battle more than a hundred years ago, but also carefully explores the many complex threads hidden behind this historical event. Revolving around a half-hour battle, the work involves a series of famous historical figures, such as Zuo Zongtang, Shen Baozhen, Lin Zexu, Zhang Peilun, Li Hongzhang, He Jing, etc. This book is richly illustrated with both pictures and text. It not only has a grand and broad historical vision, but also depicts and speculates on historical nuances and personal emotions. It is undoubtedly of great and far-reaching significance to clarify the context of success and failure through the smoke and dust of history, illuminate the complex inner world of the characters in major historical events, and promote the spirit of patriotism.

Keen artistic feelings, rich imagination and association, sharp cutting-edge approach, calm and tranquil writing style, free and easy language with outstanding literary talent. What we read here is another Nanfan: picking up ordinary little things in daily life, maybe just out of habit, turning them over and over, tasting them, and even taking them apart to explore them with interest. In relaxed reading, we get fresh insights and calm and elegant artistic enjoyment.

Perhaps, most people live like the author. Although they are not smart, they are sincere; although they make mistakes, they are calm. If it takes time, give yourself some time. It's not a big deal to live unwisely. In this world, smart people understand chaos, but you and I would rather be awake.

People come and go; cars go and come again. I wandered on this bridge where cars and people came, as if I was looking for something here. What am I looking for here? Are you looking for the reflection of the mountain in this mighty river? A reflection of the city? Are you looking for human footprints on the stone streets of Jiang Town? The footprints of the town? I'm at a loss.

It was a pair of hands wielding coal picks and steel guns that actually picked up a pen. Therefore, there is such a rough man among the literati.

The road is found by people. The road is at your feet. There are many kinds of roads in the world. There are railways, highways, mountain roads and other roads. These roads are like the blood from childhood, pervading every intention in the world.

Mr. Yu Qiuyu majored in aesthetics in his early years and served as the chairman of the doctoral defense committee in aesthetics at Fudan University. His aesthetic thinking connects China and the West, spanning ancient and modern times, forming an original and complete system of cultural aesthetics. In this aesthetic system, there is not only a bird's-eye view of the development of art, but also the aesthetic appreciation of specific writers' works; not only the careful appreciation of literature, calligraphy, Kunqu Opera, Pu'er tea, and natural and humanistic landscapes, but also the macroscopic grasp of the essence and characteristics of beauty; not only the meticulous examination of artistic creation, but also the ultimate concern for aesthetic ethics, ecological beautification, and personality aesthetics. These thinking results are expressed in perceptual language full of literary grace, sweeping away the gray and dull atmosphere of general theory. Everywhere is green mountains and green waters, full of vitality, which is of great significance for art appreciation and creation, beautification of life and personality.

This book consists of three parts: Yashe essays, Qiushi essays and Shiqiu essays. Whether discussing matters or analyzing life, the author's writings on both big and small events have a unique flavor, making the reading lively, interesting, concise and smooth. There is a sharp depth and strength in it, and I still feel that I have not finished it. In addition to analysis and judgment, Liang Shiqiu's essays also contain a kind of intelligent ridicule. They are not looking at the world with indifference, nor are they cynical and fanatical, but they are observing all things in the world affectionately. He is also self-deprecating and sarcastic, but even with sarcastic words, we can still feel the kindness in his heart and the kind of tolerance that can only be cultivated through experience and knowledge.

"Remembering the Past in the Elegant House" is Mr. Liang Shiqiu's most important work in his later years. It contains memories of his childhood and student days, as well as deep memories of his relatives, friends, teachers and friends. The latter volume, "Memories of Sophora Garden," looks back on every detail of his life with his wife, Ms. Cheng Jishu. His words are gentle and calm, and his emotions are deeply touching.

"Ya She Essay" is a miracle in the history of modern Chinese prose. Liang Shiqiu seems to have jumped out of the directness of the times and real social life, and concentrated on describing human nature. These sketches naturally reveal Liang Shiqiu's feelings of love and hatred, as well as vivid metaphors, but this kind of emotion and imagination are controlled by reason, and the rational factor also adds a philosophical connotation to the article. The author spreads the wings of his imagination based on his own life experience and his love and hate on this topic, thus making this style of writing somewhere between a pure and beautiful work of art and a logically argumentative paper. The book is divided into four parts: "Yashe Sketch", "Yashe Sketch Continuation", "Yashe Sketch Episode Three" and "Yashe Sketch Episode Four". "These four parts taken together are a comprehensive review of Liang Shiqiu's prose, perfectly presenting the appearance of the classic "Ya She Xiao Xiao".

"Talk about Eating in the Elegant House" is a selected collection of Liang Shiqiu's representative prose series "The Elegant House". Liang Shiqiu laughed at himself for being greedy, and wrote countless articles about food throughout his life. These articles contain strong feelings about his hometown and are classic works by famous writers on food. Liang Shiqiu, a master of prose of a generation, left us not only the taste on the tip of the tongue, but also the taste of history, human feelings, hometown and memory.

Mr. Liang Shiqiu's prose is more concise. It is advocated that the article should be deep and far-reaching, but not long. His manuscripts rarely have corrections, but his drafts are quite extraordinary. The completion of an article takes many days of deliberation, and the completion of a sentence requires repeated deliberation. He wrote in vernacular, trying to eliminate the redundancy of vernacular and only seek to express his ideas without completely rejecting classical Chinese. It is concise and harmonious, with the master's wisdom in dealing with the world everywhere. The chapters are humorous, profound and meaningful.

This is a collection of Lu Xun's works, with approximately 650,000 words, specially compiled by Mr. Wen Rumin, a professor at Peking University and chief editor of Chinese textbooks compiled by the Ministry of Education, for college and middle school students and primary and secondary school Chinese teachers. The editing and selection criteria are more literary and readable. There is a brief general introduction at the front of the book, explaining the intention of the selection, the consensus evaluation of Lu Xun, etc. Each selected article is designed with a "title" to explain the writing background, the content and artistic features of the work that need to be paid attention to when reading, etc. It also explains the reading difficulties, similar to "reading tips", and plays a role in guiding and appreciating the text. Professor Wen Rumin is a well-known expert on Lu Xun, and has been devoted to the research of Chinese education in primary and secondary schools for many years. These introductions, tips, and appreciation texts will become the major features and important advantages of this selection from other selections.

This book is a collection of information about Chinese surnames. The ancient Chinese separated the surname and the surname. The surname was used to "distinguish the marriage", and the surname was used to "distinguish the family". The author uses a lot of research to sort out the common Chinese surnames from their origins, so that the family culture, geographical culture and historical significance carried by the surnames can be presented one by one. The book contains nearly a hundred surnames, clarifies historical changes one by one, and also pays attention to historical celebrities with each surname in various walks of life. As a book on cultural research on surnames, this book has certain documentary value and innovative significance.

From the various schools of thought to the great Confucians of the Ming and Qing Dynasties, from the doctrines of Confucius and Mencius to the poetry of the Tang and Song Dynasties, this book is a "record of ancient literati's tossings" intertwined with poetry and history. It uses humorous language to tell the life stories of 21 literati such as Li Bai, Du Fu, and Huang Tingjian who entered the world with poetry, and reproduces the literati's nature and feelings from the pile of old papers.

Qiu Yu's prose has been popular in the Chinese world and has remained popular for many years. This book captures the essence of Yu Qiuyu's more than 20 masterpieces and divides it into six parts: historical knowledge, elegance, calligraphy, this life, travel, and practice. The profound humanistic knowledge combined with the extraordinary talent of language, combining the brilliance of words and the beauty of thoughts, concentratedly demonstrates Yu Qiuyu's unique humanistic creativity, and also makes it easy for readers to have a glance at the essence of Yu Qiuyu's forty years of reading and writing.

This book is divided into four volumes, including prose works such as "Northern Soldiers and Southern Girls", "Good Soldier Three Woods", "Sorrow", "Touch of Night Walk", "Father is a Stalk of Wheat", and "Brotherly Love".

This book selects more than 40 military essays by the emerging military writer Zhao Hongjie published in "Literary News" and other newspapers, including "The Military Song is Loud", "Yan'an Essays", "Following the Heroes", "Three Random Questions", "Little Daughter", etc.

In "Clouds and Smoke Floating in the World", Li Hongchao gathered these words and just wanted to tell those comrades who have served as soldiers or are currently serving in the army, as well as those of you who have never served as soldiers, that every step we have taken is heavy. Whether in a green military camp or in a colorful place, the imprint of the military is not getting blurry but becoming clearer to you. Looking back, you will find that how important the process is, the results seem insignificant.

This book selects 100 essays from the collection of essays written by the author Ma Xianting after he was eighty years old. The book is divided into eight parts: "Knowing the Elderly", "Being a Self", "Being Happy with the Elderly", "Nourishing the Heart", "Keeping Health", "Family Love", "Love in the World" and "Removing Oneself". They tell their own life experience and insights from the perspective of how the elderly treat themselves well, how to treat others, how to correctly handle the relationship with family and society, and how to exert positive energy in social life. Each short article in the book is full of an octogenarian's cherishing of life, full of wisdom and affection, and is a trickle flowing from a quiet and clear heart.

This book is a collection of life essays by Hubei writer Zhang Zeyong. The content covers a wide range of topics, the language is fluent, it inspires and sighs, and it has certain cultural value.

The profound Buddhist thoughts, incisive Buddhist metaphors, unique realm of Zen enlightenment, and superb aesthetic value of Zen poetry in the Tang Dynasty show its artistic charm that is different from pure literary poetry: Influenced by Buddhist Zen thought, the theory of consciousness-only theory of the three realms, the theory of emptiness of dependent origination, and practice methodology appeared in Tang poetry. Ideological content such as the theory of levels of practice; influenced by Buddhist Zen metaphors, a series of metaphors such as the eternal nature of Buddha, the impermanence of all dharmas, the illusion of worldly affairs, and the taming of delusional minds appeared in Tang poetry; influenced by the realm of Zen enlightenment, Zen poetry in the Tang Dynasty created unique realms such as the realm of intuition, the realm of reality, the realm of harmony, and the realm of daily use. Generally speaking, the Zen poetry of the Tang Dynasty presents the aesthetic values ​​of quiet beauty, freedom, and silent beauty. Exploring Zen poetry in the Tang Dynasty is of great significance to grasp the overall style of Tang poetry.

This book mainly examines the relationship between contemporary poetry translation and the context of the times, and strives to present the overall trend and overall appearance of Chinese contemporary poetry translation based on the study of translators. Generally speaking, Chinese contemporary translated poetry has the following characteristics: First, translated poetry in the early days of the founding of New China mainly expressed the overall emotional appeal of the new socialist country; secondly, in addition to being closely related to social politics, poetry translation during the "Cultural Revolution" period also used translated poetry to indirectly express the self-consciousness that many poets could not express normally. Third, after entering the new era, translators are often able to translate foreign poetry according to their personal interests and hobbies. In the context of a market economy, publishers and personal exchanges influence the selection and publication of poetry translations. Some translators also use translated poetry to shoulder the responsibility of intellectuals for social suffering. Thus, this book presents the complex relationship between contemporary translated poetry and the context of the times.

"Research on the Influence of Late Tang Poetry on Song Ci" is a follow-up project to "Research on the Influence of Mid-Tang Poetry on Song Ci" (Chinese Social Sciences Press, 2014 edition). Through statistical analysis, it can be seen that among the 20 Tang Dynasty poets who were most influential in Song Ci, 10 were poets in the flourishing and mid-Tang Dynasties, and we have already conducted research on them; the remaining 10 were all poets in the late Tang Dynasty. This book focuses on the five most typical poets in the late Tang Dynasty, Du Mu, Xu Hun, Wen Tingyun, Li Shangyin, and Han Xi. Specifically, the Song Dynasty poets' preference for Du Mu and his works is mainly reflected in four aspects: "Yangzhou imprint", "Du Lang's style", "three guards against the left" and "the influence of other poems on Song poetry". Xu Hun's farewell poems, arrival poems, reward poems and dream poems had a great influence on the people of the Song Dynasty. Wen Tingyun was highly regarded in the poetry circle of the Song Dynasty, mainly because of his lyrics. His two styles of lyrics, "rich, dense and beautiful" and "clear, sparse and bright", not only established his position in the world of poetry and the history of poetry, but also made him the envy of future generations of poets. In addition to the deep sympathy of Song people for his misfortunes, Li Shangyin's untitled poems, love poems, epic poems, etc. Had a greater impact on Song poetry. In addition, the vagueness and delicacy of the work's hesitation in speaking, and the hesitation in speaking are coincident with some Song lyrics. In the appendix, the influence of Han Xie's poetry on the creation of Song poetry is visually presented in the form of "poet, title, verse - poet, title, verse", without mentioning it.

This is a collection of essays, this book is sweet and makes reading for teenagers a kind of enjoyment and joy. Growing up is beautiful, reading is beautiful. Read and make your growth beautiful. Reading makes your life come alive. This book strives to infect young people with excellent works and cultivate positive thoughts and characters. It conveys positive energy to young people. It is a work that has a positive educational and guiding role and is highly ideological, artistic and readable.

I have seen so much misfortune that I have never been depressed. --Chen Nianxi. This book contains 21 original non-fiction essays by Chen Nianxi. The book tells the story of a group of ordinary and simple workers. They are blasters, stone movers, country carpenters, farmers, farm women, small workshop owners... And the writer's own story runs throughout: blasting rocks five kilometers underground, raising a family amidst the smoke and roar, writing poems in work sheds and in the mountains, recording the explosion and silence of fate. Although they have gone through the hardships of life, they are simple and tough, and they calmly tell life themes about family, love, death, and desire... This is a book of life and a book of death. In the final analysis, it is a book of life. What does the world look like? What is life like? In my feeling, except for the long and ubiquitous wind, the rest is dust. We rush around in it, trying to stand firm, but most of the time we stagger around and can't help ourselves.

It collects articles written by employees of Beijing General Research Institute of Mining and Metallurgy in the past ten years, reflecting the emotions and deeds of employees of Beijing General Research Institute of Mining and Metallurgy. It includes every detail of employees' lives, expressing their affection for their hometown, friends, and relatives, as well as records of actual work scenes, showing the dedication and enthusiasm for work of mining and metallurgical people, as well as their great love for the party and country, expressing their yearning for a new era and a new journey.

This book records the traces of time in Tangqi Ancient Town. Due to the diversity of themes, readers are presented with touching pictures with a sense of life: not only the review of Ruyan's past, but also the recollection of the past; not only the thorough investigation of meaningful poems, but also the deep remembrance of flesh and blood family ties. Covering the book and meditating, "nostalgia" is endless. Perhaps this is the source of the endless life of this hot land.

This book is an essential selection of Shen Qi's writings over the past forty years, a famous contemporary poet, scholar, and literary critic. The book consists of eight volumes, namely Volume 1 "Essays on Contemporary Poetics", Volume 2 "Essays on Contemporary Poets", Volume 3 "Essays on Taiwanese Poets", Volume 4 "Collection of Poems 1: Natural Beauty", Volume 5 "Collection of Poems 2: Children in the Upstream", Volume 6 "Collection of Poems: Coreless Clouds", Volume 7 "Art Criticism: The Breath of Trees", Volume 8 "Miscellaneous Prefaces and Essays: The Book of Autumn". This anthology combines poetry and prose with a unique layout and has dual value for appreciation of works and reference to historical materials. In particular, the poetic heart, poetic style, and literary spirit of the poem are all solitary and unparalleled, with a faint fragrance at the edges, which are worthy of wandering and cherishing.

China is essentially a rural country and has been exploring the path to modernization since the 20th century. Chinese writers have narrated nostalgia in complex ways amid the changes that have occurred over the past century. The result of this project is to find the underlying operating mechanism behind nostalgia and the relationship between this mechanism and China's modernization process, thereby answering the two basic questions of "why literature has nostalgia" and "how does literature express nostalgia", revealing how the operating mechanism of modernization in different contexts affects the form and content of literary nostalgia, revealing the complexity of China's modernization process, and providing theoretical and literary historical experience for "new nostalgia" narratives under new historical opportunities. By studying the expression of nostalgia by Chinese writers in the operating mechanism of the modernization context since the 20th century, it is pointed out that the countryside is an imaginary object of Chinese writers in the process of modernization, a unity of reality and fiction, and a destination for nostalgia in the process of modernization. This will help the academic community to have a deeper understanding of the nostalgia motif, and can better guide writers to correctly handle the relationship between nostalgia and modernization, and create "new nostalgia" works rich in the Chinese dream.

Yuhang is the first "Chinese Story Town" in China, and Tangqi is an important part of this "Story Town". As early as 1991, the country's first folk story salon - Tangqi Story Salon - was born in Tangqi. The founder of the salon is Feng Guoxian. Under his leadership, Tangqi Story Salon has been adhering to story creation and story presentation for more than 20 years, and is well-known in the national story circle. Not only that, Feng Guo needs to continuously incorporate local elements of Tangqi into the story creation process, and brings the works to Tangqi, entering the cultural auditorium many times, bringing laughter to Tangqi citizens. In addition, he also enthusiastically teaches skills and strives to expand the story creation team. Toyokuni has been engaged in story creation for 40 years. To this end, he created and published "The Story of Me and Story".

This book collects dozens of essays written by Mr. Hu Jianwei, a member of the Chinese Writers Association and a contemporary writer, in recent years, including the latest "Food Chronicles" and "Dragon Travels to the Country", as well as "Lotus Lake", "Moving City", "Purple Air Coming from the East" and "Selling Pulp by Leading Cars" written a few years ago. "The Flow of Masters" and so on, many prose works, like a wonderful paintbrush, use the form of line drawing to outline the author's hometown customs, customs, and the various world affairs in a concise and freehand way. The writing is full of affection and eloquent, showing the true meaning in the details, expressing thousands of years in a moment. As a native writer in the south of the Yangtze River, Mr. Hu Jianwei integrates his various feelings about his hometown in his writing, showing readers a vast, distant and vivid picture of life in the south of the Yangtze River.