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This "Outline of the History of Foreign Literature" is based on the brief introduction and analysis of relevant knowledge points such as important writers and their representative works in the history of foreign literature development. It attaches great importance to the key points of knowledge about the writer's life and creation; it pays attention to the condensed expression of key information in the analysis of representative works; it also takes into account the simplification and condensation of some knowledge points of Asian and African literature. The refining and summary of important knowledge points in the history of foreign literature (i. E. "Historical outline") is the core of this book. Reading target: researchers and learners of foreign literary history.

Western literature is an indispensable plateau in the territory of contemporary Chinese literature. Some landmark writers and works have been produced here. The west is the birthplace of Chinese civilization and the inhabited area of ​​ethnic minorities. It has preserved rich folk culture due to its relatively closed, backward and remote characteristics. Since these folk cultures have been internalized into the daily lives of westerners, they have naturally become the main content that western writers want to describe. Therefore, to study western literature starting from western folk culture is to find the soul and blood of western literature. This book is the first comprehensive investigation and study of Western literature from the perspective of folk customs, folk beliefs, folk songs, dialects and other folk culture. It not only opens up a broad aesthetic space for Western literature and contemporary literature, but also finds rich spiritual resources for the research and creation of Western literature.

The structure of this book is organized around "erotic" writing in modern literature, and it also explores the diversity of the formation and construction of modern literary history. "Preface" and "Introduction 1 and 2" strive to provide a scientific and rational description of "erotic" writing from a relatively objective perspective. Introduction 3 provides a simple overview of erotic writing in Ming and Qing novels (extending to the entire ancient Chinese literature), sorting out the blood connection between modern literature and ancient literature, and explores how (modern) literature should write "erotica" through the erotic view of ancient literature. This thesis uses a case study of modern literary writers as a window to explore the various forms and possibilities of "erotica." The thesis is to summarize and analyze the problems encountered in the writing process of this thesis and the methods and values ​​adopted, so as to explore possible paths for the writing of modern literary history.

Su Shi was an outstanding representative of comprehensive talents in the Song Dynasty, integrating morality, articles, politics, and art. Shenzong of the Song Dynasty praised him as a "wonder in the world" and Xiaozong of the Song Dynasty as "the master of articles." However, Su Shi's person, his studies, his poems, his writings, and his lyrics were also sharply criticized by the people of the Song Dynasty. This book mainly focuses on the establishment of the aesthetic beauty of plain poetry in the literary theory of the Song and Jin Dynasties and the criticism and acceptance of Su Shi by Li Qingzhao, Zhu Xi, Yan Yu, Liu Kezhuang, Yuan Haowen and others. It involves the author theory, creation theory, stylistic theory, style theory, appreciation theory, acceptance theory in literary criticism, as well as some issues of concern and controversy in the literary thought of the Song Dynasty. It is not difficult to see the openness and activity of academic thought in the Song Dynasty, Su Shi's contribution and influence on Song Dynasty literature and Song Dynasty academics, and the spiritual admiration of scholars and academics in the Song Dynasty.

Ever since Su Xuelin re-entered the research horizons of mainland academic circles, the definition of her has basically remained at the level of an author of beautiful articles or a conservative literary critic. The reason for this existing judgment lies in the lack of investigation of literary trends and trends at that time, which makes the research lack historical profundity. At the same time, the lack of perspective on development and change makes the research object flat and monotonous. The author of this book relies on the results of academic research on literary trends of thought in recent years to bring Su Xuelin into the perspective of ideological trends and clearly present the evolution of her literary thoughts throughout her writing career, thereby more accurately explaining the external and internal reasons for the transformation of her thoughts at each stage, allowing a relatively real and full Su Xuelin to enter our literary history today.

Since the Han and Tang Dynasties, the Book of Songs has been revered as one of the Six Classics, and its original literary appearance has been shrouded in the curtain of Confucian classics. With the rise of doubting thoughts in the Song Dynasty, the literary nature of the Book of Songs was gradually revealed. The Book of Songs of Lu Jiuyuan's Xin School was an important branch of the study of the Book of Songs in the Song Dynasty. However, Lu Jiuyuan advocated speaking directly to one's heart in academics, describing without writing, and not establishing words. Therefore, the true meaning of his famous proposition "I annotated the Six Classics, and I annotated the Six Classics" has been disputed by later generations, and Lu's Shijing studies are still shrouded in mist. Yang Jian, Lu Jiuyuan's great disciple, deeply understood his master's purpose and wrote "Cihu Poetry Biography", which skillfully integrated psychology, classics, literature and political and ethical philosophy into one. An in-depth study of "Cihu Poems" can reveal the true face of Lu's School of Songs and its unique position in the history of the Book of Songs, and unlock the true secret of Lu Jiuyuan's "Six Classics annotated me, and I annotated the Six Classics". "Cihu Poems" can be called the most philosophical masterpiece in the history of Chinese Book of Songs.

"An Examination of the Crescent School" is based on the richest possible first-hand literature and starting from specific literary historical facts, it examines and analyzes the basic documents, important historical facts and other related issues of the Crescent School writers' works. This achievement not only makes a number of new discoveries in terms of specific facts and documentary materials about the Crescent Movement, enriching the study of the history of modern Chinese literature, especially the history of literary schools, and consolidating its documentary foundation, it also provides credible documentary and historical factual information through textual research and analysis of a number of specific issues.

This book selects some important categories and propositions of ancient Chinese poetry. From the historical and cultural context, poetry creation status, philosophical and social trends, Taoist Zen understanding, literary communication and acceptance, and the internal structure of poetics, it explains the origin and original meaning of the historical generation of poetic theory, and analyzes the new meaning derived from its inheritance and the construction process of the system.

This book selects more than 20 classic articles by Mr. Shu Wu on poetry of the Tang and Song Dynasties, including the traveling poet Meng Haoran, Wang Wei's essays, the glory of the day in Li Bai's poems, Gao Shi and Cen Shen, birds of prey - common images in Du's poems, a discussion of Han Yu's poems, a close reading of Yuan Zhen's "The Palace", and a reading of Zheng Xi's "Jin Yang". "Three Hundred Poems of the Tang Dynasty", "Three Hundred Tang Poems", the imperial capital and the mountains and countryside, from animal decoration to plant decoration, coquettish words across the fence, the coming from behind of famous lines, boats, ships and spaceships, Li Qingzhao's "acting", why marry a hero, bow under the flower, the completely pessimistic "Human Words", etc.

The book "A Brief Introduction to Poetry" emphasizes "the depth of meaning and the beauty of poetry", and at the same time carefully scrutinizes and analyzes its "tone, rhythm, meaning, syntax and calligraphy". The book contains hundreds of famous poems by Wang Bo, Luo Binwang, Li Bai, Du Fu, Wang Wei, Meng Haoran, Bai Juyi, Lu Lun, Liu Zongyuan, Liu Yuxi, Li Shangyin, etc., Starting from the tone, meter, meaning, syntax, and calligraphy, explaining their subtleties.

"The paper is full of absurd words and a handful of bitter tears. It is said that the author is crazy, who can understand the meaning of it." Mr. Sameng Wu interprets "A Dream of Red Mansions" from the perspective of studying social culture, leading readers to gain an in-depth understanding of the family life of Jia's family, re-understanding the traditional Chinese family, revealing the cultural and ethical pattern of traditional society, and interpreting the flow of social trends. It has subtle insights and enlightens people's minds. It is a unique little book that talks about the near and far-reaching goals.

This book uses characters as its warp and time as its latitude. Through relaxed and humorous writing, it not only conveys the research results of "Red Studies" to readers in a popular form, but also incorporates the author's many experiences from long-term study of "Dream of Red Mansions". In short, this book not only overturns many old conclusions, but also puts forward some insights worth pondering, and this is precisely the greatest value of this book - not to mention the sophistication and refinement of its writing!

"Awakening the World" is a collection of short stories in vernacular compiled by Feng Menglong in the late Ming Dynasty. Together with the previous "Yu Shi Ming Yan" and "Warning Words", it is collectively known as the "Three Yan". Among the "Three Yan", it is the most widely circulated, the most influential, and the most talked about. "Awakening the World" contains mostly mature story-telling novels, with a total of forty stories. Some of these stories reflect love and marriage, some condemn the darkness of officialdom, and some praise chivalry. The plots of the stories are bizarre and tortuous, the characters have distinctive personalities, and are full of fun, making them endlessly readable. This book provides a brief summary before each story, briefly introducing and commenting on the plot of the novel, to help readers better understand the story and comprehend its gist.

The Eight Great Masters of Tang and Song Dynasties are the collective name for the eight representative prose writers in the Tang and Song Dynasties, including Han Yu, Liu Zongyuan, Ouyang Xiu and others, who occupy an important position in the history of literature. This book selects the representative works of eight great masters and conducts precise interpretation on this basis.

Based on a comprehensive excavation and arrangement of literature, this book combs and discusses the critical editions of the Book of Songs written by more than 30 commentators in the Ming and Qing dynasties, and explores its cultural origins, development context, cultural transmission and cultural influence. It can fill the gaps in the study of classical literature and is also beneficial to the promotion of traditional Chinese culture.

This book has a clear awareness of issues and a unique perspective. Starting from thinking about the reasons for "the closing of literary shops" that Zhou Zuoren first proposed in 1925 and stated repeatedly since then, this article comprehensively and systematically examines Zhou Zuoren's literary path, analyzes the characteristics of Zhou Zuoren's literary views, writing practice, and ideological and emotional states in various periods, and puts forward many new perspectives in the field of Zhou Zuoren's research.

"A Study on Sun Zhiwei and the Yangzhou Poetry Group in the Early Qing Dynasty" tells that Yangzhou during the Ming and Qing dynasties, under the turbulent political situation, attracted poetic celebrities from all over the world to gather here due to its special geographical conditions and profound humanistic accumulation, forming a regional group. This group of poets had a large lineup. They socialized and sang together, organized political elections, and prospered for a while. Sun Zhiwei, a poet living in Yangzhou, is one of the representative figures. It is of typical significance to use him and his circle of friends as the starting point to examine the Yangzhou poetry group. This can be used to illuminate the complex and diverse positions, beliefs, mentality, emotions, and values ​​of the Jiangnan literati who were exposed to multiple cultural, ethnic, and political conflicts such as Yixia, Manchu and Han, old and new, and political conflicts among the ruling and opposition parties, and explore the literary ecology in the ups and downs of the political environment. This is a very historical stage, a special spatial horizon and a specific group of poets.

This book is the first personal collection of essays on the study of new century literature. It contains thirty essays by the author on the study of new century literature in recent years. The content covers all aspects of new century literature research: it includes an overall study of the history of new century literature, a macroscopic discussion of the development and current situation, dilemmas and problems of new century literature, as well as cultural concept issues that affect the development of new century literature, as well as a review of the creation of new century literature. The specific analysis of the work, especially the creation of novels that are outstanding in new century literature, pays much attention to them. The content includes the main characteristics of novels in the new century and reviews of representative writers' works, as well as the analysis and evaluation of the works participating in the 8th Mao Dun Literary Award. At the same time, it also conducted a relatively systematic and comprehensive analysis of Hubei's literary creations that won the Mao Dun Literary Award twice in the new century, and made key analyzes and comments on the works of important writers in the new century in Wuhan, Hubei, especially the Mao Dun Award-winning works. In addition, this book also includes the author's papers on literary history, literary criticism and writing studies published in the new century, as well as academic papers read at relevant international conferences and speeches delivered at various lectures during this period. The whole book focuses on displaying the comprehensive landscape of new century literature and is an essential reference for studying new century literature.

Liu Chenweng was a famous survivor of the late Song Dynasty and a powerful poet of the Xin School. He was a writer, critic, and scholar. He was in a leading position in the southeastern literary world at the end of the Song Dynasty and the beginning of the Yuan Dynasty. His works have distinctive characteristics of the times, and his comments are rich in variety, covering all aspects of classics, history, works, and collections. His comments on Shishuo Xinyu are the first of its kind to comment on Chinese novels. His commentaries had a great influence in the Ming and Qing dynasties. The double-line comments and comment vocabulary he created have been used by later generations. He is the well-deserved first master of literary criticism in the history of Chinese literature. This book focuses on Liu Chenweng's comments. On the basis of fully occupying the literature materials, it seeks to interpret the characteristics of his comments, and strives to develop, improve and innovate on the basis of existing research, obtain a more comprehensive and scientific understanding of Liu Chenweng's comments, and make a more accurate evaluation of his status in the history of Chinese literary criticism.

This book is divided into three parts: Qing Dynasty Ci Poetry Chapter, Transmission Chapter and Acceptance Chapter. "Chapter on Ci Poetry in the Qing Dynasty" mainly examines the Ci theory of the Qing Dynasty, and makes an in-depth discussion of the academic background of Ci poetry in the Qing Dynasty, the generation and evolution of Ci poetry in the Qing Dynasty, and other macro-level issues. The papers collected in the "Communication Chapter" include oral communication (male singing), book communication (separate collections, selected volumes, prefaces and postscripts, book collections), single article communication (wall inscriptions, paintings, fans, screens, stone carvings) and other forms of communication, as well as the ways of communication of Song poetry (sale, copying, postal delivery), and special situations in communication (miscommunication) , Lost) These five aspects are discussed on the main body of communication (singer, engraver, book collector, book seller, copyist, courier), communication media (paper, wall, painting, fan, screen, stone tablet), and communication effect (famous, lost), which takes a solid step forward in the study of the communication methods of Song Ci. The "Acceptance Chapter" includes both group acceptance research and individual acceptance research, as well as research on the canonization process of the poet. The book contains detailed citations of historical materials and well-refined viewpoints. It is a pioneering monograph on Ci studies.

"Jin Ping Mei" is a classical novel that is still "alive" today. Many issues in today's society can be found in this book. There are one hundred chapters in "Jin Ping Mei", and the plot is highly integrated, which is rare in Chinese classical novels. Therefore, only by studying the book from the overall narrative form can we decipher the mystery. In terms of overall form, "Jin Ping Mei" is a novel of the style of "Songs of Love and Crying". It writes about the beauty of sex, wealth, and power, but in essence it is crying about the death of the country, the corruption of politics, and the destruction of the family. The beauty of the narrative of "Jin Ping Mei" is that it combines the rise and fall of Ximen Qing and his family with the fall of the Song Dynasty. Its deep structure is the integration of family and country. "Jin Ping Mei" adopts a purely objective narrative technique and describes the various situations in the market calmly. Its purpose is to make readers carefully "see" through the world and "see" through life. The narrative purpose of "Jin Ping Mei" is to use the Song Dynasty to illustrate the Ming Dynasty. It uses the death of the Song Dynasty to warn the rulers of the Ming Dynasty not to make the same mistakes. Therefore, it is a work that worries about the country and the people. The author of "Jin Ping Mei" has profound historical insight. He pointed out that the shortcomings of the Song and Ming Dynasties were the collusion between officials and businessmen. As a result, officials will become corrupt; as a result, the country's economy will decline; as a result, the country will surely perish. "Jin Ping Mei" admonishes businessmen and state rulers like Ximen Qing from the negative side, so it is a textbook written for property owners. "Jin Ping Mei" is a novel where characters come first. Each character is carefully designed by the author and has a unique narrative purpose. The stylistic form of "Jin Ping Mei" is similar to that of popular lectures, so it can be regarded as a major popular lecture in the late Ming Dynasty.

This book combs the literati's concepts of lyric style in the Tang and Song Dynasties. Starting from the stylistic characteristics of lyrics, it analyzes the rise of the lyrics in the Tang and Song Dynasties, the silence of the poetry world in the early Song Dynasty, the establishment of Fan Zhongyan's position in the history of poetry, the analysis of the issue of "poetry as lyrics", the evolution of the poetry world in the Northern and Southern Song Dynasties, and many other issues. At the same time, the book explores the impact of the emergence and evolution of the imperial examination system on literary creation at that time. On the one hand, it explores the literary creation of Song people related to the imperial examination. On the other hand, it explores the differences between Tang and Song poetry from the perspective of the evolution of the imperial examination system, and provides a certain explanation for the creative characteristics of Song poetry. In addition, case studies are conducted on the poets and poets of the Song Dynasty, and the political activities and literary creation of the literati in the Song Dynasty are deeply analyzed.

"Shu Yu Ci" is a classic collection of poems by Li Qingzhao, a poet from the Song Dynasty. Chen Zumei is a researcher at the Institute of Literature of the Chinese Academy of Social Sciences and has been engaged in research on Li Qingzhao. This book takes the path of popularization and improvement, with modern translations and comments. It also explains the chronology, theme, and allusions used by the poets in a way that is understandable at a glance based on the author's understanding. This book is fresh and gratifying, and is a book that can be enjoyed by both refined and popular people.

This book provides a "sketch" for readers to appreciate the truth of culture, the goodness of literature, and the beauty of art. The author compares reading to a journey to a mountain of books. Sometimes he plays the role of a geologist, exploring the rich minerals in the mountain of books; sometimes he imagines himself to be a practitioner, pursuing the path of humanities without any distractions.

Based on the "Sikuben", starting from the proofreading and annotation of different versions, the author analyzes the relevant variant texts, compares the relevant annotations, and finally makes his own judgment and analysis. In the form of "original text", "variant texts", "annotations", and "annotations", the whole book is sorted out, cleared up, and comprehensively analyzed and interpreted.

This book is the brainchild of Mr. Wang Zhaoqian, a famous scholar, literary critic, and editor who has been engaged in professional literary editing, reading, and commenting for nearly 40 years on world literature. From the perspective of pure literary appreciation, criticism and creation, and from the perspective of human nature, history and aesthetics, Wang Zhaoqian carefully interprets more than one hundred Nobel Prize winners in literature since 1901 and their classic masterpieces, comprehensively presenting the glory and brilliance at the top of the world literature pyramid over the past century. Why did they win the award? Why do their works become classics? What contributions did they make to world literature? How do they live and create? One book can read more than 100 world literary classics over the past 100 years, and understand the lives and creative processes of more than 100 literary masters. They are - Tagore, Romain Rolland, Yeats, Bernard Shaw, Thomas Mann, Eugene O'Neill, Pearl Buck, Hermann Hesse, Gide, Eliot, Faulkner, Hemingway, Camus, Pasternak, Sartre, Sholokhov, Kawabata Yasunari, Beckett, Solzhenitsyn, Neruda, Marquez, William Golding, Oe Kenzaburo, Szymborska, José Saramago, Günter Grass, Naipaul, Coetzee, Orhan Pamuk, Hertha Miller, Llosa, Mo Yan, Alexeevich, Bob Dylan, Kazuo Ishiguro...

This book selects "Sun Tzu's Art of War", "Wu Zi's Art of War", "Sun Bin's Art of War", "Six Towers", "Huang Shigong's Three Strategies", "Selected Works on Cao Cao's Art of War", "Selected Works on Zhuge Liang's Art of War", "Questions and Answers of Emperor Taizong Li Weigong", "Taibai Yin Jing" (excerpt), and "Chengdu Lu" ( Excerpts), "Tiger Seal Sutra" (excerpts), "Military Training Records" (excerpts), "One Hundred Battles", "Thirty-six Stratagems", "The Complete Works of Zeng Wenzhenggong" (excerpts) and other 15 ancient military art works have been translated, annotated and briefly reviewed for the benefit of the vast number of art of war enthusiasts.

This book explores the novel creation of Toni Morrison, an African-American female writer and Nobel Prize winner in Literature, from the perspective of "other space", interprets the social spaces such as "home", "community" and "heterogeneous space" throughout Morrison's novels, and explores their significance in the construction of the character identity in Morrison's novels. It believes that Morrison uses the means of spatial narrative from the perspective of the edge and the other to express a strong racial and gender consciousness, reproduce the history of the other, and attempt to reshape the subjectivity of the other.

This book examines the human theme of Soviet literature and the characteristics of literature and art from the perspective of human perspective. Through the exploration of its themes, the analysis of artistic diversity and the comparative study of Soviet literature and Chinese literature in the 20th century, it reveals the development trend of Soviet literature and the basic laws of human literature. The whole book is divided into three parts: upper, middle and lower parts. The previous section, "Human Thinking: Eternal Literary Themes," examines the human characteristics of Soviet literature, the "religious complex" of Soviet writers, the "historical memory" of Soviet literature, the "causes and causes of human thinking phenomena" in Soviet literature, etc., Highlighting the theme of human thinking in Soviet literature. The middle edition of "Artistic Diversification: Development Trends of Human Literature" examines specific phenomena and writers' works in the history of Soviet literature, studies the remarkable artistic characteristics of Soviet literature, and strives to show the diversified artistic development trends of Soviet literature. The second part, "Different Routes to Same Destination: A Comparison of Soviet and Chinese Literature in the 20th Century", uses comparative research methods to examine the relationship between Soviet literature and Chinese literature in the 20th century, and explores the basic laws of literature of different nations and countries.

As an important literary tradition and an eternal literary spirit, melodies not only influenced the creation of ancient Chinese literature, but also had an important impact on the development of ancient Chinese literary theory. This article chooses the ancient praise style as the entry point to explore the formation and characteristics of the Chinese beauty praise literary tradition, because the beauty praise tradition is composed of the surviving beauty praise works and is a continuum of beauty praise literary works. The article first discusses the birth of the concept of eulogies of the ancestors and the spirit of eulogies contained in primitive songs and dances; then analyzes the stylistic evolution of the elegant odes in the Book of Songs, the eulogies of the Han Dynasty, and the eulogies of the Wei and Jin Dynasties, and their impact on the occurrence and development of the eulogies tradition; finally, it discusses the tendency of the eulogies to be programmed and secular, and analyzes the influence of the eulogies tradition on contemporary Chinese literature, and explains that the eulogies tradition still survives in the present and has become a solid cultural structure and psychological force.

This book is a project funded by the Humanities and Social Sciences Research Planning Fund of the Ministry of Education (Project Approval Number: 09YJA752009). Modernity is the cultural form of modern society and the essential state of modern society. It is reflected in social thought, political economy, science and technology, culture and other aspects. Modernity has become a hot issue that people in today's world pay close attention to. Cross-cultural writers refer to writers with two or more cultural backgrounds. They have more opportunities to experience the characteristics of modern cultural context, which determines the profundity and modern consciousness of their works. They are both carriers and disseminators of multiculturalism. There are so many cross-cultural novel texts. In order to make the research representative, this book focuses on five novelists with cross-cultural backgrounds who have won the Nobel Prize for Literature: American writer Pearl Buck (1892-1973) (Chinese cultural background), Australian writer Patrick White (Patrick Victor Martindale) White, 1912-1990) (British background, Middle Eastern background), British writer Doris Lessing (1919-) (African background), British-Indian writer V. S. Naipaul (1932-) (Indian background), South African writer John Maxwell Coetzee (1940-) (British, American, Australian background). The backgrounds of these five writers cover the five continents of Asia, Africa, Europe, the United States, and Oceania, spanning a century.

Mr. Shen Tianyou is a famous red scholar and literary historian in my country. This book is a collection of his essays. Mr. Shen's academic research mainly focuses on two fields: First, the study of Ming and Qing novels, especially the study of "Jin Ping Mei" and "Dream of Red Mansions". He is the author of "Jin Ping Mei" and "Dream of Red Mansions" (Peking University Press, 1990), "Selected Novels of the Past Dynasties" (co-authored with Wu Zuxiang and others, China Youth Press, 1982). He published more than fifty papers in his life, most of which were novel papers. The second is the writing of literary history, including "Manuscript of the Literary History of Song and Yuan Dynasties" and "History of Chinese Literature" (edited by You Guoen and others as the main contributors). More important is the impact of academic research methods. Mr. Wu Zuxiang said: "Comrade Shen Tianyou has taught at Peking University for many years. His research on these two books is mostly about ideology and art, and he follows the path of the connoisseurship school."

Although "Shi Shi Ji Suo Yin" is not a huge work, it has a unique position in the history of red studies. Cai Yuanpei's "The Stone Records Suoyin" is the last important treatise of the Suoyin School, the main school in the old Red Studies. Although the Suoyin School gradually declined with the rise of New Red Studies, it was this article that triggered the birth of Hu Shi's "Critical Research on the Dream of Red Mansions". In the book, the author analyzes the allusions to people and things in "The Story of the Stone" item by item, which has reference value.

This set of 6 volumes is an in-depth interpretation of poetry by Zhou Xiaotian, winner of the Lu Xun Literature Award for Poetry! "Xiao Tian's Poetry 1. The wind is rising and the clouds are flying": Selected poems and songs from Chu Ci to the early Tang Dynasty in the Book of Songs are selected for in-depth interpretation, from "Guan Guan Jiu Jiu" to "Not like the water of the Xiang River flowing north", from the pre-Qin to the early Tang Dynasty, explore up and down, and feel the source of the charm of Chinese poetry. "Xiaotian's Poems 2. Who by the River Sees the Moon for the First Time": Selects famous poems from the Tang Dynasty for in-depth interpretation. From "The end of the world is like a neighbor" to "Moisturizing things silently", look at the poetry of the Tang Dynasty and how you can chant all the joys and sorrows in the world! "Xiao Tian's Poems 3. Suddenly Like a Spring Breeze Overnight": After reading "Xiao Tian's Poems", my understanding of Chinese classical poetry and songs suddenly became enlightened. Selected as the winner of the Lu Xun Literature Award for Poetry in ancient style poetry, this book interprets and popularizes traditional literature like a story. "Xiao Tian's Poems 4. This feeling can be recalled": From the beauty of Shen Bo to the beauty of Qing Qian, using beautiful language to write sadness, using mental images to cast physical images, see how the poets of the late Tang Dynasty sang about aging loneliness, nostalgia and hatred. "Xiao Tian's Poetry 5. A River of Spring Water Flows East": This book mainly appreciates the famous works of poets from the Tang, Five Dynasties to Song Dynasty. Li Yu, Su Dongpo, Li Qingzhao, Yan Shu, Yang Wanli... Whether they are poets and poets who are recognized as having great achievements, or their poems that have been selected into various collections countless times, in this book, they all show a different beauty than before. "Xiao Tian's Poems 6. Only the Pure Qi Fills the World": This book mainly appreciates the outstanding poems of the Song, Yuan, Ming and Qing dynasties, and modern times. Jiang Kui, Yuan Haowen, Ma Zhiyuan, Wang Mian, Tang Yin... Whether they are poets recognized as having great achievements, or poems that have been selected into various collections countless times, in this book, they all show a different beauty than before.

From the beauty of Shen Bo to the elegance of Qing Qian, use beautiful language to write about sadness, and use mental images to blend objects. See how the poets of the late Tang Dynasty sang about aging, loneliness, nostalgia and hatred.

This book consists of three parts: characters, thoughts, and comments. The character chapter reviews Chinese and foreign thinkers such as Schopenhauer, Kierkegaard, Nietzsche, Wang Yangming, and Li Zhi, and outlines the overall characteristics of these thinkers in a simple and easy-to-understand way. The ideological chapter and the commentary chapter explore the way to connect the ancient and modern Chinese and Western thoughts through the study and comparison of Chinese and Western ideological theories.

As a leading figure in the left-wing cultural movement led by the Communist Party of China, Lu Xun's spirit played an indelible role both after his death and during the Anti-Japanese War. This book starts from Lu Xun's manuscripts, works, translations, philosophy and even art to restore a real Lu Xun.

In the treasure house of the excellent traditional culture of the Chinese nation, "Mencius" is undoubtedly a dazzling pearl. The authors of the book "Mencius" are Mencius himself and his disciples Wan Zhang, Gongsun Chou and others. Sima Qian said in "Historical Records: Biography of Mencius and Xunqing": "(Meng Ke) retreated and prefaced "Poems" and "Books" with Wan Zhang's disciples, described Zhongni's meaning, and wrote seven chapters of "Mencius"." It can be seen that Mencius is the main author of the book "Mencius", and his disciples Wan Zhang, Gongsun Chou and others participated in the compilation of the book.

This book takes several of McEwan's major novels as the research object, uses "the theme of growth" as the entry point to study McEwan's creation, and interprets the meaning and value of his texts. Ian McEwan is recognized as Britain's "national writer" and one of the most influential writers in contemporary Western literary circles. In McEwan's more than 40 years of creative career, the "growth theme" has run through most of his novels, and its importance is obvious. This book believes that McEwan's novels inherit the tradition of "coming-of-age writing" in Western novels, but present their own distinctive characteristics. This book is an academic monograph, suitable for students and researchers majoring in British and American literature, as well as general literature lovers.

Through five chapters including "Philosophy of Story", "Experience of Story", "Quality of Story", "Essential Nature of Story" and "Ethics of Story", it studies new propositions related to novel works such as the art of novel, ontology of novel, history of novel, ethnography of novel and ethics of novel, combined with a large number of specific novel texts, to further explore the poetic mystery of the art of novel. Although there are many theoretical works on novels, this book is unique. There are two main points: 1. To carry out "research on the poetics of novels" from philosophy to history to ethics, etc. This has never happened before in China. 2. Focus on textual analysis of specific works to make academic works vivid and readable.

Zhejiang Provincial Social Science Planning Project. Doctoral thesis on ancient literature from Zhejiang University. This book is the first monograph on Sao-style poetry in the Han Dynasty, and it has academic significance to fill the gap. Sao-style poetry in the Han Dynasty includes Chu songs, poems and ancient Yuefu Ci named after Ci, Qu, Cao, Yin, etc. Sao-style Fu in the Han Dynasty mainly includes Han Chinese works in "Chu Ci Zhangju" and Sao-style works with famous Fu chapters outside "Zhangju". This book studies its main creation causes, emotional world, investigation of the uniqueness of style and art, and its position in the history of the evolution of Sao style.

Due to the great reputation of "The Palace of Eternal Life", later scholars' research on Hong Sheng focused on "The Palace of Eternal Life". Most of the discussions on Hong Sheng's poetry are only scattered in the texts studied on Hong Sheng and "The Palace of Eternal Life". This is the first time that a systematic treatise on Hong Sheng's poetry has been published. The first part of this article places Hong Sheng in the cultural context of the early Qing Dynasty, and explores the origin and flow of his poetic concepts that influenced Hong Sheng's life direction and poetic concepts based on his family background, regional cultural field, teachers and literary circles. The second part focuses on the theme orientation, aesthetic form, and artistic style of Hong Sheng's poetry, and conducts a special analysis of Hong Sheng's love poems, farewell poems, sentimental poems, reclusive poems, and landscape poems based on his life.

What kind of book is "The Romance of the Three Kingdoms"? Rather than saying it is a long historical novel, it is better to say it is a history book, a book of war, a book of life, or in other words, it is a book of wisdom. When reading "The Romance of the Three Kingdoms", it is important to discover the great strategy and great wisdom in it. This kind of wisdom is not based on facts, but is formed by analyzing, synthesizing and sublimating many stories in the original work of the Three Kingdoms. This is the real great wisdom, great understanding and great truth in life. This book is an in-depth reading of the life strategies in "The Romance of the Three Kingdoms", with vivid language and unique insights. If you are a person who loves wisdom, then please open this book and start your journey of exploration of the strategic wisdom of the Three Kingdoms!

As the subtitle "The Wandering Between Translation and Authoring" shows, the author modestly left some words behind, "forming his own academic situation of wandering between 'translation' and 'authoring'". In fact, this is a comprehensive work that embodies Professor Wei Maoping's thoughts and ideas on literary criticism, including the first volume introducing German literature and the literary world; the second volume discussing the relationship between German and Chinese literature; and the author's preface and postscript for the translated work (edited into the third volume).

This book comprehensively reviews the major novel writers, major works, genre styles, and contributions to the history of British and Western novels in the more than 100 years from the initial stage of the rise of modern British novels in the 17th century to the first prosperity of British novels in the 18th century. It includes and comments on the important comments made by Western, especially British and American scholars, on these writers and works from different viewpoints and angles in the past, and on this basis, it puts forward its own opinions. In the specific review, the author shows an excellent level of text interpretation and character analysis, showing the multi-layered meanings of the text one by one, which plays a role in classic appreciation.

As a lover of Gu Long's novels, I have also selected four books for Gu Long as his "four masterpieces", which are "The Prodigal Son of the Border Town", "Seven Weapons", "The Sentimental Swordsman's Ruthless Sword" and "The Happy Hero". I did not include books such as "The Legend of Lu Xiaofeng", "The Legend of Chu Liuxiang", "A History of Martial Arts" and "Peerless Two Prides" because I think the first four books can maturely represent the characteristics of Gu Long in terms of ideological taste, language operation and character description.

This book mainly interprets and comments on the female characters in "Historical Records". The main part is divided into eight special topics, respectively introducing Sima Qian's politically powerful women, common people's mothers who understand righteousness, legendary women who have the courage to pursue, brave and strong chivalrous heroines, wise women with far-sightedness, tragic women in the court, upper-class ladies with twisted souls, and worldly and vulgar women in the market. In addition, it also introduces Sima Qian's views on women and the influence of female characters in "Historical Records" on later generations of culture.

This book is published in a collection and mainly consists of three parts: Shen Peng's reading of twenty-four novels and poems by Lu Xun, Li Jianchun's commentary on twenty-four poems, and Shen Peng's and Li Jianchun's twenty-four calligraphy poems. It mainly brings together a group of poems written by Mr. Shen Peng, "Twenty-Four Poems from Lu Xun's Novels Read by Shen Peng", including "Kong Yiji", "The True Story of Ah Q", "Diary of a Madman", "White Light", "Blessing", "Medicine", "Trouble", "At the Restaurant" and "Loneliness". It consists of nine chapters and twenty-four poems of Lu Xun's classic works such as "The Writer"; Mr. Li Jianchun wrote the article "Appreciation of Shen Peng's Reading of Twenty-Four Novels and Poems of Lu Xun", which was successively published in newspapers such as Guangming Daily, Poetry Magazine, and Beijing Evening News. This book has the title inscribed by Mr. Shen Peng himself, and includes one of his seal script works, as well as twenty-four of the author Li Jianchun's running script works.

"Research on Chinese German Literature in the Past Sixty Years" is the 8th volume out of 12 volumes in the "Academic Process of Research on Foreign Literature in China". "German literature" is a relatively broad concept, including German literature in German-speaking countries, Austrian literature and part of Swiss literature. This volume is mainly based on sorting out historical facts and outlining clues. In addition to the "Introduction" and "Conclusion", it is divided into three parts and six chapters. It provides a more thorough reflection on the modern academic dual-track system, that is, the historical evolution of the university and the Academy of Social Sciences as the carrier of German literature research. It also provides a more thorough reflection on the academic history representatives such as Feng Zhi, Ye Tingfang, and Yang Wuneng as individual cases, on the research works of "classic" writers such as Goethe's "Faust", and on the academic history of German literature itself. The author takes a comprehensive look at the research on German literature in China and fully demonstrates the achievements of German literature research in China. At the same time, the author also points out the problems existing in the research from a methodological perspective.

"Multi-Dimensional Perspectives of Foreign Literature Research" is the second volume of the 12 volumes of "The Academic Process of Foreign Literature Research in China" and belongs to the second part of the "General Introduction". This volume is divided into two parts. The previous article, "Foreign Literature Research in a Multi-Dimensional Perspective," invited domestic scholars with outstanding achievements in related fields to write 12 articles, each examining foreign literature research from their familiar fields and from different angles. These articles were cut from various important angles, with broad vision, profound insights, sufficient discussion, and considerable skill. The next article, "Construction of the Paradigm of Foreign Literature History and Related Issues", mainly discusses four issues: 1. The construction of the paradigm of foreign literature history; 2. "Foreign Literature" curriculum and subject development; 3. Translated novels and their reviews in modern Chinese newspapers and periodicals; 4. Research on foreign literature in Taiwan, China. Each of the above issues has its own emphasis, and they are all indispensable and important issues in the field of foreign literature research.