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The literature of the Qing Dynasty, which is in the period of academic summary and transformation, shows the distinctive characteristics of integrating the achievements of previous dynasties without lacking new innovations, and is the final glory of Chinese classical literature. This book is based on a general survey of Wenhua literature in the Qing Dynasty, combined with the unique academic atmosphere and ideological trends of the times in the Qing Dynasty, and studies the Wenhua in the Qing Dynasty from both macro and micro levels. Macroscopic theoretical research is based on the refining and summarization of specific literary documents, and strives to contain micro within the macro; micro special book research aims to examine the relationship between important literary individuals and relevant theories or styles, hoping to reveal macro within micro.

This collection contains two parts of the author's research on Bakhtin's poetics. The "Bakhtin's Cultural Poetics" section was published by Beijing Normal University Press in 2001. The "Bakhtin's Poetics" section is an expansion and in-depth study of cultural poetics, including the author's papers on Bakhtin's overall poetics, linguistic poetics, genre poetics, novel poetics, historical poetics, sociological poetics, etc.

"Chinese and Foreign Literary Theory (Issue 2017)" is divided into six columns. "Research on Famous Artists' Theories" focuses on the research on literary and artistic theories of famous modern and contemporary Chinese literary and artistic theorists. The articles in this issue mainly focus on the four theorists Chen Duxiu, Fang Dongmei, Liang Zongdai and Zhu Guangqian, covering issues such as their literary theory, poetic theory and cultural personality. The "Basic Theory of Literary and Art" column mainly focuses on the multi-perspective display of important issues in contemporary literary theory, mainly involving the generalization of typical theory, the discussion of the keyword "change" in literary theory, and the study of autobiographical narrative models. "Research on Ancient Literary Theory" continues its consistent focus: first, discussion centered on propositions, such as the modern reinterpretation of the proposition "Poetry Expresses Chi"; second, research centered on historical issues of criticism; third, analysis of theoretical forms based on characters; fourth, discussion at the methodological level. The "Research on Western Literary Theory" column focuses equally on: first, thematic research on characters; second, the review of issues in the history of literary theory. The third is a review of literary theory research. This issue publishes two reviews of the current status of Western decadent research and Abrams research. "Film Studies" focuses on current focus issues in film aesthetics, such as the intellectual significance of film, "technical" issues in film aesthetics, postmodern ideas in VR film and television narratives, etc. The "Literature Reading" column continues the mode of text reading and appreciation.

This book focuses on Latin American novels in the new century from the perspective of academic research, and relatively systematically introduces and reviews the achievements of representative writers in this period in novel creation, including the ideological content and artistic features of their important works. The book is divided into chapters: the new achievements of the writers of the literary "explosion" generation in the new century, the new contributions made by the post-literary "explosion" generation of writers, the creations of the Burst and McCondo writers, the literary achievements of the new generation that have suddenly emerged and cannot be underestimated, and the novel creations of other writers. In terms of style, this book is similar to a history of Latin American novels in the new century. The material it contains is rich, informative, and fresh. It is both academic and readable. It is a very useful read for both professional workers, teaching staff in colleges and universities, and general readers.

The formation of the poetry creation tendencies, poetry themes, and poetry creation styles of the "Ten Elders from Zhucheng" are closely related to the environment of the times, their different temperaments, different life experiences, and life experiences. In other words, the life circumstances of the "Ten Elders of Zhucheng" had a broad impact on their poetry creation. With the same social and regional environment, they have many common themes in their poetry creations, which mainly describe the natural scenery and humanistic customs of their hometowns; however, the differences in the themes of their poetry creations are related to whether they become officials. Those who became officials wrote more about the difficulties in their imperial examinations and official careers, and expressed their grievances, while those who did not become officials wrote more about pastoral scenery and expressed their leisure feelings. The different life situations of the "Ten Elders of Zhucheng" not only gave them different emphasis in creative tendencies, but also gave their own unique styles of poetry creation.

Along with the transformation of Chinese society, politics, and literature, narrative literary works that reproduce and express historical traumatic memories constitute the traumatic narrative landscape in literature in the new era. Based on trauma theory, this book selects trauma narrative works in the new era from 1976 to 1989 as the research object. It studies the expression of trauma themes, psychological descriptions of trauma, and trauma narrative forms from the perspective of trauma narrative, examines the construction process of literary trauma narratives in the new era, grasps the types and characteristics, continuations, and variations of literary trauma narratives in the new era, and deepens the understanding of literary trends and works in the new era.

Digest some reasonable core of Western reception aesthetics and reader response theory, sort out the dilemma and difficulty of the reception of modern poetry; grasp the specificity, openness, and boundedness of the reception of modern poetry, and develop your own response. On the basis of the convergence and parallelism of Chinese and Western reception, review the differences in reception of ancient and modern poetry; discuss the cracks and limitations of the recipients of modern poetry; question the characteristics, difficulties, bottlenecks, influencing factors, special paths, effectiveness and canonization in reception; analyze the acceptance premise of the "interpretive community", The acceptance psychological mechanism of "Xinyiyiyi" and the acceptance trend centered on fun; the "dumbbell model" of acceptance, the "four movements" schema dominated by the heartbeat, the establishment of coordinates for the interaction between formal structure and acceptance responsiveness, and the exploration of the acceptance scale of modern poetry and the "grade" series of good poetry. In the modern and contemporary part of poetry reception, we strive to have a theory of our own.

Transcendentalism was both a literary movement and an ideological emancipation movement from the beginning. It was a huge driving force and dominant force in the American Renaissance and represented the pinnacle of its development. The most outstanding literary achievement of transcendentalism is reflected in the creation of prose. This book places American Transcendentalist prose in the perspective of world literature, mainly using ancient Greek prose and Chinese Ming and Qing Dynasty prose as a reference for comparative research. It provides a new way of understanding for us to comprehensively examine the spiritual outlook, cultural and artistic character of Transcendentalist prose, and provides a platform for equal dialogue for cross-cultural comparative research on prose art.

This book outlines the entire development process of Chinese new poetry in the 20th century in the form of a history theory, and conducts a relatively comprehensive and detailed review of the major poetry groups, schools and representative poets since the birth of new poetry. This book not only attaches great importance to exploring the relationship between major transformations of social thoughts and the evolution of new poetry trends from a macro perspective, but also attaches great importance to the careful reading and interpretation of classic and heterogeneous texts. It rediscovers some neglected and obscured phenomena and poems in the history of poetry, and puts forward its own unique insights into some important poetic topics in the development of new poetry. It is a dedicated work to study the development process of Chinese new poetry and the evolution of the spirit of poetry.

This collection of essays collects 45 papers by the author, two-thirds of which were written after retirement: 1999-2014. This collection of essays has the following characteristics: 1. Prominent characteristics of the times: changes in literary concepts since the new era have greatly broadened and deepened the research space on ancient literature. Based on the focus on revealing people's emotional world and mental journey, multi-level, multi-angle and multi-method research is carried out, giving these papers a completely new look. 2. Prominent innovative features: Some papers put forward some new ideas with high academic value, some papers break the long-term thinking patterns and explore new paths for the research of related issues, and some papers do not adopt the long-term usual perspective, but change to a new perspective, thus making new discoveries. Some papers are not only new perspectives and new viewpoints, but also new topics that have not been studied or systematically studied before. 3. The academic coverage is wide, the content is rich, and it involves many issues. 4. Pay attention to the summary of methodology. 5. Relevant parties have a great response to the paper.

This book studies the basic psychological characteristics and laws of the poet's creative process. The psychology of poetry creation is an interdisciplinary subject of psychology and poetics, and it is a branch of psychology. The psychology of poetry creation belongs to the category of modern psychology and is a branch of modern applied psychology. Its research object is to use the research results of modern psychological science to reveal and explore the psychological development rules of poets in the process of poetry creation.

This book contains the author's papers published in publications such as "Foreign Literature Review", "Foreign Literature Research", "Russian Literature and Art", "Russian Language Teaching in China", "Russian Studies", "Foreign Social Sciences", and "Bёшенский Bестник". Its research objects include the major Russian literary centers from the 18th to the 21st century (from Lomonosov, Pushkin, Dostoyevsky, and Tolstoy to the 20th century red literature, Sholokhov, Solzhenitsyn, and Putin as a producer of literary images and cultural texts), and Sino-Russian literature and cultural exchanges. Taking care of literature through dialogue is the basic research method that the author strives to adhere to. When discussing Russian literature in the 18th and 19th centuries, the relationship between Russian culture and Western European culture is the focus; in 20th century literature, the dialogue between central literature and peripheral literature reflects a variety of literary phenomena; the image of Confucius and the Russian translation of the "Book of Songs" are interpreted as the carrier of Sino-Russian cultural dialogue.

This book is a collection of Mr. Yang Yi's essays, including "Redrawing the Historical Map of Chinese Literature" that Mr. Yang Yi told ministerial-level cadres and new manuscripts on "The Analects", Zhuzi, Li Du, and Su Shi. It is a deepening and development of the concept of redrawing the map of Chinese literature that Mr. Yang Yi has always advocated.

To understand Qu Zi's "Chu Ci", there are two key points that must be kept in mind: First, the first sentence of "Li Sao": "The Miao descendants of Emperor Gaoyang are here, and my emperor is called Boyong." The so-called "Bo Yong" is the eldest son of King Wu of Chu, who was granted the title of Kui Zi. The pronunciation (entering tone) of the character Kui is "Qu" or "Jia". Boyong's eldest son Qu Xia got his surname from this and became the ancestor of the Qu family. Second, Qu Zi's "Chu Ci" has been completely preserved through two channels, the north and the south. The northern route was when the Qu, Jing, and Zhao tribes who migrated to Chu State and the Tian family of Qi State enriched Guanzhong in the ninth year of Emperor Gaozu of the Han Dynasty. Qu Zi's "Chu Ci" was introduced to Guanzhong by the Qu family as an heirloom, and was seen by Jia Yi. The route to the south was Shouchun, the capital of King Qingxiang of Chu, and his literary attendants Song Yu and Tang Le accompanied him. Therefore, Qu Zi's "Chu Ci" was also passed down as a precious heritage. For this reason, this book is divided into four parts, the inner part, the outer part, the chronicle interludes, and the poetics part, which display the complete three-dimensional style of Qu Zi's "Chu Ci" at multiple levels. The internal editor is dedicated to the notes and evidence of "Historical Records: Biography of Qu Yuan Jia Sheng", "Historical Records: Chu Family (Xuanwei Huaixiang)", as well as the ancestry and branch lineage of the Qu family, and Qu Yuan's historical and cultural awareness. The external editor is devoted to the collection and discussion of "Li Sao", "Tian Wen", "Nine Songs", "Nine Chapters", "Yuan Yu", "Divination" and "The Fisherman". The Chronicle Interlude is dedicated to the chronology of all chapters of Qu Yuan's "Chu Ci". The poetics chapter is dedicated to interpreting Qu Song's poems and poems as real poems. Such restoration research can lead people to deepen the exquisite cultural life connotation of Qu Zi's "Chu Ci".

This book pays special attention to and tries its best to explore the unique literary consciousness with cultural heterogeneity and theoretical universality in the Chinese popular literary tradition. It uses the method of combining fact reduction, problem characterization and theoretical elaboration to focus on the study of "China's elegant and popular cultural tradition and traditional Chinese narrative literary thought". Important issues include the "outside history" view and the inward view of aesthetic pursuit, the formation of fictional and creative consciousnesses such as "performance" and "meaning", the "interpretation" theory and the "self-oriented" consciousness in the literary acceptance view, the "power and education" view in the value concept of popular literature, and the expression and deconstruction of alternative ideologies in popular literature.

The content of this book is divided into three parts: The first part is the study of literary groups in the Yuan and Mid-Tang Dynasties, focusing mainly on the literary activities of the Yuan Dynasty, scholarly conduct, relegated life, and the relationship with political events. The second part is a review of meta-literary exchanges, which mainly focuses on sorting out the space of meta-literary exchanges and examines the research on the history of literary reception. The last part explores the correlation between Yuan Shao's image of a writer and the image of a scholar from the perspective of literary reception history. According to the reception status, we examine the relationship between Yuan Shao Yuefu poems and Yuan Bai, as well as the advantages and disadvantages of Yuan Bai, and then focus on the dissemination and reception of Yuan's image.

This book is the final result of the National Social Science Fund project "Research on British Left-wing Literature in the 20th Century". It is divided into three parts: a survey of British left-wing literature in the 20th century, a study of the main idea of British left-wing literature in the 20th century, and an exploration of the artistic characteristics of British left-wing literature in the 20th century. It discusses the economy, politics, history, and culture of various stages of British left-wing literature in the 20th century. The background and main features outline the development stages and evolution of British left-wing literature in the 20th century as a whole; it explains the ideological connotation of British left-wing literature in the 20th century, summarizing and refining eight major subjects; it explores the artistic characteristics of British left-wing literature in the 20th century, and outlines its development and evolution from realism to modernism to postmodernism. This book is of great reference significance for re-understanding British left-wing literature, and thus for a more comprehensive understanding of the development, evolution, ideological significance and artistic value of British literature in the 20th century.

Mo Huaiqi is an excellent novelist with the attributes of a "cultural landmark" and an intellectual who has made creative contributions to regional cultural construction. As a university professor and as a civilian writer, he engaged in writing in a free sense, making him and his novels a unique cultural landscape in Chongqing and even the west. The author of this book has been engaged in the research of Mo Huaiqi's novels for a long time as a colleague and close friend. He has also conducted in-depth and extensive cultural explorations with Mo Huaiqi on many important issues related to the novels, and has recorded and accumulated a large amount of unique research materials. On this basis, a multi-level, multi-perspective and multi-faceted systematic interpretation of Mo Huaiqi's rural novels, detective mystery novels, urban romance novels and chivalrous novels is carried out. The book explores and reveals the regional cultural characteristics and artistic aesthetic characteristics of his novels, the construction of narrative ethics and the choice of narrative strategies in the novels, the awakening of historical consciousness, and the highlighting of Chongqing's cultural character in historical narratives. Such spiritual changes and cultural hidden meanings are explored and revealed in a unique and enlightening way. It is believed that not only The spiritual trend embodies the novelist's distinctive personal "growth" characteristics, and also reflects the cultural personality and evolution trajectory of Chongqing people's "growth". In particular, the chivalrous spirit that dares to resist the loss of poetry and the degradation of human nature as a regional cultural feature has been fully developed and interestingly performed in the world of Mo Huaiqi's novels.

Drama occupies an extremely important position in foreign literature, especially in Western literature. Although in the 20th century, drama has been on the decline, in general, drama belongs to the essence of literature and the crown of art in Western history. After the founding of New China, the country attached great importance to the translation, performance and research of foreign dramas.

This collection of literary criticism selects more than 70 literary papers, articles and short reviews written and published by Mr. Bao Mingde in recent years. These articles are basically published in national-level literary and art newspapers. Combining many years of teaching, research and theoretical experience, the author has explained in many articles the nationality and globality of literature and art, a century-old topic of literary creation and criticism, and correctly interpreted the discussions on nationality and globality in classic works. Adhering to the critical spirit of realist literature, the author has clarified in many reviews the importance of the truth of details in portraying characters, embodying the spirit of the times and historical consciousness; and in the review articles, he elaborates on how to adhere to the Marxist outlook on life and the standards of Marxist literary criticism in the diverse and multi-context overlapping literary trends and aesthetic patterns, thereby presenting a macroscopic, dialectical, comprehensive and innovative theoretical perspective on literature and art.

This collection contains the author's research results on the history of Russian and Soviet literary criticism. The first part, "Between History and Form-A Perspective for Examining Russian Literary Theory in the 19th and 20th Centuries," is selected from some chapters of the author's different monographs and papers published in journals, but the overall concept is new and is subject to the new concept. A new "General Introduction" and five new chapters are also written, and five related papers are attached. The second part, "The Development of Russian Marxist Literary Theory in the 20th Century," is selected from the "General Introduction: The Development and Characteristics of Russian Marxist Literary Theory in the 20th Century" written by the author of the book "Research on Russian Marxist Literary Theory in the 20th Century," an overview of each era (the rise of the late 19th and early 20th centuries, the establishment and internal dialogue in the 1920s and 1930s, reflection and expansion in the 1950s and 1960s, and new trends in the 1970s and 1980s), and selected two related papers. The third part, "New Progress in Contemporary Soviet Literature and Art," is selected from "Russian-Soviet Literary Theory in the 20th Century."

People in Jiangxi during the Ming and Qing Dynasties read the "Four Books and Five Classics" very diligently, but their achievements in literary creation were not high, and their ideas were even a bit pedantic. The dawn of Jiangxi poetics and literary theory in the Ming Dynasty was brought about by Yangming's philosophy of mind. Tang Xianzu's "emphasis on emotion" literary thought is closely related to Yangming's philosophy of mind. Jiangxi poetics in the Qing Dynasty paid attention to the calligraphy, syntax, and composition of poetry. The literary inquisition had a certain impact on Jiangxi literati. For example, Xie Qikun, a native of Nankang, failed to investigate and deal with the literary inquisition during his tenure, which affected his life-long creation and scholarly direction. In the late Qing Dynasty, the awareness of worry became the main theme of modern literary criticism. The works of Wen Tingshi, Wei Yuankuang and others who were worried about times and chaos are reflections of the trend of this era. During this period, there were many compilations summarizing regional literary theory and thought, such as Guo Zizhang's "Yuzhang Poetry" and Qiu Junhong's "Xijiang Poetry" in twelve volumes, etc., Which have important reference value for us to write the history of regional literature and literary thought today.

The famous vernacular novel "The Wizard of Oz" in the middle of the Qing Dynasty has achieved outstanding literary achievements. Mr. Zheng Zhenduo ranked it as the three major novels in the middle of the Qing Dynasty along with "A Dream of Red Mansions" and "The Scholars". He considered it "all unprecedented works" and praised it as "covering a wider scope than The Scholars, describing the dark side of society more profoundly than The Scholars, and its skills and writing power are also more vigorous." Li Baichuan, the author of "The Wizard of Oz", mainly lived in Henan, Shaanxi and other places, and his language fully reflected the overall appearance of the Central Plains region at that time. As the most numerous type of function words, adverbs are internally unbalanced and have stronger individuality than commonality. Therefore, they need to be studied as a whole as well as individually. This book makes horizontal and vertical comparisons based on a comprehensive description and analysis of the adverbs in "The Wizard of Oz": In terms of horizontal comparison, it is compared with three contemporary vernacular works, "The Scholars", "A Dream of Red Mansions" and "The Heroes of Sons and Daughters".

"Interpreting the Mystery of the Interaction between Mind and History" is Ji Hongzhen's painstaking research work over the past five years. It includes her exploration of Xiao Hong's research, her academic practice of integrating contemporary literary phenomena into the time process of China's long culture, and her detailed interpretation of Chinese and foreign new century literature. It shows a methodological exploration that integrates a lifetime of academic experience.

Based on the macroscopic vision of the history of contemporary Chinese literature, this paper systematically sorts out the development and evolution of Western prose since the 1940s, pointing out that "cultural imagination," "Western spirit" and "awareness of family and country" constitute the inner spiritual structure of Western prose. This spiritual structure not only enables Western prose to show different characteristics and atmosphere in the Chinese contemporary literary landscape, but also continuously stirs up moving charisma in its dialogue with the spirit of the times. As the final result of the National Social Science Fund project, the book strives to summarize creative experiences of more universal significance through the study of contemporary Western Chinese prose, and the elucidation of "creative models" and "local imagination" is a concentrated expression of this goal. This book also takes the western prose creation of Zhou Tao and Ma Lihua as examples to analyze the cultural stance, personality spirit and aesthetic pursuit of western writers in order to gain an in-depth understanding of China's contemporary western prose.

Transcendence, in the author's view, is both an aesthetic attitude and a philosophical thinking. The exploration of "transcendental" poetics aims to effectively unify the aesthetic and philosophical cognition of poetry and construct a symbolic poetics that integrates the ontology (language) and totality (poetry) of literature and art. In response to "non-poetic" writing trends such as universal assimilation and homogeneity, this book focuses on exploring the discourse characteristics and expressive possibilities of transcendental writing in poetry. , In order to provide reference for the development of contemporary poetry. By analyzing the works of poets such as Haizi, Changyao, Luofu, Xichuan, and Tan Yantong, the rationale and possibility of "transcendental" poetry writing are outlined, thereby presenting the literary attitudes and theoretical interests advocated by the author at the level of language ontology consciousness, as well as "transcendental" writing that integrates poetry, spirituality, and divinity.

The so-called perspective actually first includes the author's standpoint, perspective or "expected intention". Secondly, it is also determined by the complexity of contemporary Chinese literature. Therefore, this book uses multiple cultural perspectives, cultural research, aesthetic exploration, psychoanalysis, narrative close reading, etc. To explore issues such as contemporary industrial literary creation, urban literary creation, the folk form of literature in the 1970s, and the complexity of the creative experience of contemporary writers. It has a certain degree of knowledge and academic rationality. This book has rigorous logic and simple writing. Most of the chapters have been published in core academic journals such as "Contemporary Writers' Review" and "Literary Controversy", and some have been quoted by the media and have certain academic repercussions.

This book is divided into five volumes. The overall structure of this book shows the author's concept of children's literature discipline: children's literature is a discipline with its own distinctive theory, literary history and literary criticism, and has the two attributes of interdisciplinarity and practical application. The papers in the collection provide some important theoretical topics and academic perspectives for the discipline construction of children's literature. The first volume of "History of Chinese Children's Literature" emphasizes the "oneness" of modern Chinese literature and children's literature; develops the theoretical method of constructivist essentialism; adopts an "ideological revolution" stance and perspective on "tradition"; and puts forward the important concept of "differentiation period" in epochal history. The second volume of "Children's Literature Theory" focuses on the study of children's literature concepts and develops a contemporary "child-oriented" children's literature concept. The third volume of "Children's Literature Criticism" is a critical practice of the "child-centered" theory constructed by the author. The fourth volume "On Japanese Children's Literature" shows the author's international vision of children's literature research. The most important academic contribution of the fifth volume of "Research on Chinese Education and Children's Education" is that it proposes a "constructivist" view of Chinese based on reflection on the "instrumentalist" view of Chinese.

"New Century Literature Essays - Writers and Works" is a selection of the famous literary critic Meng Fanhua's comments on the works of important writers in the new century. There are reviews on the academic works and achievements of famous scholars and critics of contemporary literature, as well as reviews on the works of writers from different generations. Over the years, the author has been paying close attention to and tracking the development of current literature, and actively participated in constructing the literary landscape of the new century through critical articles. Although these articles are reviews of specific writers' works, we can also see the author's intellectual analysis, judgment and criticism of the cultural background full of paradoxes in new century literature. Therefore, these comments not only have a distinct sense of the scene and the times, but also express the literary ideals and values ​​that the author has always adhered to.

This book is the author's research monograph on Xie Lingyun, divided into two parts: the main text and the appendix. The upper and lower parts of the text are the author's reinterpretation of the metaphysical implications and historical nature of Xie Lingyun's words and deeds based on the interpretation of Gu Shaobai's "Collection of Xie Lingyun" (Taiwan Liren Book Company) and Li Yunfu's "Collection of Xie Lingyun" (Yuelu Publishing House). The appendix includes a compendium of chronology, historical commentaries and several research papers on Da Xie published by the author. It contains the author's knowledge and research on Daxie over the years.

The "Shuobu Series" published by the Shanghai Commercial Press is large-scale, with 324 works in 22 years from 1903 to 1924. It is the best among many "Shuobu Series" in the late Qing Dynasty and the early Republic of China, and reflects the great achievements of the revolution in the novel world. This book is the first to carry out a comprehensive and systematic narration of the 324 works in the commercial edition of "Shuo Bu Series", which is quite innovative research work. This book narrates the author (author and translator), various versions, chapter list (full version or excerpt), preface and postscript (full version or excerpt), and other related documents such as reviews, works advertisements and other information of each work in the UK, France, the United States, Russia, Japan and other countries and regions. It has important historical and academic value.

This book is the final result of the National Social Science Fund Project (06CZW004). The first part, "Research on the Art and Literature of the Ten Kingdoms", comprehensively examines the literati of the Ten Kingdoms who have written works and the types, spread and loss of their works; the second part, "A Collection of Prefaces, Postscripts and Bibliographic Texts of the Works of the Ten Kingdoms Literati", examines the scholars of the past dynasties, especially those of the past dynasties. Scholars who engrave books and collect books evaluate the literati's works that have survived in rare collections of poems and essays by literati from the Ten Kingdoms; the third part, "An Examination of the Circulation Process and Edition Origin of the Collection of Literati's Works from the Ten Kingdoms", is based on the compilation of bibliographic texts and prefaces and postscripts, and through comparison The similarities and differences in editions examine the editions and evolution of literati's collections of rare poetry collections that have survived, and produce a "Diagram of the Process of Dissemination and Origin of Editions"; the fourth part, "The Lives and Deeds of Literati from Ten Countries and the Authenticity of Their Works," examines the life of literati from ten countries. The fifth part, "Review of the Literary Creation of the Ten Countries," provides a comprehensive and in-depth analysis of the literature of the Ten Countries by carefully analyzing the texts of the works, taking into account the selection and evaluation of predecessors, and adopting a human-centered approach.

As an important writer who is good at both drama and novel creation, Chen Yan's writing benefits not only from his extremely rich life experience, but also from the rich Chinese opera and literary traditions. The basic characteristics of Chen Yan's works are to observe and deal with the lives and life experiences of ordinary people in the broad perspective of the overall era, to create characters that are exemplary for the times, and to integrate Chinese classical tradition on the basis of adhering to the elegant and upright realist tradition to open up a new realm of literature. This is true for "Xijing Story", "Staging", "Protagonist" and the new work "Comedy". By reading the modern plays "The Late Blooming Rose", "The Big Tree Migrating Westward", "The Story of Xijing" and the collection of essays "Speaking of Qin Opera" with the novel text, we can understand the basic status of Chen Yan's overall creation and the significance of the expansion of his vision of concepts and aesthetic expressions. This book attempts to understand and elucidate the literary historical value of Chen Yan's works from a new, more inclusive and general vision that integrates "ancient", "modern", "Chinese" and "Western", and "literature" and "art", and explores its creative transformation and innovative development in Chinese classical tradition, as well as the continuous important experience of realism, and then explores the establishment and significance of the concept of "big literary history" as a new research paradigm.

This monograph relatively systematically explains the two-way diaspora of British people from the United Kingdom to its overseas colonies and from (former) colonies to the United Kingdom in the works of British diasporic writers from the late 19th century to the early 21st century, from Rudyard Kipling to Zadie Smith, and the accompanying political, economic, military, cultural and racial security issues.

"Metaverse" has recently become a global hot word, igniting people's enthusiasm for future technology. If the metaverse means that literature needs to adhere to a global vision, will the many local concepts surrounding literary creation and research (such as concepts such as "region" and "tradition") face a loss of explanatory effectiveness? In such an era where the boundaries between virtuality and reality are increasingly blurred, it is necessary for us to sort out and re-examine those local concepts that were once active in the field of literature, and explore their possible future implications. This book takes the above-mentioned issues as an opportunity, takes regional space and culture as the research objects, and conducts all-round research on them. It includes both a macroscopic inspection of returning to the historical scene and a close reading of the text based on individual creative cases. In addition to the introduction and appendices, it includes a total of five chapters, namely: the journey of seeking roots and the pain of losing roots, regional writing and transcending regions, rational examination of traditional culture, historical sorrows and body images, technological future and ethical confusion. This study attempts to connect history, tradition and the future, and comprehensively expand the research space on the relationship between literary region and culture.

Zhu Yingdan is a representative poet among the Beijing literati group. His poetry creation and poetry theoretical criticism are a valuable modern poetics resource that needs to be developed. This book is divided into three parts: a comprehensive review and monograph of Zhu Yingdan's poetry, a comparative study of Zhu Yingdan's poetry and Chinese and foreign poetry traditions, and a study of Zhu Yingdan's poetry theory and criticism. It discusses the imagery, rationale, and style characteristics of Zhu Yingdan's modern poetry, the relationship between Zhu Yingdan's modern poetry and the tradition of ancient landscape poetry, and the art of Western symbolism poetry, the theoretical criticism of Zhu Yingdan's poetry, and the cultural psychology and formal characteristics of Zhu Yingdan's old-style poetry. This article systematically explains the artistic experience of Zhu Yingdan's poetry and the blending of ancient and new, tradition and modernity.

This book is mainly a series of discussions centered on related topics in German literary trends. Specific topics include: the creation of "reception aesthetics" and the expansion of the scope of literary research; "aesthetic liberation" and the update of the definition of realism; the persistence of classical literary theory and the awakening of new aesthetic consciousness; the revolution of artistic thinking and the innovation of literary practice; German literary research and translation issues, etc. The author returns to the historical context of the development and evolution of German literature, and deepens the analysis of relevant literary trends of thought and art through the interpretation of relevant writers, artists and their works, which helps readers understand the development context of relevant literary and artistic trends of thought and their expression in literary and artistic creation.

In literary theory, "the boundary of interpretation" is a proposition that cannot be ignored. It takes the objectivity of interpretation and the certainty of meaning as its core, and is constantly activated in the current era of uncertainty. It is different from arbitrary rules or decrees, but contains rich theoretical paths and methodological orientations, and constantly involves the broader cultural and spiritual field. This book conducts an in-depth analysis of the "boundary" issue of literary interpretation from different perspectives such as conceptual connotation, historical genealogy, construction path, ontological form, and practical strategies, thereby launching a critical reflection and discourse re-evaluation of contemporary literary theory and even cultural ecology. The goals of this book are, first, to enrich the theoretical discourse on interpretive boundaries and expand the knowledge landscape of literary research; second, to extract positive factors such as humanistic spirit, aesthetic ideals, and truth value from boundary issues, so as to provide certain solutions for the humanities community facing the threat of relativism and even cultural nihilism.

This book is the first domestic monograph on the study of Wilde's fairy tales. It summarizes the characteristics of fairy tales in the transition period from traditional fairy tales to modern fairy tales, and systematically studies the creative motivations, themes, literary images and narrative art of Wilde's fairy tales. The author believes that Oscar Wilde is a representative fairy tale writer in the transition process from traditional fairy tales to modern ones. His works reflect the distinction between traditional fairy tales and modern fairy tales, and have a historical position in the history of Western fairy tales as a link between the past and the future.

The book combs and examines various Ming and Qing poetry collections, collections, family collections, genealogies, poems and county chronicles and other documents. It identifies more than 300 female writers from prominent Jiaxing families in the Ming and Qing Dynasties, unearths 71 collections by women, sorts out 13 creative groups of female writers from prominent families, and analyzes the life environment of women from prominent families in Jiaxing from both macro and micro perspectives. This paper comprehensively examines and discusses the environment, cultural ecology, time and space distribution, family lineage, characteristics and stages of literary creation, dissemination of texts and regional representative writers, outlines the spiritual outlook and the overall outline of literary creation of female writers from prominent Jiaxing families in the Ming and Qing dynasties, and expounds the value and influence of literary creation by female writers from prominent Jiaxing families in the Ming and Qing dynasties. This book adds a new perspective to the study of family literature and provides a model for the study of women's literature.

This monograph is mainly based on Escarpi's "Literary Sociology", Foucault's "Archaeology of Knowledge", and Bourdieu's "Field Theory". With the attitude of "returning to the historical scene", on the basis of in-depth excavation of historical materials of awards and theoretical speculation, it extends its research horizons to the literary award activities of the entire 20th century. It not only fills many academic gaps in the study of the "historical origins" of contemporary Chinese literary awards, but also questions the existing consensus in the academic community. Theoretical errors were "corrected"; it not only conducted a panoramic examination of the establishment, evolution, and revision of the Chinese contemporary literary award system with the national novel award as its core, but also conducted a constructive study of the mutual game and ebb and flow of various forces in the literary field that were highlighted behind this change. At the same time, it also provided necessary theoretical analysis of the leading principles, aesthetic biases, and institutional flaws of the Chinese contemporary literary award that were formed as a result.

"Focus Research" combs the emergence and development of the core concept of "focus" in narratology. Based on the changes in media carriers in different literary eras and based on multiple text analyses, it explores the narrative characteristics related to focus. It believes that changes in focus types reflect the development of human thinking and cognition and the impact of technological innovation on narrative methods.

The basic idea of ​​this book is to sort out the changes in the public identity of literary consumerism and the changes in its value function based on "history". Under this macro-framework, we specifically take the three changes in the public identity and value function of literary consumerism since the new era and the three stages of the development of market economic relations represented by them as the node, and explore the spiritual trajectory, internal laws and value characteristics of its historical evolution as a whole, and discuss in detail the specific process and microscopic form of the changes in the public identity and value function of literary consumerism.

William Faulkner is one of the most important writers in the history of American literature and has had a profound influence on contemporary Chinese writers. This book conducts an overall and systematic study of the narrative art of Faulkner's novels from four related structural levels: narrative language, perspective, work structure, and the structure of the Yoknapatawpha lineage, and deeply examines the essential characteristics of his artistic style. His artistic innovation integrates literary tradition and A series of important issues such as the achievements of modernist avant-garde experiments, the interactive relationship between his artistic creation and the modernization transformation of American southern society, and its influence and inspiration on contemporary Chinese literature, overall show a clear awareness of comprehensive understanding and in-depth evaluation of Faulkner's creation.

"The Compatibility and Differences between Oe Kenzaburo and Lu Xun" starts from the aspects of thought, writing style, influence, etc., And deeply explores the literary origins of Oe Kenzaburo and Lu Xun and the resulting value and significance that cannot be ignored. That is, from the aspects of literary thoughts, creative concepts, techniques and methods, genres and styles, etc., It reveals the relationship between Oe Kenzaburo's literary creation and Lu Xun in a relatively specific, comprehensive and in-depth way. It provides some useful reference for further understanding the creation and influence of Oe Kenzaburo and Lu Xun, as well as understanding the relationship between Chinese and Japanese literature. It also brings some useful enlightenment to contemporary literary creators on how to create excellent literature with global universal significance.

The theme of male fertility in online literature refers to the male fertility content (including but not limited to pregnancy, childbirth, etc.) Described in online literature. Starting from the perspective of gender culture, this book collects and organizes Chinese and foreign literary works on male fertility and describes its historical evolution. It conducts an in-depth and systematic study of the male fertility theme in online literature through interpretation of text characteristics, analysis of creative groups, and analysis of readers' understanding and acceptance of male fertility in different cultures.

Masaji Aoki is one of the important representatives of the Kyoto School of Chinese Studies in Japan. This book takes Aoki Masaji as the main research object and combines it with the context of modern Japanese culture. It focuses on a series of research results of Aoki Masaji in the history of Chinese opera and literature, clarifies his unique research perspective and research methods, and analyzes how modern Japanese Chinese studies established China's "difference" and how to seek the essence of "self" by returning to the origin of Chinese culture.

In the early Qing Dynasty, the Ming Dynasty system was established, and scholars were selected based on the eight-part system. In the 22nd year of Qianlong's reign, during the Ding Chou Examination, the imperial court issued a decree to add a five-character and eight-character rhyme poem, and it was custom-made to select scholars for the examination. At present, a large amount of theoretical information on trial verse poetry has been preserved in various poetry talks, anthologies, prefaces and postscripts to collections and poetry criticism from the Qing Dynasty. This book takes the development of trial verse poetics in the Qing Dynasty as a clue, examines its theoretical characteristics and achievements in three stages of development, from its initial beginning, mid-term completion, to new changes in the late Qing Dynasty. It deeply analyzes its stage characteristics, explains the core theoretical viewpoints, and comprehensively sorts out and displays the development context of the trial verse poetics in the Qing Dynasty.

This book focuses on Kunming during the All-out Anti-Japanese War. It breaks away from the research idea of ​​treating Kunming as just the "background" of the Southwest Associated University. By excavating and sorting out original documents, it carefully examines the literati mentality and cultural atmosphere conveyed in literary works, and demonstrates the special charm of Kunming as a "cultural metropolis" during the war. The Anti-Japanese War promoted Kunming's modernization transformation. Cultural people coming to Kunming from the mainland changed Kunming's cultural ecology and stimulated the cultural cognition of local people. This formed a unique cultural space jointly constructed by outsiders, locals and the city of Kunming. This book's investigation of Kunming's cultural space during the Anti-Japanese War enriches the cognitive perspective of Anti-Japanese War literature, and then ponders the complex process of Chinese literature and even culture moving towards "modernity".

Lu Ling is a famous modern writer and a member of the July Party. His creations lasted from the 1940s to the "Seventeen Years" and the new era. The starting point of this book's research is neither a panoramic "scan" and exposition of Lu Ling's novel creation, nor a repeated discussion of issues that have been fully valued and studied in Lu Ling's novel creation. Rather, it is an attempt to break through the conventions of the genre and examine and stage it from a holistic perspective. By contrasting the two dimensions of sex, we excavate the works and artistic characteristics that have been "obscured" or have not been fully discussed in Lu Ling's novels, trying to present the echoes and dislocations between Lu Ling's novels, literary mainstreams, and political practices in different historical contexts, and outline the evolution of Lu Ling's literature.