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"Masters Interpret Classical Classics: Historical Novels (Part 1)" uses concise, smooth and popular words to interpret the origin, evolution, historical background, ideological connotation and artistic achievements of these novels. Interpretation of the novels of the Two Han Dynasties The two Han Dynasties were an important period in the history of our country. The novels based on the historical events of the Two Han Dynasties constitute a unique series that is continuous. Through several development stages of early novels with themes of the Han Dynasty, Sewu Pinghua and popular romances of the Ming and Qing Dynasties, the author combs the development and evolution trajectory of the novels of the Han Dynasty, compares their similarities and differences with official history, and compares and analyzes the different styles and tastes of the same theme in different historical periods and written by different writers, and cannot exhaust the special rules of the creation of historical novels.

"Historical Novels" Interpretation of the "Biographies of Heroes" series of novels "Masters Interpret Classical Masterpieces: Historical Novels (Part 2)", on the basis of introducing and interpreting "Biographies of Heroes" and analyzing its artistic achievements, makes a more in-depth discussion of historical novels from the aspects of the relationship between novels and historical facts and the mentality of the citizen class, and affirms its pioneering significance and creative literary value in reflecting contemporary history with novels.

"Masters' Interpretation of Classical Classics: Historical Novels (Part 2)" Interpretation of the Two Jin Series Novels In terms of historical changes, the Two Jin Dynasty followed the Three Kingdoms era. The Jin Dynasty was a feudal dynasty established by the Sima family after usurping the military and political power of Wei and defeating Shu and Wu. In this dynasty, unity was short-lived, but war and division were the characteristics of this dynasty. "Masters' Interpretation of Classical Classics: Historical Novels (Part 2)" will analyze and compare the creative ideas, content and artistic achievements of "The Romance of the Eastern and Western Jin Dynasties" and "The Romance of the Two Jin Dynasties" that reflect this period of history, and provide help for readers to understand and read these two historical romance novels.

Interpretation of "Three Episodes of Jian Deng" and "Three Episodes of Jian Deng" are the collective name of the three novel collections "New Stories of Jian Deng", "Remaining Stories of Jian Deng" and "The Story of Looking for Deng Yin". Among them, "New Stories of Jian Deng" is a pioneering collection of novels from the enlightened era. This book provides a comprehensive interpretation of the historical status, artistic achievements, and ideological tendencies of "Three Stories of Cutting the Deng" from the perspectives of Chinese novel history, literature and art, and historical religion. Interpretation of "Three Words" When it comes to Feng Menglong's "Three Words", many people know that it includes "Mingyan to illustrate the world", "Tongyan to warn the world" and "Everlasting words to awaken the world", but they ask how it came into being. It is hard to say what kind of artistic charm it will have on later generations. This book focuses on interpreting "Three Words" and its representative chapters from the aspects of era background, ideological tendencies, characters, artistic techniques, and practical significance. Interpretation of "Two Beats" Ling Yangchu's "Two Beats" - "Surprise at the First Moment of Shooting the Case" and "Surprise at the First Moment of Shooting the Case" are as famous as Feng Menglong's "Three Words". This book brings together the results of contemporary research on "Two Beats" and interprets it in detail from various aspects such as exploring its origins, artistic analysis, comparison of works, and the relationship between the ideological tendency of the work and social life. Interpretation of "Silent Play" Li Yu not only wrote poems, lyrics, operas, novels, but also theoretical miscellaneous works. The complete categories and considerable quantity are rare in the history of Chinese literature. To be fair, Li Yu was not only the most outstanding writer in the creation of popular short stories after Feng Menglong and Ling Yangchu in the late Ming Dynasty, but he was also one of the rare generalists in ancient my country. Based on many years of research, the author of this book comprehensively and systematically interprets Li Yu and his "Silent Play" and other novels.

Interpretation of "Strange Stories from a Chinese Studio" Pu Songling and his "Strange Stories from a Chinese Studio" are almost known to everyone. "Interpretations of Classical Masterpieces by Famous Writers: Storytelling and Classical Chinese Novels (Part 2)" combines the many results of the research on "Strange Stories from a Chinese Studio" and gives a detailed interpretation of Pu Songling's "Strange Stories from a Chinese Studio". It not only gives an overview but also details the sources, helping readers to fully understand Pu Songling and his "Strange Stories from a Chinese Studio". Interpretation of "Zi Buyu" Yuan Mei was a famous litterateur in the Qing Dynasty. He had been writing poetry for fifty years and left a large number of works. The novel "Zi Buyu" reflects his humorous personality and ridicule of the world. "Famous Masters Interpret Classical Masterpieces: Storytelling and Classical Chinese Novels (Part 2)" briefly introduces Yuan Mei's life experience, ideological character and literary achievements, and then focuses on interpreting the ideological content and artistic characteristics of "Zi Buyu". Interpretation The popularity of TV series such as "Yuewei Cottage Notes" and "Iron Teeth and Bronze Teeth Ji Xiaolan" have made Ji Xiaolan (Ji Yun) a household name. Ji Yun, a famous writer in the Qing Dynasty who served as a high official and edited the "Sikuquanshu". Why did you write "Notes of Yuewei Thatched Cottage" which talks about ghosts and foxes? The author broadens his horizons and explores and interprets Ji Yun and his "Notes from Yuewei Cottage" from the perspective of the diversity of traditional Chinese culture in the context of world literature.

This book is an appreciation monograph by the famous red scholar Mr. Zeng Yanghua. The book consists of more than 70 articles, each of which is short and concise. The content covers various issues that are of concern to the majority of lovers of Red Mansions. It focuses on sorting out the characters and emotions in "A Dream of Red Mansions", exploring the disillusionment of prosperity and the sadness of passing expressed in the book, and describing the loneliness, loneliness and hesitation of youth. The author elaborates on this "endless "Dream of Red Mansions"" with careful and meticulous analysis and plain and simple language, abandoning the shortcomings of obscure and difficult-to-understand academic works, making this book not only of academic value, but also a guide for readers to read "Dream of Red Mansions".

"Journey to the West" is one of the four classic classics. It has been regarded as a "wonderful book" since the Ming and Qing Dynasties. The secrets of Taoist practice are hidden in the mythical stories. Wang Dongting, a Taoist in the late Qing Dynasty, called this book "truly the first Taoist wonder book". "Those who are familiar with "Journey to the West" can understand all the golden elixirs by themselves"; In order to facilitate readers to understand and study the mystery of the novel "Journey to the West", "Journey to the West True Interpretation" written by Chen Shibin in the Qing Dynasty and "Original Purpose of Journey to the West" written by Liu Yiming in the Qing Dynasty are now published together for the readers' enjoyment. Sheng Keqi (formerly known as Sheng Keqi) was born in Tangshan, Hebei Province. Originally from Ji County, Tianjin. He is the executive director of the National Laozi Taoist Culture Research Association, deputy secretary-general of the Alchemy and Health Culture Research Association, deputy secretary-general of the Hebei Taoist Association, and vice-president and secretary-general of the Tangshan Taoist Association. The 27th generation of Quanzhen Longmen Sect and the 6th generation of Dajiangxi Sect. In Nei-alchemy, he was taught by Mr. Chen Yuzhao (1926-2012), the fifth generation descendant of the Jiangxi School of Taoism. He received careful guidance from Professor Hu Fuchen, a doctoral supervisor at the Chinese Academy of Social Sciences, and studied traditional Taoist culture. Main works: "Yuanqiao Internal Chapter", "Fanghu External History", "Collected Annotations of Shen Tongqi", "Collected Annotations of Huangting Jing", "Complete Works of Zhang Sanfeng", "Ancient Yijin Jing and Ximui Jing" and other dozens of ancient book compilation works.

This book is a collection of essays by Mr. Yan Jiayan on Lu Xun's novels and Lu Xun's thoughts. It not only discusses Lu Xun's novels relatively fully, but also makes a series of new elucidations on his achievements and characteristics. It also conducts a lot of new excavations and research on the profoundness of Lu Xun's thoughts, especially his thoughts in his later years.

Mr. Yan Jiayan, on the basis of doing a lot of work on historical materials, summarized the naturally formed "community" of novelists in the history of modern literature, and created a research pattern on the genre history of modern Chinese novels in the new era. The book unearthed for the first time novel genres such as the New Sensation School, the July School, and the Beijing School that had been forgotten by history, triggering a subsequent wave of research on related schools. In 1992, he won the "National Excellence Award" for the second national outstanding textbooks for colleges and universities issued by the State Education Commission. In 2008, he won the "100 Excellent Achievements Award" for Peking University's humanities and social science research in the past 30 years of reform and opening up.

In 1995, Mr. Yan Jiayan opened the first special course on "Research on Jin Yong's Novels" in the Chinese Department of Peking University, and published a series of influential research articles on Jin Yong, which played an important role in the entry of Jin Yong and his works into the history of literature. This book is compiled based on the lecture notes and related articles of this special course.

Under the concept of the new liberal arts, this book provides a thematic explanation of American literature from nine aspects, focusing on exploring current issues based on the original classics. It provides a reference for understanding the artistic characteristics, theme connotations, aesthetic styles, social concerns of American literature, especially American novels, and the factors that help them break away from the shackles of British literature and steadily move towards independence. It also provides a reference for readers to think about the past, present and future issues of mankind through literary works.

The relationship between poetry and history in medieval literature is very subtle and intricate. It is common for poetry and history to intersect with each other. Historical narratives or historical allusions often appear in poetry. Complex historical figures and events are highly compressed into poems with concise language, such as epic poems and nostalgic poems. At the same time, poems are quoted and composed from time to time in history and narrative literature. These poems play an important role and function in narrative literature, enriching narrative methods and means. For example, "Historical Records", "Hanshu", "Shishuo Xinyu" and "Ben Shi Shi" all quoted a considerable number of poems. In addition, poetry and history are so closely intertwined that they sometimes depend on each other and are difficult to separate, adding to the richness of Chinese culture. For example, Du Fu's poems record the history of that time, which can prove history and make up for the lost records of history. In view of the important interactive relationship between poetry and history, this book invites Chinese and foreign scholars to discuss and write essays on poetry and history in medieval literature.

"Homer's Epic and Heroic Tragedy" consists of eight independent but interconnected articles. The first three articles are equivalent to general reviews, studying the textual nature and artistic unity of Homer's epic, the historical foundation of Homer's morality, and the literary criticism methods of Homer's epic. The last five chapters interpret Homer's epics from different angles, focusing on the "Iliad", especially Hector and Achilles, showing the world of Homer's poetry with "extremely rich pictures of human nature, soul-stirring battle scenes, and fateful arrangements that eliminate grudges" and strive to reveal the unique temperament and ideological significance of ancient Greek heroes. Based on a close reading of Homer's epics, the author of this book deeply thinks about major issues such as poetry and history, nature and customs, divinity and beastliness, war and friendship, heroes and tragedy, etc.

The Water Margin concretely and vividly describes the entire process from the occurrence, development and failure of the peasant uprising headed by Song Jiang. It exposes the darkness, decadence and evils of the ruling class in feudal society. It enthusiastically praises the rebellious spirit and righteous actions of the uprising heroes, creates a glorious image of a large number of Liangshan heroes, and vividly reveals the objective truth of "officials forcing the people to rebel" in feudal society and the internal reasons for the failure of the peasant uprising. This book gives a brief introduction to 108, so that readers who are interested in Water Margin can have a deeper understanding of the characters.

"Journey to the West" is based on the historical fact that the eminent monk Xuanzang of the Tang Dynasty went to the West to worship Buddha and obtain Buddhist scriptures. Through the author's extremely imaginative conception and description, it has created the images of the brave and loyal Sun Wukong, the corrupt Tang Sanzang, the delicious and lazy Zhu Bajie and the diligent Monk Sha. Through the hardships and hardships of going to the West to obtain Buddhist scriptures, this book provides a summary of the various hardships on the way to facilitate readers to understand the plot first and pave the way for an in-depth reading of "Journey to the West".

Gao Yang, an underrated masterpiece by the famous historical writer Gao Yang, uses the poems of Du Fu, Li Shangyin, Bai Juyi and other famous figures to connect legendary figures such as Wang Zhaojun and Dong Xiaowan. With the power of writing of historical novels, the skill of academic research, and the talent of ancient poetry and literature, he draws lessons from other sources and draws parallels. Using poetry as a starting point, leisurely reading historical details shows the rigor and erudition of a scholar, but also the imagination of a novelist. Gao Yang's poetics, history, and literary attainments can be fully reflected in this book.

This book is composed of "Gao Yang Talks about Poems", "Gao Yang Talks about Red Mansions" and "Gao Yang Talks about Cao Xueqin". "Poetry from Gao Yang" uses the poems of Du Fu, Li Shangyin, Bai Juyi and other famous figures to connect legendary figures such as Wang Zhaojun and Dong Xiaowan. It uses poetry as an opening to leisurely read historical details and reveal the historical truth and secrets hidden in the poems. "Gao Yang Talks about Red Mansions" is a rare work that subverts the mainland red building circles. It contains 60 illustrations from the collection of the Palace Museum. Gao Yang has devoted 30 years of research to collect various stories from the historical context, and restores the true fate of prototype characters such as Jia Baoyu, Wang Xifeng and Xi Ren in detail, leading us into the sentient world of the Grand View Garden. "Gao Yang Talks about Cao Xueqin" is a masterpiece of historical novel master Gao Yang, which includes 56 illustrations collected by the Palace Museum. Gao Yang uses the writing power of historical novels, academic research skills, and ancient poetry and literature to restore in detail the real-life joys and sorrows of the Cao family that were deliberately hidden in "A Dream of Red Mansions", vividly showing Cao Xueqin's compassion and troubled life.

This book is a collection of research and reviews of the works of the famous writer Zeng Jixin, and collects more than 50 articles by experts and scholars. This book affirms the broad vision, profound historical and cultural heritage of scholar-writer Zeng Jixin's works, as well as the new discoveries and new perspectives of his characters. It is an important achievement in studying Zeng Jixin's works.

In one classic, discover its connection with all books. This is a collection of literary criticism that deeply analyzes classics. It is an introductory collection that brings together the "New Translation Series of Li Jihong's World Masterpieces". It is also a collection of stories about ten flesh-and-blood historical figures. The main content includes introductions to a total of 10 best-selling classic books such as "The Little Prince", "The Old Man and the Sea", "The Great Gatsby", "Animal Farm", "Walden", "The Moon and Sixpence", "Pride and Prejudice", "The Sound and the Fury", "Jane Eyre" and "On the Road". The introduction covers a variety of genres, covering sociology, economics, philosophy, religion and many other fields. It introduces in detail the life of the original author, the arduous process of the publication of the work, the social background at that time, and its practical significance to the present.

"Historical Records" is a general history written by Sima Qian of the Western Han Dynasty. The whole book consists of twelve chronicles, thirty families, seventy biographies, ten tables, and eight books, with a total of 130 chapters and more than 500,000 words. It is the first biographical general history in Chinese history. Its pioneering biographical style was followed by the "official histories" of subsequent dynasties and has far-reaching influence. The book is also an excellent literary work, and Lu Xun praised it as "the historian's swan song, the rhymeless "Li Sao"". Wang Boxiang's "Selected Historical Records" mainly selects famous chapters from the chronicles and biographies, and annotates the difficult words and regulations in them, which is very helpful for reading and understanding the book.

Shishuoxinyu is a classic that records the anecdotes and interesting sayings of celebrities during the Three Kingdoms and Jin Dynasties. It reflects the spiritual outlook and life interests of the scholar-bureaucrats at that time. It is a classic work that records the affairs of celebrities. The book was compiled by Liu Yiqing, King of Linchuan in the Southern Song Dynasty. Because of its brief chronicle, Liu Xiaobiao made annotations during the Southern and Liang Dynasties, adding many relevant historical materials. From then on, the main text and the annotations were inseparable and circulated together. "Shishuo Xinyu Anthology" collects the essence and makes detailed annotations on difficult-to-understand words, characters, classics, etc. In the original text, which is of great benefit to reading comprehension.

This is a Cixi literary series, divided into five parts: novellas, short novels, modern poetry, classical poetry and critical literature. The novella part "Uncle is here" consists of four novellas: "My Sister", "Uncle is here", "Lao Hai" and "This Newspaper News". The short novel section "What do you want me to say before you believe it" contains several short stories, which are short and thoughtful. The modern poetry section "Moonlight Ballads" includes many modern poems such as "Hometown" and "Walking in the South of the Yangtze River". The classical poetry section "Mirror Shadow Collection" is a selection of old-style poetry works created by the author in the past ten years. The critical literature section "Spiritual Loneliness and Struggle" includes the latest critical works created by the author in recent years, mainly reviewing the works of local writers. This set of books is a concentrated display of the works of several writers in Cixi, and is the enrichment and continuation of the "Cixi Literature Series".

This book is a collection of works created by members of the Cixi Writers Association in the past five years. It is divided into four volumes of novels, essays, poems, and reviews. It comprehensively reflects the overall level of literary creation in Cixi City and reflects the prosperity and development of regional literary and artistic creation. The review volume contains nearly 80 works, divided into three parts: "Novel Review", "Prose Review" and "Poetry Review". It includes not only comments and appreciation of famous works, but also a detailed reading of the works of local writers, and the latter accounts for a heavier weight. All of them are meaningful and the interpretation is precise. Based on the understanding of local writers and their creative background, comments on their works can be more in-depth, which is an effective boost to the prosperity of regional literature.

The main research object of "Subtle Revolution: "Old School" Poets in the Late Qing Dynasty and the Early Republic of China" is the representatives of the three major poetic schools from 1871 to 1914 (of course, some of the poets have had a longer influence). In my opinion, Wang Minyun (1833-1916), Fan Zengxiang (1846-1931), Yi Shunding (1858-1920), Chen Yan (1856-1937), Chen Sanli (1853-19) 37) and Zheng Xiaoxu (1860-1938) were able to engage in active dialogue with readers of their contemporaries. They used poetry, a prestigious literary form, to explore the critical issue of the continuation of the threatened Chinese cultural tradition. Since their works were originally written for elite readers of their time, we should not judge their poems by the readability standards of the 20th century, or by foreign standards, but by the standards of Chinese poetry criticism at that time. When we situate these poets within their own historical and literary contexts, they become representatives of a generation struggling in the gap between the traditional Chinese order and the jungle society of Social Darwinism imposed on the Third World in the mid-to-late 19th century. Most of these poets are neither those who shout political slogans, nor are they indifferent aesthetes who stand aside and are indifferent. Their works describe the personal and cultural dilemmas faced by the citizens of a country facing internal and external troubles and struggling in life and death dilemmas. The poet is using a language that draws richly from a great literary tradition that is unfortunately facing extinction. Their success provides an enduring testament to all the great Chinese cultural traditions and to the courageous adaptability of the human spirit in the face of horrific circumstances.

This book is divided into two parts. The first part is "Scenery of the Four Seasons and Spending Time with Poems". The author relates his life experience in the order of the four seasons and twelve months of the year, and talks about the knowledge of solar terms and customs and the appreciation of Chinese classical poetry. The second part "The Past and the Present: Remembering Things Around Us" contains some of the author's essays about Chinese classical poetry and classical characters. The book is easy to understand, emotionally warm and touching, and informative and interesting.

"Great Fiction": From the ancient "Gilgamesh" to Haruki Murakami's "1Q84", from Huxley's "Brave New World" to J. K. Rowling's "Harry Potter and the Philosopher's Stone", there are countless fictional imaginary worlds in the long history of human literature. In "The Great Fiction", American professional book critic Laura Miller leads us across the four thousand years of human literary creation, visiting 96 fantasy worlds created by 96 outstanding writers, deeply analyzing the birth process of these extraordinary ideas, and also showing the fascinating charm of the fictional literary world across time and space. "Literary Journeys: Wandering Where Great Stories Are Born": How did Nabokov write "Lolita" during his journey across America? How did Lewis Carroll create Alice's Adventures in Wonderland in Oxford? What is the deep connection between Alice Munro and the city of Vancouver? What traces did Borges leave in his hometown of Buenos Aires, and how did this city shape him? This book is a collection of the "Literary Travels" column of The New York Times, which contains 38 travel notes about travel destinations related to great writers. New York Times columnists with different styles use words to lead us to explore the "legacy" left by writers in nature and cities, as well as the origins of the immortal works they created.

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. Starting from the Ming Dynasty painter Wen Zhengming, we discuss two key issues in literati paintings: "simplicity" and "interest".

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. This book starts with Bada Shanren's concept of "involvement" and explores Bada Shanren's spiritual philosophy and painting philosophy from many aspects.

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. Huang Gongwang's world is described from five perspectives: "Hun", "Preface", "True", "Complete" and "Light".

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. This book starts from "high antiquity" and leads readers to experience Chen Hongshou's otherworldly artistic realm and life experience displayed in "Awakening Stone", "Taste", "Fragrance" and "Hangu".

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. This book explores the "emptiness" of Dong Qichang's landscape paintings from several aspects of Dong Qichang's "authentic nature is empty", "cannot be said", "lazy in writing famous mountains", "has no vertical and horizontal energy", "amplifies the light" and "the charm cannot be learned", and appreciates how Dong Qichang implemented his "formless method" in art.

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. This book begins with "playing with epigraphy", "understanding the pure cause" and "managing cold fragrance" to experience the epigraphic meaning of Jin Nong's paintings and his unique philosophy of life.

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. This book explores the interactive relationship between Wu Li's painting and the literati painting tradition from the establishment, characteristics and ideological origin of Wu Yushan's "Lao Ge".

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. Explore Gong Xian's realm of life and poetic landscapes displayed in mountains, rivers and lands from four aspects: "Suddenly there are mountains and rivers", "Why are there always wilderness", "Living pen and ink" and "Innovative painter's theory".

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. Starting from the Ming Dynasty painter Shen Zhou, we discuss two key issues in literati paintings: "peace" and "wisdom."

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. The world of Wu Zhen is described from four perspectives: "the origin of the topic of fishermen", "Mei Daoren's works about fishermen", "thinking beyond the hermit" and "breaking the ultimate value".

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. Starting from the Ming Dynasty painter Xu Wei, we discuss "ink play", a key issue in literati paintings.

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. This book explores the "impetuous" spirit and its inner logic in Shi Tao's paintings that go beyond the standards of literati paintings from aspects such as "removing chaos", "turning stillness", "wiping haze" and "making bad ink".

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. Starting from the Ming Dynasty painter Chen Daofu, we discuss "illusion", a key issue in literati paintings.

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. Ni Zan's world is described from ten perspectives: "deep", "remote", "quiet", "beautiful", "the concept of absolute space", "general", "distant", "lonely", "mossy shadow" and "small scene".

Literary painting, also known as "literary painting", does not refer to a specific identity, such as being limited to paintings painted by knowledgeable literati, but paintings with a "literary spirit" or "literary spirit". "Literati Qi" is what people today call "literati consciousness". Dasu refers to a consciousness that has a certain ideological nature, rich humanistic care, and a special sense of life. It is a consciousness that is far away from political or moral subordination and belongs to the reality of life. Therefore, in a certain sense, it can be said that literati painting is "humanistic painting" - painting with the pursuit of humanistic values. This series of works, through the observation of sixteen painters since the Yuan Dynasty, looks at the inner trajectory of literati painting's pursuit of the "authenticity" of life. This book is one in this series. The "original atmosphere" advocated by Yun Shouping is discussed from the "image of desolation and coldness", "melancholy thoughts" and "Yanya in chaos", which contains his view of the authenticity of painting.

The "Authenticity of Literati Paintings" series is a set of books that studies traditional Chinese painting. By studying sixteen painters since the Yuan and Ming Dynasties, it explores the fundamental factor that dominates the development of literati paintings - the authenticity of literati paintings. The book is elegantly written, thoughtful and highly readable. The author selected 16 representative painters since the Yuan Dynasty, including Huang Gongwang, Ni Zan, Yun Shouping and Bada Shanren. Through their literati paintings and artistic lives, he panoramically outlines the spiritual world of literati paintings, explores the "authenticity" of literati paintings, and summarizes and divides the three different stages of the development of Chinese painting: "gaining power", "gaining rhyme" and "gaining nature". The language of the whole series of books is clear and beautiful. It is different from the professional and difficult words of ordinary art history theory. It is highly readable. The author is dedicated to subtlety but also understands the details in his writings. There are many wonderful remarks that can change the clouds and reveal the moon. It arouses attention to the essential factor that forms literati paintings - people's inner spiritual temperament, and is full of theoretical depth and penetration.

"Mencius" is a representative work of the Confucian school in the pre-Qin Dynasty. It combines literary and ideological qualities and has a huge influence. This book provides a detailed interpretation of "Mencius", including four parts: text, annotations, translations, and explanations. It is of great help to readers in understanding and reading "Mencius" well. The author has studied ancient Chinese for a long time and has a good grasp of the characters, words and sentences of the original book, and can provide readers with an accurate reading.

With a broad field vision and a critical discourse close to the scene, this book outlines the overall appearance and characteristics of current Chinese children's literature on the basis of in-depth exploration and analysis of typical writers and typical works since the second decade of the new century, and provides a comprehensive review of Chinese children's literature in the new century. The history and current situation of literature are explained and interpreted, and the ideological trend of Chinese children's literature is reflected. It also uses multiple typical texts as a breakthrough point to propose new growth points for the original basic theories of children's literature such as the nature, concepts and categories of children's literature, the basic genres of children's literature and its characteristics. On top of rich research on writers' works and children's literature phenomena, this book also uses a relatively complete critical framework to suggest and construct the possibilities for the development of children's literature theory since the second decade of the new century. This book also specially includes the short reviews written by the author for the annual children's books of "China Reading News" over the past five years, presenting rich and vivid literary cases over time, which resonate with the literary scene.

"The Interweaving of Sunshine and Shadow: Guo Hongan's Reading of Camus" contains a total of twenty-four research articles by Mr. Guo Hongan, a translator and French literature research expert, since the 1980s, covering an introduction to research methods and ideas, an overall introduction and evaluation of the creation of Camus's articles, a detailed interpretation of Camus's main works, and postscripts when translating Camus' works, etc. It fully and three-dimensionally presents the rich results of Mr. Guo Hongan's research and translation of Camus' works.

"A Dream of Red Mansions" is a chapter-style classical novel written during the Qianlong period of the Qing Dynasty. It has been known as "The Story of the Stone", "The Love Monk's Record", "Feng Yue Bao Jian" and "The Twelve Hairpins of Jinling", etc. It is the first of the four famous Chinese classical novels. This book is an analysis of the main characters in the novel creation of "A Dream of Red Mansions".

This book mainly includes the development history of Chinese literature, ethnic and folk literature, Hong Kong and Taiwan literature, myths and legends, poetry and prose, sanqu and lyrics, novels and essays, fables and sketches, notes and travel notes, couplets and inscriptions, etc. It is highly literary, readable and informative. It is a good reading for our readers to understand Chinese literary works and improve their literary quality. It is also the best version for libraries at all levels to collect.

This book mainly includes the development history of Chinese literature, ethnic and folk literature, Hong Kong and Taiwan literature, myths and legends, poetry and prose, sanqu and lyrics, novels and essays, fables and sketches, notes and travel notes, couplets and inscriptions, etc. It is highly literary, readable and informative. It is a good reading for our readers to understand Chinese literary works and improve their literary quality. It is also the best version for libraries at all levels to collect.

Different from the traditional single annotated edition, this book brings together for the first time more than ten representative annotations of "Laozi" editions from all dynasties. It integrates multiple editions, multiple annotations, multiple meanings of words, and rich literature materials into one book. Comparative research and comparative analysis are conducted to compile this book with words and word order suitable for today's understanding and reading. It is a comprehensive popular reader of "Laozi". It also collects the words used in various editions for the first time, and it is also a "Dictionary of Laozi's Words". The whole book consists of several parts: literal translation of scriptures + discussion of scriptures + annotation of scriptures, including the author's unique academic insights and research results. It helps readers comprehensively grasp the meanings and evolutions of various words involved in the scriptures, provides readers with a large amount of valuable text information and research results, and provides learning tools and reference materials for relevant researchers.

This book is one of the Zhi·Qu series. The author selects ten literati, Zhu Yizun, Chen Weisong, Nalan Rongruo, Wang Tan, Jin Liying, Huang Zhongze, Gong Zizhen, Tan Sitong, Wu Baochu, and Xu Chengyao, as a longitudinal section of the literary world in the Qing Dynasty, and combines poetry with their lives to evaluate them. The writing style is fresh and elegant, with a strong sense of picture. It is a very meaningful academic and literary attempt.