Library

"Every sound comes from the human heart. When the human heart moves, things make it happen. It moves when it is touched by things, so it is shaped by sound..." This is a discussion in "Yue Ji", China's earliest complete system of music theory work. It was written in the Western Han Dynasty and summarizes the Confucian musical aesthetics in the pre-Qin period. It can be seen that as early as two thousand years ago, the Chinese prophets had explained the origin of "the rise of ordinary sounds" in a profound and clear way. It is worthy of being a classic book shining with wisdom in the history of music and thought in the human world. Hequ folk songs and the duo developed on this basis are the best examples. They vividly interpret the profound wisdom of ancient precepts and the eternal truth that transcends time and space. It can be said that it is a "living model" that embodies the aesthetics of Chinese national music!

Suppose I believed in God (which I don't) and I was troubled by the lack of distinction between good and evil. I would ask God to make me smart enough to know right from wrong, but I would never ask Him to make me stupid enough to let others instill in me standards of good and evil. If God had asked me to take on the task of indoctrination, I would have asked Him to give me a choice between that task and hell, and my unwavering determination was to choose the latter.

If you decide to write about Homecoming in this way, you don't have to worry about not being able to write it. I'm just afraid that you won't be able to write it. This requires a broad and profound historical pen, or many pens. Where can I find such a pen? Where can I find so many people? Even if I find many companions, I must devote myself wholeheartedly and keep writing until I die of old age. In this way, I will have the opportunity to stand upright and prove that I am good in front of the aging person given by God. But I still need some time to make this decision.

This book is a collection of Wang Xiaobo's essays. It contains several essays that describe the principles of life in simple words. In a few words, the meaning is profound, which is enough to show the exquisiteness of his writing. His works are praised as "the most beautiful harvest in the contemporary Chinese literary world."

Chinese prose has a long history. Thousands of years of prose creation, whether lyrical, expressing aspirations, describing scenes, or expressing feelings about people... All reflect the changes of the times and people's thoughts and emotions. These fine traditions of Chinese prose have not only been fully inherited in the new literature since the 20th century, but have also continued to innovate and develop. In order to showcase the creative achievements of Chinese prose since the 20th century, we edited and published 30 kinds of "Chinese Prose Collection" at the beginning of the new century. Since 2005, we have selected 26 types on this basis and published them as the first and second series of "Chinese Prose Illustrated Collection Edition". This time sixteen more species were selected and published as the third volume. Each volume of this series contains 200,000 words, supplemented by several rare photos reflecting his life journey. It can be said that the beautiful text and gorgeous photos complement each other. It is not only a masterpiece for your appreciation, but also a perfect gift for collection.

The works included in this book mainly include: I fly, I fly, I fly, A short journey, Initial impressions, Walking on campus in the United States, Encountering a heavy snowfall, Coming to Columbus in the spring, Visiting the Chinese Bridge Competition in person, etc.

Maybe you can't look back on the journey of life you've passed. Even if you look back, you won't be able to find any traces of that time. The inn was renovated, travelers became more and more beautiful, and Xiao Qiao became old. Old Qiao also has to move forward!

This is the personal collection of the famous literary critic Meng Fanhua. Meng Fanhua is a witness and participant in the development of contemporary Chinese literature, and many of his theoretical views have had widespread influence. His attention to and comments on writers' works, his grasp of contemporary literary trends, and his review of the development process of contemporary literature have all produced great repercussions in the academic world. The publication of his personal collection is first of all a summary of his personal academic achievements, and it is also a feedback for his long-term support and help to the work of our society.

This is the personal collection of the famous literary critic Meng Fanhua. Meng Fanhua is a witness and participant in the development of contemporary Chinese literature, and many of his theoretical views have had widespread influence. His attention to and comments on writers' works, his grasp of contemporary literary trends, and his review of the development process of contemporary literature have all produced great repercussions in the academic world. The publication of his personal collection is first of all a summary of his personal academic achievements, and it is also a feedback for his long-term support and help to the work of our society.

This is the personal collection of the famous literary critic Meng Fanhua. Meng Fanhua is a witness and participant in the development of contemporary Chinese literature, and many of his theoretical views have had widespread influence. His attention to and comments on writers' works, his grasp of contemporary literary trends, and his review of the development process of contemporary literature have all produced great repercussions in the academic world. The publication of his personal collection is first of all a summary of his personal academic achievements, and it is also a feedback for his long-term support and help to the work of our society.

This is the personal collection of the famous literary critic Meng Fanhua. Meng Fanhua is a witness and participant in the development of contemporary Chinese literature, and many of his theoretical views have had widespread influence. His attention to and comments on writers' works, his grasp of contemporary literary trends, and his review of the development process of contemporary literature have all produced great repercussions in the academic world. The publication of his personal collection is first of all a summary of his personal academic achievements, and it is also a feedback for his long-term support and help to the work of our society.

Hong Kong writer Huang Biyun spent many years collecting data and wrote "The Legend of Lie Lao", which is about drug addicts. The novel reveals its love for the little people hidden in the darkness. This article starts with writing from the heart and points out how hard the author tries to enter their world. In order to interpret the stories of these people more truly and allow them to express themselves, she changed her previous violent and bloody creative style. First-person reminiscence narratives, plain interpretations, simple sentences, Cantonese colloquialisms, etc. Can all be said to be artistic expression techniques used to implement this creative concept. In addition, although the male protagonist is in a marginalized corner of society, it does not prevent the author from expressing the human world in it.

Just like an old tree that has lost its body and is hit by a violent storm, entering 1627, the Ming Dynasty became even more precarious. Since the beginning of the year, almost no good news has been introduced into the palace. Numerous uprisings have broken out in Shaanxi and Guangxi and other places. Starving farmers rushed into farms and killed property owners, even the officers and soldiers sent to suppress them. Along the southeast coast, pirates of unknown nationality continued to harass and attack; in Liaodong, which was also the imperial capital. In the country's most troublesome area, the Manchus successfully completed an attack on the Ming Dynasty's troops stationed in Korea, and then unilaterally tore up the armistice agreement reached with Yuan Chonghuan, the Liaodong manager, and put pressure on Ningyuan and other strategic strongholds west of the Liao River. Yuan Chonghuan had to resign in the autumn of this year amid internal and external attacks.

I still remember clearly: On April 5, 1993, the "Zhang Guangyu Art Retrospective Exhibition" opened in the exhibition hall of the Central Academy of Arts and Crafts. Surrounded by everyone, the 76-year-old Zhang Ding, who had silver hair, explained on the spot, and he was very excited. Later, at the "Zhang Guangyu Art Seminar", Zhang Ding first In his speech, he pointed out straight to the point: "It is the 30th anniversary of the death of Mr. Zhang Guangyu, a great contemporary Chinese artist, but his art has not been fully recognized by society, has not been promoted, and has not received fair evaluation. We owe Mr. Zhang Guangyu!" When he said the last sentence, the old man's voice was a little choked, and the whole audience was in awe. Next, Zhang Ding questioned a big loophole in the history of modern Chinese art so far - "The main space is to describe orthodox art and artists, Chinese painting, oil painting, Qi Baishi, Zhang Daqian, Xu Beihong, Liu Haisu, but a large number of magazine painters have little contact. The works of Zhang Guangyu and a group of old artists have penetrated into thousands of households, and their social influence is as great as that of Chinese painting and oil painting."

This is the personal collection of the famous literary critic Meng Fanhua. Meng Fanhua is a witness and participant in the development of contemporary Chinese literature, and many of his theoretical views have had widespread influence. His attention to and comments on writers' works, his grasp of contemporary literary trends, and his review of the development process of contemporary literature have all produced great repercussions in the academic world. The publication of his personal collection is first of all a summary of his personal academic achievements, and it is also a feedback for his long-term support and help to the work of our society.

This is the personal collection of the famous literary critic Meng Fanhua. Meng Fanhua is a witness and participant in the development of contemporary Chinese literature, and many of his theoretical views have had widespread influence. His attention to and comments on writers' works, his grasp of contemporary literary trends, and his review of the development process of contemporary literature have all produced great repercussions in the academic world. The publication of his personal collection is first of all a summary of his personal academic achievements, and it is also a feedback for his long-term support and help to the work of our society.

The book is a collection of essays by the author, which involves the author's perception and experience of life, the refinement of his experience during his political career, his attitude towards life and his understanding and discussion of life values, etc. It is divided into eight chapters: "Cultivation", "Philosophy", "Being", "Working", "Career", "Emotion", "Talent" and "Wisdom".

Gong Pengcheng, a native of Ji'an, Jiangxi, was born in Taipei in 1956. Graduated with a doctorate from the Institute of Chinese Language and Literature of National Taiwan Normal University, he has served as dean of the Faculty of Liberal Arts of Tamkang University, founding president of Nanhua University and Foguang University in Taiwan, and president of Eurasian University in the United States. He has won the Taiwan Sun Yat-sen Literature and Art Award, the Zhongxing Literature and Art Award, and the Outstanding Research Award. Since 2004, he has been a professor at Beijing Normal University, Tsinghua University, and Nanjing Normal University. He is currently a professor in the Chinese Department of Peking University. Anfeng Sheng, Ph. D. In Literature, is an associate professor in the Department of Foreign Languages ​​at Tsinghua University. His main research directions include British and American literature and Western literary theory. He has published a monograph "Homi Baba" (Taiwan Shengzhi, 2005), and published more than 30 papers in well-known domestic and foreign publications such as "Literary Research", "Foreign Literature Research", "Foreign Literature", "Journal of Tsinghua University" (Philosophy Society Edition), Neohelicom, ARIEL and other well-known domestic and foreign publications. In recent years, he has presided over and completed the National Social Science Foundation Youth Project "Research on Postcolonial Theorist Homi Bhabha", the Ministry of Education Humanities and Social Science Research Youth Project "Postcolonialism Theory and its Spread in China"; currently he is presiding over the Tsinghua University Asia Research Center Youth Project "Chomsky's Cultural and Political Criticism and the Social Responsibility of Contemporary Intellectuals", Tsinghua University Humanities and Social Sciences Revitalization Fund Research Project "Research on the Metafiction of American Postmodernist Writer Robert Cuver", etc. Nowadays, scholars can only convince others with their words but not their hearts. Academic shortcomings arise from this, and good scholars should also realize from this.

Wang Xiaorou's latest joke "Don't Pretend" continues the previous narrative style of "living life as a joke". The text in the book touches on topics closely related to daily life, ranging from the workplace life of urban white-collar workers to a sideways observation of education and parent-child relationships, from the game life wrapped in the Internet to getting along with best friends. Every topic starts from the public concern, without losing the popularity, and presents the most real people's life in a humorous manner.

I was born in Guxia Village, Pingnan County, Fujian Province. Pingnan is a typical alpine ecological county with a mountainous area of ​​1.78 Million acres, accounting for 81% of the total area under its jurisdiction. With an average altitude of 830 meters, it is the mountainous county with the highest average altitude in Fujian Province. This manuscript is a memoir. The author recalled the life experiences of his ancestors, father and mother, and also recorded interesting stories about his childhood of chopping firewood, herding cattle, and catching fish, as well as his life situations from elementary school to high school. This manuscript reflects the author's deep attachment to his hometown. Through this manuscript, we can also understand the changes of the times.

About the author: The royal family is from Tianshui, Gansu Province. He joined the army in Ali, Tibet at the end of 1991 and now lives in Urumqi. A member of the Chinese Writers Association, he graduated from the 7th Advanced Research Class of Lu Xun Institute of Literature and is a contracted writer with the Xinjiang Writers Association. His writing is mainly poetry and prose, paying more attention to regional culture. He has published twenty works including the poetry collection "Where", the prose collections "The Beast Tribe", "Things in Northern Tibet", "The Unfaithful Beauty", "The Nomad's Return", and the long prose "Cliff Paradise", "The Book of Tuva", and "Wolf World". He has won the 9th "People's Liberation Army Literary Award" of the General Political Department, the "Great Red Eagle Literary Award" of "Chinese Writers", the first Xinjiang Youth Creation Award, etc. The long tune is as long as the horse can run on the grassland. Grasslands, horses and long tunes are the three treasures of the Mongols.

"Reading Love, in the Blooming Spring Fields" is a collection of essays by Xiang Limin. It is a selection of the author's works in the past ten years. The content includes food, nature, reading, watching movies, fragments of life notes, thought notes, and insights on writing and life. The author's articles are not huge, and they are as easy and natural as picking them at the fingertips. After reading carefully, you can feel that each article carries the breath of the author's soul. It is sincere, quiet, compassionate, has the unique delicacy of women, and maintains the innocence of a child.

"I went to the altar of earth just to meet him" is not the wish of a man and a woman to meet each other in the secular world, but the approach of one light to another, the discovery and seeking of the mind or soul. Heidi walked into Shi Tiesheng's Temple of Earth and discovered the meaning and innocence of literature in Shi Tiesheng's literary field. Therefore, what she saw in Shi Tiesheng's Temple of Earth was an unusually quiet, vast, and vast world of compassion, with flowers blooming, trees green, and fallen leaves returning to their roots. Suffering no longer roars or struggles, everything is buried in dust, and new flowers of life bloom on top of the dust. This is Shi Tiesheng's spiritual world, and it is also the world that Yang Heidi loves. Shi Tiesheng went to the Temple of Earth to face himself, and Yang Heidi went to the Temple of Earth to face Shi Tiesheng's world and herself at the same time.

"Customs" is a collection of fine essays by writer Xi Xi. Her prose works are smart, delicate, profound and colorful, revealing more of a woman's unique and compassionate observation and delicate tailoring of the world's customs. Here there is an investigation of the history and culture of the Northwest, and a description of the beautiful scenery of the south of the Yangtze River, a perception of social life, and an examination of the heart, a lament for reality, and a nostalgia for the past. There are records of the living conditions of people living at the bottom of society, and reflections on the current situation of education... Xi Xi's prose hides her thoughts on the customs of the world in words that are like flowing water, but have the power to penetrate stone.

"Zen Heart of Grass and Trees" is a collection of essays by Liu Meihua, divided into four volumes, namely "Listen to the sound of dew rustling on the green grass leaves", "Materia Medica - flowers bloom at the snap of a finger", "Old times, eight thousand miles of clouds and moon" and "This vast land of Hexi". Liu Meihua's writing is quite philosophical, with far-reaching ideas, fresh and refined, and rich in connotation. It conveys a kind of simplicity and spirituality, and feels a calm, ethereal, and optimistic attitude towards life. No matter how difficult and painful the reality is, she always presents warmth and tranquility to readers, occasionally revealing a hint of sadness, which is also brought through with humor.

The book is divided into four parts: the first part is about possibilities that have nothing to do with morality; the second part is May You Be Innocent forever; the third part is Understanding Happiness in Mosca; the fourth part is passing through the bustling crowds and traveling through the bustling loneliness. The articles selected in this book are all the author's masterpieces in recent years. They are short and concise, and the text is concise and clear, allowing readers to appreciate the feelings through the text and understand the true meaning of life through reading.

"This Life" is a collection of fine essays by writer Wang Yun. Her prose has a wide range of themes, but has a consistent advantage: the language is hers, derived from her discoveries, thoughts and feelings, and she rarely follows the same statements. When writing about personal life experiences, the words are gentle and subdued, concise and restrained, yet penetrating to the bone; when writing about travels in mountains and rivers, the writing is passionate and grand in artistic conception; when writing about watching movies and reading books, the perspective is unique and the thoughts are ingenious; when writing about the humanities of Chu, it is elegant, luxurious, strange and majestic...

"The Grace of the Floating World" is a collection of essays by An Ran, divided into five series, namely "The Heart Is Natural", "Still Water Runs Deep", "The Scroll Fragrances Away", "The Idle Clouds Dotted" and "The Lotus Heart Is Untainted". This is a book about the heart and spirit. It transcends the mediocre and trivial. It starts from nature, literature, reading, faith, emotion, and daily life. It is good at speculation. It uses quiet, peaceful and grateful writing styles to record and think about the story and value of life. It depicts a picture of "poetic survival" in an aesthetic sense. In the noisy world, it plays the role of caressing the soul and comforting the soul.

From the war-torn years, when the family was in turmoil, Luojia, an aspiring young man, pursued his dream, went to Peking University to witness the turmoil in Yanyuan, and finally achieved his grand ambitions after many hardships... The author narrated the main experiences of most of his life in beautiful and vivid writing, interspersed with his experiences and feelings in various historical periods, and painted a picture of the ups and downs of society, reproducing the spirit of a generation of outstanding intellectuals who made unremitting efforts in the context of the continuous changes of the times.

Ren Shaoyi's prose does not have the pretense of "expressing sorrow in order to compose new words", but has the frankness and naturalness of "hibiscus emerges from clear water"; there is no idle moaning in the ivory tower, but the melancholy sadness and indignation of "flowers splashing with tears when feeling the time". Throughout Ren Shaoyi's literary journey, we can see that he followed a plain path where "people don't know but are not surprised", and his people and literature are peaceful and broad-minded, "even if they are gentle". "The two wheels of the sun and the moon are the eyes of heaven and earth, and the sages and sages who have read thousands of volumes are the heart." This is a couplet written by the Neo-Confucian Zhu Xi in Bailudong Academy. It is also a mirror that scholars all over the world can refer to and imitate. "A person can only experience deeper happiness after getting rid of the fear of being manipulated by fate. Even after all the vicissitudes of life, he is still a happy person." This is an insight written by the philosopher Russell for modern people. This is also a portrayal of Ren Shaoyi's life that has gone through many vicissitudes of life. "Lotus Rhymes" is a collection of his works.

This is a collection of essays. Yang Ke's prose language is fluent and full of poetry. This book collects Yang Ke's cultural essays over the years, some of which are explorations of the art of poetry, some of which are reflections on cultural phenomena, and the author's own life insights, etc.; Ranging from world cultural trends to as small as a vivid literary keyword, this book contains a wide range of content, focusing on Yang Ke's prose achievements in recent years.

At 16:00 on April 25, 2015, I set off from the Nepalese Consulate in Lhasa and headed to Nepal along National Highway 318. The travel agency arranged a Jinbei car. At that time, most of the people in the car were young people who liked traveling and hiking on a budget, a total of twelve people. There are also two Tibetan drivers. The younger one looks like a strong Kham man, and the older one looks dirty. He laughs no matter what you say. As soon as he put on those cool sunglasses, we said he was so handsome that he had no friends. Sitting next to me was a cattle dealer. There was a thin boy named Xiaobai in the car with two bags of water and beer. He said he was going to Nepal to find his girlfriend and give her a surprise. The Jinbei car moved forward with melodious Tibetan songs and everyone chatting and laughing.

I remember that a long time ago, I wrote one or two letters of pledge to quit drinking. Over the years, I have heard from time to time that people have had accidents or died due to drinking. On the road to turning 40, in this spring, I prepared for several days and made up my mind to write this pledge: I will never drink like that again. I can never abuse my body like that again, and I can never waste time and life like that again... I didn't dare to write that I wanted to give up drinking completely.

I am looking for a sunny day to write the following. There was no sunshine in Shenyang for many days. After the snow, the sky seems tired and the clouds are dull. The weather is quite good today, and the sky is neatly cut out from the rooftops. The snow on the edge of the curb turned crispy and turned black, revealing cheese-like holes like people had peed. Willow branches are preparing to suffocate themselves. In such weather, I dare to recall the past events of the 1970s. Yes, I was a bystander as a teenager and saw something. Those days become heavier and heavier as I get older. And if I face the leaden sky outside the window or write late at night, I will feel extremely uneasy, as if I am forced to travel on a road of broken ice trodden by leather boots. What writing on a sunny day means to me is that I have finally got rid of these things. In 1968, I was ten years old. What I recall is what I saw when I was around ten years old. I can't remember the specific year.

"Nanshan Dongli" is a collection of essays by the author, which is divided into six series: "Hard to Leave Homeland", "Memory of the Past", "Between Forests and Springs", "Rubber Talk", "Not Just Gossip" and "Broad Sea and Sky". Some articles have been published in magazines such as "Xiaokang" and "Farm Book House". Among them are the unforgettable scenery and customs of my hometown, the travel experience of leisurely enjoyment of life, and the true insights into the ups and downs of society... Looking back on the past, talking about the south and the north, although it is called Nanshan Dongli, the leisurely thoughts can resonate with people and make people determined and comfortable.

Liu Yichang is a very representative literary creator in Hong Kong. His creations cover novels, essays, poetry, reviews and other categories. Started creating in 1936. Since then, he has been committed to the creation of serious literature, advocating that literary creation should have experimentation and practice. This manuscript collects the famous novels and essays written by the author so far.

This work is a long reportage. Under the initiative of the Party Central Committee, "craftsman" and "craftsman spirit" have become hot words at the moment, and have set off a craze among the majority of enterprises. The author tries to explain and confirm through the description of Jinggong Group: China needs the spirit of craftsman. China's real life is full of craftsman spirit. The craftsman spirit in Chinese history has been inherited in the present. Craftsmen in some fields or parts of China even do better than craftsmen in countries such as the United States, Japan, and Switzerland. As a private enterprise, Jinggong Group is a proof and a microcosm.

This is a passage Hu Shi wrote in his diary on March 8, 1917. It is marked as line 125 of chapter 18 of "The Iliad". He did not take it directly from the book. The diary states that before the religious reform movement in Britain in the 19th century began, its future leaders, Newman, Froude, and Keble, had long hoped to reform religion. The three of them combined their religious poems into a volume, and Newman used this line from Homer's poem as the topic. The meaning is as follows: "Now that we are back, please wait and see what happens." The diary also said that this can also be a pioneer flag for our generation of overseas students. Many years later, when Hu Shi retranslated this sentence again, he made slight changes.

"I, or "I"" is a collection of Shi Tiesheng's posthumous works. Here, he continues to think about major issues such as life and death, disability and love, suffering and faith, writing and art, and answers the universal spiritual problems of how (I) am present and how to live out meaning. While most writers have given up on facing the basic human condition in the era of consumerism, Shi Tiesheng lives in his own heart and still pursues the value and glory of human beings. This courage and persistence deeply arouse our vigilance and concern for our own situation.

This book includes famous prose works by the famous writer Shi Tiesheng such as "Me and the Temple of Earth", "Short Notes Under the Wall", "Good Luck Design", "Rotary Asking for Directions", "When I Was Twenty-one", "Albizia Julibrissin Tree", "Autumn Memories", "Love Song of the Loess", "My Dream" and "Memory and Impression", which comprehensively tells his wheelchair career and life story.

"Sea Urchin" is a collection of close-ups of characters. It contains nine articles and tells the secrets of nine people. The reason why they are named "Sea Urchin" is because these nine people are like sea urchins: they have sharp spines and soft hearts. Except for "Lunch with Ang Lee", which hit the circle of friends - for Ang Lee, the secrets of movies can be told, but the secrets of life cannot. But he hides the secrets of his life in the movie. Only when you understand it can you truly understand him; also: "Hello, Mr. Pu Shu" - tell you in 20,000 words, what price does a man in his 40s have to pay to "be naive and act like a teenager"? "Rene Liu: There is a Crouching Tiger, Hidden Dragon in Every Woman's Heart" - Should I be the law-abiding Yu Xiulian, or the free and wanton Yu Jiaolong? If you want both, is it too greedy? "Hou Hsiao-hsien: An old bone knows what he looks like" - Why was "The Assassin Nie Yinniang" filmed like this? What will be the next movie? Also, why does he never photograph middle-aged and elderly people? ... Nine articles, writing about the inner desires, fears and struggles of nine successful people. When you understand them, you will be better able to deal with the problems you encounter in life.

Since 2015, the centenary commemorations of the New Culture Movement and the May Fourth Movement have been ushering in. A century ago, the ideological and cultural innovation movement led by a generation of literati propelled China into the modernization process. From the sixth to sixteenth years of the Republic of China (1917 to 1927), China presented a situation of active thought and splendid culture comparable to the "Contending of a Hundred Schools of Thought" during the Spring and Autumn Period and the Warring States Period. The generation of elites of the Republic of China who inherited the traditional spirit of "scholarship" played a pioneering role in the turbulent current situation, and jointly raised the sky of Chinese culture.

A book of inspiration for women to cultivate their hearts. The legendary lives of the goddesses Lin Huiyin, Lu Xiaoman, Zhang Ailing, Su Qing, Song Meiling, Ruan Lingyu, Hu Die, Xu Guangping are narrated. In the eyes of the world, they are all excellent and fragrant. However, who knows that behind the scenery is strange hardship and bitterness. There are no legends in the world, and all happiness has a black tail. May we understand other people's stories and live our own lives well. The fragrance of the soul means that you are kind to others and do not wrong yourself. When you don't feel the same friendliness, you have the ability to turn around and leave. The soul has fragrance when you cherish yourself and know how to make yourself happy. Even if you choose the wrong career or lover, you can correct your mistakes immediately. The soul has fragrance, which means it can move forward and retreat freely, and it is appropriate and moderate. Don't twist or tense up, and make peace with life. The soul has fragrance, which is investing in yourself. Only by having a broad vision can you tolerate the differences between others and your own growth. ... I hope that we, who are not perfect, can all be women with fragrant souls.

This is the personal collection of the famous literary critic Meng Fanhua. Meng Fanhua is a witness and participant in the development of contemporary Chinese literature, and many of his theoretical views have had widespread influence. His attention to and comments on writers' works, his grasp of contemporary literary trends, and his review of the development process of contemporary literature have all produced great repercussions in the academic world. The publication of his personal collection is first of all a summary of his personal academic achievements, and it is also a feedback for his long-term support and help to the work of our society.

This is a collection of personal essays by the famous literary critic Meng Fanhua. It consists of ten volumes and was published with funding from Shenyang Normal University, with a subsidy of 30,000 yuan per volume. Meng Fanhua is a witness and participant in the development of contemporary Chinese literature, and many of his theoretical views have had widespread influence. His attention to and comments on writers' works, his grasp of contemporary literary trends, and his review of the development process of contemporary literature have all produced great repercussions in the academic world. The publication of his personal collection is first of all a summary of his personal academic achievements, and it is also a feedback for his long-term support and help to the work of our society.

Shan Dexing (hereinafter referred to as "Shan"): Hello friends at home and abroad, welcome to this grand event. Today we are very honored to invite Mr. Ha Jin to give a speech at the Institute of European and American Studies, Academia Sinica. Normally the lectures of the European and American Institute are arranged in the conference room opposite, but today we have specially prepared this large conference hall because we know that Mr. Ha Jin's lecture will attract a lot of people. In the past few days, everyone has heard from the media that Mr. Ha Jin came to Taiwan to participate in the 2010 Taipei International Book Fair. After I learned that he was coming to Taipei last year, I actively contacted him and invited him to give a speech at Academia Sinica. Therefore, I would like to thank him for accepting our invitation and facilitating this grand event today.

"Memoirs of Nanyang overseas Chinese" is a memoir written by Mr. Tan Kah Kee when he was hiding from the Japanese invaders and taking refuge in Indonesia from 1943 to 1945. Without any information for reference, he used his amazing memory and a sincere and simple style to describe his life experience in detail for more than 40 years. The facts recorded in the book are all the history he experienced personally. Living in Nanyang, his heart was devoted to China, especially during the arduous days of the Anti-Japanese War. He led the overseas Chinese community in Nanyang to raise funds, boycott Japanese goods, and mobilized the overseas Chinese community in Nanyang to participate in the anti-Japanese movement.

In March 2006, Lao accompanied a delegation organized by the Council for the Promotion of International Trade to attend the Asian Business Summit held in Mumbai, India, and visited Sri Lanka and the Maldives. I have traveled to Europe and Russia and experienced the scenery of Europe. I have long been fascinated by the South Asian customs, which belong to the same Eastern civilization but are very different from China. I took this opportunity to travel with them and visit the three countries in South Asia. The main destination of this trip is India, but the first stop abroad and the last stop before returning home are Sri Lanka. I stayed in Sri Lanka for three nights and toured for two full days. Sri Lanka is known as "a shining pearl in the Indian Ocean". In just two days of sightseeing, there were only a few glimpses, but the overall feeling was that the trip was worthwhile.

This is a prose work that combines childhood memories and tells about nostalgia, folk customs, flowers and snacks. The author writes interesting things about flowers and plants, snacks such as Sophora japonica rice and glutinous rice, "strange" people in small villages: mute women, male matchmakers, and mysterious legends. Using steady and solid writing skills, the interesting and nostalgic writing style shows the simple and natural local people, making people nostalgic for the long and beautiful past years when reading.

He used to be "my" support, a father who refused to remarry for his daughter, worked hard and kept giving. Later, he suffered from moyamoya syndrome, mental decline, and could not even remember who his daughter was, and became an old child who needed "I" to take care of him. The author describes the time spent with his sick father in warm and lovely words. There are pains and joys, warmth and sadness, but because of love, warmth and joy often overcome the pain and sadness of life. As for this love, as the article says: the so-called parents and children are just a reincarnation of seeing each other off.