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What is the most important thing in a person's life? It is love, the emotion and comfort that cannot be missing for even a minute. Love and emotion, like sunshine and air, allow every living person to gain life and gain the strength and courage to grow. "The Thinker Says" is a two-person collection written by Wang Xiaobo and Li Yinhe.

In "My Old Age Diary", the author combines literature and interest. With his teaching to his young grandson as the main line, he uses prose form to describe reality, scenery, philosophy of life, and allusions to ancient and modern Chinese and foreign history. After reading, it is inspiring, memorable, and resonates. The article fully expresses the author's attachment to life, care for the next generation and expectations for future education.

Germany, where the Rhine River flows, is a museum, a watercolor painting, and a beautiful poem. Germany on the Rhine is an old Germany, full of civilization, poetry, and charm; Germany on the Rhine is a young Germany, full of vitality, vitality, and hope.

Geng Zhangchun has been mainly engaged in poetics, narrative theory and contemporary literary criticism since the early 1980s. He is the author of "Metaphor" (1993), "The Observer's Illusion" (1995), "Narrative Aesthetics - Exploring an Encyclopedic Novel" (2002), and "A World Lost in Symbols" (2008). He has written various essays such as "Pain" (1993), "The Land of Words and Memories" (1995), "Divinations on the Sand" (2008), etc. There are also social ideological essays and poetry writing. Won the Critic of the Year Award at the 7th Chinese Literature Media Awards. He is currently a professor at the School of Humanities and Communication of Hainan University, a distinguished professor at Henan University, and a doctoral supervisor.

Lu Xun was sitting in the faculty preparation room of Peking University. A young man he was unfamiliar with silently handed over a package of books and hurriedly left. Lu Xun opened it and saw that it was a copy of "Asakusa". More than ten years later, I walked into the place where Lu Xun sat and rested. I also held a copy of "Weeds", but I couldn't see Beijing and the world in Beijing as seen by Lu Xun. Many years after leaving our hometown, our hometown has been replaced by the urban landscape. However, the wilderness is still the wilderness, the sea is the sea, the island is the island, the butterfly returns to the butterfly, and the dance returns to the dance. There is still a sadhu in my life who is sitting quietly on the banks of the Ganges. Sitting on the corpse-burning platform on the shore of the ferry in Varanasi, I sat quietly and entered Zen, ignoring the life and death around me. All kinds of scarcity occupy the vast world on both sides of the Ganges River under various names, occupying various spaces on the sea and islands, like flowers occupying butterflies, like butterflies occupying dance, and like cremation rituals occupying the time and space of several major traumas in our lives.

Geng Zhangchun has been mainly engaged in poetics, narrative theory and contemporary literary criticism since the early 1980s. He is the author of "Metaphor" (1993), "The Observer's Illusion" (1995), "Narrative Aesthetics - Exploring an Encyclopedic Novel" (2002), and "A World Lost in Symbols" (2008). He has written various essays such as "Pain" (1993), "The Land of Words and Memories" (1995), "Divinations on the Sand" (2008), etc. There are also social ideological essays and poetry writing. Won the Critic of the Year Award at the 7th Chinese Literature Media Awards. He is currently a professor at the School of Humanities and Communication of Hainan University, a distinguished professor at Henan University, and a doctoral supervisor.

In this book, the author uses the pen of prose to describe and record the events that happened in daily life that shocked and thought the author, and wrote a unremitting questioning of life with a poetic heart. The author is suspicious of the secular world, but reveals his infinite love for the secular world. Illness, loneliness, homesickness, nature, field ridges, even if the writer had no choice but to register his old uncle at a hospital in Beijing at a high price, and after the patient arrived all the way, the expert doctor took an unexplained break from work, the writer wrote about his hometown in the article, standing at the edge of the village, with an indescribable love for the fields, villages, scenery, and people, and a heart of gratitude for the ordinary life. Even when the writer writes about these trivial daily life, he has an unwillingness to stop writing, as if it is not enough to express the prosperity and replacement of forest trees in an oil painting without drawing the veins of fallen leaves in life. The author's narrative is very calm, and the pace of the pen is never messy or urgent due to the arrival of wind and rain.

"Ma Ruifang's Quotes about Love in a Liaozhai" continues Professor Ma's classic writing style of Quhua. This is the third book in her "Classics" series. It continues to appreciate the love of female ghosts in a Liaozhai with humorous, vivid and interesting narration. Lian Suo in the fluttering green skirt, Xiao Xie who is playful and laughing, the eunuch who pursues spiritual love, Dou who takes revenge ingeniously, Nie Xiaoqian who turns evil into good, the elegant and talented Lin Siniang, the obsessed Gongsun Jiuniang... The beauty of the female ghosts in the Chinese chat room has different styles, the female ghosts in the Chinese chat room are poignant and delicate, with profound connotations and philosophical charm, the lingering pathos of the love between humans and ghosts... Professor Ma Ruifang will tell you in detail one by one.

Elegance is a tribute to a woman. It reflects the richness of her heart, her wisdom in dealing with the world, her passion for life and her beauty that grows with the years. Murong Suyi, author of the best-selling book "The Elegance of Time", following the talented ladies of the Republic of China, once again started writing about the star goddesses of the entertainment era - Brigitte Lin, Carina Lau, Cecilia Cheung, Faye Wong, Shu Qi, Karen Mok... 32 Charming women, 32 legendary experiences. In the story, they all perfected themselves to the extreme in their respective lives. After being stupid, crazy, energetic and reckless, they finally lived the way they really like. The youthful edges and wildness faded away little by little, leaving behind a calm and calm atmosphere in the time. I am more graceful, more reserved, deeper, more refined, and more grateful than I have ever been.

For example, the definition of the concept of "female scholar". People will ask based on habitual thinking: Can so-and-so be considered a female scholar? So, what kind of person is considered a "female scholar"? A person with a degree from a study background? Are you a researcher in an institution of higher learning or a scientific research unit? Are you immersed in a certain research field but have no professional title? An academically immersed person who does not pursue any academic pursuits? The answer is very uncertain.

After reading Zhong Rong's "Poetry", I had a deep impression of a passage: "Qi is an animal, and things are touching, so it shakes the temperament and forms various dances and chants. The three talents of illuminating the candle reflect all things, the spirit waits for it to be enjoyed, and the subtle book makes it known. Moving the heaven and earth, feeling the ghosts and gods, nothing is close to poetry." I secretly think that this is the cornerstone of the whole book. ? Poetry must have "qi". ? When I judge a poem, I first look at whether it has a coherent rhythm and dynamic momentum; then I look at the location and direction of its "qi". As for gentleness or majesty, it belongs to the poet's individual characteristics. "Qi" is the poet's externalized emotion. "Qi" must move, and movement is the creation. Only when the poet's "qi" moves can the heaven, earth, ghosts and gods move.

Lin Huiyin, the goddess of the Republic of China, wrote love and hope with her soul and witnessed the splendid legend of life. She wrote few works in her life, but they are all excellent works. This book selects almost all her poems, prose, novels and letters and other classic literary works, such as the poems "Who Loves the Constant Change", "You Are April Day in the World" and "Passion", the essays "Mourning for Zhimo", "A Piece of Sunshine", the novels "Ninety-nine Degrees of Middle", "Moying Zero Pian" and other well-known famous works. The content is large and rich. You can understand all of Lin Huiyin in one book. His prose has made great achievements. Although the number is small, it has a unique style and strong knowledge. She is especially prolific in poetry, and her poems incorporate some expression techniques from Chinese classical poetry and Western aestheticism. Each article is the condensation of her smart thoughts and full of talent.

The reason why "The Dust Flower on the Post Road" is touching and attractive to read is because the author cleverly captures the softest "emotion" in human nature. Family affection, friendship, love, sympathy and pity for the people at the bottom make every dusty flower in life overflowing with warmth and love!

This book is a collection of texts recalling the Union Medical College during the Republic of China. The authors are all great figures of the Republic of China, such as Deng Jiadong, Wu Jieping, Ye Gongshao, Rong Dushan, Wang Xiuying, etc. These great people from the Republic of China told about the library, medical records room, famous teachers and doctors, student life, school spirit and school disciplines of the old Union Medical College at that time... Snippets and a few words vividly reproduce the bygone past of the old Union Medical College during the Republic of China. Chewing these distinctive and dynamic words, the love and scenery are vivid in my mind, and that old time also seems gorgeous and glorious.

This book is a collection of the author's prose works, with nearly 150,000 words in total. It contains 7 articles by the author: "Foreign Homeland", "Street Notes", "Heaven on Earth", "Rain", "Luck of the Green Insect", "Turning the Flower Pond" and "Mother", which contain random thoughts while traveling abroad. Thoughts, there are also expressions of true feelings that touch the soul on the street, and even more sorrowful and melancholy feelings of deeply missing his mother... The author condensed his life of more than 80 years into this book, and what is presented to us is a beautiful heart that is thoughtful and sensitive.

This book is similar to an essay. In the book, Wang Meng combines his decades of experience to analyze every aspect of life and tells the various principles for people to live in the world. The whole book has less than 200,000 words. Regardless of the content or style, it can be seen that this book is both easy to read and has a strong reference to reality. Legendary life experience: Joined the Communist Party of China at the age of fourteen; wrote "Long Live Youth" at the age of nineteen; was "exiled" in Xinjiang for sixteen years; became the eighth Minister of Culture of the People's Republic of China; his works have been translated into more than twenty languages. A book of improvement written for readers: the main line of my life; my twenty-one interpersonal principles; getting into disputes is a great tragedy; the best interpersonal relationship is "forgetting"; "learning" is not as good as "learning"; "the best thing is the tongue", what's the worst? Is it annoying to compare people to each other? It's better to learn from Lao Tzu; if you love to "promote yourself", it's better to "take out things"; the most important thing in life is to know "what not to do"; when you want to win too much, you will lose; don't think that you are the yardstick; remember: you can never take all the "points"; waiting: a positive concept of not taking away.

This book takes the author's personal experience as the main line, and is roughly divided into several parts: "Stories", "Old Friends", "Foreign Lands", and "Off-Places". It combines narration and lyricism, the writing is fluent, it is polished but not overly complicated, it is good at understanding and can convey emotions in a controlled manner, and it can be classified as a broad cultural prose.

The author uses the knowledge and wisdom of a scholar and the sensitivity and talent of a poet to explore the religious beliefs reflected in folk customs. Each village devoutly worships its own blessed Lord. As time passed, people even forgot the blessed Lord's surname. Yet the gods are still there. The gods still revel. But he was having a carnival for some reason. Therefore, the author hurriedly walked to villages to visit the blessed Lord. Because understanding them will help us deeply understand the spiritual world of the nation and help us fully understand the traditional culture of the nation. Some villages laughed and refused to answer. Some villages scratched their heads in confusion. Some villages are evasive. Today, few villagers know the name and origin of the village's blessed person. Perhaps, to people, it does not matter who the blessed lord is, what is important is that there should be such a Bodhisattva in everyone's heart - it is one of many gods, but a god unique to a village; many gods protect the world, but it devotes all its efforts to protecting a land; many Bodhisattvas and gods of Buddhism and Taoism live in seclusion in secluded mountains and forests far away from the world, but it clings to the village and breathes the fireworks of the world. In the sky of faith, it is the spiritual chief within reach of a village and has the closest emotional connection with the people in the village.

The reason why the Feng Shui theory has been so popular in history shows that it embodies the relationship between heaven and humanity, nature and man-made to a certain extent, and is consistent with the Chinese values ​​​​and aesthetics of "the unity of nature and man" and being in harmony with nature. Historically, Jiangxi was one of the regions with the most ancestral temples in the country. There are still magnificent ancient ancestral halls scattered in the countryside today. The promotion of the custom of building ancestral temples and worshiping ancestors is also related to Zhu Xi and Xia Yan, two historical and cultural celebrities from Jiangxi. Historically, Jiangxi was a transit point for five northerners migrating south. It can be said that the long-standing clan culture is rooted here, but it radiates to a wider area. Since the ancestral hall building carries all the historical emotions and life ideals of a clan, as well as the patriarchal relationships that maintain emotions and support ideals, then the ancestral hall building itself is endowed with extremely important cultural significance. Therefore, to feel the architectural art and decorative art of the ancestral hall is to feel people's thoughts, feelings, beliefs, worship, and concepts that are inherited by blood. It is to feel the life history and spiritual history of many surnames with their own charms, and to reflect on the unique cultural demeanor, spiritual temperament, and spiritual history of our nation.

With the scholar's knowledge and wisdom and the poet's sensitivity and talent, the author explores the rich history and humanistic connotations of the ancient village, appreciates the thoughts and emotions embedded in every stone and tree, and thereby gains insight into the cultural characteristics and spiritual history of a region or even a nation. The profound accumulation of traditional culture, the historical situation of the Wu and Chu Dynasties and the migration of northerners to the south, and the prosperous life brought about by the rise of industry and commerce after the Ming and Qing Dynasties have created a rich and colorful Jiangxi ancient village architectural art that reflects multicultural characteristics. "The Abode of the Soul" strives to lead readers to appreciate architecture, imagine history, and inspire readers to appreciate the aesthetic initiative of ancient village architecture in the form of prose.

From Xianguan Pass in the northwest of Shanxi Province, we headed to the neighboring meander. There were twists and turns along the way. As soon as the Yellow River appeared in front of us, this song echoed in my ears. More than 20 years ago, I was familiar with this song, called "Ninety-nine Bends of the Yellow River in the World", but some lyrics differed from version to version. It is said that this song was originally collected from Jia County in northern Shaanxi, which is now Jiaxian County, the hometown of "The East is Red", and was composed by an old boatman named Li Siming. When this song was recorded in 1942, Li Siming was in his sixties. The singing that echoes in my ears is like a rope on the back of a man on the river, bringing out a grand scene in my mind: the sun is running on the Loess Plateau, and the nine-to-eight-turn Yellow River is coming from the sky. The river is surging, and an old boat is seen in the turbid waves. The bare arms of the man on the river are shining with bronze light. The rudder standing upright on the bow is steering the boat while shouting a song at the top of his lungs. It seems that it has been sung for a thousand years, and it has been sung for ten thousand years, as eternal as heaven and earth.

I longed for the festive Ningdu because of the colorful eyes of a photographer. He visited Ningdu during festivals every year, and his eyes were filled with images of folk customs. What does Ningdu look like during the festival? From some photography works and the introduction of some fragments, I captured its charm and atmosphere.

When the sun is shining fiercely outside, when the wind is blowing and the rain is pouring, you can lie on the sofa at home and flip through various books at will. If you like it, you can read it, and if it is not good, you can throw it aside; It's a comfortable feeling, and it's impossible to find a more comfortable way of life anywhere in the world. I hope I can spend my life like this - reading interesting books, writing interesting books, listening to beautiful music, looking at beautiful paintings, admiring the refreshing scenery, being with the people I like, and enjoying life as I please. I have never published a book like this. It is completely different from all the books I have written and published. Those books were very heavy, but this book is much lighter by comparison.

The book "Reading Zhuangzi under Chuangzi" is the scholar Zhi'an's experience in studying "Zhuangzi" and later generations' commentaries on "Zhuangzi". Mr. Zhi'an believes that if there is a book that people can take the trouble to read over and over again throughout their lives, it is "Zhuangzi". In the book "Reading Zhuangzi under the Chuangzi", Mr. Zhi'an believes that "I lose myself" is the main subject of Zhuangzi, which runs through all of Zhuangzi's thoughts; "adapting oneself to oneself" is the ultimate point of "Zhuangzi". In Mr. Zhi'an's view, other pre-Qin philosophies are concerned with the affairs of two people - besides "I", there are also "you" and "him"; "Zhuangzi" is concerned with the affairs of one person - there is only "I" in the world, and everything happens in the mind of "I". In terms of style, the book "Reading Zhuangzi under Chuangzi" starts with the original text of "Zhuangzi", followed by Mr. Zhi'an's experience of reading Zhuangzi and his comments on previous people's reading of Zhuangzi. From the perspective of academic research, "Reading Zhuang under the Chuang River" is also an indispensable work for studying Zhuang studies.

2017 is the 90th anniversary of the birth of Xin Fengxia, the founder of the "New School" of Pingju and the "Queen of Pingju". This precious manuscript of Xinfengxia left in Taiwan, China and the United States has been published for the first time. The first part of the book is "Keeping Childish Youth Forever", which is a reminiscence of youthful times. The second part, "Talent in True Colors," is Xin Fengxia's search for the artistic path. When he was learning opera at a young age, he dared to break the stereotypes, used his most instinctive artistic intuition to change the tone of Pingju opera, and founded the "new school" of Pingju opera. What is particularly rare is that in this part, Xin Fengxia not only left behind precious historical materials about her performances in "Survivor" and "Liu Qiaoer", but also recorded the story of her interactions with Qi Baishi, Mei Lanfang and other art giants, unintentionally providing the most appropriate annotation for her "truth": no pretense, no conventionality, and no artificiality. The third part, "Happiness and Sorrow in Life", talks about life experiences, including the story of "Xiaguang Love" with Wu Zuguang, which is still talked about by people today, and how to transform from an opera actor to a writer.

The Danu River, also known as the Blackwater River (upper reaches), Lu River (middle reaches), Salween River, etc., Has a total length of more than 3,200 kilometers and a drainage area of ​​325,000 square kilometers. It originates from the southern foothills of the Tanggula Mountains in the Qinghai-Tibet Plateau, my country, and flows into the Indian Ocean near Maumeintam, Thailand. It flows through some regions and counties in my country's Tibet Autonomous Region, as well as Nujiang Lisu Autonomous Prefecture, Baoshan City, Dehong Prefecture in Yunnan Province, etc. It flows for about 1,540 kilometers in my country and has a drainage area of ​​120,000 square kilometers. The upper and middle reaches of the Danu River are mostly plateaus and high mountains. The peaks on both sides of the river are tall and steep, thus cutting into high mountains and deep valleys. Especially in the middle reaches of the Nu River, Gaoligong Mountain and Biluo Snow Mountain tower into the clouds, with an average depth of more than 2,000 meters. The highest peak, Gawagapu Peak, is 5,128 meters above sea level, and the lowest altitude is only 738 meters. The Manyun River in Shangjiang, Lushui County, forms the world's Oriental Grand Canyon with high rapids, majestic and thrilling waters. It is comparable to the Colorado Grand Canyon in the United States, or even better.

"Lop Nur Archives: Lop Nur hinterland adventure tour reveals the secrets" points out that the Central Asia Plateau is not only the geographical height of China, but also the spiritual height of China. It is necessary for every busy modern person to gradually take time away from the trivial and mediocre, and come here for a long trip to cleanse the soul and pursue the noble! Reading this book allows readers to experience the mystery and magnificence of Lop Nur personally and re-examine the value of life.

The most classic collection of prose by Gao Jianqun, the author of romantic literature "The Last Knight" and "The Last Huns". I write prose as poetry. Prose is closer to poetry, and novels are closer to drama. I hope that my prose will be "glittering and crashing". These eight words are Guo Xiaochuan's requirements for the language of poetry. --Gao Jianqun. I treat every piece of work as a testament to humanity. I have experienced a lot, I have suffered a lot, and I have a lot of independent thoughts of my own about this big world that gave birth to me and raised me. I often feel that it would be a pity if I didn't write down my thoughts on life and society and tell them to the world and future humans, and then I just let go... - Gao Jianqun. What is Buddha? Buddha is an enlightened sentient being; what are sentient beings? All living beings are Buddhas who have not yet become enlightened. The joy or sorrow of life depends on your perspective on the world. How about a different angle?

Chu Fujin, a native of Yixing, Jiangsu, was born in Shanghai. He once served as a novel editor in the editorial department of "Yuhua". Graduated from the Lu Xun Literary College of the Chinese Writers Association and the Chinese Department of Nanjing University. He is currently a professional writer of the Jiangsu Writers Association and vice chairman of the Jiangsu Writers Association. First-class writer. He enjoys special allowances from the State Council and was awarded the title of "Young and Middle-aged Experts with Outstanding Contributions in Jiangsu Province". He has published and published twelve novels including "Black and White" and "The Gate of the Heart", more than 50 novellas such as "Naked Wilderness" and "The Degree of Man", and more than 100 short stories such as "Color·Moss·Sorrow" and "Sewing". Two collections of essays, including "A Rest in the Zen Garden". He has written many articles on literary theory. Many works have been translated into English and French. He won the 1992 Zhuang Chongwen Literary Award of the Chinese Writers Association, the Jiangsu Provincial Government Literary and Art Award, the Purple Mountain Literary Award, the "Beijing Literature" Award, the "Shanghai Literature" Award, the "Zhongshan" Literary Award, the "Tianjin Literature" Award, the "Furong" Literary Award, the New World Literature Award, and the Budding Literature Award.

On a weekend afternoon in golden autumn, the sky is high and the clouds are clear, and the breeze is blowing. The writer Chen Xu and I drove to Baishui Village, Meixiang, Wuyi Mountain to visit Liu Yong's ruins. Unexpectedly, due to road construction, the car bumped along the way, stopping and going, and the journey of 40 to 50 kilometers took more than 3 hours. When I arrived at the entrance of the village, I went to a farmer's house to ask for directions. After knowing my purpose, a farmer brother in his 20s insisted on being my guide and led us by the light of a flashlight to a natural village on the roadside surrounded by mountains and rivers. He gestured to the five or six houses in front of him and said: "Liu Yong once lived in this place. There is no evidence of where exactly." The view in front of me was wide, with gurgling streams and rippling green waves. Not far away, two towering trees were dimly visible. We walked along the field ridge to the trees. The two podocarpus trees were lush and full of vitality.

Fan Xiaoqing, female, from Suzhou. He is currently the Chairman and Party Secretary of the Jiangsu Provincial Writers Association, and a member of the National Committee of the Chinese Writers Association. He has published literary works since 1980, mainly novels. He has authored 17 novels, including "City Expression", "Lesbians", "Barefoot Doctor Wan Quanhe", etc., More than 200 short and medium-sized novels, including "A Brief History of Urban and Rural Areas", "Where I Lost You", etc., And representative TV series such as "The Fei Family Has a Daughter", "Cadre", etc. The short story "A Brief History of Urban and Rural Areas" won the 4th Lu Xun Literature Award.

One day in the early winter of Jiawu, I went to the wooden pagoda north of Jinquan. The wooden tower is the seat of the Gingxingping District Government. I went there to inquire about the traces of two deceased people. In fact, I don't know these two people personally. The reason why I want to inquire about them is to start with some information I bought a few years ago. After I retired, I couldn't stop going to the flea market at Geumcheondong Temple on weekends. We didn't go there to buy antiques. We didn't know much about that stuff and we didn't have the spare money. I went there just to check out the used bookstall to see if there were any books I was interested in. I happened to buy a few for ten or twenty yuan. I went there again on a Sunday morning in the summer of 2009. I wandered back and forth for several times, but gained nothing. Just as I was about to go home, I heard someone shouting "Here comes the jade and wild rice." This sound stopped me in my tracks. It's not that I feel hungry, but that familiar accent.

On that day in the early summer of 1969, I appeared at the head of Aoluguya Village carrying my luggage. At that time, I was in my early seventeenth year, like a refugee, with a bleak future and no other options. I can't remember how I felt at that time. The memory has long since become blurry. I must have felt numb at the time, with an inescapable fear, like a little squirrel with its hind legs clamped. Aoluguya is a new place name. It has only been in use for more than four years. Its official name is: Aoluguya Ewenki Hunters Settlement. This settlement was built in 1965 by my father and his colleagues for the Evenki hunters with special ethnic project funds allocated by the state.

The last Chinese to go to Spain to fight in the war was Yang Chunrong. It was already March 14, 1938 when he arrived in Spain. Under the "non-interventionism" of Western countries, the Spanish Republic could not buy arms supplies. It retreated from the inland war all the way to the east coast, fighting with its back to the Mediterranean. It was in urgent need of new blood. Yang Chunrong's arrival was just in time. The International Column immediately assigned him to the 1st Company of the 4th Battalion of the 14th Brigade as an infantryman. At that time, Yang Chunrong was no longer a young man, but a 46-year-old middle-aged man. Before 1938, when people of his age joined the International Brigades, they were usually not assigned as infantrymen, but as ambulance personnel. Just like Zhang Ruishu and Liu Jingtian, who were about the same age as him, after they arrived in Spain from Paris in 1936, they wanted to join the machine gun team, but because they were older, they were not allowed to do so. In the end, they were sent to the health team as stretcher bearers.

This book is Wang Xiaorou's earliest collection of joke essays. After its publication, the phrase "live life as a joke", as a wise and simple philosophy of life, has become the spiritual benchmark for Wang Xiaorou's joke works. The word "Yao Mozi" in the subsequent "Yao Mo Zi" series can be said to be the aesthetic benchmark for Wang Xiaorou's jokes. This book of essays includes three volumes: Living Life as a Joker, Reading with the Left Eye, and Personal Notes.

This book contains more than 70 "Er De" jokes created by Wang Xiaorou, which continue Wang Xiaorou's original literary styles of "living life as a joke" and "demon moth". In 2013, Wang Xiaorou said: I like people who are a bit smart. Two people are simple, two people are kind, and two people never pretend, because they don't know how. Authenticity, without packaging, is already considered a second type nowadays, so I would rather stay like this!

This book "Style" continues Wang Xiaorou's unique "civilian humor" and continues to gossip, making it interesting and enjoyable for you. To amuse you and make you feel relaxed and happy. The six parts of this book are "Being Monsters", which records several women who are very capable of making monsters and are unable to do much trouble and only "hide" in their own small world, such as A Lu's strange experience in the delivery room before and after giving birth, and another example of a high-end meal. "The part uses daily little things around the author to describe the days, jokes, and monsters; the part about the "fart boy" is the author's psychological process of being curious on the one hand, and feeling lucky because he has witnessed the growth of life in the process of raising his son. This part is also a reflection of maternal feelings that are rarely seen in Wang Xiaorou's writings.

Wang Xiaorou captures the demons and moths in life with her heartfelt Tianjin-style humor. In the form of prose, from the small to the vast, it ridicules and deeply analyzes the popular phenomena, and interprets the arty modern urban life in a straight-forward manner. His sharp and delicate observations and unique wisdom make people feel full after laughing. Her unique perspective on life and humorous expression are deeply loved by readers.

Wang Xiaorou wrote about various animals in this book, such as roosters, sows, cats and dogs, so the title of her preface is called "Primate Companions". She said: "The little ones written in this book are only a few of the ones I have come into contact with in my life. They are ordinary and familiar to everyone. If some people's homes are like zoos, our home is a boarding house. The animals will be picked up after they recover from illness, or they will be picked up after they recover. We are just staying here for a few days, waiting for the little owner to return from his trip. I am not a doctor at a pet hospital, but I believe that love and respect are more important to animals. I am willing to be a guardian, talk to animals, and see the purest peace in life, without pampering or dependence. "

This book contains 26 vivid jokes, which are called "living life very well"; 10 funny personal blogs, which are called "making fun of people"; and 31 "demon world cup", which shows how the ball-blind Wang Xiaorou used her "demon magic" to perform the 2006 World Cup.

Wang Xiaorou lives in Tianjin, which makes her very close to the urban atmosphere of Tianjin. She often talks about roadside stalls and flatbread vendors. These are street scenes that we Chinese are very familiar with. Anyone who says that they don't like eating street flatbreads is lying. In addition to being kind and touching, the market man is also playful and playful. He doesn't take seriousness and taste seriously, and mocks those pretending to be a superior life. While she is laughing and cursing, the little person's joy and occasional sadness are naturally revealed.

This book is divided into four volumes: Showing Coward, Lao Wo, Small Citizen, and Sensational. This book continues Wang Xiaorou's characteristic writing style, combining whimsy and humor, ridiculing fashion and criticizing glitz. It has been awarded "the most admired contemporary joke writer", "the most artistic citizen in the contemporary era", "the weirdest and most bizarre dialect award", "the most interesting demon moth award" and other folk honors by many "Rushui" readers.

"Watching" contains more than 100 new works written by Liu Jian in the past two years, recording his travels and his work for public welfare. These poems are full of complex and rich poetic flavor, showing the author's broad mind and grandeur. The tone of the poem is calm, the scenes blend together, and the language is fluent and easy to read.

This book is a collection of ten years of classic works by Zhou Hailiang, a popular writer for the high school entrance examination. Two-thirds of the book is prose, and some short novels that have won awards are also included. The themes are wide-ranging, the styles are diverse, the big is seen from the small, and the meaning is profound. The author does not avoid the cruelty of reality, but also marvels at the tenacity of life. Rather than saying that the characters in his works are teased by fate, it is better to say that they are trapped by various limitations - external and own limitations. The author is good at constructing plots and setting up suspense. Sometimes he is tender and affectionate, sometimes he is deep and cold. Every story is touching and fascinating.

"Photos That Don't Exist" is a collection of fictional letters written by Fan Xiaochun. The perspective of the entire book is split into the narrator and the hidden listener, but in the end it all comes back to the author's own narrative. The two protagonists who disappear and appear in the letters look at everything in the world, and tell the landscape of the world - self and others under order through scenes related to photography, painting, architecture, and literature.

Liu Qing's "Revelation - Poetry Collection - Essence" contains more than one hundred poems written by the author Cong Doukou when he was in his thirties. Among them, there are throbbing emotions, reflections on the world of life, and understanding of worldly affairs, showing the mental growth process of a girl born in the 1980s. His poems are lively and playful, candid, and lovely. They seem to be inadvertently mixed with the author's philosophy and Buddhism, and have a long aftertaste.

Zhao Ji, a girl from a poor family, was as beautiful as a fairy when she was young, and everyone in Handan knew it. Lu Buwei, a businessman from Yangzhai, was a wealthy and famous businessman, and everyone in Zhao knew about it. The king of Qin, Sun Yiren, left Zhao as a hostage, and everyone in the world knew about it. All three of them are celebrities, and only celebrities have stories. The flowery Zhao Ji entered Lu Buwei's family and became a concubine. From poverty to wealth, before her joy was over, she heard the news that Lu Buwei was going to give her away. Zhao Ji was pregnant, and she was carrying Lu Buwei's child. After much deliberation, she couldn't figure out why Lu Buwei didn't want her. Judging from Lu Buwei's tone, he and Qin Wang Sun Yiren were already connected, and there seemed to be something going on between them. Zhao Ji was born into a poor family and endured hardship for sixteen years, living a slave-like life.

Sometime in ancient times, the white horse and the giant panda met and have been together ever since. They (they) interact benignly in a common area and form a symbiotic relationship. After giant pandas have experienced disasters such as hunting, bamboo blooming, deforestation, and habitat fragmentation due to traffic, today, vegetation is recovering in a wide range of areas, the number of pandas is steadily increasing, and the relationship between humans and giant pandas has been adjusted and rebuilt. Although there are still many hidden worries, it is still worth gratifying and there is still hope. The Baima people are living fossils of an ancient nation. Giant pandas are living fossils of ancient animals. They (they) are the treasures of Pingwu and China.

When the "5.12" Wenchuan earthquake occurred, I was in Pingwu County, Sichuan. Since the earthquake propagated along the Longmenshan fault zone in a linear direction to the northeast, only buildings in Pingwu County, fifty kilometers away from the fault zone, were damaged. Fortunately, there were no casualties. In the early morning of the next day, it was learned that Wenchuan, Dujiangyan, Mianzhu, Shifang, Beichuan, Qingchuan and other counties and cities were severely damaged, resulting in heavy casualties. Especially Beichuan County, which was razed to the ground and tens of thousands of people were buried. On the morning of the 13th, we learned that Pingtong, Nanba, Shikan, Shuiguan and other places in Pingwu County had also suffered devastating earthquakes. All primary and secondary school teaching buildings collapsed, causing more than half of the casualties. During the few days after the earthquake in the county seat, I felt deeply uneasy and ashamed that I could not witness the severe disaster in person. On May 17, I rented a car with the refugees to Gaozhuangba and walked for two hours to Nanba. Nanba is a town on the Longmenshan fault zone and was also the famous Jiangyou Pass during the Three Kingdoms period.

One of my favorite albums in 1999 was "Rock and Roll on the New Long March". I stuck this tape into my Walkman and played it on loop until the battery died. If a colleague or a villager who occasionally visits me asks me what I listen to, I will answer cautiously and obediently: "Look at the girl opposite." No one knows how the music in my headphones is overwhelming and noisy, and certainly no one knows that my heart is screaming at the same speed - death - rebirth. "I used to ask endlessly/When will you leave me/But you always laughed at me/I have nothing/I want to give you my pursuit/And my freedom/But you always laughed at me/I have nothing..." This song once made me cry for a long time. To this day, I still believe that "Nothing" is the ever-insurmountable Mount Everest in Chinese rock music, and Cui Jian is Tsangyang Gyatso, the living Buddha poet who is half human and half god, under the sacred mountain.