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This book is a documentary work written by Bai He and his volunteers who were moved by the veterans while serving them. This book records the touching stories of their interaction with the veterans during the warm-up service operation carried out by the Baihe Warming Service Team for 70 veterans of the War to Resist U. S. Aggression and Aid Korea. These 70 stories respectively correspond to the 70 veterans who served. Each story is divided into three parts: sequel (time, place, characters), main text, and postscript, interspersed with service pictures taken on the spot. The book contains about 200,000 words and 200 pictures. It is not only rich in pictures and texts, but also allows people to more truly feel the demeanor, voices and smiles of the veterans and the volunteers of the Baihe Military Service Team. It is not only a spiritual ode to the veterans, but also a hymn to the volunteers. It is also a spiritual song that flows from the hearts of ordinary people who are rooted in the grassroots, have no regrets, and have been unknown for a long time.

This book is compiled and compiled based on the author's extant collections of poems, poems and collections of poems. It is divided into three volumes and compiled by Zhu Zhenhua, with a preface by Mr. Yan Chongnian. According to statistics, there are nine extant collections of Ma Huiyu's poems: "Collection of Wan Tie", "Collection of Thirteen Lines of Luo Shen Fu", "Collection of Shengjiao Preface", "Sequel to Shengjiao Preface", "Sequel to Lanting Shengjiao", "Collection of Shengjiao Preface Poems", "Sequel to Shengjiao Preface Poems", "Hegan Shichao" and "Eight-tone Rhythm". This book is divided into three parts: Collection of Words, Poems and Poems: One of them, "Collection of Words", contains 200 couplets of "Jihu Tie", 140 couplets of "Thirteen Lines of Collection of Luo Shen Fu", 1,000 couplets of "Collection of the Holy Religion", 500 couplets of "The Preface of the Continuation of the Holy Religion", and 160 couplets of "The Continuation of the Lanting Holy Religion". The second one, "Collected Poems", covers four volumes of "Collection of Preface Poems of the Holy Religion" and four volumes of "Sequel to the Preface Poems of the Holy Religion", and contains 800 five-character and seven-character poems. The author selects the couplets in "Collection of Holy Teachings" and "Continuation of Holy Teachings" that have harmonious tones and coherent meanings. He compares the sentences with words, adds embellishments and knots, and the four rhymes are consistent to create a coherent meaning. The third "Poetry Notes" includes two poetry collections, "Hegan Poetry Notes" and "Eight Rhymes". "Hegan Shichao" contains a total of 307 verses, quatrains, and rhythms. "Eight-tone Rhythm" uses the eight characters "Eight-tone" - gold, stone, silk, bamboo, gourd, earth, leather and wood" in "Zhou Li·Chun Guan·Master" and puts them at the beginning of seven-line and eight-line sentences, forming one hundred seven-line poems and forming a collection of "Eight-tone Rhythm" poems.

The author of this book, Professor Zheng Kesheng, comes from a scholarly family. He is the philosophical heir of Mr. Zheng Tianting. He graduated from the History Department of Peking University. He worked successively at the Institute of History of the Chinese Academy of Sciences, the Department of History (Institute) of Nankai University and the Institute of Ancient Books. He personally experienced the major events and ups and downs in the history and education circles after 1949. He also had many contacts with the older generation of scholars. He has extensive contacts, is knowledgeable, and is familiar with the anecdotes of the academy. This book is about the author's memories of Zheng Tianting, Mei Yiqi, Chen Yinke, Liu Bannong, Bai Dizhou, Hu Shi, Fu Sinian, Xia Chengtao, Wei Jiangong, Xiang Da, Luo Yong, Zheng Mian, Lei Haizong, Jian Bozan, Shang Hongkui, Shao Xunzheng, Zhou Yiliang, Wang Yongxing, He Bingdi, Pei Wenzhong, Yu Xun, Bai The life, friendship and academic achievements of teachers and friends such as Shou Yi, Lin Geng, Tan Qixiang, Sun Yutang, Wang Yaquan, Zhang Zhengxang, Wang Zhonghan, Wu Xiaoling, Li Guangbi, Yang Yixiang, Hu Zhongda, Ma Daren, Ma Shouchian, Sa Benren, Deng Rui, Feng Chengbai, as well as the author's experience in studying and studying. This book is richly illustrated and contains about 200 illustrations, including old photos and letters and handwriting of scholars. In addition to the family members and friends of Zheng Tianting and Zheng Kesheng, there are also more than 100 famous scholars in Chinese and foreign literature and history since the 20th century. Many of the photos and letters and handwriting are disclosed for the first time. The author has close contacts with many of the characters he writes about, and cites first-hand materials such as diaries and letters. The content is informative and rich, covering the teaching and research status of Peking University, Southwest Associated University, Institute of History and Philology of Academia Sinica, Institute of History of the Chinese Academy of Sciences, Zhonghua Book Company, and the Department of History of Nankai University since the 1930s, as well as 1949 Some important work in the field of history in the following years, such as the construction of liberal arts textbooks in colleges and universities, the "Twenty-Four Histories" review, the "Dictionary of Chinese History", the first international academic symposium on Ming and Qing history at Nankai University, etc., Will help readers understand the academic ecology of China in the twentieth century and supplement the life stories of some scholars, which are vivid, true and extremely precious.

Sun Yu joined the Northeast during the late "Cultural Revolution" and began literary creation. Influenced by Russian literature in his early years, he later enjoyed reading classical philosophy, and then embarked on the path of literary criticism. In the 1980s, he graduated from the Chinese Department of Shenyang Normal University with a Master of Arts. His research and writing focus on the culture of the Republic of China, observing the atmosphere of literati in the old era and examining the current writing trend. His words are elegant and gentle, he understands the pain of the soul, and conveys the joys and sorrows of life. The thoughts and life he tells are heavy, true, and deeply intimate. His prose combines profound human expression, a neutral humanistic stance, and rich human emotions. It is a model text for intellectual writing that combines vision, education, conscience, and taste.

A history of modern Chinese literature that is different from the academic one. Mr. Sun Yu gathered what he had learned, felt and seen over the years to discuss the literary styles and genres of the Republic of China from a unique perspective, and to criticize writers and works. The book is divided into 15 topics, covering the literary ecology of the late Qing Dynasty and the early Republic of China, the starting point of new literature, old school novels, old poetry, new poetry, scholars' notes, Liyuan style of writing, leftist novels, grassroots literature and other historical narratives, as well as the evaluation of many writers such as Lu Xun, Zhou Zuoren, Lao She, Cao Yu, Shen Congwen, Zhang Ailing, Qian Zhongshu, Xiao Hong and their works, which uniquely restores the literary scene of the Republic of China period. It's insightful, beautifully written, and fun to read.

Wang Huo, born in 1924, graduated from the Journalism Department of Fudan University in 1948. He is a famous writer who has experienced the Anti-Japanese War, the Liberation War and the new era of New China. He has personally won awards such as National Model Worker and Outstanding Communist Party Member of Sichuan Province. His works have won awards such as the Second National Book Award, the Fourth Mao Dun Literary Award, the National Outstanding Novel Award during the Eighth Five-Year Plan Period, and the Guo Moruo Literary Award. His long historical novel "War and People" shows the magnificent scenes of the Anti-Japanese War in an epic length; at the same time, as a witness to history, he affectionately wrote the collection of essays "Ninety Years Back" at the age of 90, which reproduces the unique memories of an old revolutionary and a generation of literati. This book "Looking Back at 100 Years" is an updated version of "Looking Back at Ninety Years". It is the author's review of history and homeland again at the age of 100. The catalog has been reorganized according to the author's opinions. It is not only a memory of his 100-year-old life, but also a reorganization of literary history.

This book is one of the series of "Prose Collection of Modern and Contemporary Famous Chinese Masters". It contains the classic prose works of the author Baoji Yuanye. It is edited and selected by Han Wenshu, a professor of Jilin University, and the introduction is written. Among Bolji Yuanye's star-studded prose works, the most valuable are his chapters describing the grasslands and the life of Mongolian herdsmen. These articles not only describe the beauty of nature, explore the relationship between nature and humans, but also include thought-provoking reflections on life, the earth, the past and the present. As an essayist with a clear stylistic awareness and conscious aesthetic pursuit, Balji Yuanye's works are broad and unique, solid and refined, optimistic and cautious, with a distinct personal perspective and writing style.

"A Study of Space Issues in Four Novels of Thomas Pynchon" takes the four novels of postmodern representative writer Thomas Pynchon as "V.", "Auction Lot 49", "The Vineyard" and "Inherent Evil" as the research object. It combines narrative space research and spatial criticism theory to examine these four novels from the perspective of space in order to better understand Reveal the work's criticism of the character's way of thinking, gain a more comprehensive and in-depth understanding of Pynchon's cautious attitude towards postmodern diversity, the deep connection between the work's postmodern narrative techniques and social and political implications, and the novel's spatial thinking on post-World War II capitalist society, and revise the relevant problems existing in previous research and make up for their deficiencies.

This book discusses the stories that happened in the study of "style" and "style". There are seven chapters in the book. The first chapter discusses the overall issue of medieval style. The last six chapters discuss the naming of styles, expansion of styles, trichotomy of styles and the genealogy of medieval poets in the medieval period. Discuss those stories that happened in the study of "style" and "style".

When vernacular writing was on the rise, famous classic vernacular writers such as Hu Shi, Zhu Guangqian, Zhu Ziqing, etc. All had a profound foundation in ancient Chinese writing, so their writing was concise, clear, white and meaningful. The role of the foundation of ancient Chinese in improving the level of writing expression is fully reflected in these famous masters. This small book is intended to show the charm of ancient prose and its role that cannot be ignored in improving writing skills. It is hoped that more readers will know and understand the value of ancient prose. "Excellent and Good Prose-Analysis of Famous Classical Chinese Poems" is intended to be a companion to the previously published "Excellent and Good Poetry" and is a popular reading book for the appreciation of classical Chinese.

The formation of the cultural classics "Six Classics" represented by "Poems", "Books", "Rites", "Music", "Yi" and "Spring and Autumn", led to the prosperity of philosophy and literature in the Chinese classical era, achieved ideological and artistic leaps in the classical era, and determined the historical development trend of Chinese culture. Therefore, the study of the "Six Classics" is an unavoidable topic in academic research. The author of "Literary Theory of the Six Classics" has been paying attention to and studying the relationship between literature and Confucian classics for decades. Under the modern academic background, from the ideological and literary breakthroughs of the "Six Classics" and the "Axial Age", the artistic form of ritual music and poetry and elegant poems in the Zhou Dynasty, the "changing style and elegance" and the spiritual turn of Spring and Autumn literature, rituals and the literary writing of the "Six Styles" in "Shangshu", the ideological significance of the "Yue Ling" model and Chinese literature It provides a comprehensive literary interpretation of the "Six Classics" in terms of its four-season structure, the systematic composition of "Music Classics" and the Zhou Dynasty music classics, the poetic structure and poetic wisdom of the "Book of Changes", the literary transcendence of "Zuo Zhuan" and "Spring and Autumn Brushwork". The book has solid documentation, smooth writing, and a grand structure. It is an excellent academic research work.

"Hamlet's Problem" is an explanation and interpretation of the Western classic "Hamlet". On the basis of careful reading of the original text, the author attempts to combine Chinese and Western classics in the form of notes and poems to examine the life issues such as sacrifice, self-understanding, revenge, life and death that Hamlet, the eternal mirror of mankind, faces from a dual cultural perspective, and deeply analyzes Hamlet's character and existential circumstances, as well as the individual destiny formed by the conflict between the two. The author's multi-dimensional interpretation of Hamlet's classic soliloquy "To be or not to be?" Not only refers to the philosophical proposition that Hamlet thinks about as a "frozen mirror" of human beings/human nature, but also covers the thinking of literary categories such as "tragedy". It can be said that what the title indicates to readers is not only a problem of Hamlet as a person, a problem of metaphysical "people", but also a problem of the play "Hamlet" itself. "Tobe, or not tobe" is not only the object of the author's interpretation, but also the clue and hub for the unfolding of the interpretation.

The "dual narrative process" composed of plot development and "hidden process" is the theoretical concept and research model pioneered by the author of this book at home and abroad. This is the world's most systematic theoretical discussion and practical analysis of the "dual narrative process". It breaks through the shackles of the narrative research tradition that has focused on plot development from ancient times to the present, broadens its horizons to the "hidden process" that advances parallel to the plot, and deeply explores the complex interactive relationship between the two. The first part of this book constructs its own innovative theoretical system from seven aspects. Although this theory can be applied to works containing dual narrative processes in different genres and different media, in order to systematically explain a genre, the next "work analysis" focuses on Western classic short stories, which not only reveals how different authors construct dual narrative processes, but also reveals how the same author uses different methods to create dual narrative processes.

This is a collection of essays with a unique style, covering life insights, character notes, reading experiences, film and television reviews, poetry, etc. The life insights are seen from the small to the big, using "lyrics of the wind" to express the ideals of young people, and "rotating and rising notes" as a metaphor for the loneliness of youth. The character notes are plain and full of tension, the loneliness and sadness of the old street performer, the taste of grandpa's red bean cake accompanying his childhood, the grandpa who is as simple as sweet-scented osmanthus, and the profound psychological description of his father, all reflect the author's deep feelings for relatives and humanistic care for strangers.

"Love in the Years" is a collection of essays, with a total of more than 50 articles and more than 220,000 words. The author talks about life, human relations and human nature as a person who has lived through it. In the joys and sorrows, joys and sorrows, he shows his beautiful hope for life and his love and persistence for life. He has both passionate pride and tenderness. The text is simple, fresh and natural, focusing on emotional rendering, smooth and smooth, blending emotion and reason, and full of beauty.

Adopting the ancient Chinese traditional poetry teaching method, different natural things, that is, common image elements in poetry are used for thematic classification, and Chinese classical poetry is divided into thirty-four representative categories. The content covers: sun, moon, stars, clouds, rain, snow, wind, mountains, rivers, lakes, seas... It guides young readers to start from perceptual natural experiences and gradually enter the world of Chinese classical poetry. While feeling the beauty of poetry, they can experience the rich emotions expressed by poets of all generations with the help of natural elements, and resonate with great minds across time and space.

This book is a collection of essays. The author takes his hometown as the starting point and time as the meridian to record half a century of life experience and insights. The customs of my hometown, the hardships and joys of life, the evolution and progress of society, the richness and diversity of nature, nostalgia, love, longing, joy, gratitude, gratitude, bit by bit, converge into a gurgling stream over the years, and in the calm winding, beautiful and vivid waves flash along the way.

This is a collection of beautifully written essays. The book contains in-depth reflections on the philosophy of life, unique insights into literary classics, detailed descriptions of personal loves, and heartfelt feelings about family and country.

The book is divided into four series: the first series, "At Home and Outside," reflects the changes in society by describing changes in family clothing, food, housing, and transportation; the second series, "Inside and Outside Books," uses books as a carrier to reflect the joys, sorrows, and joys of scholars; the third series, "Inside and Outside Stores," describes the author's various interesting stories in the workplace; and the fourth series, "Inside and Outside the Plays," tells the author's experience of watching movies and participating in film review groups. As a Shanghainese who was born and raised here, the author's impressions of Shanghai are all in the daily necessities, food, housing, transportation and every detail of life.

"Silk Rain in Silk Sleeves" is a collection of essays. The book is divided into five parts: Chuixuan on the other side, Lanbi Rensu, Eyes full of basil, Condensation residual light, and West Wind Fuxian. In the article, the author commemorates his relatives, teachers, and friends with sincere emotions and poetic writing style, and embodies the feelings of life full of love throughout the article, forming a unique prose feature.

If there is no more poetry in this world, the poet's heart will wither; if there is no poetry, the poet will be nothing and have nothing. Each poem in this collection is a cloud created by the poet listening to himself, describing himself, and using his will.

Summer vacation life has begun. The teacher assigned Cui Xiaowei a task. In order to complete this task, Cui Xiaowei, his younger brother Cui Xiaogang and a group of small town teenagers had a series of happy and worrying stories such as "theft accident", "circus temptation", "Erlang Beach adventure", "visiting friends in the hospital", "betting on fruit picking" and "dog chasing incident"...

"The Island Remains Like the Same" is a collection of essays describing life on an island. It is divided into four series: "Chronicles of the World", "Customs", "Reminiscences of the Ancients" and "Five Flavors and Six Harmonies". It depicts the past time and exotic customs of a small island from various aspects such as material and social organization, spiritual culture and so on. What are the differences and connections between an isolated island and the mainland? What have people who live by the sea experienced? How is the formation of customs closely related to the island's history, geographical environment, natural conditions and the penetration of the outside world into it? ... You can find the answers in this collection of essays. In this book, the sea, ships, people, folk culture, food, suffering and perseverance are all included in the island of memories constructed by the author. In addition to listening to personal spiritual whispers, you can also encounter the footsteps of the times and the cultural charm of the region. At the same time, you can observe the changes and dependence between the island and the sea, the island and the people, and the island and the mainland in time, customs, and eras. This is not only a collection of essays, but also a marine literature reading reflecting the relationship between humans and the ocean.

This book is divided into four series, and the collected articles all use love as the background, showing the dependence and care between people, people and nature, and all things in nature. One thing, one house, one village. Love mountains, waters, and all things. All things have animism and love. Love is in the mountains, rivers, and people. Savor life in nostalgia and pursue warmth and love in nature. Use love to influence the world, use love to warm life. Love is the wind in the valley, love is the smoke floating in the village, love is the love words in the crop fields, love is the reincarnation among the sun, moon and stars, love is the secret realm in the mountains and rivers. There is a world of love hidden in the villages and crop fields.

This book is a collection of local prose. The book is divided into four series, namely "Wheat Flower", "Bean Seedling", "He Xiang" and "Ear of Grain". The growth process of grain is used to symbolize the human life process, which is cleverly conceived. The author uses the hometown where he was born and raised as the background and the development of the times as clues to truly record the life stories of four generations. It includes both the bumpy experiences of the older generation in the 1920s and 1930s, as well as the current emotional exchanges with children. The language is fluent, natural and full of emotion. It narrates the changes of the times and local customs, and expresses the happiness of ordinary people.

This book is a collection of essays, with five chapters in total, namely time, family love, local accent, worldly world, and travel history. In the book, the author records every bit of the process of changes between the countryside and the city. There are not only the peaceful and harmonious beautiful scenery of the countryside, but also the warm stories between himself and his neighbors, relatives and friends, as well as the joyful experiences in life. It shows his mental journey during the changes of the times and expresses the author's deep attachment to his hometown.

"Fu Lei's Family Letter" has been a best-seller for 42 years since its first edition. What kind of book is "Fu Lei Family Letter"? Why has it been loved by readers for decades? A home letter of "love and sincerity" written by Fu Lei to his children, a home letter that makes Fu Cong "cry like rain" every time he reads it. A book that Jin Yong praised as "a Chinese gentleman teaching his children to be a true Chinese gentleman", a book that Dong Qing selected as "a book of a lifetime", and a book that Zhang Yixing thought he had read in school but "had a different feeling" as an adult. "Fu Lei's Family Letter" does not just talk about some abstract principles, but it is about understanding the principles and moving them emotionally at the same time. Fu Cong said that reading "Fu Lei's Family Letters" is "a feeling that is warm, quiet, simple, profound, gentle, proud, subtle, and straightforward." Whether as parents, teachers, children, or students, generations of people have been moved by it and benefited a lot. "Fu Lei's Family Letter" is not just a father's earnest instruction to his son, but also a "book of spiritual communication" in which Fu Lei and his son talk about philosophy, religion, literature, painting, study, work, love, ideals, etc. Fu Lei and Fu Cong, just like what Wang Zengqi said, "father and son become brothers after many years", they are both father and son, and they are also like-minded "friends who have been together for many years." Everyone can benefit a lot from reading "Fu Lei's Family Letter"

"Six Chapters of a Floating Life" is an autobiographical prose written by Shen Fu, a writer of the Qing Dynasty. The prose has simple words and sincere emotions, describing the ordinary home life of the author and his wife, their bumpy encounters, and their travels around the world. The predecessors once commented that "the fragrance and desolation of the triangle make you feel intoxicated when reading it." The contents in the book may be lingering and lingering, some may be leisurely and indifferent, some may be heart-wrenching, or some may be landscapes and mountains. The hurtful parts of love make people shed tears, and the parts that don't suit one's will make people nod happily and enjoy it. The language is unadorned, simple and fresh, and quite natural. Vernacular Chinese expands the artistic conception of classical Chinese. It is as concise as words, but does not lose the elegance and uniqueness of the original text. It can be said that they complement each other. "Six Chapters of a Floating Life" is a very high-level and influential autobiographical essay, which occupies a very important position in Qing Dynasty notebook literature. The book is characterized by its purity and frankness, unique expression of spirit, informality and creativity.

"Classic Poetry Lesson" is compiled based on the "Introduction to Classical Poetry" course taught by Luo Yuming, which has been popular for many years. In his narration, there is no distance in time and space between the readers and the poets. They stand in the same situation and taste life. Readers can feel their own life process while understanding the poems, and heal the anxiety of life. The language may be playful or humorous, or sharp and profound. There is no sense of "preaching" at all, only deep concern, which resonates deeply with readers. From the Chu poems in the Book of Songs to Tang poetry and Song poetry, these 21 healing poetry lessons use highly representative classic poetry to restore the life situations in ancient poetry and deeply demonstrate the eternal human nature. Open this book, and under the guidance of Teacher Luo, you can easily walk into the depths of poetry and be moved from the bottom of your heart!

This book selects prose works published by contemporary Chinese writers in the past two years, with rich themes, natural and beautiful writing styles, and diverse styles. The whole book closely focuses on the main theme of the present, using literary techniques to praise the motherland, chant family affection, and recall the past. The theme is prominent and the thoughts are healthy. The essays by the literary masters selected in the book have been recognized as famous works since they were published. The purpose of collecting and publishing them is to show the fruitful achievements of contemporary Chinese writers in the field of prose in the past two years, to help readers better understand the overall beauty of these beautiful words and the beauty between the lines, and to enable readers to better appreciate the style of contemporary Chinese literature.

This book selects outstanding short novels published by contemporary Chinese writers in the past two years. The whole book closely focuses on the main theme of the present, using literary techniques to praise the motherland, chant family affection, and recall the past. The theme is prominent and the thoughts are healthy. These novels of ours have been recognized as famous works since they were published. We collected and published them in order to better understand these beautiful words and the beauty between the lines as a whole.

This book selects outstanding novellas published by China's contemporary first-line writers in the past two years. It follows the style of the same series. The whole book closely focuses on the main theme of the present, using literary techniques to praise the motherland, chant family affection, and recall the past. The theme is prominent and the thoughts are healthy. These novels of ours have been recognized as famous works since they were published. We collected and published them in order to better understand these beautiful words and the beauty between the lines as a whole.

This book collects excellent works of short and medium-sized novels in recent years. The theme of the works focuses on the observation and understanding of life, providing readers with a window to care about society and explore human nature. The chapters of personal narratives are either beautiful and quiet, or they show the vitality of literature in their clever places, and many are overflowing with philosophical meaning. Some masterpieces are thousands of miles in size, with the broad destiny of the family and country, and have the soul of a grand narrative. There are also many pages that carry cultural content while carrying out literary narratives. They use novels to interpret some cultural factors belonging to China, reflecting the power of cultural inheritance and the current vitality of the cultural spirits that have been integrated into the blood of the Chinese people. The authors of this collection are mainly the backbone of novel writers, such as Nie Xinsen, Yu Debei, Chen Yu, Deng Hongwei, etc. Their works are classic and exemplary.

This book is the latest collection of new poems by the poet Jin Lingzi. It is divided into five volumes, the first volume is the shadow of the beast, the second volume is the human face, the third volume is the phoenix, the fourth volume is the fallen tree, and the fifth volume is the true image. The poet Jin Lingzi wrote poems that were either delicate or decisive with a philosopher's keen insight and an artist's language expression. The poems collected in this book have varied images and rich structures. The long and short poems have clear rhythms. The long poems are like strong wind and rain, enveloping everything; the short poems are only a few lines, concise and lively, and directly touch the heart. The work vividly demonstrates the author's perceptual, sensitive, profound and mysterious creative characteristics.

"Zhuhai and Me" is a collection of personal essays by the author Cai Xu. It writes about Zhuhai's history and new appearance, architecture and technology, scenery and humanities from eight aspects in eight volumes. It also narrates the deeds of three revolutionary heroes in the form of a recital play in the ninth volume. The language is fluent and beautiful, vividly showing many aspects of Zhuhai and expressing the author's deep love for Zhuhai. From the book, you can get a glimpse into the rich inner world of an old prose poet, and you can experience Cai Xu's consistent writing style - his method of selecting materials and expression techniques are unique and unique from others. His diligent spirit and extraordinary ability to discover the treasures of life can also move and benefit you. What he shows you is not just prose poems, but sparkling life fragments and scenes, and the rich and colorful poetic life composed of them.

This book is not a high-level academic treatise that examines the author, year of writing, story evolution, version differences and other issues of "Water Margin". Instead, it is based on the existing text of "Water Margin" and takes the characters of Water Margin as the object. It selects some topics with significance, doubts, controversy and interest to comment on, and provides a reasonable and refreshing interpretation of the familiar Water Margin characters. Among them are comments on the behavior and image of the Liangshan characters, an explanation of the contrast between the Liangshan characters' talents (not just martial arts), military exploits, personalities and rankings; there are also criticisms of some of the outdated values ​​and cruelty and bloodthirsty aspects conveyed in "Water Margin"; an analysis of the storyline highlights and artistic flaws of "Water Margin;" The whole book has analysis, argumentation, textual research, and unique insights. It has the scientificity and rigor of academic works, but also the readability and interest of knowledge books. It will help people read, appreciate, and understand the "wonderful and eternal" world of Water Margin with joy and hatred more deeply and comprehensively.

This book belongs to the second volume of the "Hidden Light of Chinese" series, which is co-edited by Professor Zhang Taozhou, a doctoral supervisor at Capital Normal University and a famous poetry critic, and Associate Professor Wang Dongdong of Shandong University (Weihai). This book collects important research results on the contemporary Chinese poet Chang Yao. It combs and discusses the overview of Chang Yao's works and the changes in the research perspective on Chang Yao and his works from multiple dimensions, aspects and levels. Through this, we can understand Chang Yao's contribution to contemporary Chinese literature and observe many aspects of the development of new Chinese poetry. Changyao (1936-2000), formerly known as Wang Changyao, was a native of Taoyuan, Hunan and a famous poet. He joined the People's Liberation Army in April 1950. In the same year, he went to the battlefield to resist U. S. Aggression and aid Korea, and released his debut novel "Human Bridge". In 1953, he transferred to Hebei Provincial Invalids School and began to officially enter the poetry world. Died due to illness in 2000. His poems are known for publicizing the excitement of life in deep difficulties. His feelings and passion are integrated into solemn and magnificent images, and they form a coordinated whole with his vicissitudes of feelings, the ancient and open western humanistic background, and the broad consciousness of life. The poet's later poems tended to be introspective and quiet, and the language became slightly gentler, with strong intellectual tension, forming a grand poetic personality.

This book is divided into two volumes, one for Ci and the other for Wen. Ci Cun is a collection of lyrics. The lyrics collected in the book have distinct themes and a wide range of themes. The whole work has lofty intentions, rich poetic flavor, and bold atmosphere. It not only continues the traditional artistic creation concept, but also expands the innovative thinking of modern art. Wencun is a comprehensive art collection that combines lyrics reviews, media interviews, personal interviews, essays and other literary styles, integrating theory and historical materials. It fully demonstrates the author's creative process and lyrics creation concept, especially the sincere and touching essays, describing the past friendships in the world of poetry, remembering his teachers and close friends, and highlighting the author's benevolence, gratitude and frankness.

The author, Ma Yuehao, is a senior high school student at Wenweng Shishi Middle School in Chengdu, which has a history of more than 2,000 years. The poems selected in this book were composed by him from the second grade of junior high school between 14 and 18 years old. The book is divided into four series: the first series "Don't Call the West Wind Calls Me Worried" mostly expresses the historical future, the feelings of family and country, etc.; The second series "Become a Human Flower for Me Temporarily" is mostly about reflection on growth, confused exploration, etc.; The third series "The Breeze Blows the Love in the Eyes" mostly expresses about emotional longing, recalling the sadness of separation, etc.; The fourth series "A Clear Rain Falls on the Mountain" mostly expresses feelings about life, chanting things and people, etc. There are more than 80 poems selected in the four series, and the title of each series is selected from a line in one of the poems. These poems are sincere, straightforward, romantic, beautiful, rich in imagination, fresh and refined. As a middle school student, the author has a profound understanding of traditional Chinese culture and is talented in poetry creation. Full of positive values ​​and positive energy. The publication of the poetry collection "Silver Saddle and White Horse in the Spring Breeze" is helpful to understand the thoughts, dreams and thoughts of contemporary middle school students from another perspective. At the same time, it is of positive significance in promoting the creation of ancient Chinese poetry, experiencing the great charm of poetry, and vigorously promoting the excellent traditional Chinese culture.

This is a collection of prose that is pure, light, full of life juice, and shining with the light of thought. The author's writing is classical, fresh, and smart, and he is especially good at the superb use of metaphors and personification. The book has two volumes. The first volume focuses on describing human affairs, presenting melodious, sad and joyful human scenery and life conditions; the second volume focuses on describing scenery, expressing the beauty of all things and deep thoughts on life. In the description of the people and scenery that the author experienced during his growth, the beauty of life, human feelings, nature and wisdom are presented one by one.

From the Seven Sages of the Bamboo Grove to the great Confucians of the Ming and Qing Dynasties, from the demeanor of the Wei and Jin Dynasties to the poetry of the Tang and Song Dynasties, this book is a "record of the ups and downs of ancient literati" intertwined with poetry and history. It uses humorous language to tell the life stories of eighteen literati such as Wang Wei, Su Shi, and Wang Yangming who entered the world with poetry, and reproduces the elegance and character of the literati from the pile of old papers.

Maybe it's regret, maybe it's forgiveness. Looking back at the detours of growth, I always feel that every step of the way has been confused. What Leslie Cheung sings to us is love or relief? Since you can't keep yesterday, let's keep your thoughts... This book is the first sincere work by the well-known Hong Kong pop musician Xu Wish to share his youth and pay tribute to the classics. Mr. Hui combines many years of personal experience and insights into the industry to talk about the creation process of classic popular Hong Kong music in the 1970s and 1980s, interpret the stories behind the lyrics, and review the classics of Hong Kong music with you, listening to the gorgeous echoes of an era.

Talk with the masters and savor the taste of life. These articles cover all aspects of the masters' lives and are the epitome of their life experiences. After years of precipitation and fermentation, they interpret the masters' centuries-old wisdom. The masters' understanding of life and open-minded attitude may still be difficult for us to reach, but we can still pursue it. This set of books captures the master's century-old wisdom and art of life, touches people's hearts in the ordinary, and discovers the fun and poetry in life. Learn to use humor to resist the current difficulties and discover the overlooked beauty of daily life.

This book is a collection of essays by the writer Qu Siyuan. It contains the essays that the author has written about his hometown, friends and travels over the years. Qu Siyuan's essays are always thoughtful about each thing. The trivial matters of life are carefully studied and analyzed, and they are summarized in writing. The voice and footprints of the heart can be seen in the writing. Although life is exquisite, aim high and have no regrets.

"Candlelight in the Dark Night" is divided into three volumes: the first volume "Light in the Dark Night" includes chapters such as "Gentleness Walks into the Good Night" and "Running Before Dawn", which focuses on exploring the individual soul; the second volume "Things on the Earth" contains chapters such as "Father Pulled Out the Infusion Set", which mostly recalls the emotional interactions between father, sister and other relatives and friends; the third volume "Mu Zhen Scenery" contains chapters such as "Living for a Xanthium", which focuses on describing local customs.

"Usageism: Selected Essays of Lu Xun" is a collection of Lu Xun's essays, including more than 60 classic works such as "Have Chinese People Lost Self-Confidence", "Usageism", "In Memory of Mr. Liu Hezhen" and "For the Memory of Forgetting".

The author uses personal experience as material and has created a large number of poetry works for more than thirty years. As a person born in the 1950s, the author's growth is quite representative. These poems not only record the author's growth and changes, but also witness the development and changes of society; they not only have high literary value, but also have certain historical reference significance.

This book is a unique lakeside narrative that explores the relationship between man and nature. It is the culmination of Thoreau's two years of living by Walden Pond. In this large prose, Thoreau described in detail his frugal life in the woods, the beautiful nature in his heart, and his wise thinking. He observes nature in detail and records vivid animals, plants and scenery of the four seasons in a natural, smooth and poetic writing style. Many beautiful natural pictures often move readers. The literary master F. S. Fitzgerald once said: "After reading Thoreau's articles, I realized how much I had lost by living away from nature!" "Walden" was published more than a hundred years ago and is still regarded as a classic. Thoreau lived in a society of industrial civilization, but opposed the mainstream culture of the time. The "simple, independent and noble life" he pursued is now regarded as a model of the ecological protection movement, and this book is also regarded as the "green Bible". The translator spent several years polishing the translation and included old woodcut prints.

A non-academic work on D. H. Lawrence. It is like a biography but not a biography, a novel but not a novel, a travelogue but not a travelogue, a memoir but not a memoir: a fusion of, or rather, a postmodern genre that transcends all specific genres, a genre that is counter-genre. Therefore, although the author repeatedly claimed to write a "serious academic work on Lawrence", he ended up writing a black comedy that is neither serious nor academic, and makes people laugh from beginning to end. It's still about Lawrence, but more precisely about "the book that was intended to be written about Lawrence but never was." Despite this, the author still uses his new and free style, and uses excerpts, descriptions and comments on Lawrence's works sprinkled throughout the text like spices, to outline a unique D. H. Lawrence for us.

Lester Young, Billie Holiday, Thelonious Monk, Duke Ellington, Chet Baker... Legendary musicians like suffering saints. A movie montage of life scenes. Whether you're a jazz fan or not, whether you've heard those songs or not, this book will make you want to listen to them-or listen to them again. And after you hear it, you'll want to look at those sentences again. Your heart will become soft and sensitive, like a poor little animal. Sometimes you will smile, sometimes you will want to cry inexplicably, sometimes you will suddenly remember something or someone from a long time ago, and sometimes you will stand up and go to the balcony to smoke a cigarette. And when you finish reading it, you know you will read it again, you will confidently (even proudly) recommend it to your friends, and you will keep it on your bookshelf forever, hoping that one day, when you leave this world, your children - your children's children - will read it too. Because, this is a little jazz bible.