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What does it mean to grow old when your prime is gone? "Today, I celebrate my ninetieth birthday, but there is still so much to discover." On November 11, 2017, British writer James Ross-Evans celebrated his ninetieth birthday. He decided to write down his life for a year in the form of a diary, recording his daily life and insights at the beginning of the tenth decade of his life. From the inconveniences and ailments brought about by aging, to the daily joy of making chutney, from the pain and memories of the death of a loved one, to my own thoughts on life and death. Ross-Evans' writing is full of wisdom and insight into the details of life, describing daily trivial matters, but with a profound contemplative tone.

Andy is a philosophy teacher who is "inherently sinful". Whenever he steps into the security gate of the prison, the "executioner" in his mind will start to move. While giving lectures in a prison full of violence, he was obviously in disarray: he could not control the direction of the discussion, could not answer students' questions, and was always involuntarily evoked memories deep in his memory... In this struggle with the executioner, he used philosophy as a key to open up the ideological world of the imprisoned body, gain a deeper understanding of human nature, and finally achieve self-salvation.

An innocent girl walks from the countryside into the city, meets a boy from the same village, lives in a small house for career and love, walks through the ordinary and resists mediocrity, and her life gradually becomes magnificent in front of them. A life that should have been peaceful for many years is instead filled with illness, long nights, life and death, helplessness, and parting... When everything has settled, look back at your hometown and face the present, the only one who can truly heal you is yourself. As time goes by, the hidden undercurrents of life are unearthed and merged together in the entanglement of reality. The shock of time, pastoral songs, mental journeys, hometown scenery, landscapes, etc. Written in the book all calm the mind and make the journey come smoothly. This book breaks through the limitations of what is generally described in chicken soup for the soul. Life changes and daily fireworks fly before your eyes. Traditional culture and modern life keep pace with each other. Personal destiny is intertwined with the changes of the times. It makes people unknowingly walk into a wonderful place with lush bamboo trees, winding water bottles, and the fragrance of tea.

When I saw the photos of my mother when she was young for the first time, I realized: she too had been free and had dreams. She wanted to be a chef, but interrupted her studies because she became pregnant, then got married, had a child, divorced and remarried. The mother in my memory was always around pots and pans, and I didn't want my classmates and teachers to know that this person was my mother. I hope to change my mother to a mother who is more smiling and sunny. I ran away from her and my original family and ran to Paris to study. Silence grew between us, and the gap grew wider. As she entered middle age, she finally divorced my father and wanted to live for herself again. I recalled every bit of my childhood. She was ordinary, but she persevered, supported a poor family, and loved me as much as she could.

The "Devil of Florence" case occurred in the mountains on the outskirts of Florence between 1974 and 1985. The victims were a total of seven young couples (including a gay pair). The entire case investigation lasted for more than thirty years, involving tens of thousands of investigation subjects and dozens of suspects. Several of the suspects were detained for a long time but were released due to similar homicides. The case became a long-lasting, costly and unsolved serial murder case in the history of Italy and the world, with staggering police investment. The police, media, and public figures have put forward countless so-called theories about the case, each of which seems to be self-supporting but contradictory. The FBI was also involved in solving the case at one time. But to this day, the real culprit known as the "Demon of Florence" is still at large. The investigation process of the case shows the tip of the dark iceberg of Italian justice. Some people have become famous because of their participation in the investigation of the case, while others are behind bars because of suspicion.

What do we want? Money, wisdom, or hope? Why do we have the innate urge to tell stories? Is art in our nature? Am I an unscrupulous feminist? Has the situation for women improved? This century has seen a far-reaching financial crisis, a global pandemic, the growth of a new wave of women's movements, increasingly frequent extreme climate disasters and regional conflicts. What's next? Human society in the 21st century has witnessed too many great changes. Atwood's questions covered a wide range of topics, from technology, debt, climate crisis, environmentalism to how to provide timely advice to young people. She also spent considerable space reviewing her creative career, including the creation of best-selling works such as "The Handmaid's Tale" and "Testimony". Atwood uses his never-ending curiosity to break through all superficial boundaries, showing many cross-sections of human society, breaking through the many obstacles set up in this era of homogeneity, and leading readers to make their own reflections on this complex and ever-changing world.

This book is a masterpiece of non-fiction literature and a history of war. Swedish writer and historian Peter Engel focuses on the obscured little people - through the wartime experiences of 23 ordinary people from different classes, countries, and camps, it reproduces those "World War I" stories that are closer to the historical truth. What does war feel like? In that fanatical era, almost everyone looked forward to war. Many people died in unknown places, and many people shared the bitter consequences. They had hope, anger, sympathy, and sorrow, and finally became numbers in a pile of old papers - who were they? They are not the people who control the war, but ordinary people who know best what war feels like. They were excited or depressed soldiers, explorers with fantasies about war games, intellectual women who devoted themselves to medical work in occupied areas, housewives and children in the rear, and civil servants who coldly observed military and political figures; they fought in the trenches of the Western Front, the Balkans, East Africa, Qingdao and other places; some of them became heroes, some died or were injured, and some fell into madness. "Death is so silent..." Their voices have never entered the public hearing. They only eagerly wrote diaries or letters when death knocked on the door. Peter Englund retrieved their obscured and forgotten voices and restored every day of the First World War. This time, the "real" war experience will come roaring like an avalanche.

This poetry collection collects more than 80 poems of various genres written by Xie Meng, which are divided into two parts: "new poetry" and "old style poetry". There are "metrical poetry" and "free poetry" divided according to form; there are "narrative poetry" and "lyric poetry" divided according to content. "Love poems"; there are "prose poems" and "rhyme poems" divided according to expression methods, as well as long poems, short poems and collective recitation poems, etc.; In "old style poetry" there are seven words, five words, seven words, five words and miscellaneous words, including several word cards. In addition, four lyrics composed by Xie Meng and an introduction to the composer are also attached. Xie Meng's process of creating poetry can be said to be "at will" and "naturally blooming". That is, when he finds a beautiful "shot" or touches the soul, he will "express his love" in various forms of poetic expression to achieve the "poetic feeling" he pursues. In his twenties, he presented this carefully crafted work to readers.

This book is a collection of poems translated and introduced by Tajikistan's outstanding modern poets and poems. Based on the collection of poems selected by Nizom Kashim (President of the Writers Association of Tajikistan), further selected and translated, it includes representative works of the most outstanding poets of modern Tajikistan, reflecting the ideas, themes, artistic and aesthetic characteristics of Tajik poetry developed in the past hundred years. It is hoped that through the publication of this anthology of poems, more Chinese poetry lovers will learn about Tajikistan's modern and contemporary poetry creation, and contribute to the cultural communication and exchange between China and Tajikistan along the "One Belt, One Road" initiative.

In the history of contemporary Chinese literature, the emergence of avant-garde literature and avant-garde literary criticism once shone brightly for a while, but its brilliance seems to have completely faded to this day, but its profound influence has never been erased. "Research on Avant-Garde Literary Criticism in the 1980s" introduces people to the concept and research status of avant-garde literary criticism; the background of avant-garde literary criticism in contemporary literary history, the context of its formation, the emergence of representative writers, core viewpoints, historical contributions, and the need for reflection.

The collection of poems is divided into seven volumes, namely Original Aspiration, Hot Land, Bathed in Fire, People, Responsibility, Dreams, and Flags. Following the footsteps of his ancestors, the author visited many revolutionary historical sites, saw what his ancestors saw, and remembered the hearts of his ancestors. He felt the sacrifices of the martyrs, the dedication and struggle of today's people, and the growing strength of the motherland. He recorded his excitement with passionate words and dedicated a hymn to the centenary of the founding of the Party. "The Place Where Magnificent Life Begins", "Illuminating China", "Awake Eyes", "The Backbone of China"... The works are sincere in emotion, and the simple words remember the glorious history, and the lines are filled with pride and love for the country and the nation - "the mention of this name brings tears to our eyes."

"Backstage Talk" is a book of interviews with writers, and is also the essence of interviews in One's main column "Backstage Talk". The interviewer is Xiaofan, a well-known writer born in the 1980s and the former editor-in-chief of one. This book interviews more than 20 currently active writers, including Mao Dun Literature Award-winning writers Mai Jia, Lu Xun Literature Award-winning writers Tian Er, Lu Min, Ge Liang, Han Dong, etc., As well as young writers Cai Jun, Lu Nei, Na Duo, etc. This book presents the status and thoughts of these writers in creation, life and other aspects in the form of dialogue and from multiple perspectives.

This book not only contains the complete collection of "Morning Blossoms Plucked at Dusk", but also the collection of prose poems "Wild Grass". These works carry Lu Xun's emotional experience and growth process and are classics in modern Chinese prose. The collection of essays "Morning Blossoms Plucked at Dusk" is a collection of essays "copied from memory". It takes Lu Xun's life experience as a teenager as a clue, relatively completely records his life experience and ideological context from childhood to youth, and vividly depicts a picture of the social landscape of the late Qing Dynasty and the early Republic of China. The simple and kind-hearted A Chang, the erudite and upright private school teacher, the rigorous and serious Mr. Fujino, the passionate young man Fan Ainong, the "terrible and cute" impermanence... While creating characters with distinctive personalities, they also show the author's recollection of childhood experiences and thoughts after adulthood. The collection of prose poems "Wild Grass" contains twenty-three prose poems. These works contain the author's lifelong philosophy of life. The book uses tortuous and obscure symbolic techniques to express his disappointment and resentment towards reality. The writing style is profound and timeless, and the imagery is mysterious and beautiful. It is a classic of modern Chinese literature. It is also an important material for studying Mr. Lu Xun's thoughts.

"The Virtue of Criticism" collects the representative works of the young critic Wang Pengcheng since he engaged in literary criticism. The young critic Wang Pengcheng admires Liu Yanhe's academic spirit and critical philosophy of being "selfless in matters of importance and not biased in favor of hatred", "reasonable and balanced, and words like a mirror". He pursues research and criticism with a "factual sense" and does his best to practice it. This is also what he calls "the virtue of criticism."

This book is a literary critical biography about Mo Yan, a contemporary Chinese writer and the first Chinese Nobel Prize winner in literature. The work adopts text reading method, based on Mo Yan's works, and conducts a detailed, objective and clear sorting and analysis of Mo Yan's literary creation. From the macro-perspective of contemporary Chinese literature and world literature, the author deeply analyzes the characteristics of Mo Yan's rural world and literary geography, sensory experience and materialized world, ethical transgression and cultural criticism, language style and stylistic features, Mao accent narrative and sound poetics. It is a mature and solid critical biography. At the same time, the author explains his unique insights and perspectives on Mo Yan and the future of modern Chinese novel narrative.

"Critical Imagination" collects a series of papers published by the author in recent years, covering the study of contemporary literary history, literary criticism and cultural studies. It includes not only the discussion of contemporary literary criticism theory, but also the macro description of important literary and artistic creation phenomena and the in-depth analysis of the works of representative writers. The collection of essays focuses on observing and grasping the ideological logic and expressive strategies of literary and artistic creation from a social and historical perspective, trying to integrate history and aesthetics, and often directly points to major issues of contemporary ideological conditions and real culture through the analysis of literary and artistic creation. Many articles have produced important responses.

Zhou Hai's collection of essays "In a Drop of Dew" has a centralized and unified theme: writing about his hometown of Zhoutan and the life history of the Zhou family that thrives on Zhoutan. He measured the earth with his footsteps, used on-site visits and consulted classics to trace the historical context of the Zhou family, and explored the origin of life from a historical perspective. He has raised his tracing of time to a higher level of life philosophy. He swims upstream in the river of time, trying to salvage and reproduce the unforgettable moments that make him excited, happy or sad. He tries to restore the scenes to build monuments of life from point to surface, outline the long family history and village history, erect monuments for life in the river of time, and express his emotions to his hometown.

This book contains two representative poems of Rabindranath Tagore, "New Moon Collection" and "Flying Bird Collection". "New Moon Collection" celebrates two major themes - innocence and maternal love. Childhood is the most precious human nature, bringing tranquility and stability to the noisy and conflicting world, while maternal love is the purest human emotion, bringing warmth and strength to the impetuous and confused soul. The profound lines of poetry lead readers back to the pure world of children and relive the selfless and profound maternal love. "The Birds" is one of the outstanding collections of philosophical poems in the world. It is a collection of lyrical poems about love and life. More than 300 beautiful poems contain rich thoughts on life, inspiring readers to persevere in pursuing ideals and unremittingly seeking wisdom.

This book is one of the representative works of Mr. Lao She, the "People's Artist", and a classic in the history of Chinese drama. The story in the play all takes place in a teahouse. People come and go in the teahouse, and people of all colors and religions gather together. A big teahouse is like a small society. Mr. Lao She captured the characteristics of this scene and highly condensed sixty or seventy main and secondary characters in a half-century time span into the teahouse, showing life scenes in three eras after the failure of the 1898 Coup in the late Qing Dynasty, the period of the Beiyang warlord separatism in the early years of the Republic of China, and the eve of the fall of the Kuomintang regime. It summarized the sharp opposition and conflicts between various classes and forces in Chinese society, and revealed the historical destiny of semi-feudal and semi-colonial China. This book also includes Lao She's classic masterpieces "Longxugou" and "My Life".

"Ode to the Earth" is a new lyrical poem composed by the poet Xin Ming after his long poems "Chinese Dream" and "Weiyang Song Collection". It includes more than 80 chapters, including "The Earth in My Eyes", "This Long Poetry is Like the Raging River", "You Know, This is March in Spring", "March, a Symphony for the Dawn", "Poems Written in Spring, with Breathing Wings", which express the love for the motherland from the perspectives of mountains, rivers, history and individuals. Throughout the ancient and modern times, the whole poem is majestic and soul-stirring, and everywhere embodies a spirit of upwardness, beauty, and kindness. The whole poem is filled with the full and high-spirited passion of the poet's heart.

The collection of poems mainly expresses feelings close to real life such as homesickness, nostalgia, friendship, love, and life insights. The emotions are sincere and delicate. The author is good at capturing fleeting highlights from the details of daily life and things, and then rises to the height of thought, conveying a kind of inner warmth and energy.

"Whale Riding" selects more than 140 poems composed by Liu Kang in recent years. It is divided into three volumes. The first volume, "The Land of Nothingness", focuses on analyzing the thoughts, feelings and touches of daily life from an intellectual perspective; the second volume, "Ride a Whale", opens with a grand imagination, showing readers a picture of the "boundary" of poetry creation, and the new way of opening poetry is also full of mystery; the third volume, "Stars Above", presents a "closed volume" effect, and the poetry finally takes root and returns to its original intention.

It contains more than 100 letters written by Fu Lei to his children. Fu Lei said this in his letter to Fu Cong: "Writing you a long and lengthy letter is not empty chatter or inexplicable gossip, but it has several functions. First, I do regard you as an opponent to discuss art and music; second, I really want to stimulate some of your young people's feelings, so that I can gain something as a father. Fresh nourishment can also be spread indirectly to other young people; thirdly, what you use to train you through communication is not only your writing, but especially your thoughts; fourthly, I want to be a wake-up call for you at all times and a 'faithful mirror', no matter in terms of life, in terms of life details, in terms of artistic accomplishment, or in terms of performance posture."

Beginning at the end of May 2011, public security organs across the country launched a massive "clearance operation". A large number of criminal suspects who had been on the run for many years were brought to justice. This effectively maintained social stability and upheld social justice. Its scale was rarely seen in special operations of public security organs in the past. Co-planned by the Propaganda Bureau of the Ministry of Public Security and the Chinese People's Public Security Publishing House, Dong Baobu, the vice president of the Chinese Biographical Literature Society, the vice president of the Chinese Documentary Literature Society, and a famous writer who has won the Lu Xun Literature Award, and Ding Yihe, the deputy secretary-general of the Legal Literature Research Society of the China Law Society and a famous writer who has won the Lao She Literature Award, went deep into the front lines of the public security organs to conduct face-to-face special interviews. It took half a year to carefully create this long reportage that reflects the "Operation Cleanup" in a panoramic manner. "Operation Clearance: A Record of the Largest Fugitive Chase in the History of the Chinese Police" has 350,000 words, divided into ten chapters, nearly 100 photos, illustrated and textual. It comprehensively, multi-angle and in-depth shows the brilliant achievements of public security agencies across the country in the "Operation Clearance". It artistically reflects the typical deeds of the public security police "fighting for the interests of the party and the people, and the people's police for the honor" in the "Operation Clearance", as well as the secrets of the arrest of a group of fugitives in major cases. Not long ago, "Operation Cleanup: A Record of the Largest Fugitive Operation in Chinese Police History" was designated as a key book "a gift to the 18th National Congress of the Communist Party of China" by the Propaganda Department of the Central Committee of the Communist Party of China and the Chinese Writers Association.

Of the more than 30 real cases included in the book, more than 10 are related to emotions. How many talented people, beautiful women, and high-ranking officials have been ruined by the word "love"? Property-related crimes also account for a considerable share. Some are bold enough to inflate billions in value-added tax, and some are embezzling huge amounts of public funds to line their own pockets. There are also domestic violence cases, value-added morality cases, collective fraud cases, and cases of outraged murder by humiliated female police officers. The cases disclosed in the book are shocking, shocking, and bloody warnings. The author takes advantage of the special convenience of doing publicity work in the Beijing Court in the most beautiful area. He hears and sees all kinds of strange cases every day. It is convenient to write about any kind of cases. However, the author keeps in mind the historical mission of legal propaganda workers. When selecting materials and interviews, he does not seek novelties or privacy. Instead, he focuses on digging out criminal motives, tracing the causes of crimes, clarifying the trajectory of crimes, and capturing the confession of the soul. Then, the author uses his skillful writing skills to vividly and authentically present the real materials from the interviews, forming case records of great legal educational significance, and responsibly dedicating them to readers and society. Throughout the book, the author strives to convey the reality of the life of death row prisoners. There is no mystery, no bloody scenes, and no disgusting descriptions. The whole book is full of the spirit of the rule of law, and the author's thoughts are hidden between the lines. Sometimes it is heartbreaking, sometimes it is bitter and critical, which fully reveals the author's strong sense of responsibility to society.

"Brothers China" details the development of the Sandak project, truly reflects the hard work and great achievements made by MCC Copper and Zinc Co., Ltd. From company leaders, department heads to ordinary employees, and comprehensively records the hard work and sacrifice of the project builders for more than 20 years. The author adopts documentary techniques, interviews a large number of relevant figures, collects and organizes relevant information, presents a panoramic view of the arduous process of the Sendak project with true feelings, and writes scenes of touching historical scenes and real life fragments. In "Brothers China", as Chinese companies go overseas, they use their youth to write a history of entrepreneurship in the new era. On the China-Pakistan Economic Corridor, they spent their lives building a bridge of friendship in the Gobi Desert. On the Belt and Road Initiative, they poured their blood into a shining golden medal. Brothers in China, Chinese brothers, they guard the pioneering mission with their youth and passion, overcome obstacles and forge ahead, which perfectly interprets Sendak's "rooted" spirit.

This book "China's Drug Control" basically summarizes the basic situation of China's drug control in recent years. The cases collected in the book are all major cases solved by the Chinese police in recent years. These cases have had a certain impact at home or in the world. This book not only shows the harm caused by drugs to human beings, but also expresses the determination of the Chinese government to ban drugs. The editor relies on rational thinking and various cases to present the current situation of China's drug control in many aspects, showing the editor's sense of social responsibility. The ban on drugs is undoubtedly a vigorous people's war that must be participated by all the people. Solving the drug problem cannot be solved by one country or one region. It requires the joint efforts of the international community to jointly control drugs and cooperate in drug control to completely solve the drug problem.

"Journey to the West" is one of the four classic Chinese literary masterpieces. After hundreds of years of dissemination, it is known to almost all women and children. "Hantian Lupin's Journey to the West" is a critical work in which the author deeply explores the rich cultural connotations, philosophical implications and tastes of life in "Journey to the West". It is extremely literary, readable and inspiring. The book is divided into three sections: "Culture", "Art" and "Philosophy". Through in-depth exploration and interpretation of the storyline and artistic images of "Journey to the West", it profoundly reveals the philosophy of life and wisdom hidden in the original work, as well as people's unremitting exploration and efforts to transcend their own life value. This book has profound thoughts, artistic height, rich content, vivid words, and is extremely contagious. This book helps people enter the wonderful world of "Journey to the West".

"Love is an Attitude: Essays on Financial Street" collects the author's essays, divided into seven series: "Farming in Financial Street", "The Entourage of Time", "Literature and Random Thoughts", "Servants of Emotion", "Notes on Life", "Write Wherever You Think" and "I Want to Understand You Deeper", as well as the poetry collection "Love is an Attitude". The author has been writing non-stop for many years, and has expressed his work insights, life experiences, reading feelings, life reflections, etc. In his writing. He truly describes his daily thoughts and thoughts, extends his thoughts on the financial industry beyond the industry, and describes many life details and life insights in a delicate and profound way. The article is short, concise, thoughtful, and enlightening.

Documentary literature. "Century Mothers" reflects all the virtues of kindness, wisdom, intelligence and perseverance possessed by "women and mothers" in China's era of great changes in the past century. It writes China's ever-lasting legacy of love for mother, love for family, and even more love for country.

The collection of poems "Speaking of Light Loudly" takes home as its starting point and explores the landscape life journey from the meandering canal to the mighty Yangtze River to the capped Qinghai-Tibet snowfields to the majestic Yellow River; the emotional journey from the everlasting gratitude and family affection that is thicker than water to the memorable friendship in the mountains to the love as endless as water. ; The emotional journey from a simple and unpretentious home to the strong and lofty feelings of family and country; from the emotion of life to the perception of life, and the poetic process of plunging into poetry from this perception; from the sincerity and deep affection in Dantian's heart to the spiritual journey of great sorrow, love and worry in the world.

"Beauty Combing Her Hair" takes hometown and relatives as the blood and roots of writing. The "hometown" in the book is no longer a geographical concept, but the spiritual imprint and emotional image of past life. The author uses words to pick up and polish those meaningful traces of time and fragments of life, looking for the written meaning of life itself. The whole book is divided into four series: "Lian Lian Feng Chen", "Hometown Feng Shui", "Listen to the Singing of the Wind" and "One Pole of Wind and Moon".

The poet is skilled in creation, with delicate and natural strokes. His carefully conceived poems fully demonstrate the beauty of philosophy, nature and artistic conception of "artistic life", and are the perfect combination of naturalism and Chinese Zen.

The collection of poems is composed of four volumes: "Fragments", "Long Poems and Groups of Poems", "Short Poems" and "Early Poems". It takes the majestic and vast natural landscape of Inner Mongolia as the writing theme, and contains the unquestionable power of existentialism in nature.

Focusing on good family tradition, good tutoring, good moral character, and caring for the next generation, this book comprehensively explains from different angles the importance of attaching importance to family, inheriting virtues, improving spiritual realm, and cultivating new trends of civilization. It not only inherits the excellent culture of the Chinese nation, but also actively advocates the practice of socialist core values.

On May 12, 2008, Chun You, who was less than eleven years old, was crushed under the rubble of a collapsed classroom. After three days and three nights, rescue finally came, but unfortunately he lost his right leg. What will happen to the children who survive the disaster? With kindness and optimism as the background of life, "Little Steel Legs" spring outing depicts the journey of growth with tears in laughter and laughter in tears - the sensitivity and suspicion during recovery, the painful rebuilding of confidence after returning to school, the dependence on friends in junior high school, the young and sweet expectations in high school, the pursuit of dreams in college, and the determination to realize dreams now. Like a dandelion, she grows wherever there is light, bringing pain and happiness. The author wrote down the stars that appeared in her life in detail, including the firefighter Uncle Yu, grandma, parents, sister, Kuaier, A Cun, Wang Yiwen, the wandering sister who set up a stall, Cai Cai, Baozi... The sky was full of stars. She was grateful, walked out of the haze of the earthquake, and welcomed life optimistically. In the end, a gleam of light turned into a radiant light.

As small as dust, as light as dust, floating as dust, floating as dust - this book focuses on people and things as dust and their encounters. Those humble people and things, those stagnants and retrogrades who are running like the tide, the ups and downs, twists and turns, joy, sorrow, fear, confusion and helplessness they encountered on the journey from life to death are certainly their own destiny, but it is undeniable that "they" are also countless "us". As an eyewitness, a bystander and even a scavenger, the author extends the tentacles of language through careful examination and elimination, intending to touch the good and evil of human nature, the joy and sorrow of fate from the subtleties. Although the descriptions are all humble and small things in the big era, they give these small things an unusual light. The tension generated by the interactive use of fiction and non-fiction constructs the inner world of this book, and the strengthening of narrative elements makes the hardships at the bottom more shocking. In addition, the intervention of poetic elements also establishes a mutually supportive relationship between the two styles, making the language more flexible and beautiful.

The so-called "gaze within and outside the border" has two meanings. First, serious literature has "boundaries", which is a concept that needs to be reflected on, but does exist. When popular literature, film and television, animation, and games form a kind of "encirclement" around serious literature, today's literary research especially needs a perspective that can be both inside and outside. It is not only to find ways to dialogue with the times, but also to further "revitalize" today's serious literature and make it more leafy and colorful. The second is the cultural life of an era, which can be divided into center and periphery. When we stand within the "border" of serious literature and talk endlessly, what we say may be relatively close to the edge of the entire cultural life. There is nothing wrong with this, but as a literary researcher, you should have a clear understanding of this, and only then can you choose to pursue further specialization, historicization, or reflect from the margins and return to the center. This book is divided into four volumes. The first two volumes systematically review the history of contemporary literature from the perspective of "cities" such as Beijing, Shanghai, Nanjing, Wuhan, Guangzhou, and Taipei, as well as the spectrum of "characters" such as new people, old people, teenagers, intellectuals, women, and villains. This perspective or genealogy transcends the distinction between serious and popular. The latter two series look for the key to explaining literary issues and the path to connect the inside and outside of literature from the perspective of academic history, history of ideological trends, literary imagination, writers' works and other special topics.

"The Theory of Beicun" is a standard, rigorous and vivid critical biography of contemporary writers. According to the inertia of logic and the expediency of discussion, the work conducts a careful textual reading and comparative analysis of Kitamura's literary works in chronological order. It not only briefly introduces Kitamura's personal growth path and the inevitability of literary creation, but also accurately grasps and sorts out his literary spirit and pursuit. The work unfolds in a roughly progressive context, relying on the work, treating Kitamura's previous and later creations as a whole, and trying to present the irreplaceable significance and value of his "godhead" writing in the literature of the new era and new century.

Long documentary prose. "Shabutai: Village Unlocked", both in terms of material selection and unique construction of rural aesthetics, can be regarded as a masterpiece with historical value and transcendent significance. The rural scenes, emotional returns, social changes and cultural memories it presents are soaked in the unique humanistic heritage and life philosophy of traditional Chinese villages, and have a unique and intoxicating poetic beauty.

This book is a collection of articles in the series "Li Tianfei's Great Talk about Journey to the West". The book not only contains the latest research results in the academic world, but also clarifies the popular "conspiracy theories" and "thick theories", and interestingly explores hot topics and encyclopedic knowledge about "Journey to the West". Under Li Tianfei's interpretation, "Journey to the West" is no longer one of the "four great classics" about fighting monsters throughout, but an enduring spiritual nourishment for modern people.

"A Thousand Miles of Rivers and Mountains" in the new era. This is an inspirational legend about a young man from a small town traveling around the world on a budget. It is also a journey guide that leads readers to travel across the country. It took four years for the author to understand history and explore nature from a unique perspective. He gazed at the picturesque mountains and rivers in peaceful times with a nostalgic gaze, and used gentle brushstrokes to describe the hometown that the descendants of Yan and Huang all loved.

The author uses several keywords such as manuscripts, editions, languages, writers' theories, original texts, and text close reading as a perspective, intervention method, and research method to form a methodological system for grasping the development process of contemporary Chinese novels and their gains and losses. He adheres to the principles of mutual corroboration of historical documents and arguments, and the simultaneous generation of problem discovery and interpretation to engage in novel research, and thus begins to re-evaluate the value of important ideological trends, phenomena, and writers' works of Chinese contemporary novels.

Write Crow Guozhuang with twenty solar terms. The stories that happen in each solar term are related to the solar terms. Each story contains a kind of "struggle and tragic fate". The crow is black, black but not white, white cannot be black, and black cannot be white. The clear life casts a "black" shadow over Guozhuang. People living in Guozhuang live a life that goes against their destiny. There is no bright hope here, no joyful laughter. There is only pain, infinite pain lingering like ghosts and gods. However, the subtle warmth of loneliness makes Crow Guozhuang gradually become brighter. That is the distance of distant poetry. But this kind of distance is another way out reflected by human nature. Although the way out cannot be associated with blood, it adds vitality to people. Guozhuang's customs, mountains, rivers, clouds and moon, every plant and tree; Guozhuang's warmth and coldness of people, the climate of the world; how crows live in Guozhuang, and where the Guozhuang people end up. "Crow Guozhuang" will give you a different taste of bitterness and happiness.

This article is a true record of an Evening News reporter's interviewing career, with wonderful clicks and action reproductions; the joys and sorrows are all facts, the joys and sorrows are all true feelings, and the sour, spicy, bitter and sweet come from personal experience.

For most readers, Ili is a distant and unfamiliar land with mysterious history and beautiful scenery. For authors who love history and travel, it is full of temptation and inspiration. Yangzhou and Yili, two places far apart from each other on the land of China, are connected because of "Jiangsu's Aid to Xinjiang". "Ili Diary" takes the time of folk collecting activities as the main axis and spreads it out in a layer-by-layer and progressive manner. It artistically reproduces the place where the "sun rises" on the Nalati Prairie in Xinyuan County where there is no communication network. The author personally experiences Princess Xijun's original nomadic life on the grassland. He interprets the ancient "Chigu City" ruins in Tekes County from multiple dimensions, and lovingly visits the "Princess Xijun Cemetery" in Zhaosu County. The "I" in the work leaves with a sense of "mystery" and returns with a sense of "sacredness", effectively integrating Yangzhou, Ili, and Jiangsu Aid to Xinjiang in the form of a relaxed travelogue. On the whole, it is vivid, erudite, full of emotions, revealing poetry, and presents readers with a beautiful and profound scroll of nature and history from the grassland.

This book is a collection of articles in the series "Li Tianfei's Great Talk about Journey to the West". The book not only contains the latest research results in the academic world, but also clarifies the popular "conspiracy theories" and "thick theories", and interestingly explores hot topics and encyclopedic knowledge about "Journey to the West". Under Li Tianfei's interpretation, "Journey to the West" is no longer one of the "four great classics" about fighting monsters throughout, but an enduring spiritual nourishment for modern people.

This book is a collection of articles in the series "Li Tianfei's Great Talk about Journey to the West". The book not only contains the latest research results in the academic world, but also clarifies the popular "conspiracy theories" and "thick theories", and interestingly explores hot topics and encyclopedic knowledge about "Journey to the West". Under Li Tianfei's interpretation, "Journey to the West" is no longer one of the "four great classics" about fighting monsters throughout, but an enduring spiritual nourishment for modern people.

"Jin Bo Luo" is Chen Fengsheng's latest collection of essays. There are 35 chapters in the book, divided into four sections: mountains, water, people, and villages. The author uses Yanshan Mountain and Chaobai River as the latitude and longitude, and his hometown as the coordinates. He describes the fields, mountains, rivers, stories, human relations, changes, etc. In his hometown territory. He uses a natural, relaxed and melancholy writing style to describe the vicissitudes of his hometown's history, changes in the times, and personal feelings from multiple perspectives. The "township shape" has been retained and the "township soul" has been inherited. Its language is simple and friendly, full of poetic grace and conciseness, full of rich flavor of life, making people feel the comfort and tranquility of the soul.

"Walking Around: A Handbook of Life in Kaifeng Mansion, Tokyo" begins with a nonsensical interpretation of "Along the River During the Qingming Festival". Feng Jie, a geek from the Central Plains, calculated carefully, responded to each other, opened up time, and traced the world. There is unexpected humor, unreasonable emotions, bizarre expressions, teasing with a hint of Zen, abruptness and far-fetchedness, unjust words, ridicule that does not harm others but only benefits oneself, and helplessness and compromise with life. It is not all good, but there is partial happiness. Although there is a lot of nonsense, there is occasional wisdom. Open this book, and the imaginative text and pictures will lead you into the fireworks world of the Song Dynasty. The ringing of bells and hooves of camels and donkeys is heard slowly, the shouts of traders and foot soldiers come one after another, the delicious smell of food in the shops along the street is steaming, and the fragrance of women's powder in the Song Dynasty floats. During the tour, the humorous pictures and texts take you back and forth in different time and space. The various scenes of the city, the warmth and warmth of the people, and the folk customs are different from each other but reflect each other's past and present.