Library

This book selects Liang Qichao's political commentaries, essays, biographies, and wonderful speeches and collects them into one volume. It collects excellent chapters such as "Introduction to China's Evolution in Fifty Years", "Theory of the Transitional Era", "How I Will Serve the Country in the Future", "The Ratio of Civilization and Heroes", "Autobiography at Thirty", and biographies of the Six Gentlemen of 1898. These wonderful words, like the beating pulse of the times, elaborate on the constitutional proposition of promoting civil rights and opening a parliament, and analyze the paths and methods of reform and innovation, with both historical depth and practical concern. The lines are filled with the feelings of family and country and the sharpness of thought of the "owner of the ice-drinking room", which is a vivid portrayal of the ideological trend of saving the country from the nation in modern times. These texts spanning a century provide a precious model for future generations to understand the awakening and pursuit of modern China. These words are so inspiring that they still have strong spiritual power even today.

Mu Shiying's "The Idle Major" uses delicate psychological description and cross-cultural perspective to dissect moral dilemmas and reflect on the distortion and destruction of human nature by war and the instability of individual destiny - war is always cruel and brings only suffering. I hope that everything in the past can continue to alert the world and that tragedies will never happen again.

"To Old Friend in Yanbei" is an epistolary novel, which collects the author's letters to friends far away, and sincerely records her journey from pain and confusion to her gradual recovery. The writing is delicate and full of melancholy and sentimental tone, reflecting the author's deep thinking after experiencing a series of life changes such as the death of a loved one. This collection also includes several articles such as "The Glory of Life", "The Drunk Queen", and "Under the Leifeng Pagoda", which jointly and jointly depict how sorrow can become a kind of power. And how to find the meaning of life and the glory of life in the baptism of pain and sorrow.

"Remembering the Shikachi Couple" records the difficult experiences of a Japanese anti-war couple, Shikachi Wataru and Ikeda Sachiko, in Shanghai on the eve of the Anti-Japanese War. Facing the imminent outbreak of war, they, as Japanese, were in a very dangerous situation in China. The author's family knew them well and had close contact with them. In the process, they comforted and helped each other. The Shikachi duo often had to hide and move, and were even chased by the Japanese police. Despite their difficult circumstances, they still actively participated in anti-war propaganda and exposed the crimes of Japanese militarism by writing articles and diaries, showing their firm ideals and unyielding spirit. "The Thief, the Coachman and the Old Man" microscopically shows the bitterness and kindness of the people at the bottom through simple sketches of wooden poles used for burning fires; "The Tutor is a Robber" uses the horrific "black letter" incident to reflect the fragility of trust between people in a turbulent social environment; "The Theater Troupe" describes the author and his friends who repeatedly checked the manuscript due to fear of censorship while rehearsing a play, revealing the suppression of freedom of speech during the war and the extreme inner uneasiness of people at that time. Together, these stories form a true picture of the fate of individuals in troubled times, showing the struggle and fearlessness of ordinary people in the torrent of history.

"Someone's Sorrow" unfolds in the form of letters. The protagonist Yaxia reveals her life trajectory and mental dilemma through many letters to her friend KY: Influenced by the concept of "playing the world", she suffered from insomnia and illness due to her uncle's entanglement. She was exposed to religion when she was hospitalized but did not find relief; she went to Japan to seek "light", but witnessed human intolerance, class oppression and hypocritical peace. Weiyi even died of her illness. In the end, in pain and confusion about the true meaning of life, Yaxia threw himself into a lake in Hangzhou. The work draws on the tragedy of Yaxia to outline the struggle of intellectual women after the May 4th Movement between tradition and modernity. It reveals the pain of repeatedly hitting a wall in their pursuit of spiritual solutions. It is the author's inquiry into the nature of human nature and the meaning of life, and illuminates the spiritual dilemma and anxiety of the times among a generation of intellectuals.

This collection includes nine excellent plays by Hu Yepin, including "Other People's Happiness", "Ghost", "Madman", "Bricklayer's House", "Capitalist", "Ghosts and Human Hearts", etc. Most of Hu Yepin's drama creations were concentrated in the two years from 1927 to 1928. Even though the time was short, he left behind many important plays. Drama styles vary, often with a strong critical spirit. For example, "The Bricklayer's House" depicts the tragic situation of the bricklayer Wang Jishun's family in a realistic way. His daughter Ahong is abused as a servant, and her parents are ignorant and depraved. In the end, the daughter's fate drifts with the tide. "Ghost" uses a dream scene to allow the souls of the dead from different classes to meet after death, and exposes social injustice through their conversations. Its grotesque style is considered to be influenced by German Expressionist drama and has become an alternative highlight in his drama creation. "Rained Buds" is a sweet style that focuses on the free love of young students and the opposition of conservative parents. It uses the plot of "the conflict escalates but unexpectedly ends successfully" to reflect on the individual liberation and free thoughts on marriage and love during the May Fourth period, and affirms the new forces' breakthrough in old ideas. The two articles "The Capitalist" and "A Gentleman's Treat" directly point to class contradictions, expose the greed of capitalists, and praise the resistance of the people at the bottom. As one of the "Five Martyrs of the Left Alliance", Hu Yepin left behind a very rich literary legacy. He was a new force in the early stage of the left-wing drama movement and occupies a unique position in the history of modern Chinese drama.

"The Story of Red Glass" tells the story of the widow Aunt Wang, who saw the similar fate of herself, her daughter and three generations of women in the red glass flower tube played by her granddaughter when she was visiting her daughter. From this, she realized the poverty, loneliness and horror of life, and her outlook on life changed. This article also includes several excellent works such as "Departure", "In the Blur" and "Red Orchard". "Departure" describes the scene of young Li Van saying goodbye to his family and friends before leaving home. From the perspective of a young mother, "In the Brink" tells the story of her husband staying away all night and she learns about her husband's cheating on her from the rumors next door. The work depicts women's confusion and helplessness in marriage, as well as their inner suffering when faced with sudden changes in life. "Red Orchard" tells the story of a male teacher who is unable to complete a love story while facing the seasonal changes in the orchard outside the window. Together, these works constitute Xiao Hong's deep meditation on the dilemma of survival and the struggle of human nature, showing the fragility and tenacity of the spiritual world of ordinary people under the torrent of the times.

The classic essay collection "Ten Thousand People Are Like the Sea, One Body Is Hidden" by the million-selling author Canoe is reprinted. Walking outward awkwardly and sincerely, looking inward softly and profoundly, the canoe interweaves travel and life stories, allowing us to understand: the road we have traveled, the people we have loved, the pain we have experienced, the background of our hometown, and the days and nights we have spent are all enough to explain why we have become the person we are now. After confirming that he was going to undergo a second surgery, Canoe remembered the poem "Only the royal city is the most hidden, and thousands of people are like a sea, hiding in one body" in the surging crowds of the subway. A journey about "going out" and "looking inward" has quietly begun. Going outward, it is the canoe that actively sets out to the world with enthusiasm and imagination. In Ho Chi Minh City, Vietnam, it still stubbornly goes to the market after being robbed; on the ice and snow wasteland of Lake Baikal, it carries the failed warm baby against the cold wind of minus 7 degrees Celsius; strolling in London, casually walking into a jazz club and watching strangers singing and dancing, traveling through the Hill of Freedom In the Gusang Temple, I understood the concern hidden in my mother's "You can do it yourself"; and under the starry sky of the Sahara, listening to the Berber people playing the birthday song on the tambourine... In the current era when this guide list has turned travel into a standard answer, Internet celebrity check-ins have flooded the era of personal experience, and these clumsy and sincere experiences of canoeing all hide subtle personal touches. Looking inward is her reconciliation with herself, her hometown, and her loved ones in the abyss. The book contains the fragility that Canoe refuses to express easily, the grievances he felt in high-rise buildings and among the crowds before the operation, the courage to lie on the operating table twice, the epiphany of understanding that "our parents are the mountains between us and death" in the hospital corridor, and the regret of losing the key to our hometown. , The humid smell that can be smelled every time I return to Hunan, and the reconciliation with my mother that spans half a lifetime - those words that once hurt each other, those concerns in silence, those instructions "You must eat first even if the sky falls", eventually turned into a quiet look at each other by the open-air hot spring. The six years since it was republished have given this book an extra layer of time: when it was first published, it was just an ordinary trip, but now it has become a regret that can never be repeated after the epidemic; when she wrote about the teenage travel, she wrote about it, and now it has become a sobriety that only comes once or twice in many opportunities in life. There is also the sister who took "I Have Wandered for a Long Time" abroad when she graduated from elementary school and later translated "Ten Thousand People Are Like the Sea, One Is Hidden", which further proves the power of her words to cross mountains and seas - although the works are gradually separated from the author like shedding their skin, they can become a secret connection between strangers. Going outward is to see the vastness of the world; going inward is to explore the depth of life. Canoes interweave travel and life, allowing us to understand that the roads we have traveled, the people we have loved, the pain we have experienced, the background of our hometown, and the days and nights we have spent are all enough to explain why we are who we are now.

Han Yuefu hymns are poems collected by the Yuefu official office established by the rulers of the Han Dynasty, and their contents reflect the social life at that time. In addition to recording production and life, they also exposed the cruelty of the ruling class and the cruelty of war, and praised true love and friendship. These poems have simple language, catchy words, rich emotions, and strong narrative. They are an important part of the history of ancient Chinese poetry.

"The Gilded Doctrine" shows the plight of intellectual women in the old society through the perspective of "I". In the article, "I" regard my uncle as my only idol. He is upright and knowledgeable. He often teaches "I" to be simple, not to boast, and not to apply makeup. Under his influence, "I" developed a strong interest in knowledge and literature. However, when "I" wanted to go to school, my father used various excuses to stop me. My uncle, who was originally supportive of me, suddenly changed his attitude. Not only did he despise women's education, he even mocked female students as "ridiculous." This left me feeling disillusioned. Finally, "I" accidentally discovered that my uncle had a failed love affair, and his young lover was now gray-haired. At this time, "I" realized that my uncle's opposition to "me" pursuing knowledge was not because he really believed in those doctrines, but because he himself had succumbed to the prejudices and moral constraints of the old society. His so-called doctrine is just a layer of "gilding" to cover up the helplessness and pain deep in his heart. Under the heavy pressure of paternal authority, it was difficult for me to break through the embarrassment. This book also includes excellent works such as "Sickness", "Frost on His Upper Lip" and "Spring Again".

"The Life of a Guide Dog" will take you into the world of this silent hero and reveal a life journey about trust, dedication and love. This book traces every important stage of a guide dog from puppyhood to honorable retirement.

"A Wisp of Sorrow Pays to Zhenghong" is a letter written by Yunyin to her friend Qiang. The article describes her experience of going to Taoranting in the rain on a rainy day. In the letter, she used this journey to reminisce about the past with her late friend Han five or six years ago, and compared her own sadness, longing, and frowning experiences, thus expressing her deep nostalgia for her old friend, her helplessness about her fate, and her sense of depression at being unable to express her grief happily. Another article, "I Hope Autumn Will Always Stay in the World," overturns people's traditional impression of autumn's desolation, viewing it as a season rich in color and full of lively spirit, enough to awaken a numb mind. "The Last Destiny" takes the disillusionment with marriage and love as its theme and explores the confusion and helplessness in life. It believes that love is like a "magic lantern", which is gorgeous when viewed from a distance but boring when viewed up close. "Coffee Shop" and "Temple Fair" express the author's observations and thoughts on modern society and human hearts by depicting scenes of urban life and traditional beliefs. Several articles are written with delicate writing and sincere emotions, revealing Lu Yin's inner world and struggles as a female writer during the "May Fourth Movement" period.

This book uses the core image of "Fortress Besieged" as its outline to unlock the multiple dimensions of "Fortress Besieged". It not only tells the story of Fang Hongjian's life wanderings - from the vanity of returning from the cruise ship, the confusion of love in Shanghai, to the absurdity of Sanlu University, and the dilemma of marriage life, but also analyzes the spiritual dilemma of intellectuals during the war from the perspective of "new scholarly foreign history". The interpretation deeply explores the satirical art and language magic of the work, from the subtlety of metaphor to the sharp edge of irony, highlighting Qian Zhongshu's erudition and sharpness. It penetrates the surface of the plot and reveals the philosophical essence of "Fortress Besieged" - marriage, career, and life are all dilemmas, behind which are the desires and emptiness of human nature. It places the novel against the background of the Anti-Japanese War era, not only showing criticism of the pathology of the era, but also highlighting its value that transcends time and space: its precise insight into the weaknesses of human nature and its profound questioning of the dilemma of existence make this classic still resonate with readers about themselves and life.

This book carries out a comprehensive analysis around "White Night Walk", using the core elements of the work as the context to build a multiple interpretation framework. The interpretation first focuses on the creative transformation of the author Keigo Higashino, revealing the integration of his science and engineering background and humanistic care; then combined with the background of Japan's bubble economy to the "lost decade", it explains the profound impact of social changes on the fate of the characters. The core part focuses on the "gun shrimp and goby" morbid symbiotic relationship between Kirihara Ryoji and Karasawa Yukiho, providing an in-depth analysis of their character origins, behavioral logic, and inner world. It also interprets the functions and fates of key supporting characters such as Sasagaki Junzo and Shinozuka Kazunari. In addition, it also covers dimensions such as narrative structure, symbolic imagery, themes of crime and punishment, comparison of film and television adaptations, and connection with "Phantom Night". It integrates psychological and sociological perspectives to fully explore the literary value, human depth and contemporary significance of the work.

"The Secret Garden" is not a simple children's fairy tale, but a profound fable that integrates the author's life experience, historical background and multiple theories. The story is based on the transitional period of the Victorian and Edwardian eras. Through the growth of Mary and Colin and the recovery of the Secret Garden, the story interweaves and presents class conflicts, childhood cognitive changes and reflections on educational concepts, implying the reflection of imperial ideology from the perspective of post-colonialism. This book is an in-depth interpretation and incorporates Jungian psychology, Freudian psychoanalysis, pantheism and other theories. The garden, as a sacred place of "Temenos", symbolizes the process of individuation and integration of the soul. The essence of "magic" is the practice of thought healing. At the same time, the work rebels against traditional "rest therapy", celebrates the healing power of nature, friendship and positive thinking, subverts the "perfect protagonist" model of traditional children's literature, and becomes a guide to spiritual growth across the ages, with the core conveying the eternal themes of love, connection and self-salvation.

This book dismantles the literary code and ideological core of Victor Hugo's classic "The Hunchback of Notre Dame." Starting from positioning Notre Dame de Paris as the real "protagonist" of the novel, we analyze its triple significance as a carrier of history, a stage of destiny, and a symbol of civilization. The book carefully interprets the human spectrum of classic characters such as Quasimodo, Esmeralda, and Claude, showing the fierce collision between beauty and ugliness, good and evil. At the same time, focusing on the theme of "fate", it reveals how social prejudices, character weaknesses and accidental events weave the web of tragedy, and analyzes the nature of different forms of love and desire. In addition, this book also restores the social picture of Paris in the fifteenth century, explores the proposition of civilizational change in "architecture and books", explains the romantic aesthetics of "contrast between beauty and ugliness", and finally settles on the practical significance of the work across the century, opening a profound door for readers to understand this immortal masterpiece.

This book takes Ai Qing's poetry creation process as the main line and analyzes how this "son of Dayanhe" sang the eternal tragedy of the land and nation with his hoarse throat. From the affectionate blood that tears apart class identity in "Dayan River - My Nanny", to the poignant gaze on the national suffering in "North" and "Snow Falls on the Land of China"; from the burning belief in light in "Toward the Sun" and "Torch", to the condensed philosophy of life in "Fish Fossils" in his later years, it shows how the poet melted his personal destiny, the land, the people and the times into poetry. The book not only analyzes the symbolic system of the core image of "land-sun", but also reveals its artistic innovation of free verse and colloquialism. Through the double tempering of the flames of the Anti-Japanese War and the bumpy years, it presents the image of a poet who always stands with the people - he is both a melancholic land singer and a persistent pursuit of light, and ultimately stands as an immortal spiritual coordinate in the history of new Chinese poetry.

This book is based on Du Mu's eternally famous "Ode to Afang Palace" and reveals the profound lessons of the Qin Empire's rise and fall through the rise and fall of an illusory palace. From Qin Shihuang's extravagant desire of "Afang comes out of Mount Shu" to Xiang Yu's ultimate destruction of "Chu people torched the scorched earth", the author analyzes layer by layer the cruel reality behind the "overwhelming pressure of more than three hundred miles" in the poem, which is the exploitation of people's power and the plundering of treasures from the six countries. In the late Tang Dynasty, Du Mu used the Qin Dynasty to satirize the Tang Dynasty, using the epigram "Qin people have no time to mourn themselves", turning Epang Palace into a mirror reflecting the corruption of power, warning the rulers of the law of people's hearts that "those who belong to Qin are also Qin". The book not only interprets the literary ingenuity of "intrigue and intrigue" in Fu style, but also explores the eternal proposition of "posterity mourns without taking note of it", allowing readers to understand the logical chain of extravagant subjugation and the political wisdom of people's livelihood from the flaming historical ruins.

Tian Han's "Apricot Girl" depicts the tragic fate of two "roadside flowers" in the form of memories. The experiences of the two women reveal how the lives and dreams of women at the bottom of the old society were imprisoned and destroyed. Another piece included is "Moonlight", in which he recalls what he saw and felt on the Mid-Autumn Festival nights in three different years, expressing his inner grief and longing for his deceased wife. Finally, he calmed down his emotions and decided not to indulge in sad memories, but to face a new life bravely and with concentration. The protagonist specifically quoted Whitman's poem, expressing that he should continue to walk his own "road" like the "bright and silent sun".

Xie Lingyun was a famous poet in the Southern and Northern Dynasties. His literary achievement lies in landscape poetry. Beginning with Xie Lingyun, "landscape poetry" has become a major genre of Chinese literature. This book is a collection of selected works.

"Night of Street Fighting" is a novella anti-Japanese war military novel written by Zhang Henshui. It is set in Tianjin and Qianshan under the Japanese attack. It tells the story of an ordinary teacher who grew up to be a guerrilla captain in the struggle against the Japanese army and led the people to rise up in resistance. The novel depicts the heroic struggle of the people during the war with real and delicate writing, and shows the awakening and resistance of the people at the bottom under the iron heel of the invaders. The protagonist's growth trajectory reflects the author's strong desire to unite in the war of resistance, and highlights the durability of the war of resistance and the unyielding spirit of the people with a sense of historical depth.

"The Death of Aunt Wang" is set in the northeastern countryside and tells the story of the tragedy of Aunt Wang, a peasant woman. The novel profoundly exposes the cruel exploitation of farmers by the landlord class and reveals the suffering of the people at the bottom. "The Story of Wang Si" reveals the tragedy of the grassroots people at the bottom who cannot truly integrate into the upper class society even if they give everything they have through the experience of a loyal old cook Wang Si. He ends up losing his wallet while working, losing his life savings, his sense of identity, and ultimately being lost in ridicule. Feng Shan, the old hunter in "Stable Night", has been looking for companions and a sense of belonging all his life. When he finally waited for his old friend "Wu Dongjia", he found that they had been separated by class and time, leaving only the emptiness of memories.

"Cause of Crying and Laughing" is a chapter-length novel written by Zhang Henshui. It is set in Peiping during the reign of Beiyang warlords. Through the emotional entanglements between Hangzhou young Fan Jiashu and drum calligraphy artist Shen Fengxi, chivalrous girl Guan Xiugu, and wealthy daughter He Lina, it shows the world and human emotions under social turmoil. The novel combines elements of romance, martial arts and social criticism, and breaks through the limitations of the traditional chapter style with delicate psychological descriptions. It has become a classic of popular literature in the Republic of China. It has been adapted for the screen six times and adapted into TV series seven times.

Tao Yuanming's poems are simple in style, elegant in language, and do not pursue gorgeous rhetoric. As Zhu Xi commented, "Everyone says that Tao Yuanming's poems are mediocre." There are 125 Tao poems in existence today, among which the five-character poems are the most outstanding. This book is a collection of selected works.

This book shows the three hundred years of development of Tang poetry, from the breakthrough of the innovation of palace poetry by the four heroes of the early Tang Dynasty to Chen Ziang's theoretical foundation for advocating "the character of the Han and Wei dynasties"; ""-like depression and frustration, to the dual-track development of Bai Juyi's New Yuefu Movement in the mid-Tang Dynasty and Han Yu's sinister poetic style; finally, it focuses on the meaningfulness of Du Mu's epic poems in the late Tang Dynasty and the haziness of Li Shangyin's untitled poems, until the budding transformation of the style of poetry in the Five Dynasties. The manuscript takes the poet as the classic and the genre as the weft. It not only analyzes the artistic advancement of metrical shaping, but also reveals the social thrust of imperial examinations to select scholars. It completely presents the magnificent epic of Tang poetry from its cocoon to its heyday and then to its new changes.

"The Wife and the Watermelon" delicately depicts the indifference and vanity of the upper class through the interaction between a rich lady and the footman who delivers the watermelon. The ladies use the gifts given by others to put on airs, take the gifts of others for granted, and even sneer at them. The morbid view of human nature revealed between the lines is full of irony. In several other novels, the author's writing is equally powerful. "On the Road in the Morning" depicts all the living beings on the streets in the early morning. From cigarette boys and old men selling pulp to disabled beggars, they are all struggling to survive in poverty. At the same time, the warmth of mutual support among the people at the bottom is not lost. "Yali" is a story about exile and ideals. The protagonist "I" has established a deep friendship with Yali from North Korea. Although Yali is in a foreign land, she cannot forget her suffering hometown and her father who fought for the revolution. In the end, she chose to give up her personal peace and embark on the road of shedding blood for the motherland. "Two Frogs" describes the tragedy of lovers Hirano and Qin Zheng. The sweet time in the past is only a dream. Each story is like a mirror of the times, reflecting the glory and darkness of human nature, while also conveying the author's deep concern and compassion for the suffering lives.

"Famous Stories of the Sui and Tang Dynasties" is a notebook novel recording anecdotes from the Sui and Tang Dynasties. The book uses a narrative style to compile a large number of words, deeds, and legends about emperors such as Emperor Wen of the Sui Dynasty, Emperor Yang of the Tang Dynasty, Gaozu Emperor Taizong of the Tang Dynasty, and Emperor Taizong, as well as famous figures such as Li Jing (Gong Wei), Xu Ji (Gong Ying), Wei Zheng (Gong Zheng), Fang Xuanling (Gong Liang), and Du Ruhui (Gong Cai). Such as the anecdotes of Xue Daoheng's poetic talent, Emperor Yang's jealousy to harm others, the outspokenness of the monarch and his ministers, the magnanimity and righteousness of the heroes, etc. The vivid details and smart descriptions not only supplement the shortcomings of the official history, but also show the political clarity of the early Tang Dynasty, the unique style of the characters and the three-dimensional social scene through side descriptions, providing precious historical materials for future generations to understand the history and culture of the Sui and Tang Dynasties. This book is a verbatim version. I hope that readers can easily travel through time and space and have an immersive dialogue with the ancients after reading this volume.

This book shows the development of Song Ci over three hundred years, from the prototype of "Ququ Ci" nurtured by Yan Le in the Tang Dynasty, to the beauty and elegance of the Huajian School in the Five Dynasties, to the glory and prosperity of the two Song Dynasties. The manuscript provides an in-depth analysis of the turning point of Li Yu's "transforming the lyrics of Ling Gong into the lyrics of scholar-bureaucrats", the double revolution of Liu Yongman's innovation of poetry and Su Shi's "poetry as lyrics", the artistic perfection of Zhou Bangyan's metrical precision and Li Qingzhao's blood-and-tears writing, and Xin Qiji's patriotic pride. It completely presents the magnificent history of Song poetry from folk tunes to literati's elegant music, and finally became the carrier of the spirit of the times.

On August 31, 1946, "The New Yorker" published "Hiroshima", a report by John Hersey who went to Hiroshima to interview survivors of the nuclear bombing, presenting the end of the nuclear war to the world. Why was John Hersey able to "preempt the world" in fully presenting Hiroshima after the nuclear explosion? Why is "Hiroshima" still one of the most important works in the history of journalism? The author of this book goes deep behind the scenes of "Hiroshima", visits multiple archives on three continents, interviews the descendants of the protagonists of "Hiroshima", political figures, and the media, and restores the release of the "Hiroshima" report: the widespread racial sentiment in the United States after World War II, the strict censorship of nuclear-related reports, and the fanatical journalism that pursues exclusives; Hersey How he traveled to Hiroshima and found his protagonist, "giving up God's perspective and regaining the perspective of mortals"; how the team of the "New Yorker", a "dispensable" humor magazine, adhering to "excavating facts that can only be obtained by going behind the scenes", published the full text of the report in a dedicated account, making it a milestone work. More than 70 years later, today, when extreme nationalism and racism dominate social media, how to see the truth behind dry statistics and similar photos, how the conscience record "Hiroshima" was released is still a warning prophecy for us today, and also reminds us of the importance of independent investigative journalism.

This is a collection of novels and essays, as well as a person's spiritual history. Memories, like tides, can reach the shores of countless people's hearts. "I often think that a person must have a root. The land, mountains, rivers, roads, buildings and the times you have experienced are the real roots..." The past does not only mean the subject matter. For the author Wang Jiaming, the past is like a spiritual coordinate system, like a spring from which pure power can be drawn at a glance. Even if it is what happens around you, treating it with an attitude towards the past gives the work a lasting soul and a calm and calm atmosphere. Everything is cleanly handed over to the readers' hands after being cultivated. This kind of idealism, the pursuit of moral self-improvement and a simple outlook on life, yearning for pure art, paying attention to artistic conception, charm and language, and following the works of Xiao Hong, Baustovsky and Sun Li are no longer fashionable. Only the author himself, and perhaps some friends, still cherish them.

At exactly 8:15 a. M. Local time on August 6, 1945, Japan, a "new type bomb" exploded over Hiroshima. With a silent flash of light, the lives of 300,000 ordinary citizens were completely changed. Nearly a year later, when the United States had given up paying attention to Hiroshima and generally supported the use of atomic bombs against Japan, Pulitzer Prize winner John Hersey went to Hiroshima to investigate the atomic bombing. He took readers back to that bright summer morning and walked with six ordinary people into their kitchens, commuter trains, and offices to witness their experiences at the same moment and their 40-year life trajectory.

The purpose of writing this book is to review the extraordinary thousand years that Mexico has just experienced at the beginning of the new millennium. Novels, essays, plays: the voices that can be heard in the book, although the tonality is different, all arise from a confusion, which is also the center of the book, that is, when, where and how the individual and the history intersect, when, where and how the individual path and the collective path intersect. Hopefully this anthology will help stir our memories, our imaginations, and our questions about ourselves. This Mexican notebook could probably be inscribed with this inscription: Imagine the past. Keep the future in mind. The great thing about Mexico is that its past is still very much alive. Yes, we outlive the calendar.

This book is a play of the same name adapted by Wang Hailu and Wang Dayou based on the Mao Dun Literature Award-winning novel "Human World" by Liang Xiaosheng. It is set in a civilian community in a northern city called "Light Word Film" and tells the ups and downs of life stories of more than a dozen civilian children, including the three brothers and sisters of the Zhou family, Zhou Bingyi, Zhou Rong, and Zhou Bingkun, in the past fifty years. The fate of the protagonist is intertwined with the changes of the times, writing an epic life epic of contemporary Chinese people.

Samuel Taylor Coleridge was one of the great masters and founders of British Romantic literature and a representative poet of the "Lakeside School". Coleridge occupies an important position in both poetry and literary criticism. Poets such as Southey, Wordsworth, Byron, Shelley, and Keats were all deeply influenced by him. The "Lyric Ballads" he co-authored with Wordsworth was published in 1798, marking the beginning of the Romantic era in British literary history. "The Rime of the Ancient Mariner" is a rare complete poem by Coleridge as a poet in his entire creative career. It is also one of the poems that later made him one of the major British poets and one of the most extraordinary poems. When writing this narrative poem, Coleridge used an astonishing amount of inner reserves and used a large number of metaphors to express a moving world that is rich in connotation, profound and magnificent. The words and images in the poem are concise, meaningful, and full of music. The structure of the entire poem is simple and full of fantasy. The Chinese translation was carefully polished by Ye Zi, an outstanding young translator in China, and followed the rhythm and rhyme pattern of the original poem as much as possible, faithfully reproducing the moving musical beauty of the original poem and the magnificent world that exists in the poem. It is also equipped with color illustrations by American illustrator Edward A. Wilson, which correspond to the rich artistic conception expressed in poetry and have high appreciation and collection value.

2025 is the 130th anniversary of Zou Taofen's birth. To commemorate this outstanding Jiao Tong University alumnus, Professor Xiao Weiguang from the School of Media and Communication of Shanghai Jiao Tong University organized and compiled this collection of essays. This collection of essays includes 20 articles, 14 of which are works by teachers and students of Shanghai Jiao Tong University, and the authors of the other 6 articles are from the Youth Theory Learning Community of the Joint New Era. The geographical distribution ranges from Heilongjiang in the north, Guangdong in the south, Shanghai and Jiangsu in the east, including the central province of Jiangxi, a total of five provinces and cities. These 20 articles have all been published on the special topic "Study to Strengthen the Country" "Commemorating the 130th Anniversary of the Birth of Zou Taofen". This collection of essays is not only a study of Zou Taofen's life and thoughts, but also a spiritual dialogue spanning a century. First, based on the excavation of historical data, through cases such as "Life" weekly and Life Bookstore, it restores Zou Taofen's practical trajectory of "serving the public, loving the motherland, daring to fight, being good at business, understanding management, and being truly dedicated"; second, focusing on the transformation of the times, placing Taofen's spirit in the "two combinations" and "culture" From the theoretical perspective of "transforming subjectivity", explain its enlightenment significance for contemporary news communication, especially the systemic changes of mainstream media; thirdly, focus on the resonance of youth, and show the possible inheritance path of Taofen spirit in the new era through the visit records of teachers and students of Jiaotong University, letters from young people and other contents.

Brigitte and Claude are a typical couple. They came to Paris from Algeria and struggled on their own literary and musical paths. They sold and bought houses, but just days before they were finally to move into their dream new home, Claude suddenly died in a motorcycle accident, and his time was frozen in 1999. Twenty years later, when Brigitte had to move out of the house, she decided to write about her lost lover and her former life before her memory faded. She wrote down 23 "ifs" - "if I had not planned to sell the apartment", "if Stephen King had died on June 19, 1999", "if it had rained that Tuesday morning", "if the traffic lights had not turned red"... To explore whether her husband's unexpected death was a global "collusion".

This book is the latest collection of poems in 2026 by "Tibetan poet" Zhang Zixuan, which includes 8 representative works of the poet and 119 new poems. With broad and sincere writing, he frankly expresses his compassion and deep affection for the world, writes about the roughness and tenderness of Tibet, and pursues the authenticity and meaning of life. The language is sharp, the details are vivid, the language is refreshing and the thoughts are interesting. His poems span three lives and are both joyful and surprising. But seeing the sunshine penetrates the heart, the sky is blue and reaches the soul. Reading his poems, the plants and trees are fleshy, compassionate and affectionate. It seems like I am enduring the pain in the face of the wind and rediscovering the world. I am so lucky to meet you in this life!

A transparent healing book for everyone. "Allow Everything to Happen" author Li Mengji's new healing work! The high praise mentality that is hotly discussed throughout the Internet has aroused thousands of resonances! This is a collection of inspirational essays on growth with global travel as a clue. After experiencing various changes in life, the author Li Mengji embarked on a journey around the world alone. From the cold Reykjavik in Iceland to the warm Gold Coast in Australia, from the bustling streets of New York to the endless wilderness of Altay, Xinjiang, she records the moments of collision with the world with delicate and sincere writing, and writes about the confusion and reflections of the younger generation on topics such as love, work, marriage, growth, and body anxiety. Don't be obsessed with the so-called "standard answers", see life as a journey of experience, and learn to let life flow naturally. Allowing all things to pass through you is a state of mind, and it is also a solution to an anxious life.

"I Deliver Express in Beijing" author Huan Yan's 2024 new non-fiction work! "Like most people, I am just an ordinary person. At least before the age of forty, I worked in ordinary jobs, and my economic income dragged down the per capita income; no one has ever used 'excellent' to describe me, and no one really cares about my inner world." After "I Deliver Express in Beijing", Huan Yan turned his perspective to daily life and inner world outside of work. He talked about the impact of his childhood and his family of origin on the formation of his personality, and how an ordinary person chose to write instead of speaking in the middle of his life. He carefully, vividly and concretely sorted out the ups and downs along the way from multiple levels such as circumstances, concepts, character, and text. What was gradually completed was a rich, self-sufficient and peaceful spiritual home. Looking back, it was "the other part of life" and those "moments of being surprised by ordinary things" that supported him to continue moving forward at a low point in his life and embark on the path of writing step by step.

This book is a play of the same name adapted by Wang Hailu and Wang Dayou based on the Mao Dun Literature Award-winning novel "Human World" by Liang Xiaosheng. It is set in a civilian community in a northern city called "Light Word Film" and tells the ups and downs of life stories of more than a dozen civilian children, including the three brothers and sisters of the Zhou family, Zhou Bingyi, Zhou Rong, and Zhou Bingkun, in the past fifty years. The fate of the protagonist is intertwined with the changes of the times, writing an epic life epic of contemporary Chinese people.

This book is a play of the same name adapted by Wang Hailu and Wang Dayou based on the Mao Dun Literature Award-winning novel "Human World" by Liang Xiaosheng. It is set in a civilian community in a northern city called "Light Word Film" and tells the ups and downs of life stories of more than a dozen civilian children, including the three brothers and sisters of the Zhou family, Zhou Bingyi, Zhou Rong, and Zhou Bingkun, in the past fifty years. The fate of the protagonist is intertwined with the changes of the times, writing an epic life epic of contemporary Chinese people.

This book is a play of the same name adapted by Wang Hailu and Wang Dayou based on the Mao Dun Literature Award-winning novel "Human World" by Liang Xiaosheng. It is set in a civilian community in a northern city called "Light Word Film" and tells the ups and downs of life stories of more than a dozen civilian children, including the three brothers and sisters of the Zhou family, Zhou Bingyi, Zhou Rong, and Zhou Bingkun, in the past fifty years. The fate of the protagonist is intertwined with the changes of the times, writing an epic life epic of contemporary Chinese people.

This book is the latest collection of essays by Chizuruko Ueno, a pioneer of Japanese feminism, and includes more than forty excellent works written by the author in recent years. This much-anticipated collection of essays uses a calm and melodious "mature tone" to weave every note that echoes in the writer's heart. From the family memories of childhood, the confused time of student days, to the process of academic research; from food preferences, hobbies of mountain climbing and watching dramas, to worries about aging, expectations for the next generation, and even the memory of the deceased and the pain of loss - Chizuru Ueno turns every detail of her life into notes of words and plays them gently. While discussing feminism, care issues, and reflecting on social events such as the epidemic, she also poured the notes flowing from her heart into the lines. These words are not only a sorting out of personal memories by Chizuru Ueno, but also a vivid reflection of the social and cultural changes in Japan. Through this work, we get a glimpse of this thinker's rich spiritual world and her ongoing concern for contemporary society.

"Add a Little Light to Life" is a collection of poems that combines delicate emotions and profound philosophical thoughts. This book covers a wide range of topics, and most of the topics focus on the most common scenes, people and things. The author uses beautiful and simple brushstrokes to slowly unfold a world that is both gorgeous and desolate, warm and sad. Sometimes he is passionate, sometimes he is calm and restrained. With his unique and keen insight, he leads readers into a new philosophical kingdom. Elevators, faucets... These common things actually hide the logical thinking. Rural old men, urban white-collar workers, overseas passers-by... Have all become the themes of the poem. In their ordinary and small lives, the great power that was once ignored is constantly revealed between the lines. Some works even only have a few lines, but the images reveal the hidden emotional codes, such as "Love" and "Mediocre" and other works. "The Staircase of Humanity" uses visual effects to vividly express the greed and compromise process of human nature. Each poem is a beautiful and profound spiritual picture. "Add a Little Light to Life" is like a beam of light that illuminates our ordinary and mediocre lives.

"The Crane's Cry: On Zhou Sese's Poetry" is an academic monograph that deeply analyzes the poetry creation of contemporary poet Zhou Sese. This book starts from multiple dimensions such as the artistic characteristics, ideological depth, historical impact and international communication of Zhou Sese's poetry, and systematically sorts out the development trajectory and unique style of his poetry creation. Zhou Sese's poetry is unique in the contemporary poetry world with its unique language style, profound emotional expression and rich imagery. Through detailed interpretation of his representative works, such as "The Cry of the Crane", "Qu Yuan Cried", "Homage to Du Fu", etc., This book reveals how Zhou Sese integrated individual life experience with the spirit of the times to create a poetic world that is both personal and universal. At the same time, this book also explores the traditional cultural elements and modern exploration in Zhou Sese's poetry, as well as the international spread and influence of his poetry. Through a comprehensive study of Zhou Sese's poetry, this book not only provides a new perspective and path for the study of contemporary poetry, but also provides poetry lovers and researchers with valuable information for an in-depth understanding of Zhou Sese's poetry art, which is of great significance to promoting the prosperity and development of contemporary poetry.

Zhang Haochen's new collection of essays created in 2025 uses the glimmer of daily life to combat the powerlessness and anxiety of "must have an answer immediately". This book records Zhang Haochen's latest life status, what he sees, thinks and feels in a new stage of life. Whether it is a change in mentality or creative thinking, he vividly shows it to readers through this book, expressing that in a tiring living environment, it is good to dare to be a relaxed person and live every moment in front of you. 100 Short and easy essays, 100 moments when you don't want to explain and the warmth of not having to exert force, to combat the anxiety of "must have an answer immediately". Although life will encounter many dissatisfactions and encounter many winters, it doesn't matter, let's wait until spring.

Zhang Jiajia's heart-warming story collection, which sells millions of copies, has added 20,000 words, including 60 micro-stories, multiple new long articles, and colorful illustrations commemorating Maisie's lifetime. This book is a collection of heart-warming stories written by Zhang Jiajia from the perspective of dog Maisie. Through Maisie's eyes, we see parting and reunion, loneliness and warmth in this world. We see that everything has an expiration date but love can be eternal. We also see that the answer to life is hidden in the simplest companionship. Let me stay by your side. The most precious thing in life is those lives that are willing to stop for you.

[Growth Reading + Hometown Complex + Peaceful Time] From a bowl of noodles to half-moon cakes, from chats under the moonlight, encounters in the market to the accumulation of time, from a book to a movie, Mao Xiaomei's words are unhurried and unhurried, presenting poetic life in individual daily life. It is not inconsistent to read any article. It can make us in a hurry think about the true nature of ordinary life and realize the beauty and power hidden in the details.

[Hometown scenery + family affection + daily insights] This book is a collection of works by writer Luo Minyan. The title is taken from "Beyond the Fence" by American poet Emily Dickinson. The author uses a sincere and delicate pen to connect the scenery of his hometown, the warmth of family, the insights of the years and the philosophy of life. Whether he depicts orchids, old wells, cooking smoke and other rural scenes, or recalls the kindness of his parents, mentors and neighbors, he sees clever ideas and true feelings in daily moments, stimulating readers' pursuit of a better life.

This book contains a total of 8 short stories and 5 essays, which were published by Fitzgerald from 1930 to 1939. At this time, the glamorous Jazz Age ended and the Great Depression began. Fitzgerald's American dream was shattered. He had problems with his body, marriage, and finances, and his life was under great pressure. His works at this time mainly have two characteristics: - full of nostalgia for the past, nostalgia for the loss of health, fame and wealth, and frustration that the market for his novels will no longer exist; - although he was depressed and desperate due to the difficult situation, he still did not lose his creative conscience and ambition. Haruki Murakami deliberately compiled the works of this period into a collection and explained them precisely because he saw Fitzgerald's persistence in writing during this period. He said in the commentary, "Fitzgerald is the kind of writer who takes daily life experience as the core, uses his imagination to create novels from it... He tried his best to get through the deep despair, tried to grasp a weak light source, and slowly moved forward with a firm will. This may be Fitzgerald's strong instinct as a writer." Murakami, who compiled this book, hopes that readers can see this side of Fitzgerald.