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This book is a selection of award-winning works from the third Guangxi Internet Literature Competition. It compiles award-winning works from several categories including poetry, prose, and novels. With a wide range of themes, distinctive and diverse styles, and rich content, it writes heart-warming stories that happen in all walks of life in the contemporary era, reflecting the aspirations of the people and praising the spirit of the times. This book helps lead Internet literature authors to continuously innovate and create high-quality products, and has positive significance in creating a new realm for the development of Guangxi's Internet literature and shaping a beautiful image of Guangxi.

This book is a selection of award-winning works from the 4th Guangxi Online Literature Competition, which includes award-winning works from the novel, prose, and poetry categories of the competition. By focusing on family, hometown and other factors, this collection of works not only praises the great rivers and mountains of the motherland, but also highlights the local humanistic and historical characteristics of Guangxi. It shows the beauty of Guangxi on multiple levels and reflects the great development results and changes since the 40th anniversary of my country's reform and opening up and the 60th anniversary of the founding of the Guangxi Zhuang Autonomous Region. It tells the story of China and Guangxi well, and has great publication value. The publication of this book can infect and influence the people with positive energy on a larger scale, and lead the trend of the times with healthy and uplifting literary works.

This book is a selection of award-winning works from the 5th Guangxi Internet Literature Competition. This book collects award-winning works from the poetry, prose, and novel categories of the competition. The excerpts from the novel group have an outstanding main theme and tell good stories that reflect the positive energy of the times; the excerpts from the prose group profoundly reflect the earth-shaking changes in the 70 years since the founding of New China from different perspectives such as economy, society and culture; the excerpts from the poetry group reflect real life and write about the Chinese dream of the great rejuvenation of the Chinese nation. This batch of outstanding online literary works inherits the excellent traditional Chinese culture, tells Chinese stories and Guangxi stories well, has great literary appeal, artistic appeal and dissemination power, and has great publishing value.

This book is a selection of winning works from the first Guangxi Internet Literature Competition co-sponsored by the Autonomous Region Press, Publication, Radio, Film and Television Bureau, the Autonomous Region Internet Information Office, and Guangxi Publishing Media Group Co., Ltd., And hosted by the Guangxi Internet Culture Association, Guangxi People's Publishing House Co., Ltd., And Mailin Literature Network. This is a good work that encourages and guides the majority of online literature lovers to devote themselves to creation and reflects the prosperity and development of Guangxi literature and art. Prose essays express the author's deep emotions to the greatest extent and are close to life; novels integrate writing intentions and thoughts into the work through story narration. They have high readability and literary content, and are suitable for careful savoring.

"Yanzhao Ci in the Past Dynasties" compiles the lyrics created by poets from Yanzhao from the Sui and Tang Dynasties to modern times. The collection is organized by era and is divided into four parts: Tang, Five Dynasties, Song, Jin and Yuan, Ming Dynasty, Qing Dynasty and modern times. Based on the author, a biography is attached under the surname of the poet, which briefly introduces the poet's life and official career, and briefly comments on the poet's works based on previous discussions to see the origin, characteristics and influence of his Ci style and his influence on the Ci world; some writers on Ci studies summarize the essence to clarify the ideas and origins of his Ci studies. If there is no data to refer to, the analysis will be based on your own opinion. This compilation aims to compile the Yan-Zhao Ci poems of the past dynasties for the reference of researchers. It collects the lost pieces and adds fragments of sentences and chapters to show the creative achievements and development process of Yan-Zhao Ci poems, which are an important part of Chinese Ci studies.

Hu Xin is one of the representative writers of female writing in the new era of China and the female writer with the most outstanding literary achievements in Jiangxi since modern times. His creations are rooted in the regional and traditional spirit through rich life experiences and insights, and have lasting charm. This is a collection of commentaries on interpreting and recognizing Hu Xin's creations. Covering nearly 100 articles commenting on Hu Xin and his creations in the past 40 years, spanning the fields of literature, film and television, ceramics, etc., It outlines Hu Xin's unique words and affectionate expressions of the land, water, and people of Gan. The perspectives are diverse and the forms are varied, including Mr. Wang Meng's comments from a high position and the words of Academician Pan Jiluan; there are different opinions from scholars and professors, as well as intergenerational readings by students and young readers... The collection of forty years of comments can not only effectively promote Hu Xin's creation and the construction of Jiangxi cultural image to a deeper level, but also reflect the social style, literary and artistic trends and aesthetic judgments of different eras.

This book is a summary of poet Yang Zhen's recent poetry creation. There are five volumes in total, including discussions on hometown, old things, love, friendship, philosophy of life and other topics. In the poet's view, poetry has become a part of his life. Poetry comes from daily life and far exceeds daily life. His creations are good at extracting shining points from daily life. He regards himself as a mirror to observe the world, observes the world and reflects the reality of the world through the language of poetry.

This book is a collection of award-winning works from the 8th Guangxi Online Literature Competition, and selects some of the award-winning works in the novels, prose, and script categories of the 8th Guangxi Online Literature Competition. These works revolve around the theme of "drawing out the grand blueprint for the 14th Five-Year Plan and releasing the dreams of youth in the new era", reflecting the people's upward-spirited spiritual outlook and the energetic youthful style of the new era youth. For example, the novel "The City of the Future" imagines the huge changes in the future technological world; the essay "Watershed" describes the historical changes of the Pinglu Canal; the online drama "The Fragment of the King of Medicine" highlights the charm of traditional culture and calls for the inheritance and protection of traditional culture, etc. These works are rich in types, diverse themes, and highly literary and artistic. They play a positive role in promoting the high-quality development of Guangxi's online literature in the new era.

This book is a collection of winning works from the second Guangxi Internet Literature Competition co-sponsored by the Autonomous Region Press, Publication, Radio, Film and Television Bureau, the Autonomous Region Internet Information Office and Guangxi Publishing Media Group Co., Ltd., And hosted by the Guangxi Internet Culture Association, Guangxi People's Publishing House Co., Ltd. And Mailin Literature Network. This is an excellent work that inherits and promotes the excellent traditional Chinese culture, integrates the characteristics of current online literature, and tells Chinese stories and Guangxi stories well.

This book is a selection of award-winning works from the 6th Guangxi Online Literature Competition, which includes award-winning works in the categories of novels, prose, and poetry. This collection of works revolves around the theme of "all the people build the Chinese dream together and work together to achieve a moderately prosperous society", describing the story of how the countryside got rid of poverty and the deeds of poverty alleviation cadres; praising the rapid changes in the countryside, expressing the nostalgia for the hometown and relatives; describing the Chinese story in the new era, recording the hard-working and promising lives of ordinary people on the road to a comprehensively moderately prosperous society. The collection of excellent works in this book reflects the new level and height of Guangxi's online literature, and has important guidance and reference value for further promoting the creation of realistic themes of online literature in our region and even across the country.

The public speech of writers and critics can always spread literature at different levels and potentially affect society. This book collects sixteen relevant interviews with more than ten writers and critics including Han Dong, Xu Zechen, Wang Xiangfu, Li Hao, Yi Zhou, Wang Chunlin, and He Ping, trying to restore their dialogues and confrontations on different occasions. Such as Han Dong's interpretation of local novels and older writers; Xu Zechen's subtle but profound ambition to draw his own literary map; Wang Xiangfu, Li Hao, and Yi Zhou's different expressions of calligraphy and painting art or many realities; Wang Chunlin and He Ping's candid remarks on the technological era or urban and rural changes; and so on. These lively and lively dialogues echo the vitality of literary research, multi-subject oral expression and dialogue in different senses. They may bring vigorous aesthetic vitality to rigid literary research and silent theoretical thinking, and provide new production possibilities for the construction of literary publicity.

Chinese contemporary poetry paratext materials are rich in poetic details, intertwined with complex political and cultural contexts, and contain many past events in the poetry world that need to be discovered. This book mainly takes poetry paratexts from 1949 to 1966 as the research object, touches the historical scene of the production, dissemination and reception of contemporary poetry, examines the dynamic mechanism of the popularization of contemporary poetry from another dimension, explores the complex and diverse ways in which ideology is embedded in poetry paratexts, analyzes the popular speech and image system, communication system and interpretation system constructed by the multi-dimensional combination of poetry's main and paratexts, and re-examines the unique phenomena and complex issues in the evolution of contemporary poetry.

This book focuses on the cross-cultural literary field generated by the cross-cultural interaction between Chinese and British modernist groups in the 20th century. It explores the origin of this literary field, the China complex of the Cambridge Apostolic Society-Bloomsbury Group, the trip to China of the Oxford Modernist Talent Group, the China trip of Cambridge Modern Criticism leaders I. A. Richaci and William Empson, Xu Zhimo's perception and spread of British modernism, the new realm of Chinese and English poetics opened up by Ye Gongchao, the pattern of modern Chinese criticism established by Qian Zhongshu, and the cross-cultural travel writings of Xiao Qian and Ye Junjian. Five structural models of dialogue and identification between Chinese and British modernism are summarized-investigative aesthetic type, investigative ideological type, investigative poetics type, integrated experiential aesthetic type, and integrated comprehensive type.

Story changes include three aspects: 1. Stories, as folk prose narratives passed down orally, mutate anytime and anywhere; 2. Story mutation is not arbitrary mutation, but manifests as relatively stable "limited variation" of core elements and gradual "displacement" of detail replacement; 3. Variation is regular, and story variation is restricted by factors such as oral tradition, time and space environment, memory bias, and even popular culture, and has characteristics such as emotionality, patterning, and adaptability. This book borrows the concept of "machine change" (adaptive "change") to summarize the directional (non-arbitrary) variation characteristics of story communication and reconstruction. Starting from various aspects such as classic review, diachronic review, and theoretical reflection, we discuss the rules of how stories change with "chance"; and through empirical research such as field trips, communication experiments, and memory experiments, we specifically discuss the "chance" and "change" of stories as they adapt to changing circumstances.

In the 13th and 14th centuries, due to the world conquest activities of the Mongols, China realized a global opening pattern of its two major exports, desert and ocean. China-centered economic, trade and cultural exchanges between the East and the West reached their peak. The Silk Road travel literature of this period also became a typical representative of the diversity and tolerance of Chinese civilization. This book is an important manifestation of the results of the National Social Science Fund's major bidding project "Compilation and Research of Silk Road Literature Documents from the 13th to 14th Centuries". It is also an offline auxiliary textbook written and published in conjunction with the provincial-level graduate online course "Chinese and Foreign Exchanges and Research on Silk Road Literature Literature from the 13th to 14th Centuries." The book consists of an introduction, main text and appendices. In addition to the literature summary, it mainly focuses on the themes of six series including "Journey to the West Series", "Southwest Silk Road Travel Series", "Grassland Silk Road Series", "Maritime Silk Road Travel Series", "Eastern Journey Series" and "Silk Road and Cities Series". This book is of great help in understanding the far-reaching impact of the "image of China" in the world, especially in Europe, in the 13th and 14th centuries. It can be used not only as a textbook for graduate students in universities, but also as a reference for professional researchers.

Chen Shouzhong is a professor at Northwest Normal University. He specializes in the study of northwest history and geography, specializing in the history of the Song, Liao, Western Xia, Jin and Yuan Dynasties. In his research, he pays attention to the method of historical research that combines historical records with field investigations. He has published "Review of Helong History and Geography" and "A Brief Introduction to Song History", etc., Which has great influence in the academic world. 2021 Is the centenary of Mr. Chen's birth. In order to commemorate Mr. Chen's moral articles and inspire future generations, we edited and published the "Collected Essays in Commemoration of the Centenary of the Birth of Professor Chen Shouzhong". The collection of papers contains a total of 46 papers, which mainly include two aspects. Each part is arranged in order of the age of the author. The first part is "Memorial Articles", a total of 10 articles. This part is written by Mr. Chen Shouzhong's colleagues and students who worked during his lifetime. The content involves the recollection, remembrance and evaluation of Mr. Chen's life experience, scholarly spirit, and academic contributions, allowing us to appreciate Mr. Chen's noble personality charm and academic style. The second part is "Academic Papers". This part is roughly divided into 15 "History of the Song Dynasty", 10 "History of Northwest China and Dunhuang Studies" and 10 "Other Research" according to the specific research content and time period. The authors of this part include senior scholars such as Gu Jichen in the study of Song history, well-known experts and scholars active in the fields of Song history, Northwest history, Dunhuang studies, etc., As well as young scholars with academic connections to the history of Northwest Normal University. The last article, "Table of Contents of Mr. Chen Shouzhong's Main Works," clearly demonstrates Mr. Chen's academic research achievements.

This book is a commemorative collection of the academic activities and achievements of the Xichuan Forum in the ten years from 2011 to 2020. It records the previous forums and other activities of Xichuan colleagues, collects representative results, and presents many academic concepts proposed and jointly improved by Li Yi and other scholars. It is also a record of an important aspect of the development of modern Chinese literature in this decade. The teaching and academic situation listed in this book has become a basic case for the discipline construction and teaching reform of the School of Literature and Journalism of Sichuan University. It is a representative achievement of the Ministry of Education's basic subject training 2.0 Research project "Research on Undergraduate-Graduate Learning Community" and the first batch of new liberal arts research and reform practice projects of the Ministry of Education "New Liberal Arts Construction Facing the Era of Global Communication of Chinese Culture".

Yunnan is a remote place in the south of the world with many ethnic groups. The history of Ci is not illustrious, and its status and value in the glorious history of Chinese Ci are almost vague. However, the history of ancient and modern poetry in Yunnan is an organic component of the history of Chinese poetry, witnessing the game and integration of local culture and mainstream civilization. At the same time, the basic history of ancient and modern Ci poetry in Yunnan, which began in the Yuan Dynasty, gradually emerged in the Ming Dynasty and flourished in the Qing Dynasty, and the style of the Ci poetry circle are quite different from the mainstream Ci poetry circle, and have local literary value and special cultural significance. This book is dedicated to sorting out the basic context and situation of Yunnan's ancient and modern poets' works and the Ci world, hoping to reproduce their appearance and ecology.

This book is a reportage focusing on the decisive battle against poverty in deeply impoverished areas. This work truly records the struggle for poverty alleviation and rural revitalization in Huangni Village, Majiang County, Qiandongnan Miao and Dong Autonomous Prefecture, Guizhou Province, a typical poverty-stricken area in the country and the main battlefield for poverty alleviation. It vividly tells the story of the villagers in this village building a happy life. In the form of pictures and texts, this book objectively and truly reflects that since the war against poverty began, the villagers of Huangni Village, with the attention and support of the party and the government, with the help of all sectors of society, and with the precise assistance of grassroots party members and cadres, have changed their ideological concepts, relied on self-reliance, and worked hard. The Huangni Village recorded in this book is a designated assistance target of Nanjing Agricultural University. A research team composed of teachers and students from Nanjing Agricultural University went deep into the front line. From the perspective of industrial poverty alleviation and education poverty alleviation, combined with first-hand practical data, they elaborated on the experience of comprehensive poverty alleviation in Huangni Village, and further discussed issues such as solving relative poverty and realizing rural revitalization.

This book reviews important achievements since the 20th century from the perspective of narrative politics. The book is divided into four series, each series consists of several intrinsically related papers. The first volume is dedicated to a schematic review of the academic thoughts of major scholars in contemporary narrative politics, mainly scanning the achievements of important scholars in structural narratology, Western Marxism, Bakhtin and post-classical narratology. The second to fourth volumes respectively provide an in-depth reading and review of the representative works of important narrative theorists such as Propp, Greimas, Todorov, Lukács, Jameson, and Bakhtin. Particular emphasis is placed on the representative works of Jameson and Bakhtin, and the main aspects of their narrative politics and novel politics are studied and analyzed to demonstrate the insights, value, and enlightenment of their achievements, while also revealing the difficulties and problems existing in their theories, and providing the author's thoughts on this. The author of this book has been studying narrative culture and narrative politics for a long time, has his own in-depth thinking on relevant issues, and has also formed his own independent opinions. Therefore, this book is not only an objective review of research objects, but also full of inherent reflection and dialogue.

Starting from the dual perspectives of memory and cultural history, this article examines how British realist novels choose to use Dutch paintings and the ideas behind them, and then reveals the fit and interaction between the two. It involves the criticisms of many major art historians, literary historians, and novelists of the 19th century about "Dutch Painting School and British Realist Novels." The Dutch School is characterized by a secular culture of peace, prosperity, wealth and tolerance. It is mixed in British realist novels and participates in the construction of collective memory and community culture. The "human reality" contained in the "realist" thought exactly reflects the aesthetic taste of ordinary citizens (middle class) in the Dutch School. The literary interpretation and cultural memory of the Dutch School in realist novels also reflects this trend. This book is divided into three parts (the evolution of the Dutch painting school and British realist novels), the middle part (the origin of the Dutch painting school and British realist writers), and the second part (the integration of the Dutch painting school and British realist novels). It answers the question of why, what, and how British realist novelists use Dutch paintings to express the nostalgia and nostalgia of the British nation. The psychological appeal of community building proposes three levels of novel text interpretation: the "natural meaning" of the text itself, the reproduction and imitation of the text; the "conventional meaning" of text analysis, the interpretation and metaphor of the meaning; the "cultural code" of text production, where images and text jointly determine the basic elements of nation, era, religion and philosophy. This summarizes and reflects on the novelist's cultural strategy of using images in writing and its cultural innovative significance.

This collection of poems represents the poet's second stage of exploration into poetry creation. Compared with the first collection of poems "Storm and Sons of the Storm", the poet gathers the "thorns that rush outward" and tries to touch himself, perceive others, and understand the relationship between love and pain. The poet uses concise and plain language and montage-style lens cutting techniques to construct a dramatic storyline in the poem, revealing the poet's pursuit of ultimate questions and reflection on the inner world.

The collection of poems selects 49 poems written by the poet Zhang Guochen in recent years. Most of the selected poems are based on specific places and describe individual situational cognition and intertwined feelings. The author's monologue analysis of the language gives a true description of his regional connection with the north, recording the different realities and dreams he has experienced at different ages, with a simple, restrained and firm style.

This book collects 15 works published by Yao writer Pan Hongri since 2016, which are divided into three parts: short stories, essays, and reportage: 4 short stories "Wharf", "Food Supply", "Secret Fragrance" and "Come Back", and 10 essays. "Luo Shilin's Resume", "Examination", "The Most Beautiful Scenery", "Meeting in the Mountains", "Yongning Powder Pressing", "The Distance", "Monument Foot", "Tian'e Stone Story", "Coal Briquette Cake", "The Place that Breeds Birthday Stars and Writers" and a reportage "Beautiful Mountain Flowers". The themes include poverty alleviation, rural revitalization, grassroots governance, etc., Which vividly reflect the spiritual characteristics of the people to create a better new life. These works are rich in local characteristics and have certain practical significance. They reflect the literary practice of contemporary Guangxi writers who go deep into life and take root in the people, as well as their practical actions to help alleviate poverty and their creative spirit of cultivating people. They have important publishing significance.

This book is a collection of critical materials collected during the research process of the national social science project "Research on Novel Novels of Early Qing Survivors". It is divided into two parts: classical Chinese and vernacular Chinese. It mainly includes the preface and postscript, summary, idioms, examples, final batch (return to the last batch) of the novel, etc. In particular, it includes some critical materials that have received less attention from academic circles.

Ralph Waldo Emerson (1803-1882) was an American transcendentalist thinker, essayist, and poet in the 19th century. He believes that poets are "seers", "speakers", "prophets" and "language creators", and are representative people. Only poets can depict nature and reveal the truth. Therefore, he is known as the "poet-philosopher". This book is launched to commemorate the 220th anniversary of Emerson's birth (May 25, 2023) and further promote the research on Emerson's poetry creation and poetic theory at home and abroad. It is the first Chinese translation of an anthology of Emerson's poetry in China. A total of 192 poems by Emerson are included, including Poems (1847), May-Day And Other Pieces (1867) and Selected Poems (1867) published during his lifetime. Poems, 1876) and more than 30 poems that have not been included in these collections; the genres include long poems, lyric poems, volume poems, aphorisms, elegy, etc.; The themes include nature, love, spiritual laws, politics, the role of poets, poetic language, and poetry creation itself.

The Wanyan family belongs to the Jinyuan noble family and has a long pedigree. In the Qing Dynasty, all family members were in prominent positions. More importantly, the family passed down its poetry and etiquette, and there were literati from generation to generation. From the early Qing Dynasty to the end of the Qing Dynasty, there were 14 poets in the Wanyan family, including 6 male poets and 8 female poets. They created a total of 11 poetry collections, of which 7 poetry collections have been handed down to the world, and 41 poems have survived. The family's literary style has lasted for three hundred years, forming an elegant literary production mechanism. The Wanyan family's poetry creation route expanded from family life to social life, and moved from the upper class to the lower class people. In the late Qing Dynasty, it increasingly showed the real life of the lower class people. It can be said to be a mirror of the life of the common people at that time. This downward vision and writing style give the Wanyan family's poetry a realist light and social significance. This book mainly focuses on the poems of the Wanyan family, and contains a total of seven poetry collections by six members of the Wanyan family.

Jiangxi writer Chen Zhi, who was born and grew up in Shebei Village and finally settled in the city, lovingly recalled and wrote about the pain and joy, hardship and sweetness, permanence and change that he personally experienced in his hometown in the process of growing up, leaving his hometown, and returning home in his prose. Tao Lai, every villager has his own joys, sorrows, sorrows, and every plant has its story. It is vivid and vivid, depicting a group of vivid rural characters and a Chinese countryside that can be known and felt. The author builds a "heart-felt" spiritual home for himself and the readers, and at the same time retains a precious memory for rural China.

This book is a collection of poet Wang Zhijun's poetry works in recent years. It comes from four poetry collections created by the poet from 2016 to 2022, and contains a total of more than 90 poems. The collection of poems carries the author's love and anger, emptiness and exhilaration, confusion and belief as a poet. It is the author's most meaningful life consciousness and also shows us his excellent artistic structure ability.

This book selects outstanding poems written by poet Liu Juwen over the years, recording the poet's personal experience from rural to urban, and from north to south. The title of the collection of poems "A Visit from the Woodpecker" means that the main goal of poetry is to discover and express truths in the concrete world. The poet deeply observes the world with a poetic vision and introduces it into creation, discovering the "storm-like power" in ordinary life.

This book is the first academic monograph to conduct a comprehensive study of Henan urban literature since the founding of New China. This book takes contemporary Henan literature as a research perspective and provides an overview of the development of urban literature. By returning to the literary scene, on the basis of interpreting texts and examining historical facts, this book analyzes the regional attributes, cultural psychology, spiritual temperament, and the development history of cities and people. Henan's urban literature not only touches on the universal issues of urban literature, but also presents many different local experiences, including historical accumulation, the light, shadow and charm of the city under the culture of the ancient capital, and the specific state of mind in the process of modernization. And the "aura" found through excavating literature and historical experience may be a key for modern urbanites to get out of their inner dilemma.

This book takes the imperial narrative in William Wordsworth's poetry as the research object, uses post-colonial literary criticism as theoretical support, and combines textual reading, comparative research and post-structuralist research methods to more systematically explore the ideological connotation represented by William Wordsworth in relevant texts, as well as the discourse reference given to the text in a specific historical and cultural context and regional political background. It examines the multi-dimensional political intersection between the romantic poet and the empire, and reveals the dynamic interaction between the poet, his poems and the times.

Ancient Chinese political poetry is a special type of poetry with political affairs as the theme in ancient China. It mainly describes the state of national governance in ancient China, involving taxation, servitude, grain, famine, water, river and many other government affairs. Ancient Chinese political poetry praised or denounced various political figures and events, forming two categories of poems praising politics and poetry resenting politics. This book takes political poetry texts from the Pre-Qin Dynasty to the late Qing Dynasty as the research object, combs the development process of ancient Chinese political poetry, presents the basic appearance of ancient Chinese political poetry, analyzes the value system of ancient Chinese political poetry, and summarizes the creation rules of ancient Chinese political poetry. It is a monograph that systematically and comprehensively explains ancient Chinese political poetry.

Sports is a social force that cannot be ignored in the historical process of the United States. Sports also play a very important role in expressing themes and shaping characters in the works of many American writers. However, it has not yet attracted the attention of literary critics. If it is paid attention to, it is only partially mentioned. This book is the first monograph at home and abroad to systematically explore sports narratives in DeLillo's novels. It brings sports as a keyword into the interpretation of serious literary works, and provides a new interdisciplinary research paradigm between literature and other disciplines. From the perspectives of implicit narrative, historical writing and subjectivity, this book deeply and systematically reveals the connection between sports narrative and discourse construction, identity, agency, race and gender politics, historical process and living environment. It pays special attention to revealing the hidden internal connection, proving that sports, as an important social force, participates in the writing and representation of novels and is of great significance at the narrative level.

This book takes rural-themed novels that have appeared since the new century, including some rural non-fiction works as the object of observation, and discusses the new qualitative elements and many changes that have appeared in rural narratives in the past twenty years. It has conducted detailed, in-depth and innovative interpretations of nearly twenty rural narrative works (especially novels), and analyzed the writers' creative motivations and expressive intentions. It combs the development of rural narratives in modern and contemporary Chinese literature and reveals the current rural reality, which is both academically rational and practical.

From the perspective of the history of literary development, "Shangshu" is the first cultural classic with poetic character and literary connotation that appeared in ancient my country. It can be called the earliest beginning of Chinese classical literature. This book is divided into five parts: Origin Theory, Art Theory, Narrative Theory, Rhetoric Theory, and Influence Theory. It aims to systematically and comprehensively excavate and evaluate the literary connotation and literary value of "Shang Shu" from the academic perspective of Chinese and Western integration. This is not only conducive to our comprehensive understanding of the development process of early Chinese classical literature, but also conducive to our comprehensive understanding of the literary characteristics of the early national cultural classic "Shang Shu".

This book takes the compilation works of classical Chinese novels in the Ming Dynasty as the research object, and is based on literature research. It looks at the phenomenon of compilation of classical Chinese novels in the Ming Dynasty from the two dimensions of stylistic type and document type. It chooses compilation types such as zhiguai style, shishuo style, bodhisattva, and novel series as representatives to conduct an inventory of their documentary background, refine their aesthetic characteristics, explain their literary achievements, and explore their academic contributions. On the basis of case studies, an overall review is made of the background, style, value and shortcomings of the collection of classical Chinese novels in the Ming Dynasty.

This book takes Robinson's series of novels as the research object and explores the shaping role of abolitionist thought, religious traditions and physiocratic concepts in the value system of the American Midwest. It focuses on the inner connection between the social and spiritual fields, secular life and sacred space, and emphasizes human beings' physical attachment and cultural attachment to the place they live in. It thus conducts an all-round and overall study on the formation, development, operation and effectiveness of the American Midwestern culture. It sublimates the topic discussion from regional awareness to the most extensive life care, and interprets the meaning of spiritual home from a more comprehensive perspective.

Medicine is an important indicator of the development of civilization and an important driving force for social evolution. Modern Western medicine represents Western culture and social systems and is an important part of imperial ideology. At the end of the 19th century and the beginning of the 20th century, modern medicine from both sides became the paradigm of power rule within the empire, and had a profound impact on imperial expansion and centralized rule throughout the 20th century. As medical historian Anderson said: "The declaration of universalism and modernity by Western medical discourse has always influenced the imperial aspirations from the past to the present." This book uses the history of medicine from both parties as a starting point, analyzes American works in the 20th century from a post-colonial perspective, and explores how natural science medicine evolved into social medicine, how medical terminology was transformed into medical discourse, and how it participated in the construction of imperial politics. The author also focuses on the identity and creative intentions of imperial writers, confirming Said's view that "the goal of every literature and art in the culture of the metropolitan country is to maintain the empire."

This book focuses on the politics of life to explore the new quality of modernity in new century novels, and takes the problems encountered by individuals in pursuing self-realization in post-traditional society as the core issue. It attempts to provide a theoretical perspective for the study of the new quality of new century novels in the overall perspective of seventy years of contemporary literature. Daily life, private life, and public life in new century novels reveal from different aspects the political implications inherent in the lifestyle choices of liberated individuals. Returning to tradition and nature is an important way for detached individuals to regain their moral source in a post-traditional society. Starting from the politics of life, we can discover the neglected ideological depth of new century novels, which can help clarify the spiritual background behind some hot issues in new century literature.

This book examines the acceptance of Chinese modern and contemporary literature in the English-speaking world from the perspective of translation anthologies, outlines the evolution of this compilation activity that has lasted for more than 80 years in terms of article selection, text interpretation, and editor composition. It reveals the reconstruction of the image and classic sequence of Chinese modern and contemporary literature by English translation anthologies, and analyzes the mapping of Chinese modern and contemporary literature by world literature anthologies.

Literary classics are not only an important theoretical issue in literary research, but as an important carrier of national culture, literary classics also play a pivotal role in cultural construction, inheritance, and cross-cultural exchanges. This book is based on a systematic review of the theoretical paths and theoretical achievements of domestic literary classics research in the past forty years. It relates the occurrence and development of literary classics debates since the new era and the dilemmas of literary classics research to the changes in media culture, and conducts a systematic study of literary classics debates. By combing through a large amount of data and on the basis of restoring the cultural scene where the debate unfolded, the overall style and development of the literary classics debate over the past forty years are presented. It demonstrates the profound connection between the changes in contemporary media culture and the formation of literary classics and the study of literary classics. It responds to the academic discussion on the end of literary classics in the form of academic historical research.

"Proceedings of the International Academic Symposium on the History of Qin, Han, Wei, Jin, Southern and Northern Dynasties" comprehensively reflects the new developments and research results of the historiography of the Wei, Jin, Southern and Northern Dynasties, and has a trend of gradually deepening and refining the discussion of mainstream and basic issues in the research field. In addition, the details unearthed from documents and archaeological results make the history clearer, the historical facts more complete, and expand the breadth of the research field and the depth of specific issues.

This book mainly studies the idiosyncratic connotation of Zhu Dunru and his poetry as well as his posthumous influence. As a poet who traveled south from the Song Dynasty and lived through the dynasties of Shenzong, Zhezong, Huizong, Qinzong and Juzong, his collection of poems handed down from generation to generation, "Qiao Song", has autobiographical characteristics, recording Zhu Dunru's journey from a celebrity in Yiluo to a refugee in the south, from an official to a hermit in Jiahe. The evolution of Zhu Dunru's poems is a typical example of the evolution of word quality between the two Song Dynasties. Zhu Dunru's life style reflected in "Woodcutter Song" reflects the scholarly style and contemporary style during the two Song Dynasties. In the process of spreading for nearly a thousand years, the selection and acceptance of Zhu Dunru and his poems by readers in the Song, Jin, Yuan, Ming, Qing, and modern times are a dialectical unity of change and change. Between inheritance and new changes, Zhu Dunru eventually became an influential poet during the two Song Dynasties.

The late Qing Dynasty and the early Republic of China were an important transition era in Chinese history. With the brief rise of utopian imagination in literature, Chinese intellectuals completed the creation of the initial ideal civilized political system. This is the starting point of the imagination of "New China" in the modern sense, and it is also the basis for understanding the development of utopian thought and its movement throughout the 20th century. Taking the modern transformation of Confucianism as its perspective, this book comprehensively and systematically explores the emergence, development and influence of utopian thought and literature in the late Qing Dynasty, and summarizes its era characteristics, narrative structure, aesthetic connotation and historical contribution. Special focus is placed on the intrinsic connection between the "modern literature" movement and the utopian literary trend in modern China. It takes morality-politics-science as the axis, and revolves around the multiple imaginations of revolutionary utopia, anarchic utopia, female utopia, and scientific utopia in the late Qing Dynasty. It outlines and grasps the changes between China and the West in ancient and modern times, and examines the transformation of modern countries, Confucianism, and literature, with a view to reactivating the contemporary vitality of the Confucian tradition.

This book clearly emphasizes that the national character of literature should be holistically inclusive, and that Chinese literary tradition and literary national character are never static. From the multiple aspects of the presentation of Chinese culture and nationality in the Chinese novels of new immigrants from North America: the construction of the subject of national language speaking, the topics of national language speaking, the way of speaking national language, etc., We will re-examine the inheritance, development and innovation of Chinese literary tradition overseas. Breaking the method of research and description of Chinese literature of new immigrants, it confirms the value of Chinese literature and Chinese literature of new immigrants in North America in the context of modern Chinese literature. From a dynamic and diachronic perspective and a problem-centered research model, this book implements the principles and methods of traditional and modern changes and Sino-foreign dialogue, not only sorting out clear historical clues, but also presenting the analysis of heavy concepts.

This book is the first to study the anthology of new poetry over the past century from 1920 to 2020 as a whole, revealing the role that the anthology played in the canonization of new poetry, emphasizing that the anthology of new poetry involves multiple elements such as literature, education, social psychology, publishing, and media. The research in this book has important reference value and practical significance for the development of new poetry, Chinese literature, education and culture.

This book strives to present the style of Auden's poetics in a comprehensive and three-dimensional way, to show how the poet continued to respond to the outside world through his own in-depth thinking and active exploration against the changing historical background, and to examine the subtle relationship between the poet and himself, society and the art of poetry, thereby revealing the way a poet intervenes in society and the times, as well as the poetic issues and poetic path choices he faces subsequently. The discussion in the main part of this book is divided into two relatively independent but interrelated aspects: "the ideological genealogy of Auden's poetics" and "the artistic ethics of Auden's poetics". "The Ideological Genealogy of Auden's Poetics" mainly examines the complex origins between Auden and mainstream social thoughts from the perspective of influence research, and finds clues to his highly personalized acceptance, absorption and transformation of these thoughts. "The Artistic Ethics of Auden's Poetics" mainly focuses on Auden's literary career and poetic views, comprehensively analyzes the context of subjective and objective factors such as poetic tradition, creative environment and artistic ideals in the formation of his poetics, and reveals Auden's examination and elucidation of poetic ethics.

This book cleans up the internal relationship between media theory and the classic discussions of Marx and Engels, finds the ultimate "material motivation" for the development of literature from the perspective of media, and discusses in detail the internal relationship between media, symbols, and literature. This book attempts to construct a new view of literary history, re-stages the history of Chinese literature from the perspectives of media and symbols, and obtains periodization results that are different from the previous ones. This book analyzes the reasons and path of the evolution of Chinese poetry genres from the perspective of media and symbols, finds the essential force that promotes the development of the genre, and proposes new genres of "music poetry" and "literary poetry".

This book takes the rural literature of the new century as the research object, explores the modern experience of farmers in social transformation, and goes deep into the emotional world and cultural symptoms of farmers since the new century. It extracts four macro-modern psychological experiences of resentment, anxiety, impetuosity, and illness. It analyzes farmers' land consciousness, sexual concepts, interpersonal relationships, religious beliefs, and rural society's democratic consciousness, legal concepts, knowledge concepts, and consumption concepts. It presents farmers' fierce cultural and psychological conflicts, personality changes, and rural order changes since the new century. It has a broad vision. The book always runs through historical consciousness, insists on understanding and grasping human concepts, pays attention to the combination of internal and external literature, macro-social psychology and micro-text, more accurately grasps the physical and mental experience of farmers, and reflects on modernity. This book comprehensively presents the facts of current rural development, and has practical reference significance for implementing rural revitalization strategies and building a community of shared future for urban and rural areas.