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This book is compiled and briefly explained by Mr. Tang Guizhang, a master of modern Ci poetry. It contains a total of 232 representative works of various styles of Tang and Song Ci poetry. Each selected word is followed by an explanation and experience, which not only analyzes the organizational structure of the word, such as the beginning and end, the passage, the layers, and the turning point, but also explains the artistic characteristics of the word one by one, such as "the detailed description of the natural scenery, the vividness of the characters, the expression of the deep inner feelings, as well as the concise language, sonorous rhyme, and majestic spirit."

"The Collected Works of Chen Zhongshi" collects most of Chen Zhongshi's writings since he started literary creation, covering a huge time span, including novels such as "White Deer Plain" that have been listed as contemporary Chinese literary classics, as well as representative short and medium-sized novels such as "Trust", "Four Sisters", "Old Lady Bangzi" and "Mr. Blue Robe", as well as his notes when writing novels and a large number of essays, essays, miscellanies, dialogues, prefaces and postscripts. This collection of essays comprehensively presents Chen Zhongshi's creative process in an extremely complete manner, and is extremely valuable material for studying a generation of literary masters. At the same time, through Chen Zhongshi's personal creative process, it also objectively presents the historical context of literary development from the new era to the present, which is an important way to understand the development of contemporary literature.

"Aesop's Fables" went through a complex and long writing process in ancient times. First, it was an oral creation, summarizing people's life experience and summarizing people's life wisdom. Later, oral literature gradually became written literature. Some of the stories in the book appeared long before Aesop lived. The collection was widely circulated in ancient times and influenced the creations of many subsequent generations. The purpose of fables is to vividly reflect the enlightenment and lessons from all aspects of people's lives.

Essays (also called "miscellaneous feelings" or "short comments" by Lu Xun) have existed in China since ancient times, and the interest, development and prosperity of modern essays are inseparable from Lu Xun's name. Under Lu Xun's writing, essays became a way of freely describing the world and describing it in a wide range of ways. Under Lu Xun's writing, essays became a mission to freely describe the world, describe experiences, comment on personnel affairs, and express emotions, with all-inclusive content, ideological enlightenment, and resistance to reality. As a result, it reached the pinnacle of Chinese literature with its profound ideological connotation and unique and perfect art form.

Wang Guowei once said that every generation has its own literature, such as the poetry of Chu, the poetry of Han, the parallelism of the Six Dynasties, the poetry of Tang, the lyrics of Song, and the music of Yuan. As a representative of Yuan Dynasty literature. Yuan Opera also includes two parts: Zaju and Sanqu. This book selects 318 Sanqu from the Yuan Dynasty, including both suites and small songs, with diverse themes and styles. With this compilation, you can get a glimpse of the whole picture of Sanqu in the Yuan Dynasty.

This book includes "Rebirth of the Goddess", "Phoenix Nirvana", "Tengu", "Coal in the Furnace" and "Earth, My Mother!" "" And other poems, many of which are included in Chinese textbooks at all levels or designated as Chinese extracurricular readings. "Goddess" is Guo Moruo's first collection of poems and the first mature new collection of poems in modern Chinese literature. It is a collection of Guo Moruo's early poetry masterpieces and has a wide-reaching influence. This time it is included in the "Newly Compiled and New Chinese Curriculum Standards Must-Read Series", with an "Introduction" at the front of the book and a "Knowledge Link" at the back to provide readers with necessary guidance and accumulation of knowledge.

"The Peony Pavilion" is a representative work of the Ming Dynasty playwright Tang Xianzu. It describes the love story of Du Liniang and Liu Mengmei's life and death. It is "thrilling, clever and always new", advocating the true love of "the living can die, and the dead can live". It is lingering, meaningful and touching. It is a masterpiece with the highest artistic achievement and greatest influence among ancient love dramas after "The Romance of the West Chamber".

"Hunter's Notes" is a collection of essays by Russian writer Turgenev that describes the life of Russian rural areas in the mid-19th century through the hunting activities of hunters. The work adopts the form of a record of observations, which is true, concrete, vivid and vivid, with various genres and styles, and the language is concise and beautiful. It can be said to be an example of prose novels and poetic novels. "Hunter's Notes" is the author's famous work and has had a great influence on Russian literature.

Zhu Ziqing's prose is a model of modern Chinese prose. This book selects prose that best represents the author's artistic level. Among them, famous articles such as "Hurry", "Back View", "Moonlight over the Lotus Pond", and "Spring" are even more memorable for us. Zhu Ziqing is good at expressing his true feelings through simple narratives. His writing is simple and cordial, and he has a charming and moving style when reading. The style of his works is simple and meticulous, clear, meaningful and melancholy. He is famous for his concise language and beautiful writing style.

The classical poems selected in this book are rich in style, covering poems, songs, ballads and couplets; they are organized and followable, taking literary history as the meridian and running through the pearls washed away by the waves of history - the masterpieces of famous writers, so that young people can better learn and inherit the excellent culture of the Chinese nation while generally grasping the development context of Chinese classical poetry. Different from classical poetry readers such as annotations and appreciations, this book is unique in that it only selects and compiles the poems themselves and emphasizes recitation, so that young people can fully use their imagination during the recitation process and resonate infinitely with the artistic images presented in the poems.

The papers included in the collection are generally divided into four parts, namely longitudinal papers, electric power papers, petroleum papers and coal papers. A total of sixteen papers discuss China's energy development and evolution in modern times from different angles. Due to the limitations of research foundation and focus, readers can see that these papers are only preliminary attempts from the perspective of energy history. We hope that the publication of these papers will attract more researchers' attention and participation, and truly bring the research on my country's energy history to a new and higher level.

The relationship between poetry and history in medieval literature is very subtle and intricate. It is common for poetry and history to intersect with each other. Historical narratives or historical allusions often appear in poetry. Complex historical figures and events are highly compressed into poems with concise language, such as epic poems and nostalgic poems. At the same time, poems are quoted and composed from time to time in history and narrative literature. These poems play an important role and function in narrative literature, enriching narrative methods and means. For example, "Historical Records", "Hanshu", "Shishuo Xinyu" and "Ben Shi Shi" all quoted a considerable number of poems. In addition, poetry and history are so closely intertwined that they sometimes depend on each other and are difficult to separate, adding to the richness of Chinese culture. For example, Du Fu's poems record the history of that time, which can prove history and make up for the lost records of history. In view of the important interactive relationship between poetry and history, this book invites Chinese and foreign scholars to discuss and write essays on poetry and history in medieval literature.

Collects 32 essays written by Lu Xun in 1926, of which the first 26 were written in Beijing and the last 6 were written in Xiamen. There is also an article "Marine Communications" written in 1927. First published in Beijing Beixin Bookstore in May 1927. Six editions were printed during the author's lifetime. Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

In the second half of 1926, Lu Xun opened a course on the history of Chinese literature at Xiamen University, for which he compiled a handout called "A Brief History of Chinese Literature," which seemed to match the meaning of "A Brief History of Chinese Novels." This handout has a complete manuscript and a mimeographed version, totaling 10 articles. In 1927, Lu Xun taught this course again at Sun Yat-sen University, and the lecture notes were renamed "Outline of the History of Ancient Chinese Literature". When compiling "The Complete Works of Lu Xun" in 1938, the editor changed the name of this handout to "Outline of the History of Chinese Literature".

"The Scream" is a collection of short stories by the modern writer Lu Xun. It includes 14 short stories written by Lu Xun from 1918 to 1922. It was first published in 1923 by Beijing Xinchao Press. The stand-alone version is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

"Morning Blossoms Plucked at Dusk" is one of Mr. Lu Xun's most important prose collections and enjoys a high reputation in the history of modern Chinese prose. It contains a total of twelve works including "From Baicao Garden to Sanwei Bookstore", which describes the author's childhood life and study process in his youth, expresses his nostalgia for his former relatives, friends and teachers, and mocks the reactionary and conservative forces in the narration and discussion. This book is a beautiful prose treasure based on memories and written with skillful literary techniques. It has been loved by generations of readers, especially young readers and young readers. This time it was published in the "Course-Based Classics·Whole Book Reading Series". One book is equipped with illustrations by famous writers such as Feng Zikai, and the second book is designed by inviting famous teachers to design a curriculum-based whole book reading. The purpose is to provide necessary guidance for primary and secondary school students' reading and help children solve the problems of unwillingness to read, inability to read, and inability to read in the actual reading process.

Sun Li is one of the few authors who can transcend time and not only have an impact on the literary world at that time, but also talk to contemporary readers. His representative works include the novel and essay collection "Baiyangdian Chronicles". Under his influence, a literary school called the "Lotus Lake School" was formed. This time it was selected into the "Masterpiece Curriculum·Whole Book Reading Series", which is another upgrade based on the unified edition. This edition mainly selects his masterpieces of novels and prose. On the basis of retaining the "introduction" and "knowledge link", it also adds in-depth interpretations of the classics by Beijing's key teaching researchers and front-line teachers, making the book both full book reading and curriculum design, and more suitable for middle school and high school students to read.

Guo Moruo is a modern writer, historian, one of the founders of new poetry, and the first president of the Chinese Academy of Sciences. He has written in the fields of poetry, scripts, archaeology, history, translation and other fields. There are thirty-eight volumes of "The Complete Works of Guo Moruo". Guo Moruo had a wide range of interests and published many works throughout his life. His prose is powerful, clear, romantic and full of artistic charm. Autobiography constitutes the obvious feature of Guo Moruo's prose and is the product of the author's personality. His time-sensitive prose has strong realistic relevance. The lyrical works are good at using a variety of artistic techniques to create poetic artistic conception. This book contains many photos, which vividly display some fragments of Guo Moruo's life.

"Hunter's Notes" is a collection of essays by Russian writer Turgenev that describes the life of Russian rural areas in the mid-19th century through the hunting activities of hunters. The work adopts the form of a record of observations, which is true, concrete, vivid and vivid, with various genres and styles, and the language is concise and beautiful. It can be said to be an example of prose novels and poetic novels. "Hunter's Notes" is the author's famous work and has had a great influence on Russian literature. "Hunter's Notes" uses a hunter's hunting traces as clues and the beautiful natural scenery of Russia as the background to string together twenty-five stories. The book depicts many characters such as aristocratic landowners, poor farmers, peasant children, peasant women, intellectuals, etc., Showing the unique and honest folk customs of Russia, and reproducing the life style of all strata of people in Russian towns and villages under serfdom.

"Huagai Collection" is a book published by Beixin Book Company in 1926. The author is Lu Xun. It collects 31 essays written by Lu Xun in 1925, including "Easy Words", "Youth Must Read", "The Soul of Debate", "Three Insects in the Summer", "Sudden Thoughts", "I View Peking University", "Fragments", etc. Published by Beixin Book Company in 1926.

"Ding Ling's Prose" is one of the series of books in our Chinese prose collection. It contains 45 representative prose works from the famous female writer Ding Ling from her early years to her later years. It is sorted by the year of publication, focusing on the works after the author entered a new era in her later years. Including "May", "Thoughts on March 8th Festival", "Remembering Xiao Hong in the Storm", "The Cowshed" Sketch", "Mr. Lu Xun to Me", etc. Ding Ling is an indispensable figure in the history of modern Chinese literature. Her experience profoundly demonstrates the complex relationship between female intellectuals and politics, literature, culture, society and even revolution. Her experience itself is a vivid history. Her prose records, memories, scenes, and objects are fresh and bright, and have high ideological and artistic value.

"The Final Collection of Qiejieting Essays" is a collection of essays by Lu Xun, which contains 35 essays written by Lu Xun in 1936. The single volume of "The Complete Works of Lu Xun" is a popularized reading version based on the compilation of "The Complete Works of Lu Xun". Lu Xun's works include essays, short stories, reviews, essays, and translations, which have had a profound impact on Chinese literature after the "May Fourth Movement."

This book is a collection of literary criticism by contemporary scholar Yan Lianjun. This book collects the author's articles over the years about poetry, art, reading and walking. In the author's view, ideal critical writing must not only be well-founded and thoughtful, but also must be well-written, sharpen your skills, and give old sentences a new look from time to time. This book can be regarded as an important step towards ideal criticism. The whole book is full of meticulous and warm reading experience. Behind the exposition and colorfulness of the text, there is no loss of careful and precise judgment. Various parts of the book have been published in newspapers such as the Economic Observer, Literary Controversy, Guangzhou Literature and Art, Yangtze River Review, and Beijing News. The comments are incisive and unique. If you read them carefully, you can also discover the author's academic research and character cultivation. It is a very rare collection of literary criticism.

"Wild Grass" is Mr. Lu Xun's thinnest, most beautiful, only and most reprinted collection of prose poems. Each chapter of "Weeds" mainly describes the social state under the rule of the Beiyang warlord government, as well as the passionate call for revolutionary power, deep sympathy for the working people, ruthless criticism of the national bad character, and strict self-anatomy; it also covers life and life. Death, love and hate, dreams and awakening, friends and enemies, past and future, light and darkness, lovers and unlovers, silence and speaking, hope and despair, caress and revenge, nostalgia and determination, etc. Are a series of concepts and images that unite opposites, struggle fiercely and merge in the struggle.

This book is a selected and annotated version of the poems of Bai Juyi, a famous poet in the Tang Dynasty. It was written by Gu Xuejie and Zhou Ruchang, famous experts in classical literature research. This book is based on the earlier version of the Song Dynasty, and has been selected and collated with the purpose of comprehensively displaying the artistic achievements of Bai Juyi's poetry. In terms of annotations, in addition to annotating the words and allusions that ordinary readers find difficult, it also focuses on the historical background and social conditions when the author created these poems, as well as the author's life and his social activities. The whole book reflects the profound knowledge and skills of previous scholars, and is a classic reading book for studying and appreciating Bai Juyi's poetry. This book has not been reprinted for nearly twenty years. This time it has been included in the third edition of the "Chinese Classical Literature Reader Series Collection", which allows this relatively high-quality anthology of Bai Juyi's poems to once again provide readers with reading aids.

This book selects 72 pieces of Lao She's prose, covering the author's diverse prose works describing scenery, scenery, characters, and human feelings. His prose may be based on citizens' life, reflect common social conflicts through ordinary scenes, and explore his thoughts on the survival and destiny of the people of old China; or describe the interesting life stories of intellectuals and the interactions of literati; or describe the scenery, customs and customs of various places at home and abroad, with meticulous details and extremely exaggerated strokes. The works are full of the interest of life and run through Lao She's consistent humorous style, allowing people to taste the severity and heaviness of life through lightness and humor. Lao She's creations benefited from the influence of folk literature and art. His prose, from form to content, is both elegant and popular. This makes his works popular, popular, and rich in national color, and is accepted and loved by the general public. Lao She is the originator of contemporary Beijing-style literature. His prose is also full of strong Beijing local color. The language comes from Beijing spoken language, which is catchy and can be recited aloud. From these works, we can see Lao She's mastery of language. Starting from modern spoken language, he evolved modern vernacular that can easily reflect modern life and express modern people's psychological activities. As a generation of language masters, Lao She has made great contributions to the development of modern Chinese vernacular.

Yuan Haowen, courtesy name Yishan, was a famous writer in the late Jin Dynasty and early Yuan Dynasty. He was able to write poems at the age of seven. At the age of fourteen, he learned poetry from Hao Jinqing. He completed his studies at the age of twenty and became well-known in the capital. In the fifth year of Xingding (1221), he became a Jinshi. After the death of Jin, he did not serve as an official. In his later years, he devoted himself to collecting the last words and events of Jin Jun and his ministers. He used many of them as references when compiling the "History of Jin" in the Yuan Dynasty. Yuan Haowen was famous for his literary quality, and he was especially good at poetry. He was excellent in both five-character and Yuefu. Although the fame of his poems cannot be compared with that of other poets in the prosperous Tang Dynasty, in the troubled times, his poetry achievements were very high and he can be regarded as a leader of his generation. The thirty quatrains of "On Poetry" have an important position in ancient Chinese literary criticism. This book selects Yuan Haowen's representative poems, taking into account various themes and genres, and more fully demonstrates the achievements of Yuan Haowen's poetry.

This book selects more than 100 popular poems by Ai Qing, a famous poet with a high reputation in the history of modern Chinese poetry, such as "Dayan River - My Nanny", "I Love This Land", "Snow Falls on the Land of China", "North", "Fish Fossils", etc., In order to enable middle school readers to have a basic understanding of Ai Qing's poetry creation in various periods, cultivate their temperament, and cultivate their sentiments. Reading it is very helpful for young readers to expand their horizons and cultivate their values. In order to better meet the reading needs of middle school students, this book has done a lot of work in terms of curriculum. It not only has introductions and knowledge links that fit the readers' knowledge background, but also has well-layered and interesting reading tasks. It not only pays attention to the ideological nature, but also takes care of the acceptance of young readers.

Tang poetry has a profound influence on Chinese literature. Literati of all dynasties regarded Tang poetry as a model and regarded Tang people as a model. There are many anthologies of Tang poetry, among which "Three Hundred Tang Poems" is the most widely circulated and influential. It is popular throughout the country, suitable for both young and old, and is appreciated by both refined and popular people. It has become one of the most classic anthologies that has been printed repeatedly. This book is based on "Three Hundred Tang Poems", with detailed annotations, and organizes experts in related fields such as Lin Jiaying, a famous expert on Tang poetry from Lanzhou University, and Xue Tianwei, a distinguished professor at Renmin University of China, to analyze and comment on each poem, providing young people with an excellent annotation for appreciating Tang poetry. This time it is included in the "Classic Curriculum·Whole Book Reading Series" series, which adds content related to adolescent learning courses and is more suitable for assisting middle school course reading.

Write to your parents at home and to us on the road. The things you dare not and cannot say to your parents are all in this book. About love, about reconciliation, about separation. A life-saving book that heals two generations. It tells about the deep love, collision, doubts and regrets of life between two generations. Warm and emotional, with tears in the laughter, and touching and healing. In the exploration of themes such as "parting", "aging", "reconciliation" and "gifts", it shows a generation of young people's thinking on the relationship between two generations and their thinking on the meaning of life. Through each touching story, we finally understand how to truly understand and respect our parents and accompany them to grow old spiritually and dignifiedly. Understanding and forgiving each other in love not only completes oneself, but also completes others.

This book selects 129 poems by Gao Shi and 132 poems by Cen Shen, both representative writers of the frontier poets in the prosperous Tang Dynasty, with detailed annotations and corrects many omissions in the annotations in previous annotations. The selected works not only reflect the unique style of frontier fortress poetry in the Tang Dynasty, but also reflect the creative profiles of the two poets Gao and Cen from different aspects. The preface describes the similarities and differences in the creations of the two poets and the historical conditions for the prosperity of frontier poetry.

Han Yu, whose courtesy name was Tuizhi, was born in Heyang (now west of Meng County, Henan Province). The commander-in-chief Wang Changli was called "Han Changli"; he once served as the servant of the Ministry of Civil Affairs, and was called "Han Libu"; he was also given the posthumous title of "Wen" and was called "Han Wengong". Han Yu pursued official career all his life, but failed in his early career, and his official career was tortuous and bumpy. Mr. Chen Yinke's article "On Han Yu" believes that Han Yu "initiated the cultural movement of New Confucianism and New Classical Literature in the Zhao and Song dynasties" and became "a figure who inherited the past and ushered in the future in the cultural and academic history of the Tang Dynasty". Advocate\

Li Bai, the banished immortal, was the most beloved poet of the Tang Dynasty by the Chinese people and the brightest star in the history of ancient Chinese poetry. With his unique achievements, he pushed the art of poetry in China to its peak and made great contributions. Many of his excellent poems are not only popular among the Chinese people, but also have a great influence on people all over the world. Now, we asked Mr. Yu Xianhao, an expert on Li Bai in the field of classical literature research, to select his outstanding poems and articles and compile them into a compilation. Based on the Song Dynasty version, this book examines the variations in Li Bai's poems and essays, adds detailed annotations, collects historical commentaries, and appends commentaries. It can be used as a reference for research and for appreciation.

Liu Zongyuan is a famous thinker and writer, one of the advocates of the ancient prose movement in the Tang Dynasty, and is included in the "Eight Great Masters of the Tang and Song Dynasties". His prose is bold and vigorous, and his reasoning is thorough; his fables are short and vigilant, and his writing is sharp; his landscape travel notes are accurate, detailed, and full of life and interest, marking the complete maturity of this literary style. His poetic style is clear and handsome, and has always been recited by people. This book selects his excellent poems and essays, with detailed annotations and detailed textual research.

Bai Juyi's courtesy name was Lotte, his later nickname was Mr. Zuiyin, and he was also known as Xiangshan layman. He wrote a large number of allegorical poems that touched the reality of social life, and in his later period he wrote a large number of leisure poems to express his personal feelings. His poetry creation intentionally tends to be colloquial, which is closely related to his creative goal of "not seeking high palace rhythms, not seeking novel words, but singing songs to cure people's diseases and hope to make the emperor aware of them." As a great poet of the Tang Dynasty, he has an outstanding position in the history of literature. There are nearly 4,000 poems and essays in it. For readers who are not specialized in research but also love classical literature, it is really difficult to capture the essence. Mr. Wang Rubi broke the layout style of the original book of "Bai Shi Changqing Collection" and selected poems, words and articles in chronological style. This book selects his representative works of poetry, lyrics and writing. Although it is less than one-tenth of the total collection, it reflects the overall picture of Bai Juyi's creation. The annotations are clear and concise, and are particularly distinctive in explaining the events and artistic style of the poem.

Du Fu can be called China's greatest poet, and there have been hundreds of annotations and interpretations of Du Fu's poems. Du Fu experienced ups and downs in his life, and his poems are actually a spiritual history of all his life experiences. The depth and breadth of social life reflected in his poems are also unparalleled by few poets. Du Fu's poems range from ancient poetry to modern poetry, and he created many new systems based on the original examples. This book selects more than 200 representative works from various periods by Du Fu, the great poet of the Tang Dynasty. It extensively draws on the results of previous studies of Du Fu's poems and provides detailed annotations on the selected poems. The preface makes a detailed evaluation of Du Fu's poetic skills.

Wang Wei and Meng Haoran were earlier writers in the prosperous Tang Dynasty. They lived in the prosperous era of the Tang Dynasty in their early years, and they were all named after their pastoral poems. However, the frontier poems written during Wang Wei's time as an official also set a precedent for Gao Shi, Cen Shen and others who were famous for their frontier poems. Their landscape poems used silent words to express words and unintentional meanings, and were based on Zen and painting, which became the unique style of Wang Wei's poetic art. Meng Haoran failed in his official career and spent his whole life in the mountains and rivers of Xiangyang and on the journey to Wuyue, but he always had Wei Que in his heart and never gave up the idea of ​​making contributions. Most of his landscape poems express dissatisfied emotions, and his descriptions of landscapes and pastoral areas all contain his own sense of wind and aesthetic appreciation of the external scenery. This book selects and annotates 121 poems and 2 articles by Wang Wei and 111 poems by Meng Haoran. The selected works not only take into account the characteristics of the Wang Meng Poetry School of the Tang Dynasty, which were mainly landscapes and pastoral, but also pay attention to the diversity and stages of the writer's creation. The second appendix introduces the lives and creations of Wang Wei and Meng Haoran in detail, and discusses the similarities, differences and contributions of Wang and Meng's poems.

"Jitang Congtan - A Collection of New Literature Essays" is a collection of special research essays on modern and contemporary Chinese literature. It analyzes Lu Xun's "Diary of a Madman", Mao Dun's "Spring Silkworms" and "Midnight", Liu Qing's "History of Entrepreneurship", Lu Yao's "Ordinary World" and Ge Fei's novels such as "Looking at the Spring Breeze" have been interpreted in a unique way; poems and related documents by Feng Zhi, Liu Mengwei, Lao She, Fei Ming, He Qifang, Qian Zhongshu, Bian Zhilin, Wu Xinghua and Zhu Yingdan have also been uniquely excavated and analyzed in detail.

There is a commoner spirit in Chinese civil society. It refers to those who stand alone outside the imperial palace and the scholarly community, with no name or rank, no position or respect. Zhang Manling's father, Zhang Jinde, was such a scholar from Kunming, Yunnan. Zhang Manling traces her father's Chinese-style life with words that are deeply painful and can be seen on the back of the paper. It goes straight into the changes and desolation of the dying commoner's true spirit, and directly into the responsibility and tempering of the commoner's personality when the collective spirit collapsed. The protagonist is not afraid of power, does not confuse God, does not give up his noble dignity in the dark, and only clings to the commoner spirit of doubt, rebellion, freedom and open-mindedness. His life is extremely desolate, which makes people sigh and sigh when reading it. In today's complex and ever-changing era, "Chinese Commoners" may be able to give people some inspiration on how an ordinary person can protect his or her own heart, how to shape his or her own spiritual dimension, and how to educate his or her children.

Sisyphus was punished by the gods. He had to push a boulder up the mountain, but the stone rolled back down the mountain due to its own weight. He had to go down the mountain and push the boulder up the mountain again, and so on. Camus believed that Sisyphus was an absurd hero. He devoted his whole body and mind to a seemingly ineffective cause, but his passion for life and contempt for God made himself extremely powerful and thus transcended the mercy of fate. Camus saw the absurd fate of life from this mythical story, and he tried to clarify the meaning of absurdity to people through speculation.

The beauty of traditional Chinese culture lies in the "in-between". You can swim in and out of it freely, and enjoy the subtleties in between. In "Between", Qu Xiaosong understands Tao Qian, Su Shi and Zhuang Zhou. He does not stick to the rules, and the joy and wonder are endless. In "Between", Qu Xiaosong invites readers to wander together and experience the realm of no body, no boundaries, and no boundaries. "Between" is composer Qu Xiaosong's cross-border interpretation of the poems, lyrics and texts of Tao Qian, Su Shi and Zhuang Zhou. Through the selection, annotation and response of the text, Qu Xiaosong emphasizes that the three are different from the conventional writing styles and insights, and echoes the poems and thoughts of Tao Qian, Su Shi and Zhuang Zhou in ways such as "understanding", "harmony" and "co-intoxication", presenting the ethereal realm of traditional Chinese culture. In terms of writing style, the author selected the works of several masters of Chinese classical "musical" literature. The writing is concise, readable and has a distinct sense of rhythm.

This book focuses on the core concept of "legend", combs through the details, and comes to the conclusion that "legendary narrative is a special Chinese narrative discourse and tradition" and that "the ancient Chinese novel itself has become a narrative mode that is difficult to get rid of in various genres and stages of ancient Chinese literature." This seemingly ordinary view is actually unusual. It contains extremely rich content and is of very important significance. It clarified the divergent opinions in the academic circles and confirmed people's hesitant opinions. This research is actually to find the roots of Chinese novels in the narrative tradition, allowing people to see the blood of "legend" in the development of Chinese novels. I think the findings of this research are indeed a major gain in the study of narrative modes and traditions of Chinese novels.

From the identification of "possessed minds" in the notes of "Journey to the West" to the "Records of Appreciation of People" in "Water Margin", from the casual discussion of "The Red Mansion" to the understanding of Su Shi, the twenty-nine reading essays are full of heartfelt and wonderful remarks, which show that the author spent a pleasant time with books.

2021 is the 100th anniversary of the founding of Peking Union Medical College. This is a book dedicated to the 100-year-old Union Medical College, Lin Qiaozhi, the "Mother of All Babies" and her contemporaries and junior doctors. But this is not a commemorative collection, but a medical humanities work of flesh and blood, full of emotional details and stories. Lin Qiaozhi led and promoted the development of Peking Union Medical College's Department of Obstetrics and Gynecology and the entire Chinese obstetrics and gynecology, and is a banner for Peking Union Medical College and even the nation's medicine. The author, Mr. Lang Jinghe, was Lin Qiaozhi's academic secretary in his youth and worked beside Lin for many years. His medical skills, academics, and style of dealing with people were deeply influenced by Lin. Each article in the book is not large, but there are many things to read. For example, there are many interpretations of Dr. Lin Qiaozhi among the people, and there are also some untrue arrangements: Lin Qiaozhi's questions about love and marriage, Lin Qiaozhi's rejection of the invitation to the founding ceremony, why Lin Qiaozhi did not join the party, etc. The author gave a convincing answer from the memories of conversations with Dr. Lin during his lifetime. The book also presents the style of a generation of Concord people with Lin Qiaozhi as the core, as well as the inheritance and development of three generations of old, middle-aged and young people, including Zhang Xiaoqian, Lin Qiaozhi, Song Hongzhao, Wu Baozhen, Ge Qinsheng, Lian Lijuan, Yan Renying, and Lang Jinghe.

This book mainly contains some articles about the author's memories, including "Changes on the Disk", "Campus Moments", "Xinjiang is a Good Place", "Patch", "Related to "Residence"", "Memories of Travel", "Passengers at the Central Hotel", etc. The author has made in-depth and detailed observations of life and recorded them in words. His past life experiences are also part of the changes of the times. Through these words, we see the author's colorful life and the development and changes of society.

This set of books is a collection of works by the millionaire best-selling author Da Bing, including 3 volumes in total: "You Are Bad", "I Don't" and "Child". "You are Bad": If you are different from others, then it will be different. If you are different from the world, then be different. Da Bing uses fieldwork to describe, describe in the ongoing tense, and speak colloquially about those precious, unrelated family members - those "bad" people: the little girl who is so bad has a particularly cute heart, and is so bad that she is so warm. YOYO, Yueyue, Lu Ping who is so bad and weird, Xiao Nanjing who is so bad and persistent, Baima Yangzong who is so bad and sassy, Chengzi who is so bad and good, Wang Bo and Beet who are so bad and affectionate, they are so bad and heart-warming The girl who is in pain and does not use a mobile phone... "I don't": Every story in the book can be called "I don't": a bookstore owner who has been sticking to Tibet for ten years and doing his best for Tibetan basic education; a free and easy man who is both good and evil, spending his family wealth to help disaster areas, and traveling with his seriously ill mother The prodigal son of the Northeast who has experienced the world; the taciturn street singer who never leaves his terminally ill girlfriend; the immortal veteran who cares about his comrades who died in the battle 31 years ago and refuses to live in secret, risking his life and death for the safety of the ancient city... Every sentient being in the book is saying to fate: I don't! "Children": The storyteller Da Bing uses a rhythmic style, field narrative description, and ongoing tense to tell about those children - children who enjoy suffering, children who understand suffering and eliminate suffering, children with an innocent heart, children who save others by themselves.

The book "Gong Du Ji" is a review and summary of Mr. Chen Yidan's practice and thinking in the field of education over the past eight years. This book is divided into two parts: a dedicated chapter and a devoted chapter. The dedicated chapter is divided into three parts: anecdotes, colleagues, and chronicles. It records the highlights of Mr. Chen Yidan's charity work over the years, the things he picked up over the years, and the documentary articles of the three principals who worked with Mr. Chen Yidan. It also takes stock of the itinerary and construction done in the past eight years. The Duzhi chapter includes three parts: insight, discussion, and excerpts, which present the context of his thinking, including three conversations about education with President Shi Yigong of Westlake University, former U. S. President Obama, and Nobel Prize winner in economics and professor at the University of Chicago, Heckman. The excerpts select eight education-related speeches delivered by Mr. Chen Yidan in public, with themes including education innovation, mission, internationalization, and how to deal with future challenges. This book comes with Chen Yidan's collection of poems "Clumsy Fifty".

"One-Way Street" is the masterpiece of the legendary German philosopher Benjamin. The book is short and concise, containing 60 random remarks, aphorisms and philosophical thoughts. From Benjamin's microscopic, philosophical and poetic works, you can feel the loneliness and exploration of a genius. Everyday things sparkle in his unique narrative, refreshing your mind and moving your heart from loneliness to abundance.

A nobleman gave up his superior and comfortable manor life. He shouldered a hunting rifle, led a hunting dog, and lived a hunting life of living in the open air. He set foot on forests and grasslands, crossed villages and rivers, not only enjoyed the freedom of walking between heaven and earth, but also used his observant eyes and keen heart to appreciate the poetry of nature and gain insight into the rich inner world of everyone he met along the way. He wrote 25 wonderful essays about what he saw, heard, thought and felt during his hunting trip, which were collected into the world-famous "Hunter's Notes". Every article in the book exudes the fragrance of nature, shines with the glory of human nature, and is endlessly memorable.

Somerset Maugham, author of "The Moon and Sixpence": A Guide to Reading and Writing for Young People. The genius novelist Maugham is known as the "Master of Storytelling" and has won almost all honors in the European literary world. In his later years, Maugham personally talked about his reading experience and writing skills, and published this book to help more readers fully master: How to read a book efficiently? How to improve writing skills? How to enhance sensitivity? How to write good articles that are clear, concise and pleasant to the ears? How to write a drama to quickly win hearts and minds? How to use techniques when writing novels? How to improve comprehension and cognition through reading? Maugham uses humorous language and a sharp and concise style to explain to you the secrets of reading and writing. After reading this book, you will suddenly realize it and gain endless benefits!