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"Rain Alley: Intensive Reading by Dai Wangshu" is one of the "One Book" series. It selects the poems, prose and novels of the famous poet Dai Wangshu from the perspective of current readers who love to read, want to read and need to read. In addition to being a well-known poet and translator who is a symbol of modernism, Dai Wangshu has also published three little-known short stories in the journals of the Mandarin Duck and Butterfly School: "Debt", "Art Boy" and "Mother's Love". These three works focus on reality and criticize current ills, which are obviously different from his poetry based on melancholy. Dai Wangshu was addicted to books and loved to visit bookstores. Most of his prose creations were related to books or bookstores. This book specially includes his representative prose works and three novels written by him, so that readers can use the limited time to have a more three-dimensional and multi-faceted understanding of Dai Wangshu's overall creative style in one book.

"To My Children - Feng Zikai's Intensive Reading" is one of the "One Book" series of books, which is a collection of Feng Zikai's representative prose works. The book is divided into four volumes. The first volume, "To My Children," contains articles about the author's description of children and memories of childhood; the second volume, "Turn into spring mud to protect flowers," contains articles about the author's travel insights; the third volume, "The Worker Sings to Himself," contains articles about the author's miscellaneous feelings about life; the fourth volume, "Essays and Comics," mainly contains articles about the author's essays, comics, etc. Feng Zikai's writing is full of childishness, optimism, humor and the pursuit of love and beauty, which meets the current readers' psychological needs for leisurely reading and calm life.

"It's Better Not to Encounter Alluring Colors" uses colors as a metaphor for various dynasties, and then starts from the colors to tell the flow of history, the inheritance of culture, the flavor of aesthetics, and the spread of the humanistic spirit through generous or fluent poems and vivid stories full of love and beauty. This book has been newly revised by the well-known aesthetic author Qinglan Zi. It uses "color" to view the world, use "color" to clarify historical facts, and use "color" to describe deep feelings. It is exactly as she said: In the beginning of China, the sky and earth were dark yellow; in Xia and Shang Dynasty, it was the newly dyed goose yellow; in Zhou Dynasty, it was purple, as if picked before the flowers were picked; in Qin, it was black as deep as night; in the Western Han Dynasty, it was blue, the color of an abyss; in the Eastern Han Dynasty, it was blank, with turbulent clouds surging on a piece of white paper; in Wei, it was the color of green mountains in the morning; in Jin, it was green, looking back at the beginning of green water waves...

"The Wind Lost on the Cliff" is the second collection of poems published by the young poet Huang Rui. It is a dialogue between the poet and uncontrollable time and controllable life. Friendship, love, family affection and final separation, two life attitudes of identification and tearing, are all expressed in the poet's profound, concise and restrained writing style. The order of poems in the book does not follow a fixed structure. It closely resembles the impermanence of life and the changeable temperament of poets, presenting different interpretations of life.

This book takes the history of world civilization and literature as reference to comprehensively depict various scenes of Chinese literary tradition. Covering time from ancient times to contemporary times, the discussion objects also include literary works by writers from Hong Kong, Macao and Taiwan, and overseas Chinese. More importantly, for the first time, "Columbia Chinese Literary History" is organized into poetry, prose, novels, drama and other genres, taking into account both time and theme. In this way, it has a new prism that transcends time and genre, focusing on the blurred boundaries between literature and poetry, novels and dramas, and the interaction between spoken and written language. It pays special attention to the continuity of tradition and its evolution in the twentieth century and even today. Each part is arranged in chronological order. In addition to historical background, it also touches on the influence of popular culture, the impact of Buddhism, the role of women, exchanges with ethnic minority literature and language, etc. It breaks the boundaries between ancient and modern literary history and provides readers with clues to the evolution of various literary styles from ancient times to the present. It is a special work on the history of Chinese literature. This time, a new preface by Mei Weiheng has been added to describe the changes in research ideas after 20 years and respond to academic debates. The binding is divided into eight volumes and is portable. It not only echoes the style of narrating literary history by genre, but also highlights the readability of the book. It can be said that content and form complement each other.

"The Complete Works of Yan Jiayan" is a ten-volume anthology compiled by Mr. Yan Jiayan, a famous literary historian, literary critic and "leading figure" in the second generation of modern Chinese literature researchers, selecting his representative articles or books. It is a summary of his life's academic thoughts. Its content mostly reflects the hot topics of literary history research and literary criticism, such as the nature of the "May Fourth" literary revolution; such as the many issues of rectifying the chaos after the "Cultural Revolution" and getting literary research back on track; discovering and sorting out the contributions of various schools in the history of modern literature; there are also discoveries and comments on Lu Xun's polyphonic novels; affirmation and research on martial arts novels represented by Jin Yong; and thoughts and discussions on the periodization of literary history; etc. According to the internal logic of these articles, the first volume "Collection of Examinations", the second volume "Collection of Zhichun", the third volume "Collection of Qiushi", the fourth volume "History of Modern Chinese Novel Schools", the fifth volume "On Lu Xun's Polyphonic Novels", the sixth volume "Comments on Jin Yong's Novels", the seventh volume "Collection of Questions", the eighth volume "Collection of Chaowen", the ninth volume "Collection of Essays" and the tenth volume "Collection of Dialogues".

"Blooming: Selection of Works by the Winners of the 23rd New Concept Composition Competition" gathers the new representative works of the first and second prize winners of the 23rd National New Concept Composition Competition. It is divided into two volumes, AB, and this book is volume B. The winners wrote touching stories one after another with highly imaginative and personal words, describing their understanding of people, society and the environment. They write about the purest joy in childhood, tell about the persistence of unremitting struggle for dreams, explore the balance between urban and rural life, reflect on themselves, think about the relationship between family and society, and boldly create fantasy stories... The rebellion, confusion, and contradictions in the past gradually transformed in the process of growing up, and finally reconciled with the world and themselves. The works in the book have various genres, including novels, essays, etc., With rich content and novel ideas, which fully demonstrate the spirit of new concept composition: new thinking, new expression and true experience, showing the creative strength of young people and leading the trend of creative writing.

"Blooming: Selected Works of the 23rd New Concept Composition Winners" gathers new representative works of the first and second prize winners of the 23rd National New Concept Composition Competition. It is divided into two volumes, AB, and this book is volume A. The winners wrote touching stories one after another with highly imaginative and personal words, describing their understanding of people, society and the environment. They write about the purest joy in childhood, tell about the persistence of unremitting struggle for dreams, explore the balance between urban and rural life, reflect on themselves, think about the relationship between family and society, and boldly create fantasy stories... The rebellion, confusion, and contradictions in the past gradually transformed in the process of growing up, and finally reconciled with the world and themselves. The works in the book have various genres, including novels, essays, etc., With rich content and novel ideas, which fully demonstrate the spirit of new concept composition: new thinking, new expression and true experience, showing the creative strength of young people and leading the trend of creative writing.

"Hot Wind" is a collection of essays written by Lu Xun from 1918 to 1924. Mainly Lu Xun made some short comments in "Reflections" in "New Youth". At that time, China was in its darkest era, and many people with lofty ideals and benevolence were exploring the root causes of social ills. There was ruthless cynicism and affectionate satire in the cultural circles.

"Selected Poems of Lermontov" was created by the famous Russian poet Mikhail Lermontov. He is recognized as the successor of Pushkin. His poetry is majestic, with delicate language and sincere feelings. This book contains 100 lyric poems and 3 narrative poems by Lermontov, covering the entire period of the poet's creation, reflecting his main themes of poetry creation, and reflecting the poet's main creative characteristics. These representative poems established the poet's important position in the history of Russian literature and even the history of world literature, and at the same time reflected the historical and cultural features of Russia at that time. The translation is by Yu Zhen and Gu Yunpu, both professors of Russian language at Peking University. They have long studied Russian literature and have been engaged in the translation of Lermontov for a long time. Yu Zhen was not only the first among the first generation of Lermontov translators in China, but also trained the next generation of Lermontov translators, including Professor Gu Yunpu. The translation has stood the test of time and can be called a masterpiece.

The book is an essay written by the famous writer Jia Pingwa while traveling in the Dingxi area of ​​Gansu Province. It uses literary form to show his concern for China's poorest areas and people, and to show the deepest wounds of this era.

In order to celebrate the 100th anniversary of the founding of the Communist Party of China, the "Hundred Literary Short Classics for the Centenary of the Founding of the Party" series selects 100 short stories and documentary works (including narrative essays, features, documentary literature, reportage, and non-fiction) that reflect the glorious history of the 100th anniversary of the founding of the Party, with profound thoughts, exquisite art, and length. It covers "red classics" that have had a positive impact on readers and writings about the period of reform and opening up, including party leaders since the 18th National Congress. New works that have led historical achievements and changes in various undertakings reflect the historical themes and main threads of different stages such as the New Democratic Revolution, Socialist Revolution and Construction, Reform and Opening Up, and Modernization from a literary perspective. With content and form that conforms to the appreciation habits of readers, they carry forward the red tradition, inherit the red gene, tell good red stories, activate red memories, condense patriotism for the party, and strengthen the ambition to strengthen and rejuvenate the country. This is the third volume of this book, which includes works since the reform and opening up.

In order to celebrate the 100th anniversary of the founding of the Communist Party of China, the "Hundred Literary Short Classics for the Centenary of the Founding of the Party" series selects 100 short stories and documentary works (including narrative essays, features, documentary literature, reportage, and non-fiction) that reflect the glorious history of the 100th anniversary of the founding of the Party, with profound thoughts, exquisite art, and length. It covers "red classics" that have had a positive impact on readers and writings about the period of reform and opening up, including party leaders since the 18th National Congress. New works that have led historical achievements and changes in various undertakings reflect the historical themes and main threads of different stages such as the New Democratic Revolution, Socialist Revolution and Construction, Reform and Opening Up, and Modernization from a literary perspective. With content and form that conforms to the appreciation habits of readers, they carry forward the red tradition, inherit the red gene, tell good red stories, activate red memories, condense patriotism for the party, and strengthen the ambition to strengthen and rejuvenate the country. This is the third volume of this book, which includes works written since the 18th National Congress of the Communist Party of China.

In order to celebrate the 100th anniversary of the founding of the Communist Party of China, the "Hundred Literary Short Classics for the Centenary of the Founding of the Party" series selects 100 short stories and documentary works (including narrative essays, features, documentary literature, reportage, and non-fiction) that reflect the glorious history of the 100th anniversary of the founding of the Party, with profound thoughts, exquisite art, and length. It covers "red classics" that have had a positive impact on readers and writings about the period of reform and opening up, including party leaders since the 18th National Congress. New works that have led historical achievements and changes in various undertakings reflect the historical themes and main threads of different stages such as the New Democratic Revolution, Socialist Revolution and Construction, Reform and Opening Up, and Modernization from a literary perspective. With content and form that conforms to the appreciation habits of readers, they carry forward the red tradition, inherit the red gene, tell good red stories, activate red memories, condense patriotism for the party, and strengthen the ambition to strengthen and rejuvenate the country. This is the second volume of this book, which includes works from the founding of the People's Republic of China to the late 1970s.

Wang Guowei once said that every generation has its own literature, such as the poetry of Chu, the poetry of Han, the parallelism of the Six Dynasties, the poetry of Tang, the lyrics of Song, and the music of Yuan. As a representative of Yuan Dynasty literature. Yuan Opera also includes two parts: Zaju and Sanqu. The subject matter of Sanqu in the Yuan Dynasty is diverse and broad, with a mixture of elegance and vulgarity, beauty and ugliness, and the works that focus on retreat from the world and secular tastes best reflect the characteristics of its content; the language is popular and simple, close to spoken language, and it is the most natural literature with natural qualities. This book selects 318 Sanqu from the Yuan Dynasty, including both suites and small songs, with diverse themes and styles. The annotations are clear, rigorous and accurate. By reading this compilation, one can get a glimpse of the whole Sanqu of the Yuan Dynasty and appreciate the style of "quweier".

In order to celebrate the 100th anniversary of the founding of the Communist Party of China, the "Hundred Literary Short Classics for the Centenary of the Founding of the Party" series selects 100 short stories and documentary works (including narrative essays, features, documentary literature, reportage, and non-fiction) that reflect the glorious history of the 100th anniversary of the founding of the Party, with profound thoughts, exquisite art, and length. It covers "red classics" that have had a positive impact on readers and writings about the period of reform and opening up, including party leaders since the 18th National Congress. New works that have led historical achievements and changes in various undertakings reflect the historical themes and main threads of different stages such as the New Democratic Revolution, Socialist Revolution and Construction, Reform and Opening Up, and Modernization from a literary perspective. With content and form that conforms to the appreciation habits of readers, they carry forward the red tradition, inherit the red gene, tell good red stories, activate red memories, condense patriotism for the party, and strengthen the ambition to strengthen and rejuvenate the country. This is the first volume, which includes works written before the founding of the People's Republic of China.

Wang Zengqi's literary achievements, contacts in the literary world, and experience in writing and watching plays in the Peking Opera world are all first-hand historical materials. This book selects Wang Zengqi's reminiscence prose about the literary world and Liyuan past events, involving vivid stories of writers and artists such as Lao She, Shen Congwen, Zhao Shuli, Qiu Shengrong, etc., And publishes them in a collection. It is not only a beautiful article, but also has historical value in literature and drama.

"Poems of a Thousand Families" is one of the most popular elementary school textbooks in the Ming and Qing dynasties. The collected works are rich in subject matter, short in length, simple in text, and easy to memorize. They have always been loved by people and have been circulated for a long time. This commentary is collated based on the popular version. The annotations strive to be concise, focusing on resolving difficult words, and sometimes include some cross-talk. The brief commentary may introduce the writing background, analyze the ideological connotation, or appreciate the artistic features. It is long if it has words, and short if it does not. It is intended to help readers fully understand each work. The author's introduction is arranged in chronological order and attached to the back of the book for readers' convenience. This time, it is planned to be produced in large print and included in the overall series of books to facilitate market distribution.

"Guwen Guanzhi" is a selection of ancient prose selected by Wu Chucai and Wu Tiaohou of the Qing Dynasty. This book was compiled as a teaching material for students and was an enlightenment reading for scholars at that time. In the thirty-fourth year of Kangxi's reign (1695), it was officially engraved and printed. The title of the book "Guwen Guanzhi" means that the articles included in the collection represent the highest level of classical Chinese, and the study of classical Chinese stops at this point. The selected essays range from the pre-Qin period to the late Ming Dynasty, and generally reflect the general outline and main features of the development of prose from the pre-Qin period to the late Ming Dynasty. This time, professional scholars were invited to make detailed annotations for each article, along with explanations. The annotations are accurate and the explanations are civilized. It is an important reference book for learning ancient Chinese.

Jiang Kui (1154-1221), courtesy name Yaozhang, also known as Baishi Taoist, was a native of Poyang, Raozhou (now Poyang County, Jiangxi Province). Jiang Kui started the "Qing Kong" school of lyrics in the Song Dynasty and became the first generation of lyricists in the Southern Song Dynasty. Jiang Kui's poetry stood out in the poetry circles of the Song Dynasty and the Song Dynasty with its unique artistic style, and was known to later generations for its "elegant" personality and style of writing, and was loved by readers of all ages. "Jiang Kui's Ci", annotated by Professor Han Jingtai and Wang Weiruo, selects more than 60 Jiang Kui's poems, and gives detailed annotations and wonderful interpretations. It is of great significance for readers to understand the content and style of Jiang Kui's poems, so it has been widely welcomed by readers since its publication.

Bai Juyi, also known as Letian and Xiangshan Jushi, was a great poet in the Tang Dynasty who influenced both at home and abroad. He is a rare poet in the history of Chinese poetry. This book is a fine selection of his poems, containing nearly 200 poems, all of which are masterpieces that have been circulated for a long time and represent his creative achievements. The version the work is based on is reliable; the annotations are accurate and concise, and cross-explanations are made where necessary; the "interpretation" section summarizes the gist of the entire text and appreciates the artistic characteristics of the poem. The analysis is delicate and unique, and the language is fluent and fresh. This book allows readers to appreciate the essence of Bai Juyi's creations in a concise length, making it a rare book.

Tang poetry has a profound influence on Chinese literature. Literati of all dynasties regarded Tang poetry as a model and regarded Tang people as a model. There are many anthologies of Tang poetry, among which "Three Hundred Tang Poems" is the most widely circulated and influential. It is popular throughout the country, suitable for both young and old, and is appreciated by both refined and popular people. It has become one of the most classic anthologies that has been printed repeatedly. Currently, there are many various compiled editions of "Three Hundred Tang Poems" on the market. This book was compiled by relevant experts from our editorial department. It adjusted the style and arrangement, added accurate and concise annotations, and also added a biography of the poet. Overall, it is more suitable for public reading.

Li Qingzhao (1084-1155), also known as Yi'an Jushi, was a famous poetess and scholar during the Song Dynasty. Her style of poetry is elegant and clear, and she is unique in the poetry world of the Song Dynasty. Her collection of poetry includes "Shu Yu Ci", and she also wrote an article "Ci Theory", which puts forward the idea that poetry "doesn't belong to the same family". In addition, she and her husband Zhao Mingcheng co-edited the famous epigraphy book "Epigraphy and Stone Records". Li Qingzhao's works were so popular that they were circulated during his lifetime. His collection of poems, "Yi'an Ci", has been lost. The collection of poems compiled by later generations is "Shyu Ci". This small book selects Li Qingzhao's most essential lyrics, which better demonstrates the poet's artistic style and creative level. The commentator annotates the important words of each poem, and then gives a brief commentary to make it easier to understand, which is very suitable for everyone to appreciate the artistic charm of Yi An's poems.

Li Mengyang was one of the main leaders of the poetry restoration movement of the "First Seven Sons" in the Ming Dynasty. His poetry creation and poetic thoughts had a great influence on that time and later generations. Selections and annotations of his poetry are undoubtedly of important academic value. "Selected Poems of Li Mengyang" annotated by Professors Zhang Bing and Ran Yaobin was first published in our publisher's 2009 "Selected Poems of the Ten Masters of the Ming and Qing Dynasties" series. Since its publication, it has been very popular among readers and has become a necessary reference work for studying Ming and Qing poetry. This book is out of stock in the market. In order to meet the needs of readers, it is now included in the "Chinese Classical Literature Reader Series Collection" series for reprinting. Based on an in-depth study of Li Mengyang's poetry, the author of this book selected more than 300 poems of different styles for annotation and analysis, and introduced the writing background of each poem. The selected manuscript is excellent, the annotations are concise and accurate, and the analysis is in-depth and detailed. It is a better annotation for studying and researching Li Mengyang's poetry.

"The Wall" is one of Sartre's masterpieces. Includes Sartre's famous works "The Wall" and "Nausea", as well as "A Life in Letters" which is considered to represent his highest artistic achievement. The five works collected in the short story collection "The Wall" put forward a basic proposition of existential philosophy: "People are free, and their destiny depends on their own choices." "Nausea" puts forward another basic proposition of existential philosophy in a literary form: "Existence without essence is equal to nothingness." The popular explanation is "To live in confusion is equal to a blank." The autobiographical novel "The Literary Life" tells the author's own process of self-recognition and self-realization in a witty and interesting way, explaining the starting point of existential thought and the entire theory.

Du Fu, also known as Zimei, was born in the first year of Xiantian of Emperor Xuanzong of the Tang Dynasty (712) and died in the fifth year of Dali of Emperor Xuanzong of the Tang Dynasty (770). A total of more than 1,400 poems written by Du Fu have been preserved throughout his life. Among them, fewer works have been preserved during his study and travel period, which was the preparation period for his creation. While trapped in Chang'an, his life and thoughts underwent great changes, and his creation gradually matured. During the Anshi Rebellion, Du Fu created a large number of works that directly recorded changes in the times and personal destiny, laying the foundation for the "historical" creation of Du Fu's poetry. During the period when he lived in Chengdu and Kuizhou, Du wrote the largest number of poems, and his themes and styles became increasingly diverse and rich. Due to its exemplary significance in terms of ideological connotation and artistic form, Du Fu's poetry has been widely welcomed by readers of all levels since the Song Dynasty, and has also aroused great interest among annotators and researchers. Many of his annotations have had a wide impact on ordinary readers. The compilation and selection of this book refers to the annotated editions of the Qing Dynasty and modern times. The selection strives to include Du Fu's most widely read and representative famous works. The annotations are relatively simple, but also strive to be reliable and reliable, which will help readers understand the original works.

The third part of Li Lanni's spiritual exploration trilogy: "Aura in the Wilderness". It mainly records the author's hospitalization experience in Guangzhou Huai Hospital and Beijing Peking University Sixth Hospital. The author focuses his observation lens on the in-patient wards of specialized hospitals that treat mental illnesses and those patients. From patient groups to doctors, as well as contemporary mental illness treatment concepts and methods, as well as the history of world psychiatry, he develops a multi-dimensional and in-depth description. The language of the work is lively and the descriptions are vivid. What's more important is that it is a highly authentic record and inspiring thinking, as well as the appeal for love, compassion and humanitarianism that flows throughout the book.

Su Dongpo has always been one of the Chinese people's favorite literati, and his wonderful lyrics have always been recited by people. This book selects more than a hundred of Dongpo's poems, allowing readers to once again appreciate the pride, meditation, joy, tranquility, sorrow and sigh of this "student and heavenly man". This book has word selection, annotations, and detailed interpretation comments. The book's word selection is comprehensive and thoughtful, the annotations are clear and easy to understand, the literature is rich and solid, and the interpretation is exquisite and appropriate; the preface briefly and concisely introduces Su Shi's basic life and poetry creation, allowing readers to have a concise understanding of Su Shi's poetry.

"Little Mr." Is a collection of essays that records an 18-year-old teacher's 15 years of teaching experience in a rural area. The teacher likes to write down the stories of children's growth behind her lesson preparation notes. Fifteen years have passed, the children have grown up, and the little teacher has also grown up. "Little Teacher" is a free "paper playground". On this "paper playground", the 18-year-old little teacher has completed growing up with his children. The writing is accurate, concise and fresh. When it was serialized in the Yangtze Evening News, it caused a great response. Some works have been selected into various primary school Chinese reading textbooks.

Li Bai (701-762), also known as Taibai, Qinglian Jushi, and "Exiled Immortal", was hailed as the "Immortal of Poetry" by later generations. Together with Du Fu, he was also known as "Li Du". He was the two greatest poets in the history of Chinese poetry. Li Bai's poems are famous for their boldness and elegance. His poetic talents, his broad thoughts, and his artistic spontaneity have impressed readers of all ages. "Selected Poems of Li Bai" annotated by Professor Xiong Lihui, selects more than 160 poems by Li Bai, with concise and accurate annotations and professional and exciting interpretations. It is of great significance for readers to appreciate the content and style of Li Bai's poems, so it has been quite popular among readers since its publication.

Xin Qiji was a famous poet in the Southern Song Dynasty. He had heroic spirit. There are more than 620 of his poems in existence. He has a distinctive personal style and outstanding artistic achievements. Liu Yangzhong, the commentator of this book, combined Xin Qiji's life experience and the evolution of his poetry style, divided the creation of Jiaxuan poetry into five stages, namely the Jianghuai and Huaihe period, the Daihu period, the central Fujian period, and the Qianshan period at Jingkou and Zhejiang. The poet's most representative works are extracted. For the year and order of the works, refer to Deng Guangming's "Chronological Notes on Jiaxuan Ci (Updated Edition)". This book not only provides concise annotations for unfamiliar words in the poems, but also provides in-depth explanations, which allows everyone to easily enjoy the beauty that Jiaxuan's poems bring to me.

"Chu Ci" is a collection of works by Chu poet Qu Yuan and his disciples such as Song Yu, Jing Chai, Jia Yi and others during the Warring States Period. When he became emperor in the Western Han Dynasty, Liu Xiang compiled ancient books and compiled their works into a book called "Chu Ci". From then on, "Chu Ci" became the name of a collection. This is the first personal monograph collection of poems in the history of our country, and is listed as the two major sources of Chinese poetry along with the Book of Songs. Qu Yuan has the largest number of works in "Chu Ci", and the most representative works are Qu Yuan's "Li Sao", "Nine Songs", "Heavenly Questions", etc. Song Yu's "Nine Debates" is also a work that has a great influence on later generations. "Selected Songs of Chu" selects the representative works of Qu Yuan and Song Yu. The annotations are concise and the translation is clear, making it suitable for general readers.

"Transfiguration" is the latest collection of poems by the famous writer and poet Zhao Lihong, which contains more than 60 new poems that he has created in recent years. In the collection of poems, the poet "thinks about the boundaries of the world", explores "the purpose of flying", and uses "hard and soft" words to "image" all kinds of life. He boldly "transforms" the things he sees, uncovers the secrets of daily life, and passionately explores the inner world of people's souls. He narrates the individual life course with true and free pen and ink, and presents the writer's thinking and introspection. It can be said to be another reform work of the poet.

Ci, which emerged in the Tang Dynasty and flourished in the Song Dynasty, is a new style of lyric poetry that can be sung with music. It is a literary style that is loved by people and is also a representative style of Song Dynasty literature. Selected editions of Song poetry existed in the Song Dynasty. However, the most influential one is "Three Hundred Song Ci Poems" written in the late Qing Dynasty. The book was written in the late Qing Dynasty. Initially, Zhu Zumou selected 87 poets and 300 poems from many Song poems and compiled it. After several revisions and deletions, it was determined to be 82 poets and 285 poems. This time, different versions of "Three Hundred Song Ci" are compiled into one volume, with 88 poets and 313 poems. Please make brief annotations. The focus is on the explanation of difficult words, explanations of classics, and explanations of poetry and poetry. It absorbs the annotation results of sages and current sages to facilitate readers' use.

Later generations have thousands of interpretations of Li Shangyin's poems, because there are so many wonderful and exciting sentences in his writing: there are thousands of emotional expressions, cold and tortuous satirical chants of history, and even the mysterious and gorgeous "untitled". This book "Li Shangyin's Poems" contains selected poems, annotations and detailed interpretation comments. It has selected more than one hundred poems by Li Shangyin and arranged them into categories. The selection is comprehensive and thoughtful, the annotations are clear and easy to understand, and the interpretation is exquisite and detailed. It provides readers with a high-quality selection that can comprehensively grasp the artistic style of Li Shangyin and understand the profound meaning of Li's poems.

This book contains two of Sartre's most representative plays, "Death Without a Burial" and "Quarantine." "Death Without a Burial" is a play written by French writer Jean-Paul Sartre in 1946. It is Sartre's first play. Sartre successfully injected his existential philosophy into his realistic play "Death Without a Burial". This blend of realism and existentialism gives new meaning to core propositions such as the value of life, free choice, and responsibility for action, and brings vitality to existential literature.

"Teahouse" is a famous drama by Lao She and a classic of modern Chinese dramas. Through the Small World of Teahouses, it reflects a century of modern Chinese history and has both artistic and cognitive value. It is a must-read for middle school Chinese teaching. This new compilation adds another play by Lao She, "Longxugou". The content is continuous with "Teahouse" and artistically complements each other. At the same time, the "Introduction" written by Guo Juan in 2003 was revised.

This book is an autobiographical prose written by Shen Fu, a native of Changzhou (now Suzhou) in the Qing Dynasty, in the 13th year of Jiaqing (1808). The content takes the life of the author and his wife as the main line, describing the ordinary but interesting home life and what he saw and heard while traveling around the world. The text expresses the soul uniquely and is informal. It describes the couple's "love in the boudoir and trivial things in the family" in an affectionate and straightforward style, and writes about the sincere love between husband and wife.

This book is one of the most important collections of prose by Mr. Lu Xun and enjoys a high reputation in the history of modern Chinese prose. It contains a total of twelve works including "From Baicao Garden to Sanwei Bookstore", which describes the author's childhood life and study process in his youth, expresses his nostalgia for his former relatives, friends and teachers, and mocks the reactionary and conservative forces in the narration and discussion. This book is a beautiful prose treasure based on memories and written with skillful literary techniques. It has been loved by generations of readers, especially young readers and young readers. This time, a new edition of the new curriculum standard is published, with many illustrations by Feng Zikai and others.

The Songs of Chu compiled by Liu Xiang of the Western Han Dynasty include the works of Qu Yuan, Song Yu and others who "written Chu language, composed Chu sounds, recorded Chu places, and named Chu things". It is a collection of poems that has had a profound impact on later literature after the "Book of Songs". This book combines its own research and absorbs decades of research results to provide a comprehensive annotation of the "Chu Ci". The text is concise and clear. There is a preface at the front of the book. It provides a high-level explanation of Qu Yuan and the Chu Ci. There are explanations at the beginning of each chapter to provide readers with an in-depth and easy-to-understand introduction.

The Analects of Confucius is a Confucian classic that has had a huge and far-reaching impact on later generations. The Analects of Confucius relatively comprehensively records the words and deeds of Confucius (551 BC - 479 BC), a great thinker, educator, founder of the Confucian school and famous disciples. The language is concise, clear, graceful, gentle, circuitous and implicit, rich in connotation and far-reaching meaning. It is very valuable to study the classics, understand the tradition, and absorb the essence of the tradition.

"The Scream" is one of Lu Xun's most famous novel collections, including fourteen novels written from 1918 to 1922. The main ones include "Diary of a Madman", "Kong Yiji", "Medicine", "The True Story of Ah Q", "Hometown", etc. It shows the social and ideological conditions before and after the Revolution of 1911, and criticizes feudalism and national character. This time, a new edition of the new curriculum standard is published, with many illustrations by Zhao Yannian and others.

Mary, a willful and lonely rich girl, became an orphan due to a sudden plague and was sent to a relative's home in England for adoption. There is a large, walled and locked garden in this old manor that no one has entered in ten years. Mary was deeply attracted by this secret and tried every means to break into this deserted garden that had been closed for a long time... Unexpectedly, there was also a boy living in this big house who everyone thought was going to be disabled. His birth and growth were related to this secret garden...

The latest collection of essays by Lu Prize-winning writer Li Xiuwen describes various aspects of life through classical poetry. This time, the writer interprets ancient Chinese poetry in his own style and perspective, with unique charm. Different from his previous creations, this time he went deeper into history, entering the world of Du Fu, Bai Juyi, Liu Yuxi, Yuan Zhen and others, writing about their helplessness and sighs in the world, and their struggles and hardships in cages. This not only shows today's people the hard work and path of these poems, but also understands their implicit feelings about life. Through these ancient poems, the writer attempts to understand the thoughts of the ancients and the warmth and coldness of the world with his own true temperament, to see through the vastness of life throughout the ages, and to explore the true meaning of the articles through the ages.

This book selects more than 50 popular poems by Ai Qing, a famous poet with a high reputation in the history of modern Chinese poetry, such as "Dayan River - My Nanny", "I Love This Land", "Snow Falls on the Land of China", "North", "Notice of Dawn", "Reef" and "Fish Fossils", etc., In order to enable middle school readers to have a basic understanding of Ai Qing's poetry creation in various periods, nourish their temperament and cultivate their sentiments. Reading it is very helpful for young readers to expand their horizons and cultivate their values.

"Six Interpretations of Spring Dreams" is a series of columns published by Zhang Qinghua in "Harvest". The author selects the dreams of classic figures in literary history, such as Jia Baoyu's dream and Jia Rui's dream in "A Dream of Red Mansions", Claudius's dream in "Hamlet", Faust's dream in "Faust", etc., And attempts to interpret literature and text through "dream interpretation" to further respond to the meta-proposition of "literary dream". In this series of dream interpretation writings, the author fully mobilized his own knowledge reserves and mixed professional knowledge from history, psychology, poetics and other disciplines to form a divergent and leaping text, which found a new way for pure literary interpretation. It is both lively and interesting, and has solid materials. It is a literary communication text that is more friendly to readers.

This book is an anthology of poems by revolutionary martyrs. He has selected some of the poems by revolutionary martyrs from 1927 to 1949. These poems have unique historical and aesthetic value. It comes with "Introduction" and "Knowledge Links" to help students better understand the book and introduce the relevant information of the book in simple and easy-to-understand terms. The edition is complete, the annotations are detailed, and the translation is accurate, making it suitable for primary and secondary school students to read.

Greek myths and legends are precious heritage in the treasure house of world literature. They have had a huge impact on world civilization and have been praised by mankind since ancient times. They have inspired novelists, poets, playwrights, painters, sculptors, and musicians of all generations to recreate. Western culture has two pillars, one is the Bible and the other is "Greek Mythology". Being familiar with these two pillars will help understand the origin and development of Western culture.

This book is one of the "essential literature reading series for middle school students" designated by the Ministry of Education. It contains more than 160 lyrical short poems by Haizi, one of the most outstanding and most influential poets in contemporary China, as well as excerpts from the long poem "Messiah". In the more than twenty years since Haizi's death, the charm of his poetry has become more and more widely known. Some of his famous poems have even been quoted as a variety of advertising slogans. The influence of his poetry can be described as "amazing".

Tsvetaeva's poems take the themes of life and death, love and art, the times and the motherland as their themes. They are known as immortal and monumental poems and occupy an important position in the history of world literature in the 20th century. She devoted her life to poetry. Her poems express a woman's abundant emotions and love for the world, the sensitive soul of a poet, and the profound insight of an intellectual. Her writing is characterized by delicacy, sharpness, passion, pain and simplicity, and her artistic charm is unique in the history of world poetry.