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This book combs the 180-year history of world mystery literature in a concise and clear way, and introduces the various stages and genres of the development of mystery literature, as well as the most representative creators and their works in each stage and genre. The author uses a relaxed and smooth writing style to build a framework of reasoning literary history for readers, which is systematic, professional and highly readable. The book is divided into a European and American chapter and a Japanese chapter, with ten chapters in total, and the appendix "Chinese Mystery Literature", an overview of world literary awards, and 200 recommendations for mystery novels.

This book contains not only lyrical works depicting poetic pictures of water towns and leisurely moods, such as "Morning in Wuzhen" and "Millennium Sound of Blood", but also historical retrospectives, perspectives, emotions, and reflections, such as "Whose Tears Are Flying in the Song Dynasty" and "The Chinese Character Chu is Written Like This"; there are also in-depth descriptions and comments on those historical figures who can be called perfect, such as Yue Fei's "Jiangnan is Red" and Zheng He's "Sail to the South". When describing scenery, the words are meaningful and beautiful, and deeply touching; when commenting on history, the words are grand and profound.

This book is a close reading and analysis of the Mao Dun Literature Award-winning works by the famous contemporary literary critic Wang Chunlin. It includes his interpretations of 18 award-winning works that are widely welcomed by readers, such as "In the World", "Massage", "White Deer Plain", "Frog", "One Sentence is Worth Ten Thousand Sentences" and "Flowers". The Mao Dun Literature Award is one of the most authoritative and influential literary awards in contemporary China, representing the height of contemporary Chinese novel creation. Since its inception, the Mao Dun Literature Award has lasted for 40 years and has awarded nearly 50 novels with their own characteristics. Wang Chunlin has served as a judge for several important literary awards such as the Mao Dun Literature Award and the Lu Xun Literature Award. He has long been engaged in the research and criticism of modern and contemporary Chinese literature and has in-depth and unique insights into contemporary Chinese literature. In this book, he guides readers to appreciate and appreciate the rich connotation and artistic charm of these award-winning works from multiple perspectives such as the novel's structure, narrative techniques, language features, and main themes.

This book is a collection of illustrated essays on Yellow River travel by the famous writer and critic Li Jingze. In 2000, he roamed the Yellow River Basin. From the roses in Bushui to the flowers and youths in Hezhou, from Xiaoguandao in his memory to the lonely castle in Xiji, from the lark in Guangfu Temple to Don Quixote on the streets of Mizhi, Li Jingze embarked on a journey with the eyes of a stranger. Gradually, the Yellow River became a familiar hometown. Returning to the Yellow River in 2019 is like meeting again after a long absence. The nights in Luliang Mountain are intoxicating with the aroma of wine... Fifteen articles record unforgettable days and nights by the river. Walking through the ferries and villages that have been carved by time, you can communicate with the souls of the past and this world. In the ancient stories and vivid daily experiences, you can look at the magnificent upper reaches of civilization and explore the true face of this river.

"The Story of the Hulan River: An Intensive Reading by Xiao Hong" selects Xiao Hong's representative novella "The Story of the Hulan River" and the essays "Hungry", "Spring Hanging on the Treetops", "Recalling Mr. Lu Xun", etc., And finally attaches the preface written by Lu Xun for Xiao Hong's novella "The Field of Life and Death", of which "The Story of the Hulan River" has been selected as a Chinese language textbook.

"Resisting Stalking: The 700-Day Struggle with a Stalker" is a documentary literary work by Japanese writer Shunko Uchizawa. The author writes based on his own personal experience. It records that after the author moved from Tokyo to Shodoshima in early 2014, he met male A and broke up after eight months of dating. Male A was dissatisfied with the breakup and became a violent and obsessive stalker. He stalked and harassed the author every day, and his behavior continued to escalate, even to the point of threatening and harming the author. After the police intervention failed, the author began to battle wits with Male A. Through various self-defense methods and legal channels, Male A was finally brought to justice.

This book is a collection of poems by the famous contemporary Kazakh poet Tursun Zorumbet in China. It contains nearly 70 poems written by Tursun from the 1970s to the beginning of the 21st century. In these works, the poet is proud of the mountains in his hometown and the teams migrating between them, and is worried about the fate of a forest, a camel, and a pair of white swans. In her heart, challenging work and passionate life are nourishment; the passage of time does not mean endless sentimentality, but arouses flaming passion and condenses insights rich in wisdom and philosophy.

"Twenty Years Old" is a collection of poems written by Bao Zhenni, a girl from Wencheng County, Wenzhou City, Zhejiang Province. Jenny Bao suffers from spinal muscular atrophy (SMA). The doctor once "declared" that she would not live to be 4 years old, but she has now lived to be 20 years old. She has been through "the gate of hell" many times, and her normal lung function has long been lost, and her breathing depends on a ventilator that operates 24 hours a day. Not only did she fight the disease tenaciously, she also encouraged her parents to face the reality bravely. In order to live out the meaning of life, she used her only movable right thumb to compose poems and lyrics on her mobile phone. Her works have been sung by stars such as Mao Buyi, Liao Juntao, and Zhong Yixuan. Famous poets such as Shang Zhen, Xie Keqiang and Mu Bai were moved by her deeds and praised her poems. This book contains a total of 100 of his poems. Every word in these poems and lyrics is true, every sentence is real, they all come from the heart, and are a true portrayal of her life.

This set includes "Diary of a Madman", "Picking Up Flowers in the Morning and Evening", "Camel Xiangzi" and "Teahouse". "Diary of a Madman" includes all the novels in "The Scream", "Wandering" and "New Stories", a total of 33 articles. These novels mostly describe the tragedies of ordinary people at the bottom of society. Lu Xun used his dagger-sharp writing style to criticize the "numb souls of the Chinese people", hoping to alert the world. "Morning Blossoms Plucked at Dusk" is a collection of reminiscence essays by Lu Xun recalling different life experiences in his childhood, adolescence and youth.

This set includes "Diary of a Madman" and "Camel Xiangzi". "Diary of a Madman" includes all the novels in "The Scream", "Wandering" and "New Stories", a total of 33 articles. These novels mostly describe the tragedies of ordinary people at the bottom of society. Lu Xun used his dagger-sharp writing style to criticize the "numb souls of the Chinese people", hoping to alert the world.

"The Complete Essays of Bacon" is a collection of essays written by the British philosopher and writer Francis Bacon. It mainly contains some short essays of an argumentative nature, involving politics, economy, religion, love, marriage, friendship, art, education, ethics and other aspects. Among them, "On Reading", "On Truth", "On Jealousy" and "On Death" have concise language, beautiful writing style, thorough reasoning and repeated aphorisms. They contain the essence of Bacon's thoughts and are Bacon's representative works in literature. This book has lasted four hundred years and remains immortal, reflecting the author's thorough understanding of human life and providing life inspiration to many future generations and scholars. The author uses his keen insight and unique insights into life to make the originally boring theory vivid and interesting, making it fascinating for readers to read.

"Selected Essays of Lu Xun" includes 72 classic essays written by Mr. Lu Xun in the 19 years from 1918 to his death in 1936, from 15 important essay collections such as "Refeng", "Grave", "Huagai Collection", "Nanqianbei Diao Collection" and "Qiejieting Essays". These 72 essays include masterpieces such as "How We Become Fathers Now", "What Happened to Nora After She Left", "Rediscussing the Fall of Leifeng Pagoda", and "For the Memory of Forgotten". They analyze people's hearts and criticize worldly affairs. The light of Mr. Lu Xun's keen insight and thoughts shines between the lines. A century later, Mr. Lu Xun's inspiring words are still as sharp as ever, and they still contain the power to make people alert day and night.

"Three Hundred Tang Poems" is a widely circulated and influential anthology of Tang poems. It was compiled in the 28th year of Qianlong's reign in the Qing Dynasty (1763) and was signed by Hengtang retired scholars. Since its inception, it has been published continuously, and each edition has been supplemented, resulting in different versions such as 313 songs, 317 songs, and 321 songs. This publication is based on the Siteng Yinshe edition published by Zhonghua Book Company in the 1950s. It has been re-annotated and organized, and unselected poems from the poems with the same title have been added. There are 313 poems in the original version and 73 new poems, for a total of 386 poems.

Maurice Hilleman is a heroic legend in the history of modern medicine. Among the 14 vaccines that almost every child in the world can receive, 9 are his inventions. These vaccines made previously extremely common and deadly diseases, including mumps, rubella, measles, chickenpox, etc., Forgotten by the world, and he was revered as the "Father of Modern Vaccines." In addition, he was the first person to predict the timing of the influenza pandemic and successfully developed a vaccine before the epidemic reached the United States; he has won all the awards that American medical researchers can win; his work can save about 8 million lives every year. And because of the birth of vaccines, human life span has been extended by 30 years compared to 100 years ago. With his enterprising spirit, Hilleman broke through scientific obstacles time and time again to develop vaccines. His life is the epitome of modern epidemiology and vaccinology, and the story of vaccines is largely Hilleman's story. Offit, who co-invented the rotavirus vaccine with Hilleman, provides insight into the life and career of the great scientist in his final months. The author vividly describes the details of Hilleman's development of various vaccines, and also uses this as a basis to introduce vaccine development in a global context, outlining the history of public health for more than 200 years. While showing the gains and losses of epidemiology, he also uses strong evidence to remind people to pay attention to the value of vaccines and the power of science to save lives and protect human well-being.

This book tells the story of Yu Menghan's recollection of her past after publishing her philosophy book. The whole article is mainly about Yu Menghan. In thirty minutes, he makes a summary of his life by recalling the past and imagining the future.

"Hudu across the Water" is a travel diary written by Yu Guangzhong after he traveled to various places with his wife and friends. The areas mentioned include the scenery of southern Taiwan, as well as the United Kingdom, France, Germany, Switzerland, Spain, and Thailand. Yu Guangzhong appropriately expresses sensory experience, allowing readers to enjoy a realistic "sense of presence"; his travel notes are also different from local chronicles or tourist manuals in that there is "I" in the text, and there is a living traveler walking among the mountains, rivers or cultural relics. There is erudition and deep thought in the lyrical description of scenery. Follow the poet's footsteps and get to know yourself while walking.

"Happy Journey" is Yu Guangzhong's representative work in the mature period of his lyrical prose creation. It perfectly integrates intelligence and sensibility. The author writes about his experiences while traveling overseas, thinking about the universe and life, missing his homeland, motherland, and his wife and daughters. It shows the carefree life of a generation of literary masters and the love between their children. Everyone longs for a getaway, and there is always a homesick song in their hearts. We will eventually travel far, and finally say goodbye to ourselves, to embrace all kinds of life, to be lonely, to be happy.

"The Nostalgia of Time" is the posthumous work of contemporary literary master Yu Guangzhong. The book collects and publishes for the first time Yu Guangzhong's unpublished prose, poetry, and comments during his lifetime, with an affectionate preface by Yu Guangzhong's daughter Yu Youshan, recalling the wise moments in the last life of a generation of masters. The book includes Yu Guangzhong's lyrical prose in which he deeply misses his relatives and friends, as well as comments he wrote while still devoting himself to the study of literature and art in his later years. Essays, book reviews, poetry reviews, and music reviews cover the four dimensions of Yu Guangzhong's creation: poetry, prose, commentary, and translation. The content is rich, extensive, and eclectic. Use poetic language to write prose, and use prose literary grace to write comments. The emotions are deep and sincere, and the writing style is thick and profound. It is a masterpiece created in his later years.

"The Shepherd Looking Homeward" follows "Xiaoyaoyou" and follows "Listen to the Cold Rain". It is Yu Guangzhong's masterpiece in his prime. The lines in many articles confirm his lonely mood of "alone as a stranger in a foreign land". From lyrical prose to literary criticism, from modern to classical, in chapters of great literary value, watch Yu Guangzhong construct his own literary blueprint and feel his singing filled with blood and tears.

In "With a Map", follow Yu Guangzhong as he travels abroad - the gorgeous London, the passionate Barcelona, ​​the prosperous New York, the romantic Paris, the moving Scotland... As shown on the map, your heart is where you want it; your travels have no boundaries, and your thoughts have no boundaries. Everywhere you go, you leave wonderful and unforgettable words. While enjoying the exotic scenery, Yu Guang also commented on the stars of Western culture in a unique and humorous way, showing a literary and artistic style that is both solemn and humorous. This book is a collection of essays that blends nature and humanity. With a map, I traveled across thousands of rivers and mountains, and came back still a young man.

"The Sun Never Sets on Home" is Yu Guangzhong's fourth collection of pure prose, with a total of 21 articles. It is a precious creation of his later years. The articles range from a playful sketch "Sandu Fu" which is as short as a few hundred words, to a huge piece "Bridge Across the Golden City" which is more than 10,000 words long. The several travel notes on South Africa, Spain, and Brazil all contain vivid narratives and superb insights. There is also "Have Your Big Head Meeting" which is humorous and random. Stop short articles as soon as they are ready, and stop at the end; long articles can be as full and enjoyable as possible. He continued to write in his later years, firstly because he still felt that life was precious and his mother tongue was the most beautiful, so he could not give up easily; secondly, because enthusiastic critics and readers still loved him wrongly and could not bear to educate him.

"Green Life and Sorrow" is Yu Guangzhong's sixth collection of essays. It contains almost all the works of the author during his three years in Hong Kong during his middle age. Editions on both sides of the Taiwan Strait are scarce and almost out of print. The content of the book is divided into four series. The first volume is lyrical prose with a beautiful writing style, which is a model for students' writing. The second volume is short essays, covering literature, dance, folk songs, poetry, etc., And covers literary and artistic topics at your fingertips. The third volume is literary criticism, looking at Yu Guangzhong's evaluation of writers in the early Republic of China such as Dai Wangshu, Wen Yiduo, Guo Moruo, and Zhu Ziqing. The five articles in the fourth series are book reviews. The five books reviewed are either poems, novels, translations, or English works. When Yu Guang was a young man, he went to Hong Kong for the first time. Due to the chaotic current situation, he was unable to study. A year later, his mother brought him back to Taiwan. Twenty-seven years later, when he returned to Hong Kong, he was accompanied by his wife and four daughters. Sadly, his mother had been cremated long ago. The former out-of-school youth has become a university professor on the podium. He was born young and his life is like a dream. Looking north to the Central Plains from Taiwan is a feeling of homesickness; looking north to the Central Plains from Hong Kong is a feeling of border worry. Three years pass quickly, but the memory carried by words will remain forever. Yu Guangzhong used his extensive writing style to write exquisite and simple chapters, which are integrated into this book "Green Bian Sorrow", which is deeply loved by academic circles and readers.

"Listen to the Cold Rain" is the peak of contemporary literary master Yu Guangzhong's prose creation. It contains 28 articles, including "Listen to the Cold Rain", "The Great Wall", "Shanmeng", "Four Types of Friends", "The Realm of Borrowing Money" and other popular classics, and another There are wonderful travel notes, book reviews, poetry reviews, and music reviews. The writing style is eclectic and can bring readers multiple beautiful enjoyments: not only magnificent and sonorous large-scale writing, but also delicate and soft freehand brushwork, as well as deep and sincere emotions and thinking, as well as profound humanistic feelings. In this book, the author writes about his emotions and thoughts about his hometown during his travels in a poetic style, providing every reader with inspiration for life and the strength to move forward.

"Stories of Shidao" is a collection of folk literature stories with a strong local flavor, full of the author's love for his hometown; full of Jiaodong people's sense of humor, finding joy in hardship, revealing the optimistic spirit of Shidao people; the plot is vivid and unexpected, shining with the life wisdom of ordinary people. The author, Mr. Jiang Xueyang, has more than 30 years of experience as a seafarer. He has experienced ups and downs, learned a lot, and compiled this short book that records the history, legends, folk customs, human feelings, and scenery of the Shidao people. It can be called a contemporary "bean shed gossip." The book is not small and very meaningful. Therefore, it is worth reorganizing, improving its quality, exploring its value, editing it into a formal publication, and leaving a valuable spiritual wealth for the current generation and future generations.

"Quick Reading of Chinese Literary Masterpieces" takes the history of the development of Chinese literature as the vertical axis and the history of the development of Chinese literature and style as the horizontal axis. It introduces in detail many famous works that are both representative of the times and representative of style. The book consists of two volumes, divided into ancient parts and modern and contemporary parts, and contains nearly seventy works. The book has six sections: author introduction, work archives, content summary, main characters, literary achievements, and comments from famous writers. It can quickly understand the content, historical background, and author's writing style of literary masterpieces. It is a rare popular introductory book for understanding ancient and modern Chinese literary masterpieces and related literary schools and genres. While reading, readers can experience the lyrical, narrative and aesthetic qualities of ancient and modern Chinese literature, and improve their literary accomplishment and literary appreciation abilities.

This book is a high-quality cultural support project of Hangzhou City in 2019. The subject matter is derived from the "Dialogue" column of the "Hangzhou" magazine, the party magazine of the Hangzhou Municipal Party Committee. In order to tell the "Hangzhou Story" well, the editor-in-chief has reorganized and edited the Hangzhou cultural celebrities interviewed in the past two years to make it more precise. Twenty outstanding figures in Hangzhou's cultural circles were selected. They are successful people and leaders in various cultural fields in Hangzhou, covering literature, opera, calligraphy, painting and seal cutting, photography, hosting, intangible inheritance, arts and crafts and other categories. They have outstanding achievements in their respective fields. The work aims to promote excellent national culture and highlight the growth experience, academic achievements and influence of Hangzhou cultural celebrities.

This is a collection of essays by Peng Shengmao, a writer from Jiangxi. The author traveled to the water towns in the north and south of the Yangtze River to search for memories of his childhood. In the fields, fields, jungles and rivers, the author keeps leaning down, trying to get close to their breathing, trying to establish new trust and order. In order to describe the river, the author rode an electric bicycle borrowed from his father-in-law's house by fellow countryman Song Yinghao, and traveled dozens of kilometers a day to visit his hometown under the scorching sun. The author likes riding bicycles, and the elegant and thoughtful feeling of riding on them. The lotus flowers, fish ponds, ditches and rice fields pass by like an oil painting, which is a feast for the eyes. Perhaps you will also put on headphones and listen to music. In the graceful and brisk melody, the writer has found a subtle entrance to art, where only one person is allowed to stay and think, with a torrential sense of Zen and mystery. The author works hard to build his own world. There the rice has its compassionate appearance, and the river is endowed with wisdom and spirituality. The folks familiar to the author still love the land they live on. Therefore he preferred to write and sing for them. At the same time, the author is also willing to spread his writing to a wider land, listen to and record the noise made by history.

The Artist as Critic is a collection of critical dialogues and essays by Oscar Wilde. It consists of four parts of the conversation, including The Decline of Lies, the Critic as Artist, and the Truth of the Mask; The Decline of Lies: A Critical Conversation between Two Highly Aestheticians; Pen, Pencil, and Poison: An Essay on Thomas Griffiths Wainwright (1794–1847), the English Artist and Serial Poisoner; The Critic as Artist: An Essay on Art Written in the Form of a Philosophical Conversation. It contains Wilde's major aesthetic statement; The Truth of the Mask: An Essay Focusing on Dramatic Theory. As an important collection of Oscar Wilde's literary and artistic criticism, it is also an important collection of Oscar Wilde's aesthetic criticism. This small collection embodies the issues of concern to the British literary and artistic circles in the 19th century. It also focuses on fierce debates about the value of literature and art, and whether art and life are superior or inferior. The author also makes his own assessment of the value of some classic literary and artistic works. It can be said to be a concentrated thinking and exploration of literature, art and aesthetics in the 19th century. From today's perspective, it is still critical and sharp. From drama reviews, biographies, to writing dialogues imitating Plato, Wilde discussed the nature of art and beauty in different ways, proposing that "life imitates art far better than art imitates life." The witty and profound words in the book can also let us appreciate the charm of Wilde as an aesthetic thinker.

This book is a collection of essays describing the customs and features of his hometown in Linzhou, Henan. All the words are the crystallization of the author's personal experience and training. They contain infinite true feelings and mixed flavors, and highlight the typical characteristics of local humanities in a mountainous village. They authentically present the life scenes and natural scenes of the lower class from the 1960s to the 1980s, and extol the simple folk customs with affection and affection. They leave some information for future generations to inquire and discuss in their spare time. They can inspire people to think, look forward to, and strive for progress. To make up for the lack of regional literature and connect with local literature and history, Zhang Xian uses a different prose style to express the responsibilities in his heart. It is literary, story-telling, informative and unique.

This is a collection of personal works, which mainly includes the essays written by the author in recent years and published in newspapers such as "People's Daily", "Economic Daily", "Jiangxi Daily", etc. It has opinions and positions, and makes people think deeply and inspire.

Seeing flowers in the mist, glimmering under a slow fire, singing from the heart, smelling the pines and listening to the waves, picking up shells in the middle of the stream... This is a book written by front-line poverty alleviation cadres and deeply witnesses the great practice of rural poverty alleviation. Panoramic display of the mental journey of poverty alleviation cadres; true record of every detail of poverty alleviation work; vivid display of the spirit of grassroots cadres, enthusiastic eulogy of the happy life in the new era.

"Looking Back at the Book of Songs" is a collection of original prose. The author analyzes the literary, social, and historical codes in the Book of Songs, and interprets the Book of Songs based on his own experience and life experience. One may regard a place in the Book of Songs as the base point of a mineral vein and dig deeply, turning stones into gold; or one may use the lingering rhyme of the Book of Songs as the warp and weft, weaving the sky and the earth into a scorching flower; one may pick up a leaf from the Book of Songs and throw it into the vastness of the human world; or one may pick up a stone from the present moment and throw it into the lake of The Book of Songs. His thoughts have lasted for thousands of years, and his vision spans thousands of miles; his writings are slanted out, and the ocean is unbridled. I have learned a lot from other sources, and I have people to rely on when I talk. Opportunities appear again and again, and it becomes a family story. This book can be said to be "a way to see people, things, thoughts, emotions, righteousness and atmosphere".

This is a collection of original prose, which collects a total of 100 posthumous works by Fan Wei, including 40 published works, 30 blog articles, and some other works. The book is divided into six series: "Landscape Feelings", "Remnants of Past Events", "True Love in the World", "Rhyme of Lin Laiquan", "Miscellaneous Notes on Life" and "Character Sketches". This book includes in the form of an appendix the condolence articles of Fan Wei's relatives and friends, including Fan Jianfeng, Chen Linsen, Hu Zhenpeng, Jing Meiqi, Lin Deyuan, Jing Yuchuan, etc. Their comments on Fan Wei's life and works are highly accurate and artistic, which can help readers better understand Fan Wei and better appreciate the bitterness of life and the special character and character experienced by that generation.

"You Are April in the World" is Lin Huiyin's classic collection of essays. A new 3,000-word biography and 17 rare photos have been added to present the real and vivid Lin Huiyin. Complete collection of Lin Huiyin's 58 poems, including "You Are April in the World", "Don't Throw It Away", etc.; 9 Essays, including "Mourning for Zhimo", "But It's Crisp and Tender", etc.; 6 Novels, including "Embarrassment", "Ninety-nine Degrees of Middle", etc.; 7 Letters, including "To Hu Shi", "To Shen Congwen", etc. Each article is the condensation of her smart thoughts and full of talents. Her language is gentle and elegant, like flowing clouds and flowing water, and like the breeze blowing on her face.

"Chu Ci" is a new style of poetry created by Qu Yuan. It is also the first collection of romantic poetry in the history of Chinese literature. It has had a profound impact on the creation of later generations of poetry. After the publication of "Chu Ci", there were many imitators, representative ones include Song Yu, Huainan Xiaoshan, Dongfang Shuo, Wang Bao, Liu Xiang, etc.; And there were countless researchers, including everyone from generation to generation, and finally formed a research school - Chu Ci. This book contains the works of Qu Yuan (8 chapters in total) and Song Yu (2 chapters in total).

Teacher Zhou is the starlight at night. His words accompany us to escape the noisy world, allowing us to enjoy the tranquility, tranquility and dreams of the night in commemoration and nostalgia.

Mr. Guo Hongan is a famous translator and writer. His translations of "Flowers of Evil" and "The Plague" are regarded as models by domestic and foreign literary readers. He has also given nearly a hundred lectures in major universities and academic institutions across the country. This book collects the essence of his lectures on French literature over the years, including a total of 10 articles including "Montaigne and His Essays" and "Talk about Balzac", which fully demonstrates Mr. Guo Hongan's ideological spark and life wisdom.

This book is a collection of essays by Jiangsu writer Jiang Sendu. The book is divided into five series, namely "The Taste of Green Vegetables", "Booting Time", "Looking Back at Meijing", "Postage Sentiment" and "Clog Marks Everywhere". The two ordinary words "Mei" and "Jing", when combined together, create beautiful thoughts. Under the fragrance of plum blossoms, there are clear streams and fields, leading to a fascinating place. The author uses his hometown "Meijing" as a sample, picks up the stories of time and fragments of memories, and uses delicate brushwork to show readers the joys and sorrows of the little people living at the bottom. Jiang Sendu, his hands, feet, and breath remember every spring, every farm work, and the different smells. This stroke-by-stroke line drawing and this respectful writing are Jiang Sendu's whispers about his childhood in the Jiangnan countryside, and they are also a tribute to his ancient Jiangnan countryside.

This book collects the award-winning works of Cao Gangqiang, the representative inheritor of "Caolu Folktales" in Shanghai's "Intangible Cultural Heritage" project, over the years, including stories, novels, essays, and folk arts. The collected works are rooted in Shanghai and go deep into the people, deeply reflecting the cityscape of Shanghai and the spiritual outlook of the Shanghai people. The author's writing style is plain and humorous, and he is good at using dialects and colloquial words to reflect local characteristics and create a real market atmosphere.

This book contains more than 80 of the author's outstanding works in his life, divided into four chapters: Scenic Scenery, Fragrance of People, Old Haze, Clothes Marks and Clothes Folds. There are travel notes about Zhengzhou, Yangzhou, Chengdu, Luoyang, Hokkaido and other places. There are reflections on the life experiences of ancient figures such as Li Yu, Wu Zixu, Guan Gong, etc., Including exploration of the lives of ancient people, the origin of words such as Guqin and "beauty", memories of relatives such as grandmothers, and memories of the development of the city of Shanghai.

The author uses "Gele Mountain" as the meridian to connect the people and things related to Southwest University of Political Science and Law into a necklace of time. He recounted his past life in plain writing, telling how he became associated with Southwest University of Political Science and Law; his college days when he was a classmate at the foot of Gele Mountain; their respective employment choices after graduation, and their reunion and farewell. Time flies by, and when people reach middle age, the author rethinks and understands life at the other end of the tunnel of time.

"Stones in the Body" is a selection of prose by young writer Ouyang Guo, and was selected into the "Jiangxi 8090·Key Works Creation Support Project". The whole book is divided into three series: "Living towards Death", "Continuous Life" and "The Beauty of Goodness". "Living to Death" takes life and death as the theme, showing the five flavors of life that are in conflict with and in harmony with disease; "Endless Life" gazes affectionately at the homeland and talks about the "philosophy and appropriateness of living" that continues to grow in the blood; "The Beauty of Kindness" understands life in the fireworks of the world and looks for the warmth and light in the ordinary daily life. How to face life and death and how to find light from the inevitable pain are questions that the author explores throughout the book.

This is a collection of original prose essays, consisting of five volumes: Memories, Galloping, Traveling in America, Yehua, and Porcelain City. The author has written across Beijing, Hong Kong, Boston, Shenzhen, Jingdezhen and other places. In addition to the true character of the porcelain city, the collected chapters also include the individual experiences and journeys of women, showing the author's rich inner world.

Every generation that follows the Long March will be able to overcome all difficulties and obstacles and realize the great rejuvenation of the Chinese nation.

This is a collection of prose works that the writer Fengsheng has written in recent years. The content includes biographies of important figures in the development of Xinjiang, descriptions of the unique customs of the frontier, travel notes from all over the world, changes in mood after the changes over time, and remembrances of literary predecessors, relatives and friends. Fengsheng is a famous contemporary writer who is good at using poetic writing to record the human stories that happened in this magical land of Xinjiang. "Covenant at Kokedala" once again uses his rich and agile writing style and rich historical feelings to tell us the life story he experienced. The language is simple, sincere, cordial and touching, showing his unique humanistic experience.

The "Newly Selected 1,000 Famous Chinese Poems" series is edited by Han Jingtai, a distinguished professor at Beijing Language and Culture University, and written by famous contemporary scholars Zhao Minli, Qian Zhixi, Ge Xiaoyin, Mo Lizhen, Zhang Jing, Zuo Dongling, Jiang Yin, and Zhang Fugui. It selects 1,000 famous poems from the vast history of Chinese poetry, provides detailed annotations and wonderful appreciation, and helps readers appreciate the ideological connotation and artistic characteristics of Chinese poetry. This book is the "Appreciation of Liao, Jin, and Yuan Poems" part of the series, and is written by Zhang Jing, senior professor of liberal arts at Communication University of China. Professor Zhang Jing has made rich achievements in the field of Liao, Jin and Yuan literature research, and has published many important works on Liao, Jin and Yuan poetry.

What is written is the Puyang Rural Loan Mutual Aid Cooperative. Over the past 15 years, it has experienced ups and downs without changing its original intention, and has the courage to explore without fear of hardship. This book provides a panoramic description of their wonderful practices of mobilizing farmers, organizing farmers, training farmers, serving farmers, and benefiting farmers; showing that they have taken root in the vast countryside and long-term cultivation of a new rural construction model that combines loan cooperation, production cooperation, purchase and sales cooperation, and cultural cooperation with farmers as the main body; and eulogizes their dedication, amazing strength, and outstanding contributions in poverty alleviation and rural revitalization.

This book contains twenty-four reading essays written by the author in addition to educational research and reading promotion in the past ten years. Its main content includes: "Starting from books" interpretation of the thoughts and lives of famous Chinese and foreign education figures such as Chen Heqin ("Family Education"), Cai Yuanpei ("Education in the Republic of China"), Tao Xingzhi ("China's Education Reform"), Locke ("Education Talk"), and a series of articles on "Learning the Wisdom of Life from the Ancients", etc. The author proposes that "books are life" and advocates the close integration of education with rich and colorful real life. The material is widely drawn yet rigorous, and the language is described in a simple and profound way.

This book is one of the series "Novelist's Prose". Hong Ke roamed at the foot of the Tianshan Mountains in Xinjiang for ten years. He has a quality of life that can only be revealed in the frontier and a life perception extracted from these ten years of in-depth experience. This is the source of life that makes his artistic creation unique and powerful. From the Loess Plateau to the lonely smoke in the desert, the milk of wisdom that Hong Ke absorbed is a combination of "Central Plains Culture" and "Horseback Culture." His prose contains the "consciousness of life" loved by the nomads in the west, a cultural atmosphere that makes readers feel inspired by the customs of the Tianshan Mountains, epic writing of the divinity of all things and humans, and pure aesthetic feelings.

This collection of works includes a series of long non-fiction essays such as "Looking Up to Father", "Mother Shulan" and "Mother-in-law Yu Ping". Looking back on family affection, the writing is candid and based on love and understanding. It has the emotional power to reach people's hearts and is unique in contemporary prose creation. , Has been fully affirmed by famous writers Yan Lianke, Li Peifu, and Zhang Yu; the series "Living by the River" and "Fragments in the Fields" are lyrical and natural, and are the aggregation of all life and philosophical speculation. The words are concise and the style is melancholy, making them excellent natural literature writing. The book also contains prefaces and comments written to friends in the calligraphy and painting circles, which are also full of unique insights and feelings.