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This book is a poetry appreciation book written by Professor Li Dingguang, the academic director of CCTV's "Chinese Poetry Conference". The book selects approximately 600 classic poems from the ten seasons of the program, each of which is accurately annotated and deeply appreciated by Professor Li Dingguang. The content covers poetry, lyrics, and music, arranged chronologically according to the time of creation, and indexed by popular famous sentences, with a clear system. This book not only provides readers with accurate text, pronunciation and background knowledge, corrects many popular fallacies, but also focuses on improving readers' aesthetic appreciation ability. It is an essential guide for learning and reading famous Chinese poems.

"Sea of ​​One Person" is a collection of works, including dozens of essays and seven poems written by Chen Xiaolin. Part of the content is an exercise published by the author when he was working more than ten years ago. It records a period of the author's life when he was struggling to study on the assembly line. For example, the article "Teacher, I thought of you on the road to a foreign land" shows that the author is like a dandelion, taking root on the rock and surviving in the wind and rain. The spirit of growth; part of the content is the author's reflections on the life around him in the past ten years, expressing the need to cherish the good times and a positive spirit; part of the content is the author's reflections on some favorite novels, such as "Why That Book Makes Us Tears Filled", etc. This book is a true record of the author's more than 20 years of work and study, showing her confusion in youth, failures on the road to growth, indomitable pursuit, unexpected gains, and a spirit that never stops working hard.

"The Color of Sunshine" is a collection of essays, including dozens of essays written by the author in recent years. The book is composed of three parts: the first chapter is "Where the Warm Sun Is Not Enchanting", which mainly writes about the author's love for various beautiful scenery, such as his feelings for the peace of the years, his admiration for the snow scene, his understanding of the beautiful scenery of the seasons, etc.; The second chapter is "Where the Flowers Bloom but the Fragrant Wind Is Not", which mainly writes about the author's feelings through the use of flowers. Life expresses the love for life, describing the winter jasmine in the distance, the apricot blossoms, roses in front of the house, etc.; The third chapter is "Nostalgic Where There Is No View", which mainly writes about the author's nostalgia for his hometown, his attachment to his parents, memories of his childhood, and his yearning for love and friendship.

"Waiting for You" collects the poems written by the author in recent years, which contain the author's lifelong pursuit, ideals and outlook on life. The language is simple, but the plain narrative reveals many profound philosophies of life. Whether it is chanting objects, recalling the past, or narrating or describing scenes, the works all show the author's unique vision and profound thoughts in observing things and understanding the world. They express the author's true feelings and provide profound enlightenment to people.

This book collects the author's 24 travel notes in recent years, including "Talking to you in detail about Hangzhou, please pay attention to me", "Broken Bridge·Snow", "Rain in the West Lake", "Shanghai and Hangzhou", "Old Acquaintances in Jiangnan Ancient Towns", "My Pond", "Old Courtyard", "Dingshan Lake", "Three "Crossing Zhujiajiao", "New Town", "Summer Fengjing", "A Corner Tour of Peking University", "Nanjing Rampage Secretary", "Yangtze River and Cihu", "Journey to Hainan", "Return to Niutoushan", "Wuyi Mountain, Xiamen and Guangzhou", "South of the Clouds", "Western Hunan·Western Hunan", etc. The writing is clear and beautiful.

"The Narration of Shitong River" contains more than 40 essays written by the author in recent years, most of which focus on Shitong River. This book consists of four chapters. The first chapter is "Translucent·Hometown Accent", which mainly writes about the author's infinite attachment to his hometown, describing the Grotto River, old houses, ancient villages, eight sceneries in the south of the town, etc., Showing the beauty of his hometown from many aspects; the second chapter is "Blue·Memory", which mainly writes about the events that impressed the author in his memory, including the recollection of Guiling Academy, and the The love for the sweet-scented osmanthus on campus, etc.; The third chapter is "Black and White·Philosophy", which mainly writes the author's reflections at work, including expectations for his studio, random thoughts in summer, inner monologues, etc.; The fourth chapter is "Earth Color·Memory", which mainly writes the author's thoughts on various trivial matters in daily life, including balcony capriccio, casual talk about fish and dishes, etc.

This book provides an in-depth analysis of the essence of Kuroyanagi Tetsuko's classic works, focusing on Xiao Doudou's transformation from an "alien" in traditional education to the free growth of Ba Academy. The book carefully analyzes the innovative concept of the tram classroom, Principal Kobayashi's "squat down and listen" educational philosophy, the "taste of the mountain and the taste of the sea" life-oriented teaching, and Ba Academy's inclusive practice for special children, revealing the core idea of ​​"respecting individuality" in the original work. At the same time, combined with the real educational exploration of Principal Kobayashi Sosaku, it shows the educational utopia ideal and practical significance behind this warm story.

Chishan is a small village in the hilly areas of central China. I want to write about the changes in this village in the past 40 years. In these 40 years, almost all villages have experienced a kaleidoscope of dramatic transformations, and the relationship between the state and society, the economic structure, the emotional world, international networks and the perception of time are no exception. I am a witness, witness and observer of the history of this insignificant little village, as well as its narrator. But this book also wants to write about those things that will remain the same in the foreseeable future, especially the geographical and institutional existence spaces, which are huge, macroscopic, and well-structured, and have significantly shaped our concepts and behavioral patterns. I wonder what these things mean for the future of the village. The way this book is written is special. Personal memories are just one of the clues in the book, and narrative and explanation will be woven together. I want to explore various personal genres through this book, hoping to eventually present a distinctive language style - it should be between academic discourse and social science discourse. Although it is fundamentally a non-fiction work, it can in some places contain the characteristics of fictional works.

This book is a non-fiction work that writes a sincere love story of the older generation that is both simple and romantic. In the spring and summer of 1984, Zhang Chongbo and Luo Shujing met in the "Chunmeng Poetry Society" of Lushi County, Henan Province. In the summer of 1985, Luo Shujing went to Ruicheng County, Shanxi Province to visit relatives and friends, study and find a job. Since Zhang Chongbo wrote his first letter to Luo Shujing in the spring of 1986, the two began a five-year correspondence career, with swans flying back and forth between the two sides of the Yellow River. The two changed from friends to lovers, got married, and finally came together, and the lovers finally got married. By compiling hundreds of letters between the lovers born in the 1960s, this work not only presents the brilliant sparks of love between two young hearts that constantly collide, but also discusses the social development, customs, and literary works of the time. It authentically reflects the real social landscape of the 1980s and can be called a footnote of an era.

Pre-Qin prose is the beginning of Chinese prose, carrying the spirit of the times in the Pre-Qin period. The content may criticize current ills, advise the king, guide self-cultivation, or correct personality. This book attempts to analyze and interpret relevant representative works of pre-Qin prose within the framework of ideological and political education, and unearth the essence of philosophical thoughts, personality theories, and educational concepts related to ideological and political education contained in them. By analyzing the actual impact of the ideological essence of Pre-Qin prose on ancient ideological and political education, we will explore its ideological and political education value, and by studying the realization of its potential value, we will further promote the integration of Pre-Qin prose and ideological and political education.

This book systematically and comprehensively sorts out the objectively existing close relationship between Qiang and Han literature, and analyzes the historical development of the relationship between Qiang and Han literature from pre-Qin to modern times. It is divided into three parts: Part One, Middle and Part Two, and selects important works of important writers for analysis and evaluation. This book discusses the formation of important literary images such as "Yingying Bluefly", Longtou Flowing Water, Qiang Flute, etc., The writings of Yuan Hao, Bingchang, Qian Shun, etc., As well as the promotion of the popularization of modern poetry creation by "Songyou Xiaoshang", etc., Showing the progress of Qiang literature. The development overview illustrates the inseparable inner connection and cross-influence between Qiang and Han literature, provides reference for exploring effective ways for the prosperity and development of Chinese national culture and literature, and reflects the positive interaction of China's diverse literature and culture from one aspect.

This book attaches great importance to the self-connection and emergence of the internal context of Chuanshan's poetics. From the perspective of "qingji" ("the yin and yang of the lover" and "poetry's emotion, several elements"), it explores the "system" inherent in Chuanshan's poetics itself, and demonstrates that it is a dynamic system with "poetry" that is consistent and highly organic and vital. This book also strives to place Chuanshan's poetics within the "main emotion" tradition of classical poetry, especially with the tradition of poetic theory since the Yuan and Ming Dynasties that "focuses on the Tang Dynasty and deposes the Song Dynasty", "focuses on emotion and rejects theory", and "valus emotions and thoughts over facts". In this "internal context" dominated by diachronic cultural inheritance, we trace its origins, clarify its changes, and gain perspective on the value of Chuanshan's poetics.

The legal system of the Yuan Dynasty reflected the development and progress of China's traditional legal system. However, the legal system of the Yuan Dynasty, with its perfect form, progressive content, and tolerant guiding ideology, showed another face in Yuan Dynasty dramas. The dramas of the Yuan Dynasty, especially the public case dramas, are the embodiment of traditional Chinese legal culture. This book studies the legal culture in Yuan Dynasty drama from the perspective of litigation participants, litigation procedures, procedural legal systems, and substantive legal systems.

The Song Dynasty was a critical period for establishing Tang poetry, and Song Poetry is the main carrier for discussing Tang poetry. This book focuses on the specific relationship between Song Shihua and Tang poetics. It uses statistics, induction, text reading, reception aesthetics and other methods to carefully outline relevant historical materials. It constructs the Tang poetic system in Song Shihua from five aspects: nature, category, genre, poetic method, and writer. It explores the basic connotation of Tang poetics and specifically explains the specific contribution and performance of Song Shihua to the study of Tang poetry. It is of enlightening significance for further understanding the status of Song Shihua in the history of Tang poetics and the study of modern Tang poetry.

Modern Chinese novels have been shrouded in the shadow of death since their very beginning, and are full of time anxiety and survival anxiety. This book uses a variety of classic literary theoretical research and analysis methods such as case interpretation, comparative research, external research, and mutual verification of cause and effect. It takes the death narrative in modern Chinese novels as the entry point to study the spiritual pursuit of modern writers and the aesthetic orientation of novels, as well as the dilemma of the awakening of life consciousness and ideological enlightenment of modern writers. It explores the spiritual connotation of death writing in modern novels, the transformation of death narrative perspectives and different discourse characteristics, and summarizes the aesthetic style and deep cultural metaphors of death narratives in modern novels.

This book integrates a group of writers who were active in literary creation in English and Chinese from the 1930s to the 1950s into a group from the previous scattered attention. The author selected seven writers except Lin Yutang, who has been relatively well-researched so far, and started with their representative works to study their creative characteristics and cultural thinking characteristics, as well as the image of China they objectively established in the English-speaking world. The book proceeds from the inside to the outside, layer by layer, and then explores the impact of these bilingual writers on Chinese and foreign cultural and literary exchanges, thereby providing a worthy reference model for today's Chinese literature and the overseas spread of Chinese culture.

On the basis of existing research, this book makes full use of relevant literature and materials, takes the diachronic evolution of the communication and reception activities of "The Peach Blossom Fan" as its longitude, and uses different types of communication and reception activities as its latitude. It sorts out, examines and studies the communication and reception of "The Peach Blossom Fan" in the more than three hundred years since its publication from an interdisciplinary perspective. Process, strive to three-dimensionally describe and present its true picture, explore its evolution trajectory, reveal its overall characteristics, discuss the impact of its dissemination and reception activities in the social, historical and cultural context, explore the multiple paths for the canonization of "The Peach Blossom Fan", and look forward to the future development direction of "The Peach Blossom Fan" research.

Combining the regional cultural characteristics of Fujian, this book takes an overall look at Chen Shi, a Fujian survivor writer in the late Ming and early Qing dynasties, and his circle of survivor friends, explores the survivor identity consciousness contained in Chen Shi's writings, and discusses the mental characteristics and spiritual situation of the Fujian survivor literary people in the late Ming and early Qing dynasties. The book is divided into eight chapters, which respectively research and discuss Chen Shi's family background, academic career, ups and downs in officialdom, versions of his writings, friendships, and the ideological connotation and artistic achievements of his writings. The focus is on Chen Shi's role in the Change of Dynasty from the perspective of memory and identity. In addition, from the perspective of the integration and transmission of resorts, holy places and Daoshan cultural spirit, the contribution of the survivors' literati represented by Chen Shi in the late Ming and early Qing dynasties to the inheritance and dissemination of traditional national culture and Fujian regional literature was analyzed.

This book is the result of a National Social Science Fund project and is the first special research work on minority female poets. This book takes the Bai female poets of the Dali area from the Yuan Dynasty to the Republic of China as the research object. It conducts in-depth research on 23 female poets and their works, discusses the reasons for the formation of Bai female poets, reveals the theme content of poetry, and the connotation and characteristics of artistic aesthetics. It examines the poetry creation of Bai female poets and ancient Chinese female literature, and points out the value and status of Bai female poets in the history of ancient literature.

This book takes the surviving poetic works of the Northern Song Dynasty poet Guo Xiangzheng as the research object. It first adopts the method of "knowing people and analyzing the world" to outline Guo Xiangzheng's career and life path wandering between the two ends of "official" and "hidden", in order to interpret the reasons for the formation of Guo Xiangzheng's unique personality and his open poetry style in the context of the evolution of scholarly style in the Song Dynasty. Then, this book describes the original style of Guo Xiangzheng's poems from many aspects such as content, genre, imagery, organization, style, etc., While interpreting the artistry of his poems, it also uses these poems as annotations to Guo Xiangzheng's mental journey, in order to show the poet's beautiful feelings of conveying his heart through poetry and loving poetry as life.

This book discusses several aspects of the narrative of "Zuo Zhuan" from the perspective of the Spring and Autumn Dynasty clan. If you are a professional, you can read Chapter 5, which sorts out several groups of keywords in literary research; if you want to do in-depth research on this issue, you can read Chapter 1, where there are more deficiencies that need to be explored; if you have just come into contact with "Zuo Zhuan", you can read Chapter 2, where the analysis of the narrative structure can provide a reading method; if you just happen to meet it, read Chapter 4, where people and things are explained in a relatively systematic manner. There are some personal emotions in the book. Why do so many people look up to the Three Dynasties? Why is the Spring and Autumn Period not a carnival of the Six Dynasties? Even why "the death of Qin must lead to Chu" is such a disorganized existence. If someone reads or re-read "Zuo Zhuan" because of this little book, it will be a great blessing.

This book is the first work in the field of modern Chinese literature research to discuss modern literary historical materials from the perspective of "historical material criticism." It is a relatively complete summary and reflection on the content, norms, methods, and values ​​of modern literary historical material criticism using critical thinking. The author strives to reconstruct modern Chinese literary historiography with the theory of "historical material criticism." This book has certain innovations in the systematization of modern literary historical material knowledge, the integration of historical material methods, the hierarchical construction of historical material critical theory, the integration of historical material critical methods, and the analysis of specific historical material critical techniques. It is an important domestic treatise on the use of critical thinking to study modern literary historical materials, and has theoretical depth and methodological value.

"Research on the Jiaxu Version of A Dream of Red Mansions" is an analysis of the Jiaxu Version of "A Dream of Red Mansions". The book has a total of twenty-two chapters, which are divided into the following parts: introduction to the Jiaxu version, the order in which the Jiaxu, Jimao and Gengchen versions were established - taking "Lianju Liangqi" as an introduction, a review of the Jiaxu version, a review of the poems before the return, the couplets at the end of the Jiaxu version and the concluding remarks at the end of the Jiaxu version, An examination of the different characters of the original version, an examination of the unique characters of the Jiaxu version, examples of typos and changed characters in the Jiaxu version, an examination of Wang Ziteng and Wang Zisheng, an examination of Lai Da and Lai Er, an examination of the different names of Grandma Liu, an examination of the different names of Qilai, an examination of the different names of Shishu - also discussing the relationship between "book" and Tanchun, etc. The book has clear layers, concise language, detailed analysis, sufficient arguments, and has high academic value.

The whole book takes time as its warp and poets as its latitude, giving a comprehensive look at the poetry of the Tang Dynasty from a literary and cultural perspective. The author sorts out the development of Tang poetry through specific works, and conducts a credible examination of the life experiences, poetic ideas, style and personality, and creative achievements of the poets in the Tang Dynasty. He also makes detailed and concise comments on the creative background of the works, the ideological content of the chapters, the artistic characteristics of the poems, and other related issues, thus deeply and three-dimensionally describing the main characteristics and evolution of the poetry genre, and analyzing the reasons for the gradual emergence of poetic styles and the development of poetic art.

This book uses prose style to tell stories about daily life, such as pounding shrimps, raising silkworms, calling souls, watching the market, eating noodles, etc. It uses fresh and smooth language to describe the image of a cross-century mother through interesting stories, showing the character of a hard-working, kind-hearted, and frugal farm woman and her The character of wisdom, courage, and strength, as well as the love and care for children, at the same time, show the pastoral scenery, customs, and folk customs of the countryside before people's eyes like a picture scroll, closely linking the rise and fall of the family with the fate of the country, and praising the great motherland's century-long changes and the bright prospects of continuous prosperity.

[Niche profession + real people + curiosity] How many little-known ways of living are there in the world? 50 Real life samples will give you the answer. A pet undertaker born in the 1990s gave up his job in the system just to make up for the regret of the unexpected death of his pet; a cruise steward who has been in the countryside for 8 years, traveled around the world despite endless difficulties; a grassroots stuntman who participated in many famous film and television dramas by "crash", but had to retire at the age of 30; A professional "red" academic critic who was born in a boiler room and continued to counterattack with his reading skills; a senior voice actor who couldn't afford meat to find a job. After switching careers as a host, he earned 8,000 an hour and was recommended by Andy Lau;... At a time when the certainty of life is increasingly dispelled, they left the track and walked into the wilderness. Open this book and savor the absurd and ups and downs, surprising and embarrassing truths in the "derailed" life.

The words written by Dr. Liu Hao open up a complex and multi-dimensional society. In addition to diseases, these patients' family background, growth, education, life, experiences, etc. Have been honed into various personalities and various psychology. Rather than treating people's bodies, it is better to say that she is also treating people's souls, and it is better to say that she is also treating social diseases, allowing us to see the weakness, care, nobility and light of human nature from the trivial matters of mortals.

This book is a special collection of materials with the theme of the study of Chinese classical novels. It contains 79 rare materials on the study of Chinese classical novels by Western scholars from the 18th century to the mid-20th century. It takes into account documents of different themes, different periods and different languages, in order to fully reflect the early Western academic circles' study of Chinese classical novels. The book is organized into ten categories according to the themes of Western academic research on Chinese classical novels. The articles included in each theme are arranged in chronological order, and each article is preceded by a title explanation, introducing the author's life, selected version, origin, main academic viewpoints and academic influence, etc.

Mr. Luo Rongqu (1927-1996) was a famous historian and a pioneer in the study of China's modernization. In October 2017, the "Symposium to Commemorate the 90th Anniversary of the Birth of Professor Luo Rongqu and the Academic Seminar on Chinese Modernization Studies" was held. After the meeting, commemorative manuscripts and research papers were collected and compiled into this book. The first part reviews Professor Luo Rongqu's bumpy, rich and accomplished life, recalls his academic style and feelings for his family and country, and elucidates his outstanding contributions in various fields such as modernization studies, American history, Latin American history, and the history of Sino-foreign relations; the second part discusses the theoretical and empirical research issues in modernization studies and other fields involved in Mr. Luo Rongqu's academic work. This book has the dual significance of recalling characters and reviewing academic history. It has reference value for the current exploration of modernization research, historical theory and research methods.

"When Kafka Walked...: A Memoir" is the recollections of Franz Kafka's friends, relatives and acquaintances. These words are sometimes surprising and sometimes contradictory, but together they form a colorful picture. This book attempts to reveal the true face of this mysterious writer through the perspectives of Kafka's relatives and friends. The editor-in-chief of this book, Hans-Gerd Koch, carefully selected articles that reflected Kafka's personality and real life, while excluding those accounts that were too self-centered or inconsistent with the facts. The characteristic of this book is that it is not only a reproduction of Kafka's life, but also an exploration of his personality. Through these articles, readers can get a glimpse of Kafka's inner world and his complex relationship with the people around him.

"Walking to Song" is a collection of prose written by Hebei writer Wu Ge (real name Wu Aimin). It will be published by Beiyue Literature and Art Publishing House in 2020 as the "Unbounded Prose" series. The book is divided into two parts: "Poetry and Prose" and "Traveling to Songs". The former presents childhood memories and local feelings through 41 works such as "Stone Nianzi" and "New Year", while the latter records the process of studying and working. From the perspective of a person born in 1972, the author uses simple brushwork to present a warm record of the growth and struggle of crops.

How did a psychopath like him, who longed for publicity and attention, stay silent for so many years? Is he still killing people? Why did he eventually stop hiding and choose to be arrested? This book tells the true story behind FBI agent John Douglas's thirty-year hunt for one of the most horrific serial killers in American history, the "BTK Killer." BTK is the codename the killer gave himself, which consists of the initials of the three English words "Bind, Torture, Kill" (Bind, Torture, Kill). After committing the crime, the killer would provoke the media and the police in the name of BTK. The murderer committed multiple kidnappings, sexual assaults and murders, and his victims included at least seven women, one man and two children. He suddenly returned to commit crimes after nine years of silence and claimed that he did not receive the attention and attention he deserved. Public panic and police incompetence became the motivations for his repeated attacks. After thirty years of battles of wits and courage, this murderous maniac was finally arrested. Surprisingly, he turned out to be Dennis Reid, who was 61 years old at the time, married with two children, and an ordinary pastor.

When Sarah Dingle was 27 years old, she suddenly learned that she was born through donated sperm and that she was not related to her father. Sara wanted to know her origins, so she used her professional skills as an investigative reporter to start looking for her biological father. This "journey to find her father" lasted for ten years. She checked hospital records and followed every clue. What she discovered along the way shocked her: women died after receiving virus-carrying sperm; doctors used their own sperm for artificial insemination without the parents knowing about it; hospital records were often destroyed, and all Hundreds of thousands of people around the world born through donor conception never know who they are; sperm from the same donor is used in large quantities, and the number of potential siblings is far beyond imagination. Accidental incest is by no means alarmist... The assisted reproductive industry is in the ascendant and popular around the world, but it always lacks effective supervision. The moral and ethical dilemma of reproductive medicine tests human wisdom.

The novella "The Statue Man" is the posthumous work of German writer Günter Grass, written around 2003. Authorized by the Grass Foundation in 2022, it was published in Germany for the first time. This work is based on a reading tour that Glass took in the Democratic Republic of Germany in the late 1980s. It uses the sculptures of the 13th-century statue master in the Naumburg Cathedral in Germany, its prototype model, and the young woman who is currently makeup as a statue to perform as protagonists. It weaves a magical realism "legend" that interweaves reality and history, and is both real and illusory. This book also includes some of Glass's essays and short stories, such as "Five Birds", "Left-Handed", "The Rabbit and the Hedgehog", etc.

Among the experts and scholars who grew up in the late 1970s, Professor Wen Rumin is very representative. He is not only a well-known expert in modern literature research, and has authored famous works such as "The Evolution of New Literary Realism" and "Thirty Years of Modern Chinese Literature" (cooperation). He is also a very sentimental educator. He is the editor-in-chief of various textbooks for universities, middle schools and primary schools. In 2012, he was hired as the chief editor-in-chief of Chinese textbooks for primary and secondary schools by the Ministry of Education. He is a standard-bearer for the reform of Chinese education and teaching. This book is a review and account of Professor Wen Rumin's nearly 50 years of teaching and research. It includes reminiscences from relatives and friends, memories from the academic community, and experiences at Peking University. There is also a self-report of his experience as the director of the Chinese Department of Peking University and the chief editor of Chinese textbooks. It also includes prefaces and postscripts to some writings, media interviews, and an academic chronology. It is both an academic material and can also be read as a prose essay. From it we can not only see the academic trajectory of Professor Wen Rumin, but also get a glimpse of the changes in the academic and educational circles over the past few decades.

"Report from the Gallows" is a documentary written by the Czech writer Vucic, which records his and his comrades' struggle against the Nazis and his own arrest and imprisonment. This book written with blood and life expresses his love for life and his deep attachment to his motherland and hometown. The work depicts a series of heroic and determined anti-fascist fighters, praises the great collective who are still fighting indomitably in prison, and truly and profoundly reveals the face of the entire era. Since its publication in the Czech Republic in 1945, this work has been translated into more than 90 languages ​​and has been widely circulated among people around the world. As early as the 1950s, two versions translated from other texts were released in China. The chapter "Cell No. 267" Was selected into middle school Chinese textbooks and had a profound impact on Chinese readers. This time, "Report from the Gallows" is an exclusive new translation. Based on the translation of the 95 Commentary Edition that has not been seen in China before, it corrects the historical facts and misunderstandings in the previous translation. It also adds an introduction and multiple photos of historical documents to introduce the latest results of Fuchik research at home and abroad, restoring a more complete and authentic Fuchik to readers.

This book is a collection of essays about the author's pastoral life in the suburbs of Beijing. Nowadays, rural life has become the life choice of many urban young people. The authors are a couple with biology education background, who have been self-sufficient in the outskirts of Beijing for many years. The book uses the vegetable growth process as a clue, combined with my own natural observations and work insights, to tell real farming stories. It contains both gossip in the fields and "dry information" about growing vegetables, supplemented by illustrations. While relaxing your body and mind, you can also get a glimpse of the wonderful connection between life and life. Farming is not only farming, but also farming the heart. This book can help readers re-examine the relationship between man and nature, and can also serve as a guide for finding the life that humans long for.

Shakespeare lived in an absolutist world in which the Bible, kingship, and God had absolute authority. Similarly, fathers had absolute authority over their wives and children, old men over young people, and nobles over common people. But Shakespeare strongly opposed this absolutism and constantly explored the possibility of getting rid of it. Stephen Greenblatt shows us how Shakespeare exposes the machinations and pretentiousness of kings, generals, and churches; how he explores the eulogies and seemingly limitless passions between lovers; and more importantly, how Shakespeare, as a free humanist, engages in discussions about beauty, hatred, authority, and autonomy with audiences and readers.

What he saw and heard on the battlefield of Solferino inspired Dunant to think deeply about human civilization, how humanity can be demonstrated, and how life can be respected. These thoughts prompted him to take further action. In order to prevent tragedies from happening again, he put forward landmark proposals: first, to establish "Volunteer Relief Associations to provide services for wartime wounded" in all countries; second, to formulate an "international norm recognized by an inviolable international convention" to recognize and support the work of these organizations. In 1863, Dunant and others founded the "International Committee for the Relief of Wounded Soldiers" within the Geneva Public Welfare Society. In 1880, it was renamed the "International Committee of the Red Cross". In order to commemorate Dunant, the great founder of the world Red Cross Movement, his birthday (May 8) was chosen as World Red Cross Day.

The story of Adam and Eve is like the shadow of human beings as a whole, which continues to exist in religion, literature, art, and philosophy. It is not only a hymn to human responsibility, but also a dark allegory about the tragic situation of human beings. Stephen Greenblatt builds a bridge between human origins and modern civilization by tracing back the story's immense value, revealing its rich allegory, sexual and moral conflicts, virulent misogyny, and profound moral insights, all the while tracing the story's post-Darwinian persistence in contemporary times, triggering our thinking about issues such as freedom of marriage, women's rights, and the measure of freedom in today's society.

"The Book of Songs·Binfeng·Owl" has four chapters and five sentences. The entire poem "Owl" uses birds to personify humans, and it may be called the ancestor of "bird-spoken poetry". This book collects and compiles the annotations and comments on the poem "Owl" from more than 320 existing annotations and research works on the "Book of Songs" in China, Japan, and Korea. It is a comprehensive commentary on the poem "Owl". The whole book is divided into four parts: general explanation, sentence explanation, chapter purport, and collection review. Notes are added after each part, and the content mainly focuses on summary and coherent explanation, providing more relevant information so that readers can search and find the annotations and comments of "Binfeng·Owl" based on this book. The book has both documentary value and academic intellectual history value.

"Oriental Literature Research Collection" is a publication sponsored by the Oriental Literature Research Center of Peking University, a key research base for humanities and social sciences of the Ministry of Education. It is a concentrated reflection of its academic achievements over the years. Most of the papers included in each issue are the latest achievements published at academic conferences related to Oriental literature in the current year or the previous year. To a certain extent, they represent the academic level of the domestic Oriental literature research field. This collection is mainly divided into five parts: comprehensive research, literary sociology research, narrative research, female literature research, and book reviews.

"The Medieval Reception of Ming Dynasty Poetry" is a topic worthy of in-depth study. The Middle Ages here refers specifically to the Han, Wei and Six Dynasties periods. The literati of the Ming Dynasty and the literati of the Middle Ages belong to different historical contexts, but in pursuing creative standards and exploring the source of creative inspiration, they have resonances from different generations. This book examines the reception of medieval poets and poems by Ming Dynasty poetic commentators Yang Shen, Xie Zhen, Wang Shizhen, Hu Yinglin, Xu Xueyi, and Yuan Hongdao from the perspective of reception aesthetics. This is not only a way to explore the characteristics of Ming Dynasty poetics, but also a way to study the influence of medieval poetry on later generations.

This book is a memorial collection of the late Mr. Liu Xuyi, a professor at Wuhan University. Professor Liu Xuyi has dedicated his life to the teaching and research of American history and sociology. He is one of the important founders of American history research in China, one of the founders of the Chinese American History Research Association, and the first president of the Hubei Provincial Sociological Society. His academic theories and achievements have had a profound impact in the academic world, and have made outstanding contributions to the inheritance and development of my country's world history and sociology disciplines. In the book, Professor Liu Xuyi's children, relatives, friends, disciples, academic friends, and former colleagues vividly reproduce Mr. Liu's academic career and his achievements and contributions, as well as Mr. Liu's academic spirit of pursuing truth and his love of life through recall articles, which is thought-provoking.

The Manchu shaman culture is a primitive cultural custom with strong local, national and historical characteristics, which still survives in Northeast my country. It is a historical practice of human historical development, cultural heritage, a summary of social life experience, and an experience of understanding the close relationship between the natural universe and human beings. This book contains four kinds of Manchu folk Manchu texts, the first is the Yang Xian text, the second is the "Fang Yu Tang Ji" text, the third is the "Thirteen Chapters", and the fourth is the "Manchu Vocabulary" version, also called the "Saili version". The names of these texts are all given by researchers for the convenience of research, to preserve the name of the person who wrote the text, or to distinguish the type of text based on their place of residence.

The selection of Jin poems is based on the purpose of "tracing the origins of Tang style and identifying changes in styles", systematically combing the development of poetry from the Western Jin Dynasty to the Eastern Jin Dynasty. It not only presents the gorgeous carvings of "Taikang Style" and the philosophical speculation of "Xuanyan Poetry", but also conveys its literary concepts of style-based and poetic education through sharp comments. Shen Deqian's anthology is an edition that is difficult to surpass among all the anthologies of the past. The blending of philosophy and landscape, the contradiction between rational interest and temperament, and the poeticization of reclusive spirit have far-reaching sustenance. Shen Deqian himself commented that the expansion of themes "laid the foundation for the overall prosperity of Tang poetry." The importance of Jin poetry is self-evident.

"Han Poems" selected by Shen Deqian aims at "tracing the roots of Tang poetry" and systematically combs the development of poetry in the Han Dynasty. It not only presents the dual peaks of "Yuefu narrative" and "literati lyricism", but also conveys his literary concept of "poetry as the foundation and style as the sect" through comments. The political lyricism of emperors and heroes, the political and religious function of court poetry, the social picture of Yuefu poetry, the artistic breakthroughs of literati's five-character poetry and narrative poetry, and the true records of folk suffering are all presented in extremely rich ways.

This is a selected poem by Shen Deqian, a cultural giant who was a poet, poetic critic, and chronicler in the mid-Qing Dynasty. "Guyi" is the opening chapter of the selected poem, which focuses on the original form of poetry before the Tang Dynasty. It mainly includes four categories: ancient ballads, inscriptions and proverbs from the Zhou Dynasty, lyric poems from the Spring and Autumn Period and the Warring States Period, and poems from myths and legends. Mythological elements, political elements, the spiritual dilemma of working people, and the poet's concern for people's livelihood are all reflected in "Gu Yi". Reading it today, it is still catchy.

Shen Deqian's "Chen Poetry" section tries to include the works of major Chen poets in the Southern Dynasties, and more comprehensively demonstrates the characteristics of the poetic style of this period that tended to be extravagant and gaudy. Although Shen had reservations about this style of judgment, he still regarded it as an important link in the development chain of poetry and believed that it was helpful in understanding the evolution of poetry before the rise of Tang poetry. The poets Xu Ling and Yu Xin can be read carefully. The poetry of the Northern Wei Dynasty mainly embodies simplicity and vigor, loyalty, filial piety, justice, and the collision of grassland culture and Central Plains culture. The "Poetry of Mulan" that readers are familiar with is one of the best works.

Shen Deqian selected Northern Qi poetry in order to present the diversity and regional differences in the development of poetry during the Southern and Northern Dynasties. He believes that although the poetry of the Northern Dynasties is not as delicate and refined as the poetry of the Southern Dynasty, it has its own unique simple style, which is indispensable for tracing the origin of poetry and understanding the evolution of poetry style. At the same time, he may also intend to show how poets in the Northern Dynasties carried out literary creation in a relatively harsh environment. The poems of Wen Zisheng, Xu Ling, Lu Sidao and Yang Min are all collected in high quality. They were the most important poets at that time and you can focus on reading them. Northern Zhou poetry is actually an independent volume, and Shen Deqian's starting point for selecting and editing it is also to present the overall picture of poetry in the Southern and Northern Dynasties more completely. Wang Bao and Qu Zizhi are important representatives.