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"The Golden Rose" is a collection of beautiful essays that summarizes the author's own creative experience, studies the creative activities of many literary masters in Russia and the world, and discusses the process, methods and purposes of literary creation. The literary master used his unique writing style to depict the beautiful human emotions and the picturesque scenery of nature in a majestic and delicate manner, and elaborated on the writer's mission, the purpose and methods of literary creation, and greatly inspired every literature lover, literary creator and literary critic who read "The Golden Rose". This book uses novel and beautiful writing to create vivid and moving images, which have irresistible and powerful appeal, leaving an indelible impression on people and inspiring people's beautiful feelings of fraternity. All famous modern and contemporary Chinese writers who have read "The Golden Rose" praise it as a rare and good book, and affirm that the book played an important role in their own literary creation. I believe this book will still teach readers a lot today.

Collection of lectures, in the autumn of 1967, Borges was invited to give the Norton Lectures at Harvard University and delivered six lectures on the status of poetry, metaphorical patterns, novels and poetry, phonology and translation. After more than thirty years in the library, the audio tapes of the lectures were compiled and published by Treasurer Kelin-Ander Mihaile, who was then an associate professor in the Department of Modern Languages ​​and Literatures at the University of Western Ontario. The complete collection is widely cited and covers many literary phenomena from ancient times to the present. It also has the informal sense of colloquial text, and it is narrated with ease. "The Art of Poetry is a book that introduces literature, taste, and Borges himself... Borges started a dialogue with writers and texts of all ages, and these themes always seem to be interesting even if they are quoted and discussed again and again."

"Research on Late Tang Style Poetry in the Song Dynasty" is divided into six chapters: The first chapter focuses on the research of the emergence time and cultural background of the two terms "Late Tang" and "Late Tang Style" in the Song Dynasty. The second chapter's research object is the late Tang style in the early Song Dynasty. The third chapter talks about the period from Zhenzong of the Northern Song Dynasty to Guangzong of the Southern Song Dynasty, and the fourth chapter is the study of the Four Spirits of Yongjia. Chapter 5 talks about the late Tang style creation and related issues in the late Southern Song Dynasty. Chapter six is ​​a summary of the characteristics of late Tang poetry in the Song Dynasty. The late Tang style poets of the Song Dynasty had an almost fanatical attitude towards poetry. They emphasized five rhymes and despised the ancient style. They preferred to describe landscapes, bamboos and rocks at dusk in autumn. They liked line drawings as poems and emphasized the middle couplet. Their poems showed fresh and plain aesthetic characteristics.

This book aims to clarify how the emotions and concepts of people in the Chinese-speaking world have been formed over the past century. How literature expresses and reproduces Chinese people's emotions and concepts. At the same time, we specifically examine the experiences of Japanese people such as Natsume Soseki and Oe Kenzaburo who have visited various places in the Chinese-speaking world.

This book contains twenty-one literary and artistic theoretical articles by Russian writer Leo Tolstoy. These include comments on his creation of "Childhood" and "War and Peace", as well as discussion articles on the creations of Maurossin, Gogol, Chekhov, Shakespeare and others. The evolution of Tolstoy's worldview and the evolution of his literary outlook go hand in hand. In the late 1850s, the "Speech at the Russian Literary Love Society" opposed exposure to literature, and in the 1960s and 1970s, the essays required writing for the people. Literary essays in the 1980s and 1990s emphasized that writers should clarify "the difference between good and evil" in the things they described, criticizing the view of "art for art's sake".

Writer Junichi Watanabe, based on his own literary creation process, dedicated his decades of precious experience in novel creation to write an empirical work on how to create a novel and how to create a best-selling novel.

This book bears witness to Yan Lianke's own literary outlook, but at the same time it goes beyond the interpretation of his personal literary outlook, redefines the connotation, boundaries and levels of realism, and re-makes a unique and enlightening judgment on the merits of literature. Using his theory, world literature and Chinese literature can be clearly classified and judged very readily, and it is highly literary and operable. This is a very remarkable innovation.

"Storymaster" Maugham's guide to reading and writing is dedicated to everyone. Maugham, known as the "story master", is well-deserved for his global reputation. His works have been introduced and published in many countries, and his writing experience and writing skills are also talked about by the majority of literature lovers. In his later years, Maugham published the book "The Summing Up", which is not only a review of Maugham's life writing career, but also a summary of Maugham's many years of writing experience. Through this book, readers can comprehensively master writing skills. For example, how to read a book efficiently? How to improve writing skills? How to enhance sensitivity? How to write good articles that are clear, concise and pleasant to the ears? How to write a drama to quickly win hearts and minds? How to use techniques when writing novels? How to improve comprehension and cognition through reading? In this book, Maugham explains the profound meaning of reading and writing with humorous language and sharp and concise style.

"Traditional Chinese Poetry and Poetics (Symbols of the World)" is the first non-systematic poetry theory masterpiece written by the famous American sinologist Yuwen Suoan after ten years of research on the literary history of "Poetry of the Early Tang" and "Poetry of the Prosperous Tang". Although the original book was published earlier, many of the literary concepts he later developed can still be seen in it. In "Traditional Chinese Poetry and Poetics (Symbols of the World)", Yuwen Suo'an put forward the important proposition of China's "non-fiction" poetic tradition and made a comprehensive analysis and discussion. To paraphrase Feronosa's discovery that Chinese characters are the ideal language of poetry, it can be said that Yu Wensuo'an discovered that Chinese poetry in the tradition of non-fiction poetry is ideal poetry, which comes from the diversity of nature and is a subversion of poetry in the Western literary tradition as the second nature created by divine poets. To read Chinese poetry, one must give up the concept of analyzing poetry as a language structure, and instead dwell in the context of contemporary poetry and listen to the true voice.

"Six Lectures on Dostoevsky" is a classic work on Dostoevsky by the famous French writer Andre Gide. This book is a collection of six lectures on Dosage Principe given by Gide in 1922. In this series of lectures, Gide's main focus was on how Dostoevsky's thoughts were expressed in a "literary" way. By interpreting Dostoevsky's letters and novel texts, he analyzed Dostoevsky's literary thoughts and artistic style layer by layer. He went deep into the inner world of Dosage and the characters he created, and discovered the main characteristics of Dossier's creations such as the mutual transformation of humility and arrogance and the duality of the characters' thoughts. Gide regarded Dosage as a genius novelist and "the greatest of all writers". His interpretation of Dosage brought a strong French reading experience and at the same time showed readers a healthy mental life. This is a spiritual communication between two great writers across time and space, and it is a precious document for studying Dostoevsky.

"Lecture Notes on World Literature by Professor at Tokyo University 1" is the first volume in the series of "Lecture Notes on World Literature by Professor at Tokyo University". This book is a lecture note on world literature by Mitsuki Numano, a professor of literature at the University of Tokyo and a famous Japanese literary critic. The content consists of a literary dialogue between the author Mitsuki Numano and 23 well-known contemporary writers and scholars (from Japan, the United States, China, Poland, Bulgaria and other countries). This series of books is required reading for undergraduates and graduate students majoring in literary theory at the University of Tokyo, and is also a basic reading for students majoring in literature at the University of Tokyo. This volume includes dialogues between contemporary American writer Libby Hero, Harvard University scholar Robert Campbell, Japanese Akutagawa Prize winner Keiichiro Hirano, Japanese literature expert Yuyuki Iino, and Japan's leading researcher on Russian literature, Kameyama Ikuo.

"Mainstream of Nineteenth-Century Literature" is a literary history full of poetry and passion, a landmark masterpiece. It is a high-rise and majestic book that vividly tells the life story of the writer and provides thoughtful analysis of the works. It vividly reflects the magnificent history of the European literary world in the first half of the 19th century, especially the youthful movement of Romantic literature. Although this book is divided into six volumes, each volume is an independent chapter. "Reaction in France" mainly analyzes the thoughts and creations of writers such as Joseph de Maestre, Bonnard, Chateaubriand, Madame Cludenay, Lamartine and other writers.

The people of Jerusalem were the worst sinners, but they were the first to receive grace. Why is this? Desperate people, please do not despair, please listen to Bunyan, take heart, and seize the hope given to you.

This book is divided into three parts. The first part is "Literary Observation", which mainly discusses important issues in the current literary world and analyzes some specific works; the second part is "Film and Television Reviews", which observes and thinks about specific film and television works and related film and television phenomena, and raises some issues worthy of discussion; the third part is "Ideological Preview", which makes its own analysis of topics and figures in the contemporary intellectual world. The whole book attempts to use a new ideological vision to care for contemporary culture, respond to hot and cutting-edge issues in the current context, and reveal a new imagination and a new future.

This is a novel writing book. The lessons in this book are arranged in the order of "Making the Overall Story Process" → "Making the Main Characters" → "Determining Details and Performances", but it does not necessarily have to be in this order. You can start reading from the place you are struggling to write now, or you can start reading from the place you most want to write. Each lesson is in the form of exercises, specifically recording the order of "this way you can write it". Please be sure to actually write it.

"Critical Critic: Eliot's Collected Works and Essays" contains nine critical articles and speeches written by Eliot from 1917 to 1961. This critic with a high reputation in the literary world has a unique vision and commented on many cultural phenomena, such as the use of literary criticism. In addition, he also evaluated several writers who had a huge influence on him, and emphasized the importance of receiving a true education.

This book is a continuation of "Ma Ruifang's Quotes on the Dream of Red Mansions". In this work, Professor Ma uses humorous, vivid and interesting narration to analyze all the hidden aspects of Wang Xifeng, the most important character in "A Dream of Red Mansions" besides Bao Dai. It fully demonstrates Professor Ma's profound foundation in classical literature and superb knowledge of red studies. Through a new interpretation of Wang Xifeng, the work, on the one hand, explores and understands the character's personality traits and true thoughts from the clues surrounding Sister Feng's story and character activities; on the other hand, it explores and speculates on Cao Xueqin's artistic conception and creative intentions inside and outside the text. This book is not only a beautiful article that comprehensively decrypts, interprets and analyzes Wang Xifeng, but also an open-ended text with a sense of exploration and suspense. It is not only a rigorous academic work on red studies, but also an easy-to-understand, relaxed and interesting academic essay. It has both academic value and readability.

"Tokyo University Professor's Lecture Notes on World Literature 2" is the second volume in the "Tokyo University Professor's Lecture Note on World Literature" series. This book is the world literature course handout of Mitsuki Numano, a professor of literature at the University of Tokyo and a famous Japanese literary critic. The content consists of a literary dialogue between the author Mitsuki Numano and 23 well-known contemporary writers and scholars (from Japan, the United States, China, Poland, Bulgaria and other countries). This series of books is required reading for undergraduates and graduate students majoring in literary theory at the University of Tokyo, and is also a basic reading for students majoring in literature at the University of Tokyo. This volume includes dialogues between Ikuo Kameyama, Japan's leading researcher on Russian literature, Nozaki Hiroshi, an expert on Japanese literature, Risa Hataya, a Naoki Award-winning writer, Yang Yi, a Chinese writer active in the Japanese literary world, and Yoko Tawada, a Japanese writer active in the German literary world.

"Tokyo University Professor's Lecture Notes on World Literature 3" is the third volume in the "Tokyo University Professor's Lecture Note on World Literature" series. This book is the world literature course handout of Mitsuki Numano, a professor of literature at the University of Tokyo and a famous Japanese literary critic. The content consists of a literary dialogue between the author Mitsuki Numano and 23 well-known contemporary writers and scholars (from Japan, the United States, China, Poland, Bulgaria and other countries). This series of books is required reading for undergraduates and graduate students majoring in literary theory at the University of Tokyo, and is also a basic reading for students majoring in literature at the University of Tokyo. This volume contains dialogues between the popular Japanese writer Kaga Otohiko, the famous Japanese poet Shuntaro Tanigawa, the Japanese Kawabata Yasunari Prize-winning writer Noboru Tsujihara, the well-known Chinese poet Tahara living in Japan, and the popular American writer Roger Pfeiffer.

Jonathan Culler explains what "theory" is. He did not describe the battles between various "schools", but instead outlined the key "evolutions" advocated by the theory, directly expounding the connotation of literary theory. "The Oxford General Reader: An Introduction to Literary Theory" will benefit every reader who wants to understand contemporary literature.

This is a novel writing book. This book details templates for disasters, romantic comedies, heroes, partners, and success stories that can be used in a wide range of modern novels. As long as you understand the structure and writing method, you can expand your story creation repertoire a lot. Each chapter of this book has an exercise section. Don't feel troublesome, please be sure to write it yourself.

"The consciousness of Chinese literature" is the main issue that this book pays special attention to and focuses on. The author of Great Literature and Chinese Style attempts to construct the value picture of "Great Literature" and the subjectivity of "Chinese Literature" through detailed interpretation of specific texts and specific phenomena, reveal the charm and value of "Chinese Style", and then seek a positive "support consciousness" for current literary writing and literary reading. Great Literature and Chinese Style adhere to Sima Qian's writing ethics of "no false beauty, no hidden evil", no empty words, no nonsense, no lies. It embodies the author's consistent frank and serious critical attitude and careful reading and in-depth critical style, showing a positive critical attitude constructed through questioning. After these articles were published in newspapers and periodicals, they aroused great response and praise from readers. They were reprinted many times by many authoritative publications and won many awards.

"History of Ci in the Northern Song Dynasty" comments one by one on the famous poets in the Northern Song Dynasty and the social background at that time. "History of Ci in the Northern Song Dynasty" will be of great reference value to readers who study and research the history of ancient literature. The lyrical function of words has the ultimate expression and complex changes in their hands. The style of Song Ci is even more colorful, dazzling and beautiful. Such as Yan Shu's gentleness and elegance, Liu Yong's graceful humor, Su Shi's majestic elegance, Zhou Bangyan's elegance, Li Qingzhao's freshness and smoothness, Jiang Kui's elegance and elegance, Xin Qiji's melancholy and frustration, Wu Wenying's beauty and profoundness, Wang Yisun's twilight and lingering...

"Tokyo University Professor's Lecture Notes on World Literature 4" is the fourth volume in the "Tokyo University Professor's Lecture Note on World Literature" series. This book is the world literature course handout of Mitsuki Numano, a professor of literature at the University of Tokyo and a famous Japanese literary critic. The content consists of a literary dialogue between the author Mitsuki Numano and 23 well-known contemporary writers and scholars (from Japan, the United States, China, Poland, Bulgaria and other countries). This series of books is required reading for undergraduates and graduate students majoring in literary theory at the University of Tokyo, and is also a basic reading for students majoring in literature at the University of Tokyo. This volume contains dialogues between Japanese Akutagawa Prize winners Ogawa Yoko and Ikezawa Natsuki, famous Japanese translator Minami Aoyama, famous Japanese translator Sachiko Kishimoto, and American literature researcher Michael Emmerich. The topics revolve around Japanese children's picture books, complete works of Japanese literature, and modern American novels.

The story of Adam and Eve is like the shadow of human beings as a whole, which continues to exist in religion, literature, art, and philosophy. It is not only a hymn to human responsibility, but also a dark allegory about the tragic situation of human beings. Stephen Greenblatt builds a bridge between human origins and modern civilization by tracing back the story's immense value, revealing its rich allegory, sexual and moral conflicts, virulent misogyny, and profound moral insights, all the while tracing the story's post-Darwinian persistence in contemporary times, triggering our thinking about issues such as freedom of marriage, women's rights, and the measure of freedom in today's society.

"Mainstream of Nineteenth-Century Literature" is a literary history full of poetry and passion, a landmark masterpiece. It is a high-rise and majestic book that vividly tells the life story of the writer and provides thoughtful analysis of the works. It vividly reflects the magnificent history of the European literary world in the first half of the 19th century, especially the youthful movement of Romantic literature. Although this book is divided into six volumes, each volume is an independent chapter. This volume talks about "Young Germany". The author concludes: "Among this group of writers there is no first-rate great figure in poetry, but only one high-level person, and that is Heine. This group of writers did not leave behind any truly great works. Most of their functions were negation, cleansing, destruction and the removal of the old and the creation of the new. Their strength lies in their suspicion, their hatred of servility and their individualism."

In the fictitious Daxia Dynasty, from 1205 to 1290, there were no handsome men and beautiful women traveling through polyamorous romances. There were only thrilling power struggles within the royal family, and the difficult respite of the lower class people under feudal oppression. Li Heyong hid the prince, but deliberately allowed party strife on the grounds that he had no children. The prince Li Shanyu grew up difficultly in the undercurrent. After finally ascending to the throne, he was suppressed by the powerful minister Li Xiao. He died suddenly and mysteriously after the reform failed. During Guangzong's short reign, the country fell into chaos. After Li Jianguo came to the throne, he eradicated traitors, implemented reforms, and ushered in the Hongzheng rule. Li Zhiheng inherited his father's business and created the "Tai Qing Dynasty". But even under the rule of these two wise kings, local officials still exploited the people wantonly. In Li Zhiheng's later years, his relatives took control of the government, and the court was full of chaos and conflicts were about to break out. By showing the cruel power struggle within the Li family, this book profoundly exposes the decadence and darkness of feudal society, and takes you to witness the true history behind the rise and fall of the feudal dynasty.

If you bloom, spiritual energy will come naturally. Yu Yang originally just wanted to raise the spiritual tree, but he accidentally caused the universe to revive.

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She was the daughter of the Mu family, and he was just the son of her servant. Why does he love her? What did he use to love her? When she was young, she hated him because of his lowly status, despised him, and turned a blind eye to his love. The death of her mother made her discover a huge secret, and she hated him even more. Her father's ruthlessness made her flee Mu's house, cutting off all contact between him and her. Ten years later, she is the mysterious CEO of the Emperor, charming and beautiful. When she met him again, he had become the largest wealthy businessman in C City and had his own empire. She never imagined that he would transform from the son of a lowly servant to a man as elegant as a leopard but bloodthirsty, and she never imagined that he would imprison her just to keep her by his side. He dotes on her very much, but she hates him very much, hates him for imprisoning her regardless of her wishes, hates him for making her suffer so much for ten years. Highlight 1: It rained very hard. Mu Yanyu, who was soaked all over, raised her feet uncomfortably and walked, and the sound of urgent footsteps came from behind. Suddenly her whole body was pulled into a warm and generous chest. "Go back with me?" He begged her in a low voice, his voice slightly hoarse. "Go back?? Is that still my home? It has been occupied by you and your mother." She pushed him away hard and said coldly. The rain slid down her pretty face. No one knew that her tears had dried up. They had dried up since the moment her mother died. All of this was because of him and his mother. She hated him and hated him all her life. "As long as you come back with me, I will give you whatever you want." He begged bitterly, pain flashing across his handsome face. "Hahaha, go back, no, that is no longer my home, Xuan Sichen, I hate you, I, Mu Yanyu, will hate you in my life, and I swear I will never forgive you." Her sad laughter, filled with hatred, made Xuan Sichen's heart tremble. The blood-filled hatred in her eyes made him suffer. No, Yu'er, don't hate me. Looking at him coldly, Mu Yanyu turned around and ran to the other side of the road. "Yu'er, come back!!" A truck passed by, and Mu Yan Yu's figure had disappeared. He screamed at the sky in pain. Highlight 2: At the birthday party, she wore a bright red tube top dress with a cool and charming expression. When men came up to chat, she smiled and rejected her. She was like a high-ranking queen, unmatched by others. In the darkness, a pair of bloodthirsty eyes locked tightly on her beauty, waiting for an opportunity like a leopard, leaving her no chance to escape. Yu'er, you will always be mine. Recommend the bloodthirsty sister Yi Yueyu's story "The Domineering Love of a Cold President" http:\u002F\u002Fread. Xxsy. Net\u002Finfo\u002F290047. Html New article "Rebirth: Be My Wife Again" http:\u002F\u002Fread. Xxsy. Net\u002Finfo\u002F428226. Html

This is a hard-core science fiction book involving virtual reality, relativity, time travel, and quantum mechanics. It is also a grand epic that records human history and emotions. Kobayashi Taizo has built seven unforgettable different worlds with amazing sci-fi details and wonderful plot ideas: when the direction of space is redefined; when the flow of time is no longer uniform; when the body's feelings are no longer real... Love will be the ultimate answer to the universe - travel through the gate of time, reverse the wheel of fate; embrace the sea, and look at the opposite ends of eternity with your lover...

Japan Nebula Award, a classic work by science fiction master Kobayashi Taizo. Don't miss this opportunity to learn about Kobayashi Taizo's world! Science fiction, reasoning, horror, love, novel settings, extreme reversal, your world view is about to be subverted! The genius illustrator Sajun customized the cover for "Tattered"! Someone used DNA from the stratum 6,500 years ago to bring alive alien life forms; there is a place where human corpses can be recycled and human bodies can be repaired; I have loved my wife for decades, but found out that she turned out to be a murderer; I was wrongly accused of being a murderer, but that is not me... Here In this book, Kobayashi Taizo focuses on four major genres: monster novels, westerns, psychological thrillers, and character reasoning, using meaningful metaphors to write about human beings' fear of the unknown. The forward-looking science fiction world reveals worries and ironies about the human condition of existence. If you want to understand the world of Kobayashi Taizo, this book is enough.

For me, loneliness is not a process, but an ending. It doesn't mean that you don't want to be lonely just because you hate being lonely.

"Old Will's Planet" is Ogawa Isui's first collection of science fiction short and medium-length stories, telling how different intelligent life forms survive in extreme environments. Isolation from the world, doomsday crisis, real and fake life, boundless loneliness... From individuals, teams to races, the protagonist of the story will find hope and the meaning of life in the crisis. If you have experienced life and death, togetherness and separation, and have had and lost partners, then you will definitely be able to resonate with them and have the courage to continue to grow.

The set contains three volumes, including "The Spanish Beggar", "The Beggar and the Chosen" and "The Beggar's Wish".

Humanity has reached a dead end on the road of evolution. People are afraid of social interaction and have lost their emotions. They are like walking zombies. Even if they lose their loved ones, they can only pray to "God" to give them the ability to grieve. Only by defeating the "gods" can humans regain their original emotions and dignity. So, the heroes set out towards the five statues of gods that ruled the world. However, the heroic epic movement changes tone midway and takes on a nightmarish color. "Is it the world that is crazy, or myself?" When people even have doubts about the world they live in, only by knowing the truth can they maintain themselves. But where is the truth...

"Burning Coins" uses kaleidoscope-like techniques to fictionalize real historical events and write it into a shocking and violent story. The story spans the two cities of Buenos Aires and Montevideo. After joining a criminal gang, the gangsters Brinine and Dorda, known as the "Twins", colluded with corrupt police and politicians to rob a bank cash truck. They fled to Montevideo, the capital of Uruguay, with a huge amount of money, and were rounded up by Argentine and Uruguayan police in an apartment. The murderous robbers killed several more police officers during the confrontation and defiantly burned the remaining stolen money. The ultimate siege by the police of the two countries began. This brutal siege and its shocking ending have become a legend in Latin America. In 2000, Argentinian director Marcelo Pinheiro adapted "Fire" into a film of the same name, which won the Spanish Goya Award for Best Spanish Foreign Film.

Humanity's small scientific research vessel "Mercedes" accidentally crashed on the unexplored ocean planet Kislap, and as a result, it unexpectedly came close to the amazing secrets of the universe.

In the near future, the ecological environment will become unprecedentedly bad. Humanity continues to move forward on the road of exploring new energy sources, and "black hole science" has become a popular subject. However, an accident occurred during the study of black hole power generation. A miniature black hole accidentally fell into the center of the earth and began to eat away at the earth. Human civilization suddenly faced the fate of being destroyed within two years. Scientists are working day and night to find a way to save the earth, trying to push the black hole out of the center of the earth and send it into the universe. At the same time, some extremists believe that the only way to save the earth is to make humans extinct and set the earth's evolution back millions of years and start over.

Is the scroll in the bottle hidden in the Golden Scale Temple a good way to save the world or a Pandora's box?

Jenny has always lived by her own rules. She likes nature and a free life, and often wanders in the fields with a mysterious white sheep. Until she met a boy who had been guarding the pile of stones on the top of the mountain for thousands of years and didn't know where he would be in the future. Fate intertwined them in an unpredictable way, changing the lives of Jenny and the entire family. What makes the boy protect the stone pile for thousands of years at the expense of his own life? Why does Aries want the boy to leave the pile of rocks? What is buried under the pile of rocks? When human life conflicts with the return of native nature, where should Jenny go? Where is their future...

Chen Taixuan traveled through the wilderness and became a miscellaneous soldier of the dragon tribe; At this time, the war between the three tribes has just ended. As a miscellaneous soldier who survived the war between the three tribes, Chen Taixuan has no following, no background, and no future; There was boundless karma in the past, and the world was disgusted with it. Later, God restricted me from leaving the cave easily, and I just felt that my future was bleak; Fortunately, when he was traveling through time, a supreme being named Hongmeng Daogen took root in his sea of consciousness; I have a tree, Watered by the luck of heaven and earth, merit, karma, spiritual origin, etc.; You can pick the seeds of the Tao, cultivate the sea of consciousness, and cultivate the supreme fruits of the Tao; The magical power of pregnancy, the fruit of enlightenment; Cultivate the realm and prove the Hunyuan! Using his karma in the war between the three clans, he watered Hongmeng's Tao roots and obtained the first Tao seed: Reproduction! Can cultivate clones and travel through the wilderness... However, Chen Taixuan looked at the egg in front of him sadly and angrily, "I am a male, why did I lay the egg!!!"

I really just want to be a little city god, how can I become the first city god in the world? ? ?

"Hey, where can the demon escape?" "How dare you practice sorcery in front of the Taoist Master?" "The demon is really powerful!" "If I use this move, how should you respond?" "Poof!" "Grandpa Immortal, I was wrong. I should never have accused you of being a demon!"

False Fuxi: He held his sister back and ended up trapped in the Fire Cloud Cave... The real Fuxi: With the mentality of a man who is lying down and having fun, he laughs at the changes in the prehistoric times! As an innate god with good footwork, he has actually stood at the pinnacle of the ancient world. Since you can have everything you want just by lying down, why bother with life and death for the benefits in front of you?

When the heaven and earth first opened, a ray of Xuanyang energy fell into the primitive land. It took shape in Buzhou Mountain. This Taoist calls himself: Xuanyang Taojun. He has left countless myths and legends in the prehistoric world, and the world respects him as: Xuanyang Patriarch Miaodao Tianzun.

This article mainly writes about the long-distance love run between Emperor Kangxi's Xiao Xuanzi and Empress Dowager De. To sum it up in one sentence, this article is a touching love poem about Concubine De's escape from Kangxi's pursuit, De Concubine's escape again, Kangxi's pursuit again, De Concubine's escape, and Kangxi's pursuit~

In her previous life, she was the most panic-stricken killer, but she destroyed herself because of the last trace of tenderness in her heart. Reborn, she became a disgraced princess that no one cared about, but she achieved great success through her own efforts. The cycle of life is to let her start over or make the same mistakes again. It was obvious that he had escaped the pain, but a familiar scene happened again. Between love and non-love, there are too many reasons and pains. Those who said they would never leave ended up disappearing without a trace. She is an extremely young prince. In order to give herself an explanation, she stayed in obscurity for ten years. When the opportunity comes, she shines in one fell swoop. He was a fallen and lost prince who was picked up by her and subjected to cruel training. He thought he could ignore everything by being by her side, but he could not forget the pain of the destruction of his country and his family. He is a prince who swallows his anger. He was bullied since he was a child, just because he had a mother who was born in a humble way. It was she who made him regain his confidence, but in the end he always changed his mind. He is a gentle and kind brother who ascended to the throne with her help, but even though he knew he shouldn't, he still fell in love with her amazing grace. This is a story about fighting for power, the sweetness and pain of loving and being loved. She is cruel to others, and she is also cruel to herself. After losing everything, she also forgot everything. When they meet again, will they return to the past, or will they become a relationship of interest to each other. Everything is unknown.

... ... The bright moon of the Qin Dynasty, the nine songs of the sky, the night... Su Yuxuan brought his "babies" to this world to describe the different life of the Qin Dynasty. What's wrong with Su Yuxuan? He just liked the moon in Qin Dynasty: it was bright and bright, as big and round as a bowl! ... ...