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"Lu Xun's Youth" is a review and summary of Lu Xun's literary accomplishment. It focuses on Lu Xun's life experience and literary thinking in the first thirty years, especially his study in his youth. These are collectively called by Zhou Zuoren: the "beginning" of literary creation. During this stage, the transformation process of Lu Xun's attitude towards studying was also the process of his literary creation from immaturity to maturity.

This book is a collection of essays by Zhou Zuoren, a famous modern Chinese essayist, literary theorist and critic. Including these works in the collection is another tribute to these writers and their creations, which is of great publishing significance.

"Bitter Bamboo Miscellaneous Notes" are mostly essays and "chaoshu", which are Zhou Zuoren's concise and distant later articles. Among them, the "wenchaogong" writing method has become a writing feature that Zhou Zuoren has used for many years. At the same time, this "Bitter Bamboo Miscellaneous Notes" is also Zhou Zuoren's most emotional book, and it is a work of Zhou Zuoren's temperament.

"The Book on a Rainy Day" is a very famous and representative collection of Zhou Zuoren's prose collection. It includes such popular masterpieces as "Wild Vegetables in Hometown", "Tea Food in Beijing" and "Drinking Tea". The text in the book is plain and natural, leisurely and harmonious. It is a peak in the history of Chinese prose.

"Medicine Collection" is one of Zhou Zuoren's very representative subsets. It contains more than 20 classic prose works by Zhou Zuoren. Most of his articles describe the most ordinary fragments of life. The lines are full of tranquility and tranquility, but they can penetrate people's hearts. They often fascinate readers with just a few words.

"Letters of Zhou Zuoren" contains a collection of private letters between Zhou Zuoren and his friends. Zhou Zuoren said: "The content of this collection can be roughly divided into two parts, one is the book and the other is the letter." From it, we can not only know Zhou Zuoren's interests and hobbies, but also know the distance between him and his friends, and learn about the social status, customs and folk customs of the time from the side, which is very interesting.

"Bitter Tea Essays" contains a total of fifty-one articles, most of which are essays. The name bitter tea reflects the suffering in Zhou Zuoren's heart and the suffering in his writings. It is painful but refreshing, but it is the pitiful point of adults. You all know the taste of it. The articles included in "Bitter Tea Essays" emphasize the freedom and independence of thought, and there are quite a few counter-criticisms against other people's criticisms, which are rare before. "Bitter Tea Essay" is Zhou Zuoren's masterpiece of prose. Since then, Zhou's prose creation has reached a climax.

"Poems on Laohuqiao" is the only collection of old-style poems compiled by Zhou Zuoren. Most of them were written in Laohuqiao Prison in Nanjing, hence the name "Poems on Laohuqiao". The content involves past reading experiences, chanting history, recalling homesickness, etc. It reflects on life and expresses the state of mind, which is very profound. "Emotions are moved in the heart and expressed in words." In addition, there are also "Quequatrains on Paintings", which are poems about objects, and "Children's Miscellaneous Poems", which tell children's lives and stories in the form of poems and express children's views. His poems are fresh and unique and widely popular.

"Tanhu Collection" contains a large number of Mr. Zhou Zuoren's prose works, "comments on all human affairs". These works are rich in content, covering a wide range of topics, and the writing style is vivid and smooth. They may seem disorganized but contain exquisite details, which fully demonstrates the author's ability to control words. It has high literary quality, artistic quality and readability. The article has a clear stance and fierce language, fully demonstrating the appearance of a social critic.

"Lu Xun's Hometown" is one of Zhou Zuoren's important works recalling his brother Lu Xun in his later years. It is also one of the comprehensive and three-dimensional memoirs about Lu Xun. In "Lu Xun's Hometown", Zhou Zuoren uses a camera-like "spectator" perspective to reproduce Lu Xun's colorful childhood, large family, close friends, and various experiences in his growth process, including the Baicao Garden, Sanwei Bookstore, and "Dang Kou Zhi" that are familiar to readers. At the same time, "Lu Xun's Hometown" also restores the folk customs of Jiangsu and Zhejiang water towns during the Republic of China.

"Collected Works of Zhitang" is a collection of essays that Zhou Zuoren himself is satisfied with. It includes such well-known masterpieces as "The Story of Zhitang", "Past Life" and "Drinking Tea", showing the achievements of Zhou Zuoren's early creative career.

This book contains a total of 36 essays and essays by Zhou Zuoren. He wrote about wild vegetables in his hometown, drinking tea, birdsong, awning boats, spring in Peiping, and the moon in the Mid-Autumn Festival, plum blossoms, orchids, bamboos and chrysanthemums. He wrote down all the things that require a leisurely mind to notice one by one. He was calm, indifferent, and eloquent without being impetuous and sharp, which makes people feel relaxed when reading.

"Bing Candle Talk" contains thirty essays by Zhou Zuoren, written from November 1936 to April 1937. In his later years, the author looked back on his writings and emphasized the concentration of cultural criticism works such as "Fu De Mao". The materials he draws do not avoid ancient and modern times, China and foreign countries. It can be said that discoveries are made because of knowledge and interesting because of discoveries.

Yaotang Essays contains twenty-eight articles written by Zhou Zuoren from 1940 to 1943 in the occupied Peking. Different from the leisurely conversations about making a cup of tea under the paper windows of the tiled houses in the early days, and different from the flashes of thoughts in the form of short notes in the middle period, here are "serious articles" about Chinese literature and thought. From the traditional future of Chinese literature to Chinese thought, from enlightenment to morality and women's studies, from recollections of studying abroad to nostalgia for old friends, although this is not a long essay, it is a sorting out of Zhou Zuoren's own thoughts after experiencing the pain of bronze camels and thorns and being stranded in occupied areas.

The seventeen essays on the right are part of the original manuscript of "Yiyou Wenbian". After being compiled in the winter of 1952, it was hidden at the bottom of the box for a long time. Three years ago, Mr. Cao Juren traveled to the north for a visit, and as a token of appreciation, he took him to Hong Kong and published several articles in magazines, which were later published in a volume, namely "Past Work". For the remaining part, he used the name "Yiyou Wenbian" in order to sort it out. Mr. Cao is really grateful for all his kindness. Speaking of Yiyou Year, this was already fifteen years ago. The social situation is different now and then, so some of the complaints have become outdated. This requires the readers' forgiveness, but the author is very happy. The few articles that talk about famous objects and folk customs may not have much importance here, but some readers prefer these. After liberation, I also wrote many short articles to supplement newspapers and periodicals. This year, I selected fragments and compiled a book "Leaves of Grass", which will be available to readers in March or April.

"Talks after Holding a Candle" mainly collects Zhou Zuoren's works from April to October 1937. As the author said, "There are many leisurely topics in the articles in this book." However, they are all leisurely topics, but the content can be divided into two categories. One expresses interest, and the other is false. The author continues to criticize the dark phenomena in Chinese and Western cultures in articles such as "Talking about Literary Inquisition". In Literary Prison, the author pays special attention to the category of "killing people with thoughts" and points out that the essence of ideological tyranny is that people generally lose their ability to think and judge, and consciously converge towards tyranny itself. Zhou always maintains a clear understanding of traditional Chinese culture, carefully distinguishes it, and does not let go of the bad side.

This book is "One of the Collected Works Compiled by Zhou Zuoren". The first edition of "Alismatis Collection" was published in 1927. In addition to the preface written by Zhou Zuoren, it contains a total of 21 articles. Although it is called a "little book", there are many famous pieces, such as "Flies", "Wild Vegetables in Hometown", "Eating Tea", "Wooden Boat", "Bitter Rain", "How to Die", etc. Zhou Zuoren has already stated in the preface that these articles "I think they are quite satisfactory and can express a little bit of the sentiment and interest of the time", and because he likes the grass "Alismatis", he chose it as the title of the book.

This set of books includes "Talks after a Candle", "Talks by a Candle", "A Short Essay on Children's Literature", "Talks on Wind and Rain", "Collection of Melon and Dou", "Past Work", "History of Modern European Literature", "Looking at the Clouds", "Essays on Bitter Tea", etc., A total of 36 volumes. "Talks after Holding a Candle" mainly collects Zhou Zuoren's works from April to October 1937. The content is divided into two categories: one expresses interest, which can be described as truly leisurely, such as "Talking about Persuading Drinking"; the other is false, such as "Talking about Leprosy". In the article, Zhou Zuoren criticized the darkest phenomenon in Chinese and Western cultures, pointing out that the essence of ideological autocracy lies in the fact that people generally lose their ability to think and judge, and consciously converge towards autocracy itself - that is, "killing people with their thoughts." "If the crime of killing people with thoughts is deviant and treacherous, it is not holy. Most people feel that they are all opposed, and they are willing to get what they want. Not only the tyrant wants to kill, but the mob also agrees." And "the feelings of ordinary scholars on this matter" are no different from that of the "mob", forming an authoritarian situation in which everyone is consistent, and individuals as thinkers can only be killed. Zhou has always maintained a clear understanding of traditional Chinese culture, carefully discerning it, and not letting go of the bad side. His previous works, "Yedu Chao·Eunuch" and "Kan Yunji·On Eight-legged Essay", are all masterpieces, and he pays special attention to the criticism of ideological tyranny, which is the key point.

"Gua Dou Ji" contains Zhou Zuoren's works from May to December 1936. There are more than thirty articles in total. Compared with the author's previous articles, the content is relatively new and focuses on men and women, desire and sex. As the author said: "'Iconoclasm' and 'moderation' are sandwiched together." Zhou Zuoren's moral outlook established by sexual psychology covers both men and women, but he pays special attention to women, because women have no social security and have many victim statuses. Therefore, he has special sympathy for women's unfortunate experiences, whether it is experience or psychology.

"Zhou Zuoren's Collected Works: Books on Rainy Days" contains more than 50 essays written by Zhou Zuoren from 1921 to 1925, most of which are miscellaneous essays. Some of the articles are plain and natural, leisurely and harmonious, such as "Wild Vegetables in Hometown", "Drinking Tea" and "Flies", etc., Which have always been popular. And this is not the only feature of the articles in this collection. The author does not take leisure as his only purpose. His concern for literature, art and national character is still obvious.

"The Origin of Chinese New Literature" is a systematic summary of Zhou Zuoren's theory on the May 4th New Literature Movement and the entire history of Chinese literature. It has thorough reasoning and exquisite writing. As a Chinese scholar, you must read it carefully. The origin, course, and significance of the Chinese New Literature Movement will be explained based on what Zhou Zuoren knows and has seen. "Literature is something that conveys the author's unique thoughts and feelings in a beautiful form, so that people who read it can get pleasure from it."

"History of Modern European Literature" is a companion volume to "History of European Literature". It is a compilation of the "History of European Literature in the Nineteenth Century" lecture notes given by Zhou Zuoren for the second-year Chinese students of Peking University after "History of European Literature". The content ranges from the Middle Ages to the 19th century, with a special focus on European legendary and realist literature of the 19th century that had a profound influence on the scholars of the May 4th generation. Zhou's work on literary history has profound insights, elegant writing, and easy-to-understand explanations. It is known as the work that started "Chinese Enlightenment Literature."

"Bitter Bamboo Miscellaneous Notes" contains more than forty articles, most of which are essays and "copied books", which are concise and distant articles in the later period. Among them, "talking about ghosts" is one of Zhou Zuoren's favorite topics. From this, the author feels the life situation and survival desire of ordinary people, and feels the most sad and pitiable. It looks like talking about ghosts, but it is actually a heart-to-heart talk. It not only pursues true knowledge, but also does not forget human feelings. Among Zhou's writings, such articles have the most emotional depth. "Bitter Bamboo Miscellanies" was carefully edited by Zhi'an.

"Lu Xun's Hometown" is one of Zhou Zuoren's important works recalling his brother Lu Xun in his later years. It is also one of the comprehensive and three-dimensional memoirs about Lu Xun. "Lu Xun's Youth" is a review and summary of Lu Xun's literary accomplishment. It focuses on Lu Xun's life experience and literary thinking in the first thirty years. During this stage, the transformation process of Lu Xun's academic attitude is also the process of his literary creation from immaturity to maturity. "Characters in Lu Xun's Novels" systematically analyzes the realistic orientation and literary metaphors of the protagonists in Lu Xun's novels. Starting from the source of creation, expression techniques, background connections and other aspects, it restores the novel characters such as "Xiang Lin's Wife", "A Chang" and "Run Tu" one by one, interspersed with precise and unique literary evaluations, trying to lead readers to touch Lu Xun's ideological temperature from Lu Xun's circle of friends and the background of the times.

This book includes "History of European Literature" and "Origins of New Literature". "History of European Literature" is Zhou Zuoren's lecture notes at Peking University. It is also China's first relatively systematic history of European literature, covering topics ranging from ancient Greece to the eighteenth century. "The Origin of New Literature" is Zhou Zuoren's systematic summary of the May Fourth New Literature Movement and even the entire history of Chinese literature.

Zhou Zuoren's prose style is peaceful and tranquil, clear and elegant, and his essays are leisurely, humorous, and quaint. However, the two topics he discusses in his articles are always literature and current affairs. The articles in "Yongri Collection" are written around the author's writing themes - literature and current affairs. They are the author's continuation or in-depth thinking on these two aspects, reflecting his anti-ethical thoughts and humanitarian spirit, and showing the depth of Zhou Zuoren's thoughts and the beauty of his articles.

"My Own Garden" is a collection of Zhou Zuoren's academic essays. It mainly explains Zhou Zuoren's own interpretation and attitude towards literature and art. It can be regarded as a collection of literary criticism, and it is also a sharp side that Zhou Zuoren rarely shows. Most of the collections in "My Own Garden" are landscape sketches and essays. Some of the essays also have very unique insights into art. They not only discuss the creative concepts of excellent foreign literature, but also comparatively study the shortcomings of domestic literary creation. They have a clear attitude and sincere words. In terms of expression, they continue his usual casual and peaceful writing style.

"Zhou Zuoren's Self-edited Collection: Yaotang Essays" contains 28 articles written by Zhou Zuoren from 1940 to 1943 in the occupied Peiping. Different from the leisurely conversations about making a cup of tea under the paper windows of the tiled houses in the early days, and different from the flashes of thoughts in the form of short notes in the middle period, here are "serious articles" about Chinese literature and thought. From the traditional future of Chinese literature to Chinese thought, from enlightenment to morality and women's studies, from recollections of studying abroad to nostalgia for old friends, although it is not a lengthy discussion, it is a sorting out of Zhou Zuoren's own thoughts, who has experienced the pain of bronze camels and thorns and was stranded in occupied areas.

This book contains contents such as first love; women's taboos; words of the wind; commemoration of Zhimo; drinking tea; talking about wine; discussing tea again; about bitter tea; notes about buying ink, etc.

This set includes Zhou Zuoren's classic works, including "Memories of Zhitang", "Lu Xun's Hometown", "Lu Xun's Youth", etc.

"A Set of Books to Understand Zhou Zuoren" includes: "Lu Xun's Hometown", "Characters in Lu Xun's Novels", "Lu Xun's Youth", "Memories of Zhitang" (three volumes), "Medicine Collection", "My Own Garden", "Art and Life", "Bitter Tea Essays", "Bitter Bamboo Miscellaneous Notes", "Talking about Tiger Collection", "Books on Rainy Days", "Collected Works of Zhitang", "The Origin of Chinese New Literature; History of European Literature"

"Tan Hu Ji" contains a large number of Zhou Zuoren's prose works, which are his comments on all human affairs. The work is rich in content, clear in stance, and fierce in language, fully demonstrating the features of a social critic. The writing is vivid and smooth, seemingly disorganized but contains exquisiteness, and has high literary, artistic and readability.

In the dream, in public, "Teacher Yang, An Yuhuai said he had a crush on me!" "Teacher Yang, it was Li Mucheng who said she liked me first!" "Why are you two making such a fuss!" "We are not making a fuss. Seriously, we will get married in the future!" "Yes, but now. We won't fall in love!" "Okay, in that case, before lunch today, each of you will submit a one-thousand-word review. If you don't submit it to my office, don't leave it in the cafeteria." "..." Li Mucheng cried silently. This was the second review she had written in her dream. But is this really a dream? Why can't we just wave a hand and conjure up a review?