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Modern white-collar Song Lijun, a 22-year-old professional woman, lives a busy life from nine to five, but is an out-and-out literary fan. He is obsessed with classic literary works praised as the most outstanding Tanci in the Qing Dynasty by Mr. Chen Yinke, a master of Chinese studies, and evaluated as Nanyuan ("Rebirth") and Beimeng ("Dream of Red Mansions") by the writer Mr. Guo Moruo, and the seven-character long narrative poem "Rebirth" written by the Qing Dynasty female writer Chen Duansheng. In the book, there is a story about a strange woman named Meng Lijun who disguised herself as a man, won the first prize, became the prime minister, and refused the emperor's orders. From this, she likes to adapt it into "Meng Lijun" in various versions of film and television works. That night, I was obsessed with the Huangmei Opera version of "Meng Lijun" and watched it all night long. On the way to work the next morning, I stumbled into a roadside pond. After waking up, I found that I had turned into Chen Changsheng, the third sister of Chen Duansheng, a female writer in the Qing Dynasty. From this, a modern woman enters the turbulent creative world of "Rebirth" and dreams of rebirth.

This book selects Haizi, an iconic figure in literature in the 1980s, as the research object. Through the discussion of comments about Haizi and his poems, it reflects on Chinese literature in the 1980s and the self-knowledge and self-understanding of Chinese intellectuals. The shaping of Haizi by different cultures and intellectual spaces demonstrates the new anxieties and new hopes of Chinese thought after the 1990s. This book has a novel and unique perspective, showing the author's good problem awareness and method awareness, as well as the ability to independently engage in creative scientific research. It embodies new academic ideas, explores valuable new phenomena and new laws, and has strong theoretical significance and practical value. The structure of the book is exquisite and complete, the writing is beautiful and smooth, and the theoretical analysis and text interpretation can be perfectly combined. This book is revised and improved from the author's doctoral thesis, which has won the title of Beijing's Outstanding Doctoral Thesis in 2009.

Girls' school book of Tang Dynasty Xue Taoqu After thousands of years, the poems have never stopped. The storm in Bashu, but look at the red dress. I am a beautiful lady, but fate has played a trick on me. The traces of the girls' school by the Huanhua River can still be traced to this day. After thousands of years, the story never stops. Yuan Bai sang and Wei Duan greeted him. I am a great poet, but I am a daughter. The girl's school on the bank of Huanhua River is famous and its reputation is passed down to this day. Girls' school book of Tang Dynasty Xue Tao Jian Red paper, red paper The color of the square inch is bright. On the writing paper, every piece of heartfelt music is written, Qianqiansu hand gift is destined. Red paper, red paper Years of hard work. Five hundred poems are finally collected, Leave it to future generations to appreciate and appreciate. Girls' school book of Tang Dynasty Bamboo rhyme green bamboo, The faint bamboo, Do you know the song in my heart? Bamboo in the rain, Bamboo in the fog, You can hear the song in my heart. I just want to become a tree in the sea of bamboo, No matter how time goes by, the light and shadow are just like yesterday. I just want to become a tree in the sea of bamboo, Regardless of the chaos of the world, I am determined. The bamboo sea is my retreat, The bamboo sea is my spiritual support.

Based on a large number of historical materials, this book combines folklore, anecdotes, and unofficial history. It is further refined and processed during the search. The work restores history, puts the characters in a specific historical background, reveals their character and destiny, and interprets the joys and sorrows of the characters. Show readers a brand new Liu Yong.