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This book focuses on the narrative theory of Russian formalism, especially the theory of novels. It is the first attempt and exploration in China to systematically study this content. It mainly includes two periods: Russian Formalism and Post-Russian Formalism, with the former mainly represented by Shklovsky, Eichenbaum, Tomaszewski, Jacobson and Tignanov. Specifically, this research mainly focuses on the school's theories on the essence and plot, form and function, time and space, protagonist and narrator, and literary history of narrative works, and examines the construction, historical evolution and development rules of the school's narrative theory system. At the same time, it explores the echo of Russian formalist narrative theory in contemporary academic circles, as well as its influence and inspiration on Western narrative theory in the 20th century. And combine the school's narrative theory with the literary creation of the main representatives to study, and on this basis, rethink the construction of Russian formalist narrative theory.

He was originally a young monk in Wuliang Temple. He chanted sutras and meditated every day and traveled freely. But who would have imagined that one time when he went down the mountain to do some shopping, he accidentally got involved with the imperial assassination organization. From then on, his life was turned upside down, far more dangerous than the disaster he encountered before he became a monk. What he didn't expect was that the death of the current emperor was actually closely related to him...

This book is a collection of academic essays written by Yang Yan, a professor of the Chinese Department of East China University. It includes a series of articles published by the author in the Shanghai Book Review in recent years. The main content is a textual research and discussion on some difficult issues in the reading comprehension of classical literature, and an introduction and elucidation of the academic paths and academic spirit of modern scholars. The title of the book "Searching for secluded places has never stopped" is taken from another poem by Li Bai, "A spring trip to Shi'e River with Pei Shijun of Shangzhou". It is intended to continue with the title "Go and look at the path you came from", which shows that the author still has a strong interest in such trivial things. Collected are some of the essays and book reviews written by the author over the past few years. The main content is the interpretation and analysis of classical poetry and the comparison and evaluation of modern scholars. It includes works such as "Tao Yuanming's Children", "Fireside Poetry Discussing is Interesting", "The Poet is Gone, the Poet Is Immortal", "Things Don't Know How Difficult They Are".

Two hours after Men Xiaofan lost contact, Quan Jinshu received a call from Lin Shitai, director of the County Education Bureau. Lin Shitai said on the phone that Men Xiaofan had been double-regulated. The work of the County Vocational Education Center is temporarily in your charge. You must work hard and strive to be the top leader during the assessment. If you have any major issues at work, you need to report them to the Education Bureau. Don't make your own decisions. Quan Jinshu was stunned and said, "Principal Men has done a good job and has always enjoyed a high reputation in society for his integrity. How come he was suddenly shunned?" Did the disciplinary inspection department arrest the wrong person? Lin Shitai laughed and said, can this be wrong? Quan Jinshu asked again, what crime did Men Xiaofan commit? Lin Shitai said, taking bribes. Quanjinshu said it was impossible. I have worked with Men Xiaofan for several years and I have never found him to have this problem. Lin Shitai laughed and said, does a corrupt official still have it written on his face that he is a corrupt official? You, you are too naive in looking at people.

This manuscript is a collection of essays specially published to commemorate the author Yang Yan's fiftieth birthday. It mainly includes book reviews, painting reviews, essays and other related content. The author has a lot of emotions when looking back on his life. The manuscript "Yang Yan's Night Tales" is full of the author's love for life and gratitude to his family and friends.

What I think about at dusk, how fate comes to an end, what I think about, are all fighting for the dawn. Only by touching the flower of death can I be saved. Make a promise, and keep it till the end, waiting for me. Inexplicably reborn? Then try to rewrite your life. A good girl in front of others, but decisive and cruel behind the scenes. But she gradually discovered that the reason for "rebirth" seemed not that simple. Why, was it her? Where do I belong...

I'm telling you! Ever since the author decided not to write fantasy and fictional historical themes about suffering and hatred, he wanted to write about the second dimension. In the second dimension, you can do whatever you want, right? But he is too crazy. I, Yang Wen-li, am the protagonist who can break through the dimensional wall! Is there anyone who treats the protagonist like this? I suffer from beauty phobia (emphasis added), have zero force, and have no system (the author is very lazy). I bring with me the beautiful elf who scares me (the author wants to kill me), the traitorous angel who is chased by angels, the dwarf warrior who is afraid of cats, the blood-sick vampire businessman, a little flying cat who is afraid of heights, and a bard with a drake voice. This team saves the world? Let me tell you, I won't do it! Oh! Someone hit me with an egg!