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In the poetry world of the middle and late Northern Song Dynasty, a poet named "Li Bai's successor" appeared - Guo Xiangzheng. He has more than 1,400 works that have been handed down to this day. Both in terms of the number of creations and the time of circulation, they are relatively rare in the history of Chinese classical poetry. This book takes Guo Xiangzheng and his poetic works as the main research object, re-examines some issues in his life story, explores the creative origins, ideological content, creative techniques and techniques of his poems, and deeply studies the impact of character experiences on his poetic works. When personal destiny was intertwined with the country and society, Guo Xiangzheng's thoughts and characters became complex and changeable, and his poems therefore took on the characteristics of being all-encompassing and complex in content, showing an artistic style of grandeur and wonder, freshness and beauty, subtlety and euphemism, sadness and broad-mindedness, and elegance and depth.

This book is based on traditional literary appreciation and criticism, drawing on research methods such as structuralism, new criticism theory, hermeneutics and reception aesthetics. It combines the era, social background, writer's life and other related content to comprehensively interpret the representative works of major writers in each period from the aspects of word meaning, emotion, tone, intention, etc., Conducts a comprehensive analysis and discussion of Taoyuan poetry in the Song Dynasty, and strives to make breakthroughs in the field of Taoyuan poetry research.

"The Voice of Antiquities: Daily Life and Culture of the Ancients" uses ancient relics discovered by Chinese archaeologists as specimens to restore the daily customs, daily furniture and related daily etiquette of ancient Chinese social life. As an archaeologist who has worked hard for more than fifty days, the author combines historical documents, peels off the cocoons, interprets them carefully, and uses vivid and rigorous writing to help us enter the museum, listen to the singing of archaeological specimens, and understand the inherent historical and cultural accumulation and charm of the ancient objects.

Based on the fruitful achievements of Chinese archeology in the past century, this book outlines and reproduces the indelible glorious trajectory of ancient Chinese civilization from the prehistoric period. The book is divided into nine chapters, with both pictures and text. The author carefully selected 327 pictures as auxiliary explanations of the text. Many cultural relics and archaeological excavation photos are very rare. The explanations are simple and fascinating. It can be called a small book for everyone. The book not only has a vision of crossing rivers and seas, but also contains warm details. It is relaxed and relaxed, and it is full of reading sense. It can arouse the interest of ordinary readers and continue to explore carefully, and continue to gain an increasingly in-depth and comprehensive understanding of ancient Chinese civilization.

Earlier, we were at the southeast end of Zhuoma Village. There was a dirt road leading out of the village. The dirt road is about two or three oxcarts wide. From the entrance of the village, it looks like a huge snake twisting and turning and lying across the field. On a sunny day, the dust on the dirt road is more than half a foot thick, and when people walk, they leave deep footprints. As the car drove away, a puff of smoke and dust rose up from behind, and the car was covered with fog. The oxen, donkeys, horses, and cartwheels in front of the cart looked earthy and fishy as soon as they came out, like billets entering the kiln. As soon as the walking tractor passed by, it looked earthy and fake, like a mold. Afraid of rain. Light rain can be enough to wet a layer of skin. As soon as I stepped on the muddy footprints, I saw red and yellow dry soil. There are many red and yellow footprints like spots. At first glance, the road looks more like a fat spotted snake.

This book takes the conflicts of several generations of the Zhu and Zhao families as clues. Through a detailed description of the struggle between the two families, the author panoramically displays the entire process of the rise and fall of the Zhu and Zhao families, and ultimately expresses the grand theme that whether a family or an individual, there will be its peaks and troughs, just like the rising and setting of the sun. In the work, the author Yang Hong highlights the image of Zhu Chengwen. It is precisely because of his inherent kindness and hard-working spirit of the Chinese nation that the two families can finally give up their hatred, and the book reaches a climax and sublimates at the end.

The Taihang Mountains stretch all the way, from northeast to southwest, for more than a thousand miles, and the southernmost point is Nanling. From a distance, Nanling looks like a folding flower fan that opens and closes. There are countless villages like Yuanzhuang, Wuchengtou, Honghuadi, Shipan, Gewantou, Steep Angle, Channel, Baibei, Houzhang etc. Floating on the fan surface. Common jujube trees, pear trees, apricot trees, red fruit trees, elm trees, locust trees, mulberry trees and other plants are scattered here and there. There is a saying in the Nanling area: If a girl covers her head, wears a wedding dress and wedding shoes and steps over the threshold of her parents' home, she is considered to have gone out. This is the bride going out. When the bride goes out, no matter whether she was a rich lady or a poor maid, everything is over. After leaving the house, the daughter has become a daughter-in-law, just like the melon stalk has been separated from the melon vine and has another way of life. Whether the future is good or bad, it is up to each of us to earn it.

"Undocumented Crime", with dazzling puzzles and endless murderous intentions, a criminal master and a detective superman meet their opponents. Who wins the high-IQ gamble? After peeling off the cocoon, the truth is chilling but full of mixed emotions. Undocumented Crime is described from all aspects and is a good book written by Yang Hong.

The Chinese nation is a multi-ethnic community. In the long history of human development, all ethnic groups have jointly created a splendid Chinese culture. As an important part of Chinese culture, Chinese literature naturally contains multi-ethnicity. But for a long time, the multi-ethnic nature of Chinese literature has been ignored. This book aims at the lack of minority literature in the "cultural roots" phenomenon of contemporary Chinese literature. It specifically takes the "cultural roots" of ethnic minority literature as the research object, focusing on exploring its occurrence context and development trajectory. It also selects the literary writings of Tibetan new novels by Tibetan writers, the modern poetry group of the Liangshan Yi people, and The anthropological writing phenomenon of ethnic minority literature is used as a case study to explain the different paths and meanings of the "cultural roots" of ethnic minority literature, in order to highlight the importance of ethnic minority literature's "cultural roots" to the "cultural roots" of contemporary Chinese literature, and to highlight the importance of multi-ethnicity to the development of Chinese literature.