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Based on the analysis of Song poetry, "The Farewell in the World Is Not Sad" adds interpretations and annotations of the works, and extends the content of the works to historical figures, customs, legends and allusions, etc. Appreciation of words, vivid, lively, beautiful and precise language can help readers understand the author and the historical and cultural background of the work while grasping the aesthetic connotation of the original words and cultivating their temperament. "The Farewell in the World Will Not Be Sad" was written by Xin Ran.

Why is happiness always short-lived, but sadness lasts a lifetime? The so-called floating life is like a dream, "You were born before I was born, and I was born before you were old." This is the only problem in life, right? It is precisely because dreams are easy to be longed for and wine is easy to be intoxicating that the vast mansions of heaven and earth are so poetic and picturesque, leaving behind numerous volumes of Tang poetry, reflecting the light of the prosperous Tang Dynasty.

This book is a modern interpretation of the Book of Songs, a book that refuses to be submerged in the vast sea of ​​books. Each chapter of "Inaction at the Beginning of My Life: Beauty and Sorrow in the Book of Songs" contains poetry, annotations, translations, explanations, extensions, etc. The author of "Inaction at the Beginning of My Life: Beauty and Sorrow in the Book of Songs" does not stick to the literal understanding of the poem, nor is it a simple appreciation in the traditional sense. Instead, he uses a unique style and emotional prose essay, coupled with elegant, classical and exquisite illustrations, to depict the beautiful and moving historical scenes in the "poetry" and appreciate the beauty and sadness in the poem.

There are numerous masterpieces of Song poetry, which are extremely beautiful. They have been passed down through the ages and are popular among the people. They are loved by generations of readers. The author strives for innovation and breakthrough in the compilation style of this book. In addition to the original words, he also adds interpretations and annotations of the work, and extends the content of the work to historical figures, customs and habits, legends and allusions, etc. The text is profound and simple, lively, elegant and accurate, which helps readers to understand the author and the historical and cultural background of the work while grasping the aesthetic connotation of the original words and cultivating their temperament. In the layout of the book, the visual image and word context are emphasized to complement each other, triggering readers' synesthesia.

History has faded away, and time has eroded all prosperity. The atmosphere of the prosperous Tang Dynasty has gradually become a dream hidden in people's hearts. The gorgeous poems shine with the light of the glorious Tang Dynasty. The voluminous Tang poetry has become the epitome of an era, telling the rise and fall of the sorrow and joy. In the tense worldly life, choose a classical dusk or a romantic morning, be alone in a secluded corner, read an ancient book, and in the mist of clear tea and the fragrance of books, listen to the clear voice that comes from ancient times, and let your heart fly with it across the ravines of time.

Edmond de Goncourt (1822-1896) and Jules de Goncourt (1830-1870) were a pair of brother writers who wrote together and were active in the French literary world in the mid-to-late 19th century. This book is based on the French Second Empire (1851-1870), and combines the historical context to analyze the Goncourt brothers' "pure analysis" poetic concept, the novel's "documentation" tendency and their unique aesthetic expression of "artist's brushwork". At the same time, combined with the Goncourt brothers' understanding of modernity and modern society, the symbiotic relationship between them being alienated and dependent on the times is explored, as well as the innovations and breakthroughs they made for the modernization of French novels.