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They are all still babies, have you harmed (Northern Shaanxi dialect: understand)? You said that time... When I came to Nianziwan with black hair and sweat, I blocked Gao Fuliang by the stone mill in front of his house, and asked him about some past events from forty years ago, the usually optimistic Gao Fuliang was in a dilemma. He even avoided my eyes, lowered his head and fiddled with the brass suona in his hand. His ten thick fingers, like frightened grass snakes, flicked aimlessly in the suona's eyes. Apparently, my inquiry caused him to sink into memories... The memories made his brows wrinkle. He instinctively opened his mouth, slowly sucked the suona, and roared "Woo-wah" toward the loess under his feet, then raised it up again and continued to play toward the blue and bright sky. Now Gao Fuliang has gray hair.

The author, Mr. Wu Kejing, has won multiple literary awards and has rich writing experience. This book is a collection of his prose essays. When writing, the author organically combines his life experience with the times. Through thinking about life and the world, he writes a unique life experience, which reflects the essence of human nature and the pursuit of truth, goodness and beauty. "Knowing" is more story-telling and more readable than ordinary prose. The colors and jumps of life can be seen in the text of the book.

Trees, like people, will laugh when they are happy. Of course, there are times when the tree is unhappy or even sad. At this time, the tree will also cry. When the tree laughs, it needs the encouragement of the wind, but when it cries, it needs the help of the rain. Wind and rain are temperamental, and they know the joy and sorrow of trees best... This is Feng Juqi. He considers himself a cultural man, and he also harbors an immortal literary dream. When he has time, he writes a short prose of a thousand words and sends it to me, asking me to find a way to turn it into type in a newspaper. I have to admit that Feng Juqi's writing is good, and the short prose he writes is very interesting. The first few sentences I used are just a copy of the words he sent me in recent days, and I sent him the supplement of "Chencang Evening News".

Four poignant and gentle stories, four women's symphony of destiny, four elegant or strong sounds of love. This is not four novellas, not a collection, it is a whole, a long novel. A masterpiece by Wu Kejing, winner of the 5th Lu Xun Literature Award!

The door of the kiln courtyard made of iron sheet squeaked and someone pushed it open from the outside. It was Beancake. He pushed the door open with his head and slipped into the yard like a little thief. He slipped into the house where his grandmother lived and snuggled up next to her. The kind nurse was holding her old hen in her arms and recognizing it with great tenderness. It seems that the nanny's eyes are on the belly of her fingers. She looks at the hen's butt and says that this hen has an egg. After a while, this hen will definitely lay an egg. However, this variegated old hen can no longer lay eggs, and the nurse did not say that this hen was going to lay eggs. Because the nurse has already identified that this old hen is afraid of laying eggs. The so-called egg avoidance means that the old hen stops laying eggs and starts to hatch chickens.

Ancient Chinese bronzes enjoy a high reputation in the world and have extremely high cultural and artistic value. They represent the superb technology and culture of China's bronze development for more than 4,000 years. Wu Kejing is an experienced bronze ware researcher. He is full of deep feelings and enthusiasm for bronze ware. He has recorded the unknown stories of more than 20 bronze ware such as Xiaochen Biaoxi Zun, Siyang Fangzun, Pan Tianquan Fang Lei, and Stepmother Wu Fang Ding. His "touch" of bronze allows us to suddenly see the rich history behind the bronze.

Hu Wugong said: You will know when you cut it in your hand that this year is a good harvest. Xi Fufeng said: I don't know how to take a break. Hu Wugong said: Let's steam the gift buns bigger. Xi Fufeng said: Look, you are covered in sweat. Hu Wugong said: I had a dream last night, and a baby was born on our kang. Xi Fufeng said: Can you dream? Hu Wugong said: As soon as Niu Niu opened his eyes, he called me daddy. Xi Fufeng said: Just be quiet for now and I will wipe your sweat. A basket was slung on his arm, and the basket was covered with a piece of white cloth. The flower roll steamed buns under the white cloth gave off a tantalizing aroma of oil... Xi Fufeng came to deliver food to Hu Wugong, who was cutting wheat. Hu Wugong is a strong man from Potou Village, and Xi Fufeng is Hu Wugong's bride.

This book is an original novel with anti-Japanese themes. "Shaanxi Daily" reporter "I" searched for one after another touching stories of anti-Japanese comrades in the magnificent Zhongtiao Mountains, on the edge of the mighty Yellow River, and by the majestic and steep Tiger Leaping Gorge: "The Bride", "Abandoned Ring" and "Broken Arm". These three stories, which are both interrelated and can be independent chapters, all use the "bride" as the description object, creating the images of three great women represented by Yuan Xinchu who dedicated their lives to the cause of their family and country. At the same time, surrounding them, they depict a group of moving heroes on the Weihe Plain. Among them, "The Bride" won the first "Xifuxiang Cup" and "Selected Novels" most popular novel award among readers.

Easier to get than harder to get. When I was a child living in my hometown of Fufeng, I often heard the elders say, "If you know something in three days, you will be rich and prosperous for a thousand years." This shows how important it is to know. But what can we know? We can't predict what will happen in three seconds, let alone three days. On the other side of the ocean, in the United States, there was a fierce NBA game. It didn't matter which two teams it was. In the last three seconds, one team was two points behind the other team, but the other team had a chance to serve a throw-in. When the ball came in, the person who got the ball had no chance to aim, and there was no chance to make tactics. He could only get the ball and throw it into the basket. If the ball is thrown outside the penalty area, the ball is won; if the ball is thrown inside the penalty area, the ball will be played in overtime; if the ball is not thrown, the ball will be lost. Three outcomes, what will be the final outcome? Thrilling! No one can know. So, knowing is the hardest thing. What about hugging each other? Especially our own family members, we will definitely know when we hug and feel the heartbeat of our loved ones.

Singing a song of "Xintianyou", there are two "blue flowers", old and new. The profound regional culture, rich customs of northern Shaanxi, fantastic story structure, and cold critical spirit constitute the unique artistic charm of "Blue Flowers in Handcuffs". The ups and downs of life, persistent pursuit of life and natural noble humanity of women in northern Shaanxi are like folk songs on the loess land, touching the heart and soul. Yan Xiaoyang, who killed her husband, walked out of the prison's iron gate. Even though she is a criminal, even though she has been detained in a strict prison for a long time, even though the cold handcuffs are on her wrists, she is still so outstanding, still so confident, and still so charming...

"First Marriage" is set in a village called Gu Widow Po Village on the edge of the Wei River. It focuses on the experiences of three newlyweds, Shangguan Le, Ren Xiguo, and Hui Xingai, who were married in the same village on the same day. It reflects the various ideological trends and contradictions that emerged in the development of rural areas, farmers, and agriculture during the transition from a planned economy to a market economy in the early 1980s. It outlines for us a growth picture of rural evolution in the early days of reform and opening up, and an epic Chinese rural narrative. The rich and different "first marriage" feelings and experiences of the three young people make the novel rich in multiple meanings and colors. The novel's writing style is simple, its conception is exquisite, it has a strong sense of self-awareness and exploration, and its characters are also full-bodied, seemingly plain and thought-provoking.