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"Black and White" (White Chapter) is a Go novel with high intentions. The author, Mr. Chu Fujin, fully mobilized his profound insights into Go and culture, truly being both inside and outside of it. He wrote about the vastness and profoundness of Chinese chess culture, as well as the heaven and earth, depicting the spiritual history of four generations of chess kings. It is also a realistic history of Go over the past sixty years in New China. By reading his book, readers will gain not only knowledge about chess players, but also a grasp of Go from a cultural, philosophical and ethical perspective. However, what is extremely commendable is that he does not preach at all. The style of the novel is elegant and upright, but there is no trace of enlightenment at all. He does not convey his ideological tendency through the mouth of the characters. Instead, he naturally reveals his tendency with the unique taste of "virtual and virtual reality" of authentic Chinese novels, silently reflecting on the fate of Go. Compared with many novels that are dry inside but have "lively" narratives, "Black and White" (White Chapter) is cold and outside but not isolated from the world. The words are round and smooth, like the source of a clear stream, not flashy, not greasy, clear and light, and both It has the spirit of Taoism and the charm of Buddhism, giving people a completely different reading enjoyment. It is comfortable and refreshing. It is a literary work infiltrated in the local spiritual soil. It has charm, style, and profound connotation. According to Mr. Chu Fujin, Go is a novelist, and a chess player is a novelist; and the readers of "Black and White" are either literary lovers who love Go, or Go lovers who have a high cultural interest, or who love literature and admire Go and want to appreciate the charm of chess in novels. Those who understand Go view chess, and those who do not understand chess view life. In the ups and downs of Go's fate, we will get a glimpse of wisdom and spirituality, explore the gains and losses of life, and see the past and the future.

"Sunshine in the Drizzle" expresses a serious political topic: freedom through the story of love and being loved in a small southern town in the 1970s. This is in line with the current moment\

It tells the story of the emotional experiences between Yao Xin, a young man from the cultural propaganda team of a cultural center in a small town in the south who provides props and scripts to actors, Ying Mei who plays the dulcimer, cellist Wan Pingping and writer Tie Min. Among them, the emotional development of Yao Xin and Ying Mei is the main line of the novel. Yao Xin once fell in love with Ying Mei, but when they met again, Ying Mei was already married and her husband was paralyzed. There is only a secret flow of mutual understanding and concern between Yao Xin and Ying Mei. The author uses lyrical and beautiful language to unfold an uncomplicated plot, depicts a secular picture of a small town, and shows the original ecology of ordinary people's lives. The writing style is delicate and touching, the characters are vividly described, and it has high literary and artistic qualities.

The work explores women's emotions and emotions in depth and detail, and vividly demonstrates the traditional virtues of oriental women's demureness, restraint, gentleness and kindness. Whether it is the shaping of female group portraits or individuals, whether it is observed from the perspective of the opposite sex or oneself, it shows the beauty of women's humanity and personality charm.

The background of the novel is set in the Republic of China, and it tells the story of Tao Yangzi, a generation of chess kings, who practiced chess on the road. This work, called "China's first full-length masterpiece expressing chess culture" by literary critics, describes the ups and downs of the chess player Tao Yangzi's life. This book tells about a rainy town in the south of the Yangtze River, which is the starting point of Tao Yangzi's life. The aura of water and the obscurity of rain formed his lonely and sensitive character in childhood, and also formed his chess game that is as weak as water and as tough as water. The story revolves around Tao Yangzi's life closely related to Go. He writes about life through Go and writes history through individuals. The theme is unique and it deeply explores the unique charm contained in traditional culture.

A collection of essays on landscape travels that have been completed in paintings. Artistic conception belongs to the category of traditional Chinese aesthetics. Its basic structure is the blending of scenes. The scene after the writer's subjective aesthetic selection is the image. It is the collection of images that forms the psychological aesthetic space of artistic conception.

This book is one of Literary Shujun's original novel series, and Chu Fujin's latest novel. The title of the book "Chess Language", as the name suggests, is about Go terminology. It includes nineteen chess words: rush, star position, break, fly, small tip, stand, lean, point, lead, pounce, jump, should not, borrow, shackle, abandon, cross, shape, finish, and connect. "Chess Language" involves chess players and all living beings. Taking Beixiang Xiaowang, the chess player, as a guide, a group of chess players with different personalities, such as Jiang Chong, Liu Yun, Tao Song, Chen Xiaodong, Chang Shuo, etc. Are laid out in a strategic layout. The seemingly specific chess language seems to match the personalities and destiny of these players, but also implies the contemporary life that generations have endured for decades. What we can see is modern life, modern psychology, and modern world style. Life and chess theory reflect each other. In the three-dimensional world, no one can find the right words to sum it up. The seemingly straightforward and simple chess title in the novel is often broken by the plot, direction and ending. This kind of establishment and destruction is like a maze, only those with a clear mind can get out; like a pot of fine wine, only those who are not greedy can savor its layers of charm. Finally, the fullness of human nature, the complexity of life, the long history of Chinese culture, and the connection between nature and society will be revealed in the mapping of these words. This novel is not a Go textbook. Readers who do not know Go can skip the chess skills in the novel and just read the plot; beginners can use it as a chess record and study it carefully; those with advanced chess skills can understand the way of life from the chess skills. In this way, you can discover the charm contained in traditional culture.

The stories of the characters in the Republic of China are very plain, and because of their plainness, they reveal the sadness and mystery of the atmosphere of the novel. This kind of humbleness of ordinary people is not comparable to the pretentiousness of some effeminate people.

The novel is a long novel that reviews life and reflects on experience from the perspective of Jiangnan Confucian businessman Zhang Jinzhong. The novel runs through the social changes in the forty years of reform and opening up, and contains the author's views on the world and material enjoyment. As the protagonist traces the ups and downs of his youth, middle age, and old age, he salvages the fragments of memory, including his calculations, ingenuity, gains and losses, joys and sorrows, sorrow, and resentment. Time is shining like gold, and the unpredictable changes in life are all contained in a thought and a moment.

It tells the story of a playwright who came to a small town near a mountain and inadvertently developed a distant connection with several women, full of pure and beautiful emotions. He went to the mountains to find traces of his old girlfriend, but unexpectedly met the innocent, gentle and kind-hearted mountain girl Lian'er. He was moved by Lian'er's simplicity and pure beauty, and Lian'er was attracted by his feeling that he was different from other "city dwellers". But during a flash flood, Lian'er suddenly disappeared, and the male protagonist couldn't find her. He returned to the small town near the mountain in a daze, and met several other women who had a crush on him. By chance, the male protagonist was introduced by them and invited a provincial woman to participate in the troupe activities. This female writer had been seriously ill a few months ago, as if her soul had been taken away. Unexpectedly, she had exactly the same appearance and demeanor as Lian'er. She also felt as if she had known the male protagonist in her dream. The male protagonist took her back to the mountains and rivers to relive the old dream, but after waking up from the dream, the female writer immediately returned to the provincial capital, leaving the male protagonist in the mountains, not knowing whether what she experienced was reality or a dream. This novel is a beautiful female novel with refreshing and pure language, ethereal and soft characters, delicate and euphemistic emotions, and the content is refreshing and refreshing to read. When depicting female characters, the author uses pure words to describe the beauty of different women. The female images in the book are lifelike, with a floating sense of transparency, and they seem to be looming around you when reading.

This novel tells the story of a writer who has lived in a busy city for a long time. When I came to the small town in the south of the Yangtze River with beautiful scenery and beautiful scenery, I inadvertently developed complex emotions with several women. It is full of purity, beauty and confusion and melancholy. This talented and affectionate literati had a very good impression when faced with the simplicity, purity and kindness of the country girl Lian'er; he also had a very complex emotional conflict when faced with the tackiness of his girlfriend, the decadence of the city, and the twilight of life. However, in the dreamlike, poetic and picturesque spiritual enjoyment, he could not escape the restrictions and constraints of real life. He could not help but ask himself repeatedly: "What should I do? What should I do?"

Chu Fujin, a native of Yixing, Jiangsu, was born in Shanghai. He once served as a novel editor in the editorial department of "Yuhua". Graduated from the Lu Xun Literary College of the Chinese Writers Association and the Chinese Department of Nanjing University. He is currently a professional writer of the Jiangsu Writers Association and vice chairman of the Jiangsu Writers Association. First-class writer. He enjoys special allowances from the State Council and was awarded the title of "Young and Middle-aged Experts with Outstanding Contributions in Jiangsu Province". He has published and published twelve novels including "Black and White" and "The Gate of the Heart", more than 50 novellas such as "Naked Wilderness" and "The Degree of Man", and more than 100 short stories such as "Color·Moss·Sorrow" and "Sewing". Two collections of essays, including "A Rest in the Zen Garden". He has written many articles on literary theory. Many works have been translated into English and French. He won the 1992 Zhuang Chongwen Literary Award of the Chinese Writers Association, the Jiangsu Provincial Government Literary and Art Award, the Purple Mountain Literary Award, the "Beijing Literature" Award, the "Shanghai Literature" Award, the "Zhongshan" Literary Award, the "Tianjin Literature" Award, the "Furong" Literary Award, the New World Literature Award, and the Budding Literature Award.

The novel uses the image of hazy fingers to imply some kind of potential guiding force. Under the influence of this guiding force, a girl gradually moves from ignorance to maturity and becomes a staff member of the library. In her life, she has always had a best friend who is constantly looking for a boyfriend for her. Because of her worship of money, this best friend always introduces rich men to the heroine, but the heroine refuses time and time again. In fact, she has always had a vague spiritual lover, who has not made it clear to each other, but always has a tacit understanding in the soul. The work delicately displays a woman's pursuit and yearning for a better life and feelings from multiple angles.

"With It" collects 12 of the most classic short and medium-length works by the famous writer Chu Fujin, including "Rain Pool Slope", "With It", "Thirty in the Mirror", "Wheel of Love", and the "Chess Language" series of novels... Chu Fujin's writing style is delicate, beautiful and soft, which is naturally inseparable from the female narrative novels he has been creating for decades. However, with the accumulation of life experience and rich writing experience, Chu Fujin is no longer limited to women's narrative novels, and has begun to move into richer Go-themed novels. He skillfully integrates traditional Chinese culture such as Confucianism, Buddhism, Taoism, philosophy, painting, and calligraphy with references from Western classics in literature, and successfully transforms it into an independent aesthetic experience. All characters or Go are just media. He explores the contradiction between the human heart and the world.

Chu Fujin, a native of Yixing, Jiangsu, was born in Shanghai. He once served as a novel editor in the editorial department of "Yuhua". Graduated from the Lu Xun Literary College of the Chinese Writers Association and the Chinese Department of Nanjing University. He is currently a professional writer of the Jiangsu Writers Association and vice chairman of the Jiangsu Writers Association. First-class writer. He enjoys special allowances from the State Council and was awarded the title of "Young and Middle-aged Experts with Outstanding Contributions in Jiangsu Province". He has published and published twelve novels including "Black and White" and "The Gate of the Heart", more than 50 novellas such as "Naked Wilderness" and "The Degree of Man", and more than 100 short stories such as "Color·Moss·Sorrow" and "Sewing". Two collections of essays, including "A Rest in the Zen Garden". He has written many articles on literary theory. Many works have been translated into English and French. He won the 1992 Zhuang Chongwen Literary Award of the Chinese Writers Association, the Jiangsu Provincial Government Literary and Art Award, the Purple Mountain Literary Award, the "Beijing Literature" Award, the "Shanghai Literature" Award, the "Zhongshan" Literary Award, the "Tianjin Literature" Award, the "Furong" Literary Award, the New World Literature Award, and the Budding Literature Award.

Following the author's soft and delicate brushstrokes, we review those dusty years. Based on the author's own experience, he plays a guiding note for friends who are confused and struggling in the wilderness.