Library

This book is a collection of critical essays, divided into three volumes. The first volume is an overall analysis of literary phenomena and creative trends in the new century. Through an overall overview and analysis of the current situation of novel creation after the 1970s and 1980s, it reveals the development trends and changes in the art of novels in the new century from the perspectives of generations, elegance, and style. This is a comprehensive study on the formation of literary patterns, hot literary phenomena, and changes in novel creation. The second series is an annual literary review. Taking one year as a cycle, it cuts into the live scene of Chinese literature in the past six years, and selects representative works from literary journals of that year for research and review. While revealing the development rules of literary creation and new aesthetic trends, it also investigates the problems of literary creation from the comprehensive analysis of annual novels, especially points out the imbalances prevalent in current creation, and provides a clear map for understanding and observing the development trend of Chinese literature in recent years. The third volume is my opinion on criticism. The first four articles in this collection are dedicated to the construction of a poetic critical aesthetics. The next two articles combine the criticism scene to elaborate on the refinement of the level of criticism and the lack and progress of the critical spirit. Among them, there are not only the presentation of the author's own critical stance and critical concepts, but also the call for the ideal state of literary criticism. Of course, there is also no lack of reflection on the current status of criticism.

[Ultimate character design + female growth + realistic marriage and love + emotional suspense] [Clear love brain·High empathy writer sister VS pretending to be a potential stock·NPD hollow man brother] A courageous work that tears away the sugar-coating of "sister-brother love" and points directly to the dark side of human nature. Reading it is not consuming a tragedy, but learning how to protect yourself. It's true that I love you, but I love myself more. It is true that I care about you, but what I care about is your life. Mei Jin, 46 years old, is a well-known writer, financially and spiritually independent. She believed that love means "do good things and don't worry about the future". At the age of 44, she married Yue Ming, who was 12 years younger than her. Yue Ming, 34 years old, works as a salesperson in Beipiao. He comes from a lower-class background and is heavily in debt. He has a pair of 5-year-old twin daughters. In Mei Jin's eyes, he is a "potential stock" in urgent need of rescue. He is sunny and progressive, but he is burdened by his original family. At the beginning of this relationship, Mei Jin made a frank announcement: "When we fall in love, we always have something to pursue. I pursue your youthful vitality and future growth, and you can pursue my resources, experience, and the stability I can give you now." So, she spent everything she had to pay off his huge debts, package him as a professional elite; carefully educate his pair of daughters, treating them as her own; and appease his troubled family of origin. She thought this was an "equivalent exchange" between adults. She used money and resources in exchange for his loyalty, growth and companionship. She firmly believes that love can heal all wounds. However, when Yue Ming "burned charcoal and committed suicide" in a small hotel on a business trip, Mei Jin was shocked to realize that nine years of hard work had not resulted in nirvana and rebirth, but a carefully woven hell of lies. Death is not the end, but the beginning when all the truth comes to light...

"Beauty's Confidence" records the life stories of some women. They are ordinary people like you and me, and they have all been delayed in life and their own happiness. They also have confusion, pain and despair, but the entanglement of life and love has tempered them to be more beautiful and confident. When she caught her husband cheating on her, Wan did not make a fuss or choose a divorce. Instead, she reorganized her life and rediscovered her inner desires... Rong, after experiencing love and marriage, finally stopped fitting herself into an established pattern in order to satisfy others and bravely chose the life she liked... A woman's greatest sense of security comes from her inner confidence. This momentum can give you too much certainty and is far more reassuring than wealth or men.