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This book is one of the "Collected Works of Tong Qingbing" and is divided into two volumes. The first volume contains Tong Qingbing's works "Ancient Chinese Psychopoetics and Aesthetics", and the second volume contains "Modern Significance of Ancient Chinese Literary Theory". The main contents include: Talking about the past and the present - the inheritance and re-creation of culture; Talking about the West - opening up oneself and going to the world; Religion and poetics - the religious complex of the poet (writer). Through the study of the differences and complementarity of Confucianism, Taoism, and Commentary Theory, and through the study of cultural categories such as Qi, Shen, Rhyme, Landscape, and Flavor, the national character of ancient Chinese literary theory is revealed.

This book is one of the "Collected Works of Tong Qingbing". This book contains the author's essays and short essays on modern literary theory, sociology of literature and art, social psychology of literature and art, and research on Mao Zedong's speeches. It also talks about literary criticism of original works such as "A Person's Experience" and "Farewell to Maggiora". , There are also comments on the movie "Assembly", etc., Which are the author's literary thinking for many years, and also the author's search for the ideal light of literature for many years. The author finally believes that literary ideals are in the dialectical relationship between historical rationality, humanistic care and aesthetic sublimation.

This book is one of the "Collected Works of Tong Qingbing" and includes two volumes. The first volume contains Tong Qingbing's work "Literary Creation and Literary Criticism". The second volume contains Mr. Tong Qingbing's papers in recent years on various issues such as the theory of mutual conquest of forms, Chinese teaching, canonization, and historical context. The plan is to Chapter 1: The significance of literary creation; Chapter 2: General preparations for literary creation; Chapter 3: The object of literary creation; Chapter 4: The subject of literary creation; Chapter 5: The ultimate pursuit of literary creation; Chapter 6: The general process of literary creation; Chapter 7: The style and techniques of literary creation, etc.

On May 27, 2005, the "International Conference on Canon (Re) Formation in the Context of Cult" was co-sponsored by the Department of Literature and Art of the School of Literature of Capital Normal University, the Research Center of Literature and Art of Beijing Normal University, and the magazine "Literary Studies". UralStudies), held in Jinhai Lake, Beijing, more than 70 experts and scholars from different nationalities with different cultural backgrounds, knowledge backgrounds and academic experiences from countries and regions such as China, the United States, Germany, New Zealand, Australia, the United Kingdom, Singapore, the Netherlands, and Taiwan, held a lively and constructive discussion on the "literary classics" issues of common concern in the spirit of an equal and sincere academic dialogue. Their various views and thoughts converge and compete here, inspiring and promoting each other. The conference received more than 50 academic papers, which had a great impact in the academic world. This collection of papers is formed based on the conference papers.

"Far Mountains and Old Dreams" is the only collection of essays in the life of Mr. Tong Qingbing, the "godfather" of the literary world. It records his memories of his childhood, hometown and love, as well as many memories of studying, traveling, teaching and educating people in his youth. The words are simple and polished, warm and touching, and very precious. Tong Qingbing had many peaches and plumes in his life. Popular Chinese writers Mo Yan, Yu Hua, Bi Shumin, Chi Zijian, Liu Zhenyun, and famous scholars Professor Tao Dongfeng, Professor Wang Yichuan, Professor Luo Gang, Professor Ding Ning, Professor Sun Jin, etc. All studied under him. The book can make full use of these celebrity resources in later promotion.

This book is one of the "Collected Works of Tong Qingbing". Ancient Chinese literary theory bears the characteristics of the traditional culture of the Chinese nation and also contains certain universal laws of human literary activities. With the development of the times and the deepening of research, its modern significance is increasingly revealed. For the first time, this book places ancient Chinese literary theory in a modern academic perspective, systematically and clearly raises the issue of the modern transformation of ancient Chinese literary theory, and makes a demonstrative attempt at the modern interpretation of ancient literary theory. This is of great significance for people in a modern position to understand, inherit and carry forward Chinese traditional literary theory, as well as for the poetic revival of Chinese national culture.

This book is one of the "Collected Works of Tong Qingbing". The so-called "Venus's Belt" refers to the mystery of literary creation. Based on profound knowledge, this book draws on different and even similar literary creation theories from ancient and modern China and foreign countries, and adds the author's own unique choices and deductions to talk about how writers obtain beauty and poetry when creating. In the rigorous academic framework of the book, there are both deep rational thinking and vivid insights into life and creation. The discussion is clear and concise, and the examples are vivid and rich. For creators, it is a useful reference for further artistic exploration and adaptation; for theorists, it helps to broaden their horizons and ideas. "The Belt of Venus - Creative Aesthetics" won the 7th Beijing Outstanding Achievement Award in Philosophy and Social Sciences.

This book is one of the "Collected Works of Tong Qingbing". In a novel style, it includes the theory of "Dao Xin Shenli" in "Wen Xin Diao Long", the "Qi Zheng Hua Shi" theory in "Wen Xin Diao Long", the "accommodation and adaptability" theory in "Wen Xin Diao Long", and the "internal reason" theory in "Wen Xin Diao Long" The "Thirty Theory" theory, including the theory of "outside the symbols", the theory of "following the body and forming momentum" in "The Literary Mind and the Carving of Dragons", the theory of "sensing things and chanting the will" in "The Literary Mind and the Carving of Dragons", discuss Liu Xie's thinking on literary style, literary creation, composition of works, etc. It is interesting to read and full of interest.