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"The Legend of Shushan Swordsman" is a martial arts and mythological novel. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight.

"The Legend of Shushan Swordsman" is a fairy tale novel with a grand structure and fantastic imagination created by Huanzhu Louzhu. It is known as the originator of modern Chinese martial arts novels. The core of the story revolves around the third Emei Sword Fight, describing the righteous swordsmen headed by Miao Yi, the head of the Emei Sect, and his wife, running around to fight against evil spirits. They recruit disciples to preach, search for divine weapons such as Karma and Ziying Qingsuo from their previous lives, and engage in thrilling battles with evil sect giants such as the Blood God Son and the Green-robed Patriarch. The novel not only creates the images of many young sword immortals with distinctive personalities, such as Li Yingqiong, Yu Yingnan, and Qi Jinchan, but also uses its wild imagination to depict fantasy wonderland such as Ningbi Cliff and Ziyun Palace, as well as mysterious settings such as the flight of sword immortals, the soul leaving the body, and formations and magic weapons. The work integrates the thoughts of Confucianism, Buddhism and Taoism, emphasizing "responsibility" and "karma". The ascetics need to go through many tribulations before they can ascend. His writing style is classical and gorgeous, and the Xianxia system he constructed has had a profound impact on later generations of Jin Yong, Liang Yusheng, and even many Xianxia literature, film and television works. This book contains for the first time the ten-volume main story, a sequel and a spin-off of the series. It is carefully edited and edited, making it a truly complete collection that is different from other versions. The good and evil sects in the book are complex and there are many characters, forming a huge "Swordsman Universe". In order to facilitate readers' reading, the editor of this book has sorted out and explained the various sects and hundreds of various characters in the book. I believe it will bring a better reading experience to the readers.

This book is a martial arts novel. Created by the "King of Modern Martial Arts Novels" Huanzhu Louzhu. The first volume was published by Shanghai Huiwen Bookstore in December 1950, and the sixth volume was published in May 1951. There are twenty-four chapters in the book, totaling 300,000 words. The knights in the works all have noble qualities of self-sacrifice, calmness in life, and roaring when encountering injustice. It is worthy for people today to accept their reflection and reflect on themselves.

This book is the seventh volume of "The Legend of Shushan Swordsman" written by Huanzhu Louzhu. "The Legend of Shushan Swordsman" is a fairy tale novel with a grand structure and fantastic imagination. It is known as the originator of modern Chinese martial arts novels. The core of the story revolves around the third Emei Sword Fight, describing the righteous swordsmen headed by Miao Yi, the head of the Emei Sect, and his wife, running around to fight against evil spirits. They recruit disciples to preach, search for divine weapons such as Karma and Ziying Qingsuo from their previous lives, and engage in thrilling battles with evil sect giants such as the Blood God Son and the Green-robed Patriarch. The novel not only creates the images of many young sword immortals with distinctive personalities, such as Li Yingqiong, Yu Yingnan, and Qi Jinchan, but also uses its wild imagination to depict fantasy wonderland such as Ningbi Cliff and Ziyun Palace, as well as mysterious settings such as the flight of sword immortals, the soul leaving the body, and formations and magic weapons. The work integrates the thoughts of Confucianism, Buddhism and Taoism, emphasizing "responsibility" and "karma". The ascetics need to go through many tribulations before they can ascend. His writing style is classical and gorgeous, and the Xianxia system he constructed has had a profound impact on later generations of Jin Yong, Liang Yusheng, and even many Xianxia literature, film and television works. This book contains for the first time the ten-volume main story, a sequel and a spin-off of the series. It is carefully edited and edited, making it a truly complete collection that is different from other versions. The good and evil sects in the book are complex and there are many characters, forming a huge "Swordsman Universe". In order to facilitate readers' reading, the editor of this book has sorted out and explained the various sects and hundreds of various characters in the book. I believe it will bring a better reading experience to the readers.

"The father of modern martial arts novels" Huanzhu Louzhu represents an important faction of martial arts in the Republic of China. He believes in Lu Zu's Wu Liu Tianxian lineage, integrates mythology, sword immortals, and martial arts into one, and carries out highly philosophical and artistic imagination, especially various sword immortals. Divine magic and fantasy magic weapons show the majestic spirit of geniuses. They are an eternal spectacle in the Chinese novel world. They have a huge influence on later generations of martial arts writers, and almost no one can match it. For example, Gu Long, the master of martial arts in Taiwan, once said that he was deeply influenced by Huanzhu Louzhu. "Collection Library of Martial Arts Novels of the Republic of China·Huanzhu Louzhu Volume" contains more than 30 martial arts novels of Huanzhu Louzhu, and this book is one of them.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

It was a cold winter morning and the sky was very gloomy. Although it is the turn of the clock, the cold sun has not yet appeared, the earth is gloomy, and the sky is filled with gloomy clouds. Looking at the horizon, the dust and mist are billowing, and it is a blur. Only a few cottages are vaguely looming, and it is rare to see a human figure. An ancient tree, two to three arms thick, stood alone beside the road, whistling wildly in the gusty wind. The dust and sand on the ground were picked up by the strong wind, flying all over the sky, hitting people's faces, like being hit by a handful of broken iron sand. The wind was so strong that it made people choke.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

This year, it was the late autumn weather, and a escort car suddenly arrived on Guandong Street. There was only one car and not much cargo. There were seven or eight escorts and escorts. Except for the two people sitting in the car, Yu Jun rode a fast horse and galloped to the largest merchant inn in the east as soon as he arrived. The shopkeeper had long been convinced and prepared the escort car for the Wusheng Escort Agency, the most prestigious agency in the five northern provinces. The chief escort officer Yang Wu and the deputy chief escort officer Zhu Dacheng were highly capable, well-known and well-connected, and had never failed since the establishment of the escort agency.

The Master of Huanzhu Tower is an important figure who occupies a place in the history of modern Chinese literature. He was once known as the "King of Modern Martial Arts Novels". His life has gone through twists and turns and is extremely legendary. His works contain up to 17 million words. His novels are gorgeous in writing, extremely poetic, magnificent in imagination, majestic in momentum, integrating chivalry and martial arts into a highly philosophical and artistic display, showing the grandeur of a genius. After careful planning and production, our company has launched the "Collection of Martial Arts Novels of the Republic of China - Huanzhu Louzhu Volume" on a large scale. "The Legend of Shushan Swordsman" is one of the important representatives of Huanzhu Louzhu.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

This book is a martial arts novel. In July 1949, the first to fourth volumes were published by Shanghai Zhengqi Book Company. The cover title of the first volume was titled "Continuing the Sea of ​​Yun Yi Yi", and the second volume from the second volume onwards was titled "The Story of the Sea of ​​Yun"; by 1950: the first and second volumes were published in July. Not finished yet.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

The Master of Huanzhu Tower is an important figure who occupies a place in the history of modern Chinese literature. He was once known as the "King of Modern Martial Arts Novels". His life has gone through twists and turns and is extremely legendary. His works contain up to 17 million words. His novels are gorgeous in writing, extremely poetic, magnificent in imagination, majestic in momentum, integrating chivalry and martial arts into a highly philosophical and artistic display, showing the grandeur of a genius. After careful planning and production, our company has launched the "Collection of Martial Arts Novels of the Republic of China·Huanzhu Louzhu Volume" on a large scale. "The Legend of Shushan Swordsman" is one of the important representatives of Huanzhu Louzhu.

This book is the fourth volume of "The Legend of Shushan Swordsman" written by Huanzhu Louzhu. "The Legend of Shushan Swordsman" is a fairy tale novel with a grand structure and fantastic imagination. It is known as the originator of modern Chinese martial arts novels. The core of the story revolves around the third Emei Sword Fight, describing the righteous swordsmen headed by Miao Yi, the head of the Emei Sect, and his wife, running around to fight against evil spirits. They recruit disciples to preach, search for divine weapons such as Karma and Ziying Qingsuo from their previous lives, and engage in thrilling battles with evil sect giants such as the Blood God Son and the Green-robed Patriarch. The novel not only creates the images of many young sword immortals with distinctive personalities, such as Li Yingqiong, Yu Yingnan, and Qi Jinchan, but also uses its wild imagination to depict fantasy wonderland such as Ningbi Cliff and Ziyun Palace, as well as mysterious settings such as the flight of sword immortals, the soul leaving the body, and formations and magic weapons. The work integrates the thoughts of Confucianism, Buddhism and Taoism, emphasizing "responsibility" and "karma". The ascetics need to go through many tribulations before they can ascend. His writing style is classical and gorgeous, and the Xianxia system he constructed has had a profound impact on later generations of Jin Yong, Liang Yusheng, and even many Xianxia literature, film and television works. This book contains for the first time the ten-volume main story, a sequel and a spin-off of the series. It is carefully edited and edited, making it a truly complete collection that is different from other versions. The good and evil sects in the book are complex and there are many characters, forming a huge "Swordsman Universe". In order to facilitate readers' reading, the editor of this book has sorted out and explained the various sects and hundreds of various characters in the book. I believe it will bring a better reading experience to the readers.

This book is a martial arts novel. Created by the "King of Modern Martial Arts Novels" Huanzhu Louzhu. The first volume was published by Zhengqi Book Company in July 1948; the first and second volumes were published in March 1951. The book contains 13 chapters and 590,000 words, with magnificent imagination and rainbow-like momentum. It commends the chivalrous spirit of being witty, brave and courageous, and calls for the return of social responsibility and humanity. It has positive connotations and meanings.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

This book contains two martial arts novels, namely "The Lonely Man" and "Tiger Claw Mountain King", both of which were written by the "king of modern martial arts novels" Huanzhu Louzhu. "Ten Thousand Miles of Lonely Hero" consists of two volumes and five chapters totaling 130,000 words. The first volume was published by Shanghai Baixin Bookstore in June 1948; the second volume was published in October. "Tiger Claw Mountain King" has a total of four episodes with more than 40,000 words. It was serialized in Shanghai's "Yong'an Monthly" for five issues starting from September 1947, with slight abridgements. In December, it was published as a single volume by Zhengqi Book Company.

This book is a martial arts novel. Created by the "King of Modern Martial Arts Novels" Huanzhu Louzhu. The first volume was published by Zhengqi Book Company in July 1948; the first and second volumes were published in March 1951. The book contains 13 chapters and 590,000 words, with magnificent imagination and rainbow-like momentum. It commends the chivalrous spirit of being witty, brave and courageous, and calls for the return of social responsibility and humanity. It has positive connotations and meanings.

"The father of modern martial arts novels" Huanzhu Louzhu represents an important faction of martial arts in the Republic of China. He believes in Lu Zu's Wu Liu Tianxian lineage, integrates mythology, sword immortals, and martial arts into one, and carries out highly philosophical and artistic imagination, especially various sword immortals. Divine magic and fantasy magic weapons show the majestic spirit of geniuses. They are an eternal spectacle in the Chinese novel world. They have a huge influence on later generations of martial arts writers, and almost no one can match it. For example, Gu Long, the master of martial arts in Taiwan, once said that he was deeply influenced by Huanzhu Louzhu. "Collection Library of Martial Arts Novels of the Republic of China·Huanzhu Louzhu Volume" contains more than 30 martial arts novels of Huanzhu Louzhu, and this book is one of them.

The novel takes the Emei disciples "Three Heroes and Two Clouds" and "Qi Dwarf" as the core of the story. Li Yingqiong, one of the "Three Heroes", is the protagonist of the whole set of novels. The novel describes in detail how she grew from an ordinary woman to become the most outstanding figure among the descendants of the Emei Sect from an ordinary woman who, through countless coincidences, obtained the Ziying Sword of the Changmei Master and the Dingzhu of the Baimei Monk, acquired the Yi Jiazi skill of the Saint Aunt...

This book is a martial arts novel. In July 1949, the first to fourth volumes were published by Shanghai Zhengqi Book Company. The cover title of the first volume was titled "Continuing the Sea of ​​Yun Yi Yi", and the second volume from the second volume onwards was titled "The Story of the Sea of ​​Yun"; by 1950: the first and second volumes were published in July. Not finished yet.

This book is the sixth volume of "The Legend of Shushan Swordsman" written by Huanzhu Louzhu. "The Legend of Shushan Swordsman" is a fairy tale novel with a grand structure and fantastic imagination. It is known as the originator of modern Chinese martial arts novels. The core of the story revolves around the third Emei Sword Fight, describing the righteous swordsmen headed by Miao Yi, the head of the Emei Sect, and his wife, running around to fight against evil spirits. They recruit disciples to preach, search for divine weapons such as Karma and Ziying Qingsuo from their previous lives, and engage in thrilling battles with evil sect giants such as the Blood God Son and the Green-robed Patriarch. The novel not only creates the images of many young sword immortals with distinctive personalities, such as Li Yingqiong, Yu Yingnan, and Qi Jinchan, but also uses its wild imagination to depict fantasy wonderland such as Ningbi Cliff and Ziyun Palace, as well as mysterious settings such as the flight of sword immortals, the soul leaving the body, and formations and magic weapons. The work integrates the thoughts of Confucianism, Buddhism and Taoism, emphasizing "responsibility" and "karma". The ascetics need to go through many tribulations before they can ascend. His writing style is classical and gorgeous, and the Xianxia system he constructed has had a profound impact on later generations of Jin Yong, Liang Yusheng, and even many Xianxia literature, film and television works. This book contains for the first time the ten-volume main story, a sequel and a spin-off of the series. It is carefully edited and edited, making it a truly complete collection that is different from other versions. The good and evil sects in the book are complex and there are many characters, forming a huge "Swordsman Universe". In order to facilitate readers' reading, the editor of this book has sorted out and explained the various sects and hundreds of various characters in the book. I believe it will bring a better reading experience to the readers.

The Master of Huanzhu Tower is an important figure who occupies a place in the history of modern Chinese literature. He was once known as the "King of Modern Martial Arts Novels". His life has gone through twists and turns and is extremely legendary. His works contain up to 17 million words. His novels are gorgeous in writing, extremely poetic, magnificent in imagination, majestic in momentum, integrating chivalry and martial arts into a highly philosophical and artistic display, showing the grandeur of a genius. After careful planning and production, our company has launched the "Collection of Martial Arts Novels of the Republic of China·Huanzhu Louzhu Volume" on a large scale. "The Legend of Shushan Swordsman" is one of the important representatives of Huanzhu Louzhu.

This book is a martial arts novel. Created by the "King of Modern Martial Arts Novels" Huanzhu Louzhu. The book consists of three episodes and nine chapters, totaling 200,000 words. The first volume was published by Beijing Xinhua Book Company in July 1943, and the third volume was published in 1944. Not finished yet. In August 1947, it was renamed "Lenghunyu" and published by Shanghai Zhengqi Book Company. It was revised into two volumes and increased to one or three chapters.

This book is a collection of two martial arts novels, one is "The Drunkard" and the other is "The White Skull". Both novels were written by Huanzhu Louzhu, the "King of Modern Martial Arts Novels". Among them, "Drunkard and Miracle Doctor" was published by Shanghai Lili Publishing House in July 1950, with a full text of 50,000 words; "White Skull" published the first volume by Shanghai Zhenghua Bookstore in April 1951, and the second volume was published in May, with a full text of 100,000 words.

Seventeen miles away from Beiguan, Lanzhou, there is a place called Hualanbao, which is a large town with more than 2,000 households. The land is at the crossroads of water and land. On one side it is connected to the ferry of the Yellow River, and on the other side it is an important road for official and post offices. Businessmen gather there and it is very prosperous. There are many small villages and towns nearby, with paddy fields everywhere, thick soil and sweet springs, and rich produce. In the past, goods trafficked from Ganliang, Ningxia, Qinghai, and Xinjiang provinces were collected and distributed here, and it became a transportation hub for the northwest provinces. There are boats and rafts parked up and down the river bank. It is densely populated and very lively. There are many wealthy people in the nearby villages and towns. In addition to the indigenous people who own large fields and have lived together with their families for many years, there are also many big businessmen who have made their fortunes by selling wool, cloth, hookah, groceries and various local products. The place is rich, the house is spread out over five directions, and it is quiet on weekdays.

This book is a martial arts novel. Created by the "King of Modern Martial Arts Novels" Huanzhu Louzhu. This book was serialized for six issues in Shanghai's "Blue Book" monthly from May to October 1948 under the title "Nine Heroes of Guanzhong". In November 1948, it was renamed "The Night Pearl of Heroines" and was published by Shanghai Huaying Book Company and Guangyi Book Company. The first volume was published in a single volume, and the fifth volume was published in November 1949. The book consists of five episodes and ten chapters, totaling 250,000 words.

The Master of Huanzhu Tower is an important figure who occupies a place in the history of modern Chinese literature. He was once known as the "King of Modern Martial Arts Novels". His life has gone through twists and turns and is extremely legendary. His works contain up to 17 million words. His novels are gorgeous in writing, extremely poetic, magnificent in imagination, majestic in momentum, integrating chivalry and martial arts into a highly philosophical and artistic display, showing the grandeur of a genius. After careful planning and production, our company has launched the "Collection of Martial Arts Novels of the Republic of China·Huanzhu Louzhu Volume" on a large scale. "The Legend of Shushan Swordsman" is one of the important representatives of Huanzhu Louzhu.

This book is a martial arts novel. Created by the "King of Modern Martial Arts Novels" Huanzhu Louzhu. It was published by Tianjin Lili Publishing House in January 1943 and divided into two volumes. In the "New Book Preview" of the 21st episode of "Nineteen Heroes of Qingcheng" published in November 1942, it was originally titled "The Biography of Yongliang Strangers". The book consists of two volumes and four chapters, totaling 150,000 words.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

This book is a martial arts novel. It was serialized in Beiping's "Shibao" in October 1938. It was later published in individual volumes by Tianjin Lili Publishing House, and the eleventh volume was published in February 1947. The work integrates chivalry and martial arts, and uses a highly philosophical and artistic imagination to show the courage of a genius. It has profoundly inspired future martial arts writers and is worthy of collection.

"The Legend of Shushan Swordsman: Later Biography" is a swordsman novel. The first volume was published by Shanghai Zhengqi Book Company in November 1948; the fifth volume was published in March 1949. Not finished yet. This book has been a prequel for fifty episodes. The original intention was that prices were high, the cost of the bookstore was extremely heavy, and the purchasing power of readers was weak, so the original plan was to end it temporarily. When paper and printers become cheaper in the future, I will continue to publish. Unexpectedly, when the news came out, readers sent letters and calls saying that the book was very long and had many threads, and it would be a pity not to finish it all.

This book is a martial arts novel. Created by the "King of Modern Martial Arts Novels" Huanzhu Louzhu. The first volume was published by Shanghai Minsheng Bookstore in June 1950; the second to ninth volumes were published by Shanghai Xinliu Bookstore from August of the same year to February 1951; the tenth and eleventh volumes were published by Shanghai Xinfeng Bookstore from April to May 1951. After the book ended, the author announced that "I have given up my old martial arts works and will soon have new works to contribute to society."

Martial arts novels. The first volume was published by Shanghai Wuling Bookstore in March 1951, and the third volume was published in May. Not finished yet.

Martial arts novels. Volumes 1 to 12 of this book were published by Shanghai Yuanchang Press, and volumes 13 and 14 were published by Wu Xun Publishing House. The date of publication of volumes 1 to 3 has not been printed. Volume 4 was published in April 1950, and volume 14 was published in May 1951. Complete.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

This book is the second volume of "The Legend of the Shushan Swordsman" written by the owner of Huanzhu Tower. "The Legend of Shushan Swordsman" is a fairy tale novel with a grand structure and fantastic imagination. It is known as the originator of modern Chinese martial arts novels. The core of the story revolves around the third Emei Sword Fight, describing the righteous swordsmen headed by Miao Yi, the head of the Emei Sect, and his wife, running around to fight against evil spirits. They recruit disciples to preach, search for divine weapons such as Karma and Ziying Qingsuo from their previous lives, and engage in thrilling battles with evil sect giants such as the Blood God Son and the Green-robed Patriarch. The novel not only creates the images of many young sword immortals with distinctive personalities, such as Li Yingqiong, Yu Yingnan, and Qi Jinchan, but also uses its wild imagination to depict fantasy wonderland such as Ningbi Cliff and Ziyun Palace, as well as mysterious settings such as the flight of sword immortals, the soul leaving the body, and formations and magic weapons. The work integrates the thoughts of Confucianism, Buddhism and Taoism, emphasizing "responsibility" and "karma". The ascetics need to go through many tribulations before they can ascend. His writing style is classical and gorgeous, and the Xianxia system he constructed has had a profound impact on later generations of Jin Yong, Liang Yusheng, and even many Xianxia literature, film and television works. This book contains for the first time the ten-volume main story, a sequel and a spin-off of the series. It is carefully edited and edited, making it a truly complete collection that is different from other versions. The good and evil sects in the book are complex and there are many characters, forming a huge "Swordsman Universe". In order to facilitate readers' reading, the editor of this book has sorted out and explained the various sects and hundreds of various characters in the book. I believe it will bring a better reading experience to the readers.

The Master of Huanzhu Tower is an important figure who occupies a place in the history of modern Chinese literature. He was once known as the "King of Modern Martial Arts Novels". His life has gone through twists and turns and is extremely legendary. His works contain up to 17 million words. His novels are gorgeous in writing, extremely poetic, magnificent in imagination, majestic in momentum, integrating chivalry and martial arts into a highly philosophical and artistic display, showing the grandeur of a genius. After careful planning and production, our company has launched the "Collection of Martial Arts Novels of the Republic of China·Huanzhu Louzhu Volume" on a large scale. "The Legend of Shushan Swordsman" is one of the important representatives of Huanzhu Louzhu.

"The Legend of Shushan Swordsman" tells the story of the Emei disciples "San Ying Er Yun", "Qi Diao" and others' experience of apprenticeship and demon slaying. During their outings to practice, they experienced countless chances and coincidences and obtained various powerful rare treasures. In the struggle against evil sects, their skills became increasingly stronger. Finally, in the third Emei Sword Fight, good and evil characters had a final contest. This book has 9 volumes in total, and this is the second volume.

"The Solitary Hero of Ten Thousand Miles and King of Tiger Claw Mountain" edited by Huanzhu Lou contains two martial arts novels, namely "The Solitary Hero of Thousand Miles" and "The King of Tiger Claw Mountain", both of which were written by the "King of Modern Martial Arts Novels" Huanzhu Lou.

This book is a full-length martial arts novel written by the "King of Modern Martial Arts Novels" Huanzhu Louzhu. The book consists of five chapters and about 100,000 words. This book continues Huanzhulouzhu's previous writing style and is one of his little-known works. It was serialized in Yishibao and was discontinued in March 1935. The writing style of the work is free and easy, the characters are delicately depicted, and the writing style is quite strong yet soft in the chivalrous style. At the end of this book is attached a chronology of Huanzhu Louzhu's creation.

This book is a martial arts novel written by the "King of Modern Martial Arts Novels" Huanzhu Louzhu. The first volume was published by Tianjin Lili Publishing House in June 1934, titled "The Hidden Story of the Wilderness"; the second volume was published in February 1937, renamed "The Hidden Story of the Wilderness", and the fifth volume was published in November 1941. The work is beautifully written, extremely poetic, has magnificent imagination, and is majestic. It advocates advocating good and eliminating evil, being filial to friends and righteousness, and commending people's value and dignity. It is a classic work worth collecting.

"The Legend of Shushan Swordsman" is a martial arts and mythological novel. During the war-torn period of the Anti-Japanese War, China surprisingly gave birth to a mysterious and bizarre "The Legend of Shushan Swordsman". This masterpiece of Chinese mythology "opened up an unprecedented spectacle in the novel world" and directly influenced the development of new martial arts novels such as Jin Yong's in later generations. Lee Sun-ki (Shou Min), the great master of martial arts novels about gods and demons, has a mind full of everything and a pen that holds a lot of treasures. In "The Legend of Shushan Swordsman", he created the most whimsical fantasy world ever seen in the world: The sea can boil , the earth can be overturned, mountains can be moved, people can turn into animals, the sky can disappear without a trace, the land can sink without a trace, there is a sky outside the sky, there is an earth under the earth, there are lakes and swamps under the water, there are monasteries in the heart of stone, and the soul can leave the body. The novel takes the Shushan Sect as the main righteous gang, and tells the story of the Shushan disciples' experiences in learning martial arts and slaying demons. It especially focuses on the disciples San Ying Er Yun, Qi Diao and the Four Great Disciples. These people are all disciples of the Shu Shan Sect. They are all very young. In the process of going out to practice, they continue to have adventures and gain success. He discovered many rare treasures, and his abilities became more and more powerful. Among them, Li Yingqiong (one of the three heroes) was the most important junior figure. It described in detail that she went from an ordinary woman to get the purple Ying sword of Changmei Zhenren through countless coincidences, subdued the divine eagle Buddha slave and the orangutan Yuan Xing, and ate many rare things. After seeing Zhu Guo, she got the Taiqing Divine Flame Douhuo left by her predecessors and the Dingzhu from the White-browed Monk. Finally, she also got a Jiazi skill from her close friend Sheng Gu in her previous life. In short, she finally became the most outstanding figure among the descendants of the Shushan Sect. Therefore, even the senior masters in the book marveled at her adventures. The stories of these juniors Taking the third Shushan Sword Fight as a clue, the book always explains that the great battle between good and evil will begin soon - the third Shushan Sword Fight. This sword fight is the final test between good and evil characters. All grievances are ended at this time. In the gaps between telling the story, Li Shoumin often slyly reveals the results of the sword fight. This keeps the battle in the reader's mind. Another clue in the book is the Great Tribulation of Immortals five hundred years ago. Li Shoumin believes that those loose immortals and earth immortals who have not become golden immortals must constantly experience natural disasters and catastrophes. Therefore, many senior masters in the book are preparing for the upcoming three tribulations, and the Emei sect is constantly helping other righteous loose immortals who are not from the sect to prevent them from getting into trouble during the three tribulations. Some of the predecessors portrayed in the book are very distinctive, such as the strange beggar Linghun, the Ersou of Songshan, the camel god Yixiu, Zang Lingzi, etc. Since it is five million words in length, the author can fully describe it, which makes the work a bit messy, and there are often two connections. It takes a long time for the story to be connected. In the middle, the author begins to tell the background of the new main character in a leisurely manner. And this introduction often starts with his birth, so impatient readers are sometimes very distressed. It is a pity that these two clues were not completed, because when the author was about to continue writing, the political environment deteriorated sharply. Naturally, he did not dare to write such a novel anymore, so after five million words, countless unsolved cases and stories were left. When I read him, I often think of Cao Xueqin's "Dream of Red Mansions", both are unfinished masterpieces, but "The Legend of Shushan Swordsman" is far from the reputation of "Dream of Red Mansions", and there are not many sequels, which is really sad. In a certain period in China, it is really difficult for such novels to be recognized and praised by the mainstream literary circles in society.

"The father of modern martial arts novels" Huanzhu Louzhu represents an important faction of martial arts in the Republic of China. He believes in Lu Zu's Wu Liu Tianxian lineage, integrates mythology, sword immortals, and martial arts into one, and carries out highly philosophical and artistic imagination, especially various sword immortals. Divine magic and fantasy magic weapons show the majestic spirit of geniuses. They are an eternal spectacle in the Chinese novel world. They have a huge influence on later generations of martial arts writers, and almost no one can match it. For example, Gu Long, the master of martial arts in Taiwan, once said that he was deeply influenced by Huanzhu Louzhu. The "Nineteen Heroes of Qingcheng" series focuses on describing the martial arts stories of Luo Lu, Qiu Yuan, Yu Nanqi, Di Shengnan and other nineteen disciples of the Qingcheng Sword Immortal in the early Qing Dynasty.

The front of the book describes the heroes of Baima Mountain paying homage to the "martial emperor", their determination to revive, and training their troops. It is written in a solemn, solemn and vivid manner, which is the only one seen in Huanzhu novels. His review was a long couplet with forty-eight characters: "A brigade is looking forward to Zhongxing. There are high mountains, fertile fields, forests, summer houses, fertile fields, Qihuayao grass; there are only a few people there, many of whom are filial sons, loyal ministers, remnants, people with lofty ideals, heroes, heroes, heroes and immortals."

Martial arts novels. The first volume was published by Shanghai Minsheng Bookstore in June 1950; the second to ninth volumes were published by Shanghai Xinliu Bookstore from August 1950 to February 1951; the first and first volumes were published by Shanghai Xinfeng Bookstore from April to May 1951.

"The Legend of Shushan Swordsman" tells the story of the Emei disciples "San Ying Er Yun", "Qi Diao" and others' experience of apprenticeship and demon slaying. During their outings to practice, they experienced countless chances and coincidences and obtained various powerful rare treasures. In the struggle against evil sects, their skills became increasingly stronger. Finally, in the third Emei Sword Fight, good and evil characters had a final contest. This book has 9 volumes in total, and this is volume six.