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Compared with many works of the same era, this collection of novels has wiped away the impetuous bubbles. With its highly beautiful and concise language, the writing style that penetrates the depths of human nature, and the witty and humorous ideological features, readers with different experiences can find what they want in it. Introduction: This book is a collection of novels, including 7 novels and short stories by the author, including "Professor Ji Herding Pigs", "The Mute Girl's Grassland", "The Last Horse", "Pockmarked Yellow", "Piao Ping", "Tear Umbrella" and "The Setting Sun under the Gaixia". This book spans a large period of time, is rich in content, and has varied styles. Suitable for readers of different levels and ages, mainly adults.

Are you here? Okay, okay, sit, sit, sit! My dear, bring me a pot of tea. The Jin Junmei we brought back from Fujian last time, make me a pot to entertain the guests. What? Don't know those three words? Well, it's easy to say, just look at the price on the label, whichever is more expensive, brew whichever one is more expensive, and use the most pretentious set of small teapots. They are so particular, and their educated people like this. Don't use the big teapot from my hometown in Shandong to make people think that I am a descendant of Liang Shanbo, with small eyes and a big belly, poor food and no culture. This female reporter, you want to interview me, yes, but I have two conditions: 1. I will be paid to appear in your magazine and I won't do it. It's not that I don't have money, it's that I can't afford to lose this position and this person. After all, I am also a famous painter and professor now. People who want to buy paintings from me are already waiting until March next year, so I don't need you to advertise.

In the sound of Morigen's matouqin, I hummed this song that flowed from my heart all the way. Bayin also hummed along. He said that when tourists come to the grassland next summer, he will sing to them and tell the story of three orphans in the desert. One day later, we walked out of the desert and entered the grassland; two days later, we walked out of the grassland and came to the city; three days later, I said goodbye to Mo Rigen and Bayin and returned to Beijing alone. When I walked into the house, I took off my shoes and watched the sand flow out of it like running water, and it instantly turned into a desert... I put the sand into a small glass bottle and placed it high on the bookcase. It read: Desert Sand, Bichi Madha Rita (I love you)!

The intermittent sound of the flute came from afar, and the boy playing the flute sat on the grass slope. In the sunshine, the soybeans all over the slope made the sound of exploding, and there was the sound of grasshoppers flapping their wings everywhere. The young man's face was so delicate and graceful that it seemed as if it did not belong to this mundane world. His long and slender fingers moved lightly on the flute hole, and his eyes looked into the distance - a distance that no one could see, as if he could cross fields, rivers and woods and see another world. His long, narrow, upward eyes revealed his indifference and even disdain for the world in a casual glance. Only when he was playing the flute was he attentive and vivid, and even the surrounding scenery seemed to be brought to life by him.

"Where will those who have lost their homes settle down?" This unfounded emotion accumulated over the years, and Holderlin's famous saying "Man dwells on the earth poetically", inadvertently constitute a question and answer in a spiritual sense. Although one is a recognized master in the literary world and the other is an ordinary friend, there is a secret channel that seems to have been communicating with these wandering souls in the middle. Perhaps it is this unremitting pursuit that awakens the hometown complex in our blood and bone marrow.

Nuan Nuan said that during the wedding ceremony, she was pressed down on her head while chewing an apple, and her teeth bumped into someone's teeth, and they were knocked off with a bang. Bangchui blamed her for not telling her earlier, and Nuannuan replied that the tooth had fallen out anyway, so it would be useless to talk about it. A woman only gets married once in her life, and she can't just wrap it up in paper and put it in her pocket just because a front tooth ruins everyone's happiness! Bangchui was furious: "If you lose a tooth, your appearance will be disfigured, you know? If you say something at that time, I have to find out the person who broke your tooth and let him cover the money for the dental implant!" Nuan Nuan said: "Forget it, it's just one tooth. Teeth, I don't care. My grandma has lost all her teeth, and she still can't eat the same thing!" Bangchui was furious: You don't care, I don't care. I managed to get a perfect wife by selling iron, and even my front teeth were knocked out! As he spoke, he turned his head to the side in a dull manner. Nuan Nuan wanted to change the topic and pulled Bang Chui's sleeve. This tug reminded Bang Chui of his desire, and he immediately started tearing it excitedly, but Nuan Nuan took his hand and asked him to agree to something. Bangchui said, "Sure, I'll agree to anything as long as it doesn't cost me my life."

The village was so small that a gourd can be used to pull it over. Four of the seventy-six people were kidnapped by bandits in one fell swoop. The old are old, the young are young, and the families are all equally poor. There is not much left to sweep with a broom. Don't you think the bandits are asking for trouble? Besides, this group of people and that group of people have been washing it so many times, even the fat intestines have been washed out of oil. The villagers were chattering about this together, guessing that the informant might have led the wrong way: it is a big village, and there are no particularly wealthy households. The beggars are too few, and the rabbits are too lazy to poop here. Is it worth a trip, and is it worth tying up four of them at once? However - one of the elders bit his pipe and said thoughtfully: It's hard to say. The bandits are so poor and anxious that the King of Hell will not disdain the thinness of ghosts.

In an ancient mountain village like a paradise, Jill, a shepherd boy, and the old woman who adopted him live together. The folk customs here are simple, with men farming and women weaving. They work at sunrise and rest at sunset, which is as peaceful and peaceful as an pastoral. One day, a girl with wings in red gauze suddenly flew to an old peach tree on the hillside, disturbing the peaceful life of Ji Er and the people of the ancient village. Where did she come from and where did she go? Is she a ghost, a monster, a fairy or a demon? No one knows. People panicked, and the savage hunter and leopard dared to shoot the red gauze girl, but were stopped by the old patriarch with white hair, white eyebrows and white beard. The tribesmen held a meeting to discuss strategies to deal with the red gauze girl, and held a grand expulsion ceremony. However, the red gauze girl does no harm to humans. She looks wild and unruly, but she is lonely inside and longs for the warmth of the world. Jill, a young shepherd boy, is the only one who does not reject the red gauze girl. He and the red gauze girl cherish each other. Living with the red gauze girl in the old peach tree is an old green insect who is well-read in poetry but cynical. He is knowledgeable, a symbol of wisdom and a forest encyclopedia. There are also some little creatures with different temperaments living in the mountains and fields: a field mouse who likes to brag and sing little dramas, a philosopher-like thousand-year-old turtle king, a cowardly The clever little monkey, the parrot-talking talker, the vain and cunning fox sisters, the weird general mole... The red gauze girl wandered the mountains and fields with them, watching the interesting "dramas" they put on for survival, and she gradually fell in love with this pristine land. How will the girl in red gauze survive in this magical paradise? Where is she from? Where will it go?