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This book describes the different emotional and marital encounters and ups and downs of the three sisters of the Ning family, and in the end they all find their own emotional part.

"Crescent Spring \u002F Book Series of Contemporary Chinese Powerful Female Writers" is written by Qiao Ye. It is a book series of powerful contemporary Chinese female writers and is edited by Liang Hongying, director of the Creative Research Department of the Chinese Writers Association. "Crescent Spring\u002F Collection of Contemporary Chinese Powerful Women Writers" selects a total of 8 short stories and short stories published by Qiao Ye, a well-known contemporary female writer, in famous domestic literary journals. "Good Night" shows the beauty and kindness of women living at the bottom through a female bathing center worker. "Stretch Marks" tells the story of a woman who is about to commit an affair and suddenly realizes that she has lost her integrity and chooses to give up, which reminds the darkness and glory of human nature. "Chinese Lesson", "Dragon Robe", "Crescent Moon Spring", "The Story of the Fan", "Shizhuang Dream", "Singing in Turkey" and other chapters all use realistic writing techniques to express the fate of different people in different eras and show people's yearning for a better life.

Qiao Ye has been publishing poems since the early 1990s. He has participated in the Youth Poetry Club of "Poetry Magazine" and is a hidden poet. This collection of poems is the outburst of Qiao Ye's dormancy for many years. These poems have the artistic courage to look at the world with a cold eye and penetrate deep into one's inner psychology. They are sharp, sharp, brave and bold, yet simple and natural, truly charming. She writes about emotions, warmly and profoundly, with a kind of desperate passion; when she writes about the world, she directly touches the pain and itch in life, provoking and enlarging the things we are accustomed to ignore, giving people the pleasure of reading that goes deep into the spinal cord. These poems reveal the colorful and dense inner scenery of a writer who appreciates life with all his heart and is always present.

"I" have not been valued by my grandmother who favored boys over girls since I was a child. Due to her long-term contempt, I developed a rebellious and perverse personality. I deliberately opposed my grandmother at every turn and challenged her authority. After growing up, "I", who became a reporter, began to re-examine my grandma's life from the perspective of my own life situation. The novel uses the conflict of ideas and personalities between the old and young generations of women to describe the fate of the characters and family encounters, forging the "rough" life into a gentle texture, and revealing the author's unique understanding of the changes of the times and the flow of life: I must grow in her roots, and she must reappear in my body... Living, which was originally the fastest thing, has become the slowest because of this.

This book is Qiao Ye's latest self-selected collection of prose, divided into 4 volumes. Qiao Ye's prose is delicate and smart, fresh and meaningful, thoughtful and practical, and full of beautiful feelings of warmth and healing. In this book, Qiao Ye has more detailed observations and descriptions of life and life, literature and friendship, fashion and customs, etc. It is full of philosophy and speculation, contains profound introspection, and allows us to see the power of perseverance. After years of practice in writing both novels and prose, Qiao Ye's prose has reached a new height. This book represents the highest level of the author's prose creation. At the same time, the well-known illustrator Wang Yunfei lovingly painted the book (cover image), and the same series of paintings was selected as the background image for the Hunan Satellite TV party.

The novel tells the emotional interaction between a pair of adult sisters. My younger sister lives in a provincial capital and works in a social group with a favorable economic environment, and all the people coming and going are educated people; my older sister lives in the countryside, and farming, gambling, having children, and divorce are her entire life. In addition to constantly subsidizing her sister's financial bottomless pit, in addition to seeing her own future from her sister's aging, her sister desperately does not want to get along with her sister face to face. The work sets the sisters' meeting in an unavoidable and helpless occasion, and through the sister's greed and rusticity in the cafeteria and the constant washing in the hotel bathroom, the sister can fully see her elder sister's aging, body deformation, and financial poverty and embarrassment, making her constantly feel embarrassed and forced to endure it. But the seemingly vulgar elder sister's simple questions and answers with her younger sister in confusion, from childhood memories to the house, from money to extramarital affairs, gave the younger sister a new understanding of her elder sister.

A daughter bathing her mother washes away her mother's past bit by bit; middle-aged men and women who were lovers climbed mountains together twenty years apart, measuring the lightness and heaviness of each other's lives; the small matter of "taking pictures" pulls up the fishing net of time and brings up important moments in family changes... Through the embarrassment of middle-aged life, we welcome freedom and relaxation. Seven exquisite portraits of daily life give us the courage to reach another bay in life.

Everyone has their own story, and everyone was once an angel, but she will eventually bid farewell to the sweet singleness of an angel and become a rich, diverse and indescribable herself. Qiao Ye plunges into the depths of life without hesitation, constantly explores and repeatedly observes, captures the undercurrent of the characters' inner world, and writes about the quiet conflicts and waves in the characters' spiritual world. The constriction and openness of life, the collision and game of human nature, slowly unfold in her writings. Qiao Ye plunges into the depths of life without hesitation, constantly explores and repeatedly observes, captures the undercurrent of the characters' inner world, and writes about the quiet conflicts and waves in the characters' spiritual world. The constriction and openness of life, the collision and game of human nature, slowly unfold in her writings.

During the Tianbao period of the Tang Dynasty, a girl from Chang'an City took in a dying Persian in her inn. The Persian was impressed by her kindness and gave her a supernatural pearl before her death. This bead can keep her young and longevity, provided that she cannot have sexual intercourse with a man. For more than a thousand years, she has always adhered to this commandment that is vital to her life, until she met the son of a cooking family. His father was promoted to an official career because of his proficiency in cooking. When the anti-corruption trend came, he committed suicide due to unbearable pressure and left him a special "legacy" without authorization, which attracted his former partners to eye him...

The novel tells the story of what five Chinese people saw, thought, and felt when they traveled to Türkiye and what happened with their tour guide Peng Liang. Peng Liang is a sunny Turkish boy who traveled thousands of miles to China to study Chinese, but he also safeguards the history and culture of his nation. His life experience reflects the fusion and collision of the two cultures. His love for the motherland and the myth of history have resonated with five Chinese people.

This book is the latest collection of essays by Qiao Ye, winner of the Mao Dun Literature Prize. Qiao Ye is good at capturing poetic details in trivial daily life, and in his narration, he shows everyone's most honest and subtle emotions and emotions when facing life - it seems that everything should be beautiful and elegant, and all kinds of life are worthy of our taste and appreciation again and again, and this kind of Observation and appreciation reveal more about the inner feelings of contemporary people - not only seeing the beautiful details of life, but also insisting on seeing the truest appearance deep in our souls; not only cherishing everything we have now, but also persisting in resisting emptiness and negativity. The real love in this era must be for specific people.

This book is a spiritual inspirational book by Qiao Ye, a cutting-edge female writer who is loved by domestic readers and is famous for her prose essays. Qiao Ye is a contracted writer for "Reader", the largest circulation magazine in China, and his works have a high reprint rate in many newspapers and magazines. This book consists of about 70 short and concise beautiful articles and essays. The writing is sharp and poignant, facing the sensitive and delicate inner and emotional world of all female readers. The book conveys the author's unique insights into life, living, and love, making people sigh with infinite emotion while being moved.

Come to think of it, the reason why mortals are mortals may be because they like to ask for help when things happen. The reason why Guanyin is Guanyin is probably because she only seeks herself when things go wrong - thinking about it this way, if everyone has the strength and confidence to seek self-discipline in times of trouble, maybe everyone will become their own Guanyin!

Whether you admit it or not, youthful literature has become a part of the literary scene in the 1990s. Zhu Yong, Deng Hao, Dong Wenting, Zhou Dedong... When the names of young beauty writers frequently appear in periodicals and newspaper supplements across the country, their young faces and fresh writing styles, their emotions and stories with distinctive characteristics of the times, all show conspicuous signs for their growth and shaping...

A man who had just been released from prison wandered to a remote town near New Year's Eve. Here he was looked down upon by people, downcast and lonely, and he met a special woman. The woman was a small shop owner who was subject to inexplicable rumors and people's contempt. The man stayed in this small shop, they warmed each other and spent a wonderful New Year's Eve...

This book mainly describes the love story between young men and women, and explores love and liking in the emotional world.

Li Zhongmin is a successful man who entered the city from the countryside and took root in the city. One day when he returned home, he accidentally encountered a thief and was controlled by the thief. In order to relieve his difficulties, he tried his best to show kindness to the thief and recalled every bit of his life in the countryside, so as to gain the thief's resonance and favor. Finally, when the thief completely relaxed his vigilance, he decisively took action and beat the thief to death with a rusty hoe.

Following the trend of the times, Qiao Ling traveled through time. But she happened to be dressed as something that can be seen everywhere on land. A... Grass?

The novel uses the first person to recall every moment between myself and my grandmother. The shackles of her grandmother's patriarchal thoughts have caused the protagonist to be full of resistance and prejudice against her grandmother since she was a child. However, as she grows older, she seems to be following her grandmother's path again, and gradually understands her grandmother's persistence in life. The two dislike each other but depend on each other. Finally, when her grandma passed away, she completely forgave her and faced the cycle of life again and again.