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The Middle Ages was not a dark time, but a colorful time. The Middle Ages were a testing ground for ideas to understand the changes between ancient and modern times and the differences between China and the West. Following the "Outline of Western History" and "Outline of Roman History", Li Jun once again changed his writing concepts and techniques, using 20 years of academic skills to carefully build a colorful medieval museum for readers. Entering this novel museum, "Vikings", "Knights", "Witches", "Alchemy" and "The Black Death" hit you face to face. Li Jun uses these typical and interesting medieval topics to help readers establish an initial impression of the Middle Ages. Then, Li Jun used five thematic exhibition rooms of "Empire", "Church", "Kingdom", "University" and "City" to systematically show readers the unique evolution of many contexts in the Middle Ages. He brilliantly presented the spectacular diverse eras in human history, effectively revealed the historical logic of the modern world emerging from the Middle Ages, and at the same time delicately tasted with readers the historical wisdom of finding self-positioning from "chaos".

Let's start with the name of the village. The village where I was born is called Benwuzhuang, located in Huang'an County at the foot of the Dabie Mountains. Although Huang'an County is now known as Hong'an County and has become the cradle of generals in people's eyes, Wuzhuang is like the village and town that everyone remembers where they grew up. It is scattered in the vast mountains and valleys of China and looks dispensable. If it weren't for the lingering smoke from cooking fires and the mooing of cows all year round, it's possible that this village would be like a wild dog with no one raising it, lonely and endless when it was alive, and no one would care about it after it died. Strictly speaking, Benwuzhuang is not a small town because it is relatively small and deep in the valley. The first idiom I learned when I grew up was called "The door faces the green mountains", and I felt it was prepared for this village.

"Entering History from Shanghai: Research on the Teaching Application of Shanghai's Local History Moral Education Resources" mainly includes the development status of Shanghai's local history moral education resources, the development status of physical moral education resources, the development status of text-based moral education resources, subject textbooks compiled by the municipal government, the Municipal Education Commission and various districts and counties, school-based readings compiled by major primary and secondary schools, various readings written by sociologists, and the application status of Shanghai's local history moral education resources.

The ancient Immortal Emperor Chen Yu returned to the city and came before the bad luck happened. In his previous life, his mother was seriously ill and hospitalized. His life-saving money was defrauded by his girlfriend to buy a bag. His sister was insulted and jumped off a building in despair. Even he himself was beaten to death with a stick. All of this was related to his girlfriend Ye Ling. At that time, Chen Yu was just an ordinary person and could do nothing. But in this life, he will make life worse than death for all those who have wronged him!

In the early stage, the heroine was actually a cold-faced and cold-hearted person. Except for her brother, she was rarely gentle. However, when she met the male protagonist who was colder than her in the college, a lot of things gradually happened between them. In the later period, the heroine began to have many friends and became more humane.

What Nuonuo often said to me in the past was, Jiacheng, can we love each other freely like birds, without restraints, so that the flight carrying love will never fall.

This book is written in the form of a "historical outline" and outlines the development process of Roman history around the core concept of "super-large-scale community", and uses this model to shed light on a key development stage of Western history and civilization. The book consists of one main line and three thematic units. It analyzes the royal era, republican era and imperial era of Rome in chronological order, and deciphers the underlying logic of Rome, a very large community. While analyzing the history of Rome, this book also provides a reference for us to rethink the development path of China as a "big country".

This book is an academic treatise on the history of Chinese and Japanese historiography and historical thought from a comparative cultural perspective. The book takes "historical materials", "historians", "historical uses", "historical sayings" and "historiography" as its five major themes. It identifies a number of key points and characteristic topics in the development of Chinese and Japanese historiography, analyzes them one by one, and discusses them together, in order to outline the basic features of the evolution of traditional historiography and the transformation of modern historiography in China and Japan in the context of global historiography.

The characteristics of this book are: first, it basically grasps the character's life story and behavioral logic before 1931, which reflects Zheng's "reason for existence" and "reason for change" to a certain extent; second, it narrates events in chronological order, which can not only form an independent chapter, but also refer to the previous and later chapters. The writing style is concise, smooth and easy to read. What is particularly worth mentioning is that in terms of "combination of literature and history", the author also made full use of rich historical materials in literature and art, as well as poems, poems and expressions. Therefore, whether it is Zheng's realistic performance or his thoughts and emotions, he has a detailed understanding and detailed interpretation, vividly portraying this complex and controversial historical figure and striving to present the history realistically.

This is a collection of essays, including fifteen beautiful essays recently completed by the writer Li Jun. The author returns to his hometown in the text, reminiscing about the relatives and friends who have passed by in his life, and recording the deep imprints these dear people left on his growth and life. The hometown is disappearing and the countryside is falling, but nostalgia is like a birthmark, deeply embedded in the author's heart. These works have beautiful language, delicate emotions, and simple writing. There is a strong power to move people between the lines. The author uses an implicit and sincere writing style to write about his deep love for the people in his hometown. The many detailed descriptions reflect the author's unique understanding of life after experiencing the world, and also fully demonstrate the author's rich inner world.

"Modern Chinese Nationalist Literary Thoughts (1895-1945)" mainly carries out research work at three levels: on the first level, it clarifies the trend of modern Chinese nationalist thoughts from 1895 to 1945, explores the profound influence of nationalist thoughts on literary creation, and rewrites a clear, systematic and complete "History of Modern Chinese Nationalist Literary Thoughts"; on the second level, it starts with the macroscopic changes in modern Chinese nationalist thoughts and goes back to the nationalist era. The nationalist nature of Zeng Guofan's theory of "defending morality" and Kang Youwei's theory of "reforming from ancient times", while focusing on analyzing the nationalist thoughts of Liang Qichao, Sun Yat-sen, and Chiang Kai-shek, aiming to clarify the origins and differences of modern nationalist trends of thought; the third level focuses on interpreting the works of classic writers of political nationalist literature and cultural nationalist literature, explaining the aesthetic characteristics of modern Chinese nationalist literature, and providing useful resources for the construction of the theoretical system of modern Chinese nationalist literature.

It tells the story of four different types of men and women who met and fell in love.

"I was shocked, grabbed my mother's hand and asked, how was she? My mother said, she... She later became addicted to drugs for some reason, and died of overdose..." How did a childhood sweetheart leave "me" until he died? How did my father, who had been indifferent since childhood, make "me" experience deep love? The novel tells the story of "my" growth affectionately, and all the pain and joy that "I" experienced during my growth. It makes people feel heart-pounding and sad when reading it. I chose to go back to my hometown town one winter. On the day I went back, I was wearing a military uniform and was very conspicuous in the town. There were only a few hundred people in the town, and they all looked at me in surprise. I found that when I came back after five years away, the town was still as lazy as before, but many people no longer recognized me.

A farce caused Yas, Erqi and Fernando to be involved in a "suspected murder case" and made headlines in the newspapers. Ya Si and Xiao Bei lost a bet, not only did they accompany Cang Mei to take wedding photos, but they also had to stay one night in the "haunted house" on the top floor of Zhongnan. The drunk Yas mistook Xiaobei for Qingkong and hugged her tenderly. However, Zheming (Huang Yurong) locked the door without knowing it, so Yas and Xiaobei unexpectedly spent the night together...