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This series is positioned as a popular book that is both cultural and readable, suitable for both refined and popular tastes, well-received by professional circles, and well-received by the reading community. It rejects unfounded, excessively romantic, and "alternative" popular books for consumption, and does not include professional research works that are overly academic. Instead, it "walks the middle road." Based on this consideration, the single book is positioned as a biographical novel with historical themes. The text focuses on creating a sense of picture and situation, attracting readers to return to the historical scene. "The Lonely Bada Shanren" (author: Gao Weisheng), "The Blue Blood Painting by Wen Tianxiang" (authors: Lu Yuan, Cao Bo), "The Ups and Downs of Wang Anshi" (authors: Sun Yan, Cui Fengzhen), "A Generation of Confucian Scholars" "Talk about Zeng Gong" (author: Xu Xu), "The Great Scholar Recommends Zhu Xi" (author: Lu Wei), "Yang Wanli Inside and Outside Chengzhai" (author: Duan Shouxin), "Meeting Yan Shu after Returning from Yan" (author: Wu Xiangchun).

Tao Yuanming is a lonely man. He puts aside all his vanity and fame and retreats to nature. This is not a performance art, but an attitude towards life and a highly accurate insight into secular education. A completely natural poem, "withered on the outside but anointed on the inside, seemingly bland but actually beautiful", which is shaped in nature. Tao Yuanming's straightforward temperament and his rich spiritual world bloomed different flowers of innocence in the ideal peach blossom garden. This book shows Tao Yuanming's life-long thought and life art process through his poems written in life. Tao Yuanming left us a pastoral life and life pursuit of dignity, freedom, and sincerity. This rich legacy, like a mountain peak, allows us to look up and explore. Tao Yuanming does not put on any pretense. He pursues the essence of life and insists on himself in a life of poverty. The poems he created carry the morning dew and the breath of sunshine. Such a poet, his words are a good medicine for the loss of true feelings in modern society.

The author of "Taste Spectrum" has his daily life and food experience in Northeast China, where he was born, and Sichuan, where he later lived. The writing is concise and easy-going. Switching between the two perspectives of a foreign land and homeland, the nostalgia and fireworks are well combined.

The main contents of this book include: literature is not a "donkey skin drum", listening to Tolstoy talk about art, the feeling of standing fire, Pasternak's people and things, etc.

This is a Chinese food culture reader. Food is like a biographical owner, it carries the eater's memories, experiences, joys and sorrows, and nostalgia. Each dish is a big book, in which you can find traces of history and traces of your own journey. This book is divided into four parts: Wild Vegetables from the Land, Miscellaneous Notes on the Five Flavors, Food Talk, and Exploring Memory. When you recollect the experience of each food, you are also savoring the taste of time.