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Zihao, a Ph. D. In Biology, is tired of urban life. In order to escape reality, he mistakenly enters a foggy countryside shrouded in blue mist all year round while collecting specimens in the deep mountains and old forests. Here, Zihao won the respect of Mr. Ge, the elder of Wuxiang, and also gained the love of Qing'er, the most beautiful girl in Wuxiang. Zihao hoped to make a big difference here and kept giving advice to Mr. Ge. Unexpectedly, he fell into the trap of Wuxiang conspirators and fell into a desperate situation. He paid a price of blood and only escaped from Wuxiang after many twists and turns. After Zihao escaped from danger, he realized that his precious years had been wasted by time. A magical realism anti-Peach Blossom Spring novella, full of weird and mysterious colors. The author has published many literary works including the film and literary script "Blue Butterfly".

This book is a collection of film and literary scripts, including six film scripts written by the author. The author draws on a wide range of materials and is rich in content. History and reality, region and customs. There are complex love affairs in today's bustling cities, as well as the tortuous lives of early movie celebrities. There are the desires of the children of the run-down ancient town in the south of the Yangtze River, and there are also the strange emotions performed by the overseas Chinese in Lingnan during the Republic of China. There are grassland painters who adhere to the principles of life, and there are also weak Huizhou girls who are determined to take revenge. The blue butterfly floats around the ghosts of scholars, and the red watchtower reveals the mystery of human nature. The author's writing skills are skillful, and the script is rich in content and permeated with poetic qualities. At the same time, it is highly literary and readable, and can also be enjoyed as a movie novel. It is very suitable for desk reading for readers of all levels.

This is a collection of literary criticism, including 31 papers published by the author in various academic journals in recent years. The content is divided into three parts. The first part: the film scene of the Republic of China, mainly discusses the achievements and contributions of overseas Chinese filmmakers in Guangdong in the early 20th century and the 1940s, especially the Wuyi filmmakers, as well as their different life situations and destiny. This is the focus of this book. The second part: Overseas Chinese Writers, provides a scanning review of the writers and works active in the current overseas Chinese literary circle in Wuyi, Guangdong, allowing readers to have a general understanding of the creative status of these Wuyi writers and the development of overseas Chinese literature. The third part is the Appendix: A Glimpse of the Literary World, which contains essays on certain schools and writers in the contemporary literary world. It attempts to make its own judgment on the current literary trends and artistic changes in the literary world, as well as to interpret the works of some new and old writers from a new perspective. The academic viewpoints are novel, the historical materials are informative and clear, and they are also readable to a certain extent.