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"The Complete Works of the Crescent School: You Are the Flowing Cloud, I am the Lone Star" is one of the short collections of poetry of the Crescent School. It contains more than 100 poems by the New Moon School poet Chen Mengjia, which comprehensively displays the poet's poetic style. Most of Chen Mengjia's poems express personal psychological feelings, which are small and exquisite; they also have a sense of sadness and sadness, and are meaningful. Introduction to the series of books: The complete collection of famous artists has been published to 38 volumes by the end of 2017, with selected modern famous writers such as Lu Xun, Lao She, Xiao Hong, Fu Lei, Li Jieren, Lin Huiyin, Wang Zengqi, Liang Shiqiu, Zhu Ziqing, Yu Dafu, Xu Dishan, The classic masterpieces of Xu Zhimo, Wen Yiduo, Zhu Xiang, Chen Mengjia and others are original and original works, directly reaching the literary scene of the golden age; hardcover and portable, directly suitable for the commuting backpacks of new youths; complete styles and styles, 3D presentation of the artistic achievements of literary masters. This is the first collection of small collections that introduces the works of famous modern and contemporary Chinese literary figures on a large scale; this is a hard-covered and portable collection of famous works that combines archival and youthful atmosphere; this is a collection of famous works recommended by famous writers, complete in style and style, and read by experts. Specially included is the chronology of the author, which is sincerely recommended by Li Jingze, deputy director of the Chinese Writers Association and a well-known critic. One book can understand a writer, and a set of books can understand an era. It is extremely cost-effective and helps all people read.

This book is a related work that the author completed in 1947 at the same time as the "Collection of Chinese Bronze Ware Collection in the United States". According to the English manuscript of V1 collected by the Institute of Archeology of the Chinese Academy of Social Sciences, it was translated into Chinese by Wang Rui and four others. The translation was reviewed by Zhang Changshou and Wang Shimin. The book is divided into fifteen chapters. Based on the information available at the time, it provides a comprehensive and in-depth discussion of many aspects of the study of Chinese bronzes, such as research methods and brief history, regional distribution and cultural background, bronze terminology and shape classification, shape and decoration, forgery and casting, inscriptions, dating, etc. Some of the chapters are quite exciting. This is a work that has been lost for a long time due to historical reasons in the history of Chinese bronze research and has important academic value.